Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21157). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p023 RIGHT — 37 lignes

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1 TRANSLATION page_header
via surya_layout
2 29 page_number
via heuristic_pagenum
3 (One should move in it) from niṣāda to gāndhāra and the omission is like that main
via surya_layout
4 in madhyamā. annotation_inline
parent ligne 3
via heuristic_short
5 (228-229) main
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6 The performers should know pañcama as the amsa of gandhara-pañcami; main
via surya_layout
7 the same (pañcama) alongwith rṣabha is apanyāsa and gāndhāra is desired to main
via surya_layout
8 be the <i>nyāsa</i>. main
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9 (230) annotation_inline
parent ligne 8
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10 Whatever sañcāra (to and fro movement) and the like has been said in the main
via surya_layout
11 case of gandhari and then pancami, that should be known also in this main
via surya_layout
12 (gāndhārapañcamī), but it is always with complete svaras. main
via surya_layout
13 (231) annotation_inline
parent ligne 12
via heuristic_short
14 In āndhrī, şadja, madhyama and dhaivata should be known as non-amsas. Its main
via surya_layout
15 ṣāḍava form is devoid of ṣaḍja and gāndhāra should be its nyāsa. main
via surya_layout
16 (232) annotation_inline
parent ligne 15
via heuristic_short
17 In nandayanti, madhyama and pañcama should be known as the two main
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18 apanyāsas, gāndhāra is the graha and nyāsa, (and) pañcama is said to be the main
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19 ariisa. annotation_inline
parent ligne 18
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20 (233) main
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21 Its ṣāḍava form should be known as that of āndhrī, it has no auḍuva form. main
via surya_layout
22 It has sañcāra (in and around) the low rṣabha, which is also sometimes main
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23 omissible. annotation_inline
parent ligne 22
via heuristic_short
24 (234): main
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25 ln kārmāravī, şadja, gāndhāra and madhyama are non-amsas. It has main
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26 completeness, pañcama is the nyāsa (and) there is profuse movement main
via surya_layout
27 towards gāndhāra. annotation_inline
parent ligne 26
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28 (235) annotation_inline
parent ligne 26
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29 In kaiśikī, ṛṣabha is non-aṁśa and the two svaras composed of two śrutis each ; main
via surya_layout
30 are the nyāsas. Rṣabha and dhaivata alone are to be omitted respectively (in main
via surya_layout
31 the şādava and audava states). main
via surya_layout
32 ...................................... unknown
via fallback
33 When niṣāda and dhaivata are the aṁśas then pañcama also could become ... main
via surya_layout
34 the nyāsa. Ŗṣabha is the apanyāsa and some have said that it is similar to amsa... main
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35 (237) main
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36 , ' , annotation_inline
parent ligne 35
via heuristic_height
37 . . . annotation_inline
parent ligne 35
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vol_II_p043 RIGHT — 51 lignes

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1 TRANSLATION page_header
via surya_layout
2 69 page_number
via heuristic_pagenum
3 rī rī gā sama mā mā pā pā table
via surya_layout
4 (8) table
via surya_layout
5 mā pā mā pariga gā gā gā gā table
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6 (9) table
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7 dhā nī pā mā dhā nī sā sā table
via surya_layout
8 (10) table
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9 nī nī nī nī ņī nī nī nī table
via surya_layout
10 (11) table
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11 mā mā dhā nī nī dhā pā pā table
via surya_layout
12 (12) table
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13 mā pā mā pariga gā gā gā gā table
via surya_layout
14 (13) table
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15 nī nī pā dhani gā gā gā gā table
via surya_layout
16 (14) table
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17 sā rī gā sā nī nī nī nī table
via surya_layout
18 (15) table
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19 nī nī dhā dhā pā pā pā pā table
via surya_layout
20 (16) table
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21 Thus ends Kārmāravī. section_header
via surya_layout
22 [7.Gāndhārapañcami] section_header
via surya_layout
23 Pañcama is the amsa in gandharapañcami. The wise should produce main
via surya_layout
24 concert (among svaras) here also as in gāndhārī and pancamī. main
via surya_layout
25 (19) annotation_inline
parent ligne 24
via heuristic_short
26 Caccatpuța ( is the tāla), there are sixteen kalās here. The mūrchanā main
via surya_layout
27 beginning with gandhara obtains. Application is (prescribed) in the singing main
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28 of dhruvās pertaining to the fourth act. main
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29 (20) annotation_inline
parent ligne 28
via heuristic_short
30 Gāndhārais the nyāsain this (jāti). Ŗṣabhaand pañcamaare apanyāsas. The main
via surya_layout
31 prastāra is thus - main
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32 mā mā pama dhanī dhapa mā dhā nī table
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33 (1) table
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34 sani dhā pā pā pā pā pā table
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35 (2) table
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36 dhā nī sā sā mā mā pā pā table
via surya_layout
37 (3) table
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38 ការី ការី ការី ការី ការី ការី ការី ការី table
via surya_layout
39 (4) table
via surya_layout
40 nī nī dhapa mā nidha nidha pā pā table
via surya_layout
41 (5) table
via surya_layout
42 pā pā rī rī rī rī pā pā table
via surya_layout
43 (6) table
via surya_layout
44 mā riga sā sadha nī nī nī nī table
via surya_layout
45 (7) table
via surya_layout
46 nī rī sā risa rī rī rī rī table
via surya_layout
47 (8) table
via surya_layout
48 ni gā sā niga sā nī nī nī table
via surya_layout
49 (9) table
via surya_layout
50 nī mā nī mā pā pā gā gā table
via surya_layout
51 (10) table
via surya_layout

vol_II_p057 LEFT — 27 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 96 page_number
via heuristic_pagenum
3 [१. भिन्नषड्जः] section_header
via surya_layout
4 धैवतांशो मध्यमान्तः पञ्चमर्षभवर्जितः । main
via surya_layout
5 षड्जोदीच्यवतीजातो भिन्नषड्ज: स्मृतो बुधै: ॥३०६॥ main
via surya_layout
6 (जमा?जातो) annotation_inline
parent ligne 5
via heuristic_height
7 [अनुः १७५] editorial_bracket
parent ligne 5
via heuristic_brackets
8 [अस्यार्थ:-]भित्रषड्जः पड्जग्रामसम्बन्धः षड्जोदीच्यवतीजातेर्जातत्वात्। धैवतो editorial_bracket
parent ligne 5
via heuristic_brackets
9 ग्रहोंऽशश्च। मध्यमो न्यासः। ऋषभपञ्चमहीन औडुवितः। निषादगान्धारौ काकल्यन्तरौ। main
via surya_layout
10 सर्वोपकरणप्रवृत्तस्य ५७विजातीयाद्रणान्निवृत्तस्य मृगयायां प्रवृत्तस्य नायकस्य प्रावेशिकीषु अस्य main
via surya_layout
11 विजातीयो निरणानियृत्तस्य (?) annotation_inline
parent ligne 10
via heuristic_height
12 विनियोगः। <sup>५८</sup>बीभत्सभयानकौ रसौ । धैवतादिमूर्छना । सञ्चारी वर्णः । <sup>५९</sup>प्रसन्नादिरलङ्कारः । main
via surya_layout
13 दक्षिणे कला, वृत्तौ कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल: । main
via surya_layout
14 [२.भिन्नपञ्चमः] section_header
via surya_layout
15 [अन्॰ १७६] editorial_bracket
parent ligne 14
via heuristic_brackets
16 .असौ भिन्नपञ्चम: स्वरभिन्नोऽभिधीयते । लक्षणं च तद्यथा - main
via surya_layout
17 शुद्धपञ्चमवत् प्रोक्तः स्वरज्ञैर्भित्रपञ्चमः। main
via surya_layout
18 स्वर(न्ग्रे?ई) annotation_inline
parent ligne 17
via heuristic_short
19 धैवतांशः पञ्चमान्तः सूत्रधारप्रवेशने ॥ ३०७॥ main
via surya_layout
20 [अन्॰ १७७] editorial_bracket
parent ligne 19
via heuristic_brackets
21 अस्यार्थः - भित्रपञ्चमो मध्यमग्रामसम्बन्धः, मध्यमापञ्चमीजात्योर्जातत्वात् main
via surya_layout
22 पङ्जोदीच्यवतीजाते: मध्यमा(पञ्चमी) जात्यो॰ annotation_inline
parent ligne 21
via heuristic_markers
23 ण्या(म) annotation_inline
parent ligne 21
via heuristic_height
24 भिन्न(सं?)पञ्चमो annotation_inline
parent ligne 21
via heuristic_height
25 ग्रहोंऽशश्च धैवतः। पञ्चमो न्यासः। निषादोऽत्र काकली। क्वचित्रिषादस्यापि प्रयोगः । सम्पूर्ण- main
via surya_layout
26 श्चायम् । सूत्रधारप्रवेशेऽस्य विनियोगः । बीभत्सभयानकौ रसौ । धैवतादिमूर्छना । सञ्चारी वर्णः । main
via surya_layout
27 प्रसन्नादिख्लङ्कारः । दक्षिणे कला, वृत्तौ कला, चित्रे कला, स्वरपदगीते चच्चत्पुटादितालः । main
via surya_layout

vol_II_p025 RIGHT — 34 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 33 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 Kaiśikī is (the only one) with six aniśa svaras - sa, ga, ma, pa, dha, ni. main
via surya_layout
4 Ṣaḍja - madhyamā is (the only one) with seven amśa svaras - sa, ri, ga, ma, main
via surya_layout
5 pa, dha, ni. main
via surya_layout
6 1 page_number
via heuristic_pagenum
7 Thus sixty-three amsas have been explained. main
via surya_layout
8 Madhyamodīcyavā and similarly gāndhārapañcamī and nandayantī, these main
via surya_layout
9 three are known to be with one anisa viz. pancama. main
via surya_layout
10 (241) annotation_inline
parent ligne 9
via heuristic_short
11 Dhaivatī and pañcamī, these two should be known with two amśa (svaras) main
via surya_layout
12 each viz. dhari and ripa. Gāndhārodīcyavā is with two (amśa svaras) viz. main
via surya_layout
13 madhyama and şadja. annotation_inline
parent ligne 12
via heuristic_short
14 (242) main
via surya_layout
15 In ārṣabhī niridha, in naiṣādī the three niriga (and) in ṣaḍjakaiśikī sagapa are main
via surya_layout
16 amsa (svaras); (these) three are said to be with three amsas each. main
via surya_layout
17 (243) annotation_inline
parent ligne 16
via heuristic_short
18 Şadjodīcyavatī is known to be with four amśasviz. samanidha, kārmāravī is main
via surya_layout
19 with ripanidha, andhrī also with garinipa. main
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20 (244) annotation_inline
parent ligne 19
via heuristic_short
21 Ṣāḍjī is with sagamapadha (as amśas), madhyamā is also with five amśas viz. main
via surya_layout
22 sarimapadha, gāndhārī is with sagamanipa and similarly is raktagāndhārī with main
via surya_layout
23 the same five amśas. Kaiśikī is the one (jāti) that is known to have six amśas main
via surya_layout
24 viz. sagamapanidha. annotation_inline
parent ligne 23
via heuristic_short
25 <math>(245-246)</math> main
via surya_layout
26 Ṣadjamadhyā is with seven amsas and thus those amsas are sixty-three (in main
via surya_layout
27 total). main
via surya_layout
28 [7. Prescription regarding the performance of jātis] section_header
via surya_layout
29 Jātis are those that give rise to grāma-rāgas through their amśas.43 main
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30 (247) annotation_inline
parent ligne 29
via heuristic_short
31 During their performance the prescription (regarding temporal main
via surya_layout
32 organisation) is based on yugma<sup>44</sup> (lit.even) and ayugma<sup>45</sup> (lit.odd). They main
via surya_layout
33 are to be performed with three 46 mārgas viz. citra, vārtika and dakṣiṇa. main
via surya_layout
34 (248) main
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vol_I_p032 RIGHT — 46 lignes

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1 47 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 The third (letter) of the eighth (group viz. 's') combined with the Hari-bija main
via surya_layout
4 <math>(a)^{71}</math> is the initial svara that the knowledgeable one in svara should draw out main
via surya_layout
5 with all effort. annotation_inline
parent ligne 4
via heuristic_short
6 (63) main
via surya_layout
7 The second (letter) of the seventh (group viz. 'r'), combined with kāmabīja main
via surya_layout
8 (viz. 'a'),72 know (that) as the second svara arising out of the brahmasthāna main
via surya_layout
9 (64) annotation_inline
parent ligne 8
via heuristic_short
10 (brahmagranthi). main
via surya_layout
11 The third (letter) of the second group (viz. 'g') combined with Viṣṇu - bīja, main
via surya_layout
12 (viz. 'a'), one should always draw out (this) svara which is attractive among the main
via surya_layout
13 (65) annotation_inline
parent ligne 12
via heuristic_short
14 various svaras. main
via surya_layout
15 The last (letter) of the sixth group, (viz. 'm') combined with the initial one main
via surya_layout
16 (viz. 'a') know it as madhyama, the indestructible (and)<sup>73</sup> best among svaras. main
via surya_layout
17 (66) annotation_inline
parent ligne 16
via heuristic_short
18 The first one of the same (sixth group, viz. 'p') combined with the first one main
via surya_layout
19 (viz. 'a'), know that as the beautiful svara, associated with the number (five) of main
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20 (67) annotation_inline
parent ligne 19
via heuristic_short
21 vyoma (space)<sup>74</sup> and born of the ostha (lip)<sup>75</sup> sthāna.<sup>76</sup> main
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22 The fourth (letter) of the fifth group (viz. 'dh') combined with the initial main
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23 one (viz. 'a'), one should draw out that excellent svara born of two bows.<sup>77</sup> (68) main
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24 The last (letter) of the fifth group (viz. 'n') differentiated by the end that is main
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25 other than akāra (viz. 'i') arising out of the brahma-sthāna78 (cerebral aperture) main
via surya_layout
26 is combined with 'high' sound. main
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27 (69) annotation_inline
parent ligne 26
via heuristic_short
28 Thus, this much has been shown as the svaroddhāra (analysis of svara-names) main
via surya_layout
29 (70 ab) annotation_inline
parent ligne 28
via heuristic_short
30 contained in agama.79 main
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31 [ Assignment of community, colour and the like to svaras ] section_header
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32 Now I shall speak of the assignment of community, colour and the like (to main
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33 <math>(70 \text{ cd})</math> main
via surya_layout
34 svaras). main
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35 (i) Kula-Vamśa. section_header
via surya_layout
36 Şadja, gāndhāra and madhyama are born in the Kula 80 (community) of gods, main
via surya_layout
37 this svara pañcama is born in the lineage (vaṃśa)81 of manes (pitṛvaṃśa). main
via surya_layout
38 (71) unknown
via fallback
39 The two svaras ršabha and dhaivata are born in the lineage of rsis. The niṣāda main
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40 (72) annotation_inline
parent ligne 39
via heuristic_short
41 born in the community of demons, is called 'ni'. main
via surya_layout
42 (ii) Colours. section_header
via surya_layout
43 Ṣadja is of the colour of the lotus-petal, ṛṣabha is of the colour of parrot, main
via surya_layout
44 gāndhāra is goldenhued, madhyama is (white) like kunda (jasminum multi- main
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45 (73) annotation_inline
parent ligne 44
via heuristic_short
46 florum). main
via surya_layout
195 lignes a valider — change uniquement les roles incorrects.