Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21158). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

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1 BRHADDEŠĪ page_header
via surya_layout
2 174 page_number
via heuristic_pagenum
3 .....साधारिता । [३] editorial_bracket
parent ligne 4
via heuristic_brackets
4 निषादांशा तु षड्जान्ता गान्धारी पूर्णसुस्वरा । main
via surya_layout
5 भाषा सौवीरके ह्येषा गीयते करुणे सदा ११३॥ १२३॥ main
via surya_layout
6 उदाहरणम् – निनिगागापामामानिसामागानी । धासासासा<sup>११४</sup>। गान्धारी । [४] editorial_bracket
parent ligne 5
via heuristic_brackets
7 ॥ [इति]सौवीरकभाषा: समाप्ता: ॥ editorial_bracket
parent ligne 5
via heuristic_brackets
8 ८. अतःपरं भिन्नपञ्चमस्य भाषाः कथ्यन्ते main
via surya_layout
9 ॰पञ्चमेऽस्य annotation_inline
parent ligne 8
via heuristic_markers
10 धैवतांशा तदन्ता च ११५सम्पूर्णा शुद्धभित्रका । main
via surya_layout
11 धैवतर्षभसंवाद: षड्जमध्यमयोस्तथा ॥ १२४॥ main
via surya_layout
12 भित्रपञ्चमजा होषा शुद्धभित्रा प्रकीर्तिता । main
via surya_layout
13 लोकस्य रञ्जनं दृष्ट्वा किन्नरैर्गीयते सदा ॥ १२५॥ main
via surya_layout
14 रञ्जकं annotation_inline
parent ligne 13
via heuristic_height
15 उदाहरणम्-धानिधानिससधा नीधानीसागासनिगानिधा पापानिनिमपामापापमाधा main
via surya_layout
16 धापाधापा annotation_inline
parent ligne 15
via heuristic_height
17 धापाधाधा । शुद्धभिन्ना । [१] editorial_bracket
parent ligne 15
via heuristic_brackets
18 मध्यमांशा धैवतान्ता ऋषभेण तु दुर्बला । main
via surya_layout
19 षड्जधैवतसंवादो द्विश्रुतीनां सधैवतम् ॥ १२६॥ main
via surya_layout
20 भाषा तु षाडवा ह्येषा बहुधैवतमध्यमा । main
via surya_layout
21 वराटी चेति विख्याता गीता विद्याधरै: किल<sup>११६</sup>॥ १२७॥ main
via surya_layout
22 उदाहरणम् - माधासधानिधा पानिमामागासासागामागा साधानीधा। main
via surya_layout
23 धाधाधाधासाधा annotation_inline
parent ligne 22
via heuristic_height
24 नीपापामागासासागामा[धाधा] । वराटी । [२] editorial_bracket
parent ligne 22
via heuristic_brackets
25 (वराटी) annotation_inline
parent ligne 22
via heuristic_height
26 मन्द्रेऽत्र ऋषभः कार्यो [धैवतश्च] मुहुर्मुहुः ॥ १२८॥ editorial_bracket
parent ligne 22
via heuristic_brackets
27 स्फुरितं तत्र कर्तव्यं द्रुतमध्यविलम्बितम् । main
via surya_layout
28 तारमन्द्रगतिं कुर्यात् तथारोहावरोहकम् ॥ main
via surya_layout
29 तारं म(न्त्र?न्द्र) annotation_inline
parent ligne 28
via heuristic_height
30 तथा भाषा च विज्ञेया भित्रपञ्चमसम्भवा १९७॥ १२९॥ unknown
via fallback

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1 TRANSLATION page_header
via surya_layout
2 67 page_number
via heuristic_pagenum
3 sā pā nī mā pā pā gā gā table
via surya_layout
4 <b>(7)</b> table
via surya_layout
5 mā pā mā nidha nī nī sā sā table
via surya_layout
6 (8) table
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7 pā pā mā dhani pā pā pā pā table
via surya_layout
8 (9) table
via surya_layout
9 mā pā mā riga gā gā gā gā table
via surya_layout
10 (10) table
via surya_layout
11 gā pā mā pā nī nī nī nī table
via surya_layout
12 (11) table
via surya_layout
13 mā pā mā pariga gā gā gā gā table
via surya_layout
14 (12) table
via surya_layout
15 gā gā gā mā mā nidha nī nī table
via surya_layout
16 (13) table
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17 nī nī dhapa mā nidha nidha pā pā table
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18 (14) table
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19 rī gā sā sā mā nidhani nī nī table
via surya_layout
20 (15) table
via surya_layout
21 nī nī dhā pā dhā pā mā mā table
via surya_layout
22 (16) table
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23 Thusends<i>inadhyamodīcyavā</i>. section_header
via surya_layout
24 [6. Kārmāravi] section_header
via surya_layout
25 In kārmāravī, niṣāda, ṛṣabha, pañcama and dhaivata become the ainśas. main
via surya_layout
26 (16) annotation_inline
parent ligne 25
via heuristic_short
27 Many (svaras) are said to be non-amsas on account of antara-marga. main
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28 Gāndhāra is excessively abundant. There is concert among all the amśa main
via surya_layout
29 svaras. annotation_inline
parent ligne 28
via heuristic_height
30 (17) main
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31 Caccatpuța (is the tāla), there are sixteen kalās. The mūrchanā beginning main
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32 with şadja obtains. The application is (prescribed) in the dhruvā of the fifth main
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33 act. annotation_inline
parent ligne 32
via heuristic_short
34 (18) main
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35 Pañcama is the nyāsa in this (jāti). The amsás themselves are apanyāsas. main
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36 The prastāra is thus- main
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37 ri ri ri ri ri ri ri ri table
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38 (1) table
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39 mā gā sā gā sā nī nī nī table
via surya_layout
40 (2) table
via surya_layout
41 nī mā nī mā pā pā gā gā table
via surya_layout
42 (3) table
via surya_layout
43 gā pā mā pā nī nī nī nī table
via surya_layout
44 (4) table
via surya_layout
45 rī gā sā nī rī gā rī gā table
via surya_layout
46 (5) table
via surya_layout
47 rī gā rī sā nī dhani pā pā table
via surya_layout
48 (6) table
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49 mā pā mā pariga gā gā gā gā table
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50 <b>(7)</b> table
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vol_I_p008 RIGHT — 73 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 <b>ABBREVIATIONS</b> section_header
via surya_layout
2 Abhinava Bhāratī, Abhinavagupta's commentary on Nāṭya- main
via surya_layout
3 Abhi Bhā annotation_inline
parent ligne 2
via heuristic_short
4 Sāstra G.O.S., Baroda edition main
via surya_layout
5 Anuccheda, comparable to paragraph main
via surya_layout
6 Anu. annotation_inline
parent ligne 5
via heuristic_height
7 Anūpa Sangīta Ratnākara of Bhāva Bhaṭṭa main
via surya_layout
8 Anū Saṃ R annotation_inline
parent ligne 7
via heuristic_short
9 Anūpa Sangīta Vilāsa of Bhāva Bhaţţa main
via surya_layout
10 Anū Saṃ Vi annotation_inline
parent ligne 9
via heuristic_short
11 Aşţādhyāyī of Pāņini main
via surya_layout
12 Aşţā annotation_inline
parent ligne 11
via heuristic_short
13 Bharata Kośa of M.R. Kavi main
via surya_layout
14 Bha Ko annotation_inline
parent ligne 13
via heuristic_short
15 Bṛhaddeśī of Matanga Muni main
via surya_layout
16 BŗD annotation_inline
parent ligne 15
via heuristic_short
17 Brhadāranyaka Upanisad main
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18 Brh Up annotation_inline
parent ligne 17
via heuristic_short
19 Caraka Samhitā main
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20 Car Sam annotation_inline
parent ligne 19
via heuristic_short
21 Cited reading main
via surya_layout
22 C.r. annotation_inline
parent ligne 21
via heuristic_short
23 Dhrupad Annual main
via surya_layout
24 DA annotation_inline
parent ligne 23
via heuristic_height
25 Dattilam main
via surya_layout
26 Datti annotation_inline
parent ligne 25
via heuristic_short
27 Pt. K. Sāmbaśiva Śāstrī, editor of Bṛhaddeśi, published in main
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28 Ed. annotation_inline
parent ligne 27
via heuristic_short
29 Anantasayana Sanskrit Granthāvali No. 94 (Trivandrum main
via surya_layout
30 Sanskrit Series) in 1928 main
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31 Gobhila Smrti annotation_inline
parent ligne 30
via heuristic_short
32 Gobh Smr main
via surya_layout
33 Indian Music Journal main
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34 IMI annotation_inline
parent ligne 33
via heuristic_short
35 Kalānidhi commentary of Kallinātha on Sangīta-Ratnākara main
via surya_layout
36 Kalā annotation_inline
parent ligne 35
via heuristic_short
37 Kausitaki Upanisad main
via surya_layout
38 Kauş Up annotation_inline
parent ligne 37
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39 Literally main
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40 Lit. annotation_inline
parent ligne 39
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41 Mārkandeya Purāņa main
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42 Mark Pur annotation_inline
parent ligne 41
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43 Matsya Purāņa main
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44 Mat Pur annotation_inline
parent ligne 43
via heuristic_short
45 Mahābhārata main
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46 <b>MBh</b> annotation_inline
parent ligne 45
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47 Mīmāṃsā Sūtra main
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48 Mim Sū annotation_inline
parent ligne 47
via heuristic_short
49 Nāradīya-Šikṣā main
via surya_layout
50 Nā Śi annotation_inline
parent ligne 49
via heuristic_short
51 Nātya Śāstra, G.O.S., Baroda edition, unless otherwise main
via surya_layout
52 NŚ annotation_inline
parent ligne 51
via heuristic_short
53 indicated main
via surya_layout
54 Nātya Śāstra, Chaukhambha, Varanasi edition main
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55 NŚ Chau annotation_inline
parent ligne 54
via heuristic_short
56 Nātya Sāstra, Kāvya-Mālā edition. main
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57 NS Kā Mā annotation_inline
parent ligne 56
via heuristic_short
58 Pāṇini-Śikṣā main
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59 Pā śi annotation_inline
parent ligne 58
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60 Prem Lata Sharma main
via surya_layout
61 P.L.S. annotation_inline
parent ligne 60
via heuristic_short
62 Printed text of Bṛhaddeśī, Trivandrum edition main
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63 P.t. annotation_inline
parent ligne 62
via heuristic_short
64 Rāga Vibodha of Somanātha main
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65 Rā Vi annotation_inline
parent ligne 64
via heuristic_short
66 Sangīta Cūdāmaņi of Jagadekamalla main
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67 Sam Cū annotation_inline
parent ligne 66
via heuristic_short
68 Sangīta-Samaya-Sāra of Pārśvadeva main
via surya_layout
69 Sam S Sā annotation_inline
parent ligne 68
via heuristic_short
70 Sangita-Ratnākara of Śārngadeva (Adyar edition) main
via surya_layout
71 SR annotation_inline
parent ligne 70
via heuristic_short
72 Sangītarāja of Rāņā Kumbhā Vol. 1 main
via surya_layout
73 S. Raj main
via surya_layout

vol_I_p043 RIGHT — 30 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 69 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 mūrchanā and tāna has been expounded in the recaptulatory verse (samgraha- main
via surya_layout
4 śloka).37 How is that (the difference)? The group of svaras that is arranged in main
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5 the ascending and descending order is spoken of as murchana, whereas tana is main
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6 with the ascending order, this is the distinction.58 main
via surya_layout
7 [The Yajña-names of Tānas] section_header
via surya_layout
8 Now the yajña-names 59 of tanas are being spoken of— main
via surya_layout
9 Agnistoma, atyagnistoma, vājapeya, then sodasī, puņdarīka, ašvamedha and main
via surya_layout
10 (104) annotation_inline
parent ligne 9
via heuristic_short
11 rājasūya is the seventh one. main
via surya_layout
12 Thus are the names of sadava tanas devoid of sadja. main
via surya_layout
13 Svişţakrt, bahusauvarņa, gosava, mahāvrata, viśvajit, brahmayajña as well as main
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14 (105) annotation_inline
parent ligne 13
via heuristic_height
15 ртājāpatya. annotation_inline
parent ligne 13
via heuristic_height
16 Thus end the names of şāḍava tānas devoid of ṛṣabha. main
via surya_layout
17 Aśvakrānta, rathakrānta as well as viṣṇukrānta, sūryakrānta, gajakrānta, balibhit main
via surya_layout
18 (106) annotation_inline
parent ligne 17
via heuristic_height
19 (and) nāgayajāa. annotation_inline
parent ligne 17
via heuristic_height
20 Thus end the names of şādava tānas devoid of pañcama. main
via surya_layout
21 Cāturmāsya and then the one named samsthā, śastra and ukthaka, sautrāmaņi, main
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22 <math display="block">(107)</math> annotation_inline
parent ligne 21
via heuristic_height
23 citra and the seventh one is udbhidyaga. main
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24 Thus end the names of şādava tānas devoid of niṣāda. main
via surya_layout
25 ١ page_number
via heuristic_pagenum
26 Thus end the names of twenty-eight şādava tānas in şadjagrāma. main
via surya_layout
27 Sāvitrī, ardhasāvitrī and sarvatobhadra, [ the ayana (place, path, movement) editorial_bracket
parent ligne 26
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28 of adityas, the ayana of cows ] the ayana of snakes is the sixth one and the ayana editorial_bracket
parent ligne 26
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29 (108) main
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30 of kaunapas (demons) is the seventh one. main
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vol_II_p078 RIGHT — 27 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 139 page_number
via heuristic_pagenum
3 Illustration - Māsāsāsā sānidhāni dhānī dhāgāsāsā. Dhānisāmā gāgāgāmā main
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4 sānidhāsāsāsāsāgāmādhānīdhādhāmārīgārīrīmarigāsāsānidhāsāsā. Nidhagāsās- main
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5 ānidhanimāmānidhāsāsā nidhāsagamāgāsā nīdhanīsā. Travaņā [i] editorial_bracket
parent ligne 4
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6 That which has sadja as its concluding note, madhyama as its amsa, is main
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7 always abundant in gāndhāra, is devoid of pañcama; dhaivata and ṛṣabha are main
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8 profuse, (and) is always sankīrņā (mixed), this travaņodbhavā is hexatonic. main
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9 (40) annotation_inline
parent ligne 8
via heuristic_short
10 Illustration - Mānīnīnīsāsā. Sārīrīrīgāgāgamāmā māmārī. Garininidhā. main
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11 Dhādhā-māmagārigā. Sāmāgarī. Saninigāgā ninidhāsarigārīmā, Gāmāmānī main
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12 nīsasā. Travaņodbhavā [ii] editorial_bracket
parent ligne 11
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13 Verañjikā should be known to have gandhāra as its amśa and weak main
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14 pañcama. It should be performed with ṣaḍja as its nyāsa, bringing about the main
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15 mutual movement of şadja-dhaivata and similarly gāndhāra-ṛṣabha. Thus main
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16 should be known (this) bhāṣā; it is said to be hexatonic. main
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17 <math>(41-42)</math> main
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18 Illustration-Gānigāgā dharimāmāgā māmāgārigāsasāsā nigārīninidhādhādha- main
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19 nigārīmāgārisanīdhāni. Sāsāgamāmādhāsāsaganigānigāniga dharīgarīrigārirīga main
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20 ma-mamadhamamamadharīgasāsāsā sanīgārīgā ninidhāmādhānidhāsanigā main
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21 rīmamarisā- nidhānisāsā. Verañjika [iii] editorial_bracket
parent ligne 20
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22 Combined with sadja as the initial and concluding one (graha-nyāsa), main
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23 complete, brilliant 15 with madhyama, there being the mutual concert main
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24 (samvāda<sup>16</sup>) between sadja-madhyama and the (two) svaras comprised of two main
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25 śrutis each (gāndhāra and niṣāda), chevāṭī should be known by the main
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26 knowledgeable ones in music as <i>mūlabhāṣā</i>. main
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27 (43) page_footer
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210 lignes a valider — change uniquement les roles incorrects.