Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21159). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p126 LEFT — 24 lignes

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1 234 page_number
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2 BRHADDEŚĪ page_header
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3 [७. मोहिनी] section_header
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4 पञ्चपादसमायुक्ता मूर्छनागमकान्विता । main
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5 मोहिनी नाम सा ज्ञेया वर्णेला सप्तमी शुभा ॥ ४६६॥ main
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6 [॥ इति प्रकारान्तरेण वर्णेलासप्तकम् ४४॥] editorial_bracket
parent ligne 5
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7 [ङ. देशैलाप्रकारा:] section_header
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8 लाटकर्णाटगौडान्ध्रद्रविडानां स्वभाषया । main
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9 पृथक् पृथग् भवन्त्येताः मार्गयुक्ता मनोहराः ॥ ४६७॥ main
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10 [१. लाटैला] section_header
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11 <sup>४५</sup>अन्त्यप्राससमायुक्ता मध्यादिप्रासवर्जिता । main
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12 अत: annotation_inline
parent ligne 11
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13 रसैर्भावैश्च संयुक्ता लाटैला परिकीर्तिता ॥४६८॥ main
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14 [२. कणटैला] section_header
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15 प्रासैर्मनोहरैर्दिव्यैरादिमध्यान्तगोचरै:। main
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16 एला कर्णाटिका प्रोक्ता ललितध्वनिसंयुता ॥ ४६९॥ main
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17 [३. गौडेला] section_header
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18 सर्वत्र प्राससहिता गमकैश्च विवर्जिता । main
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19 नादबिन्द्रसोपेता एला सा गौडदेशजार्ध ॥४७०॥ main
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20 नदा० annotation_inline
parent ligne 19
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21 [४. आन्ध्रैला] section_header
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22 अनेकगमकाकीर्णामनेकध्वनिमिश्रिताम् । main
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23 अनेकरागसङ्कीर्णामेलामान्ध्रीं विदुर्बुधाः ॥४७१॥ main
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24 (मन्द्रीं? मान्ध्रीं) annotation_inline
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vol_II_p019 RIGHT — 32 lignes

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1 21 page_number
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2 TRANSLATION page_header
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3 [7. The definition of alpatva] section_header
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4 [Anu. 128] editorial_bracket
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5 Now I speak of alpatva (sparseness) and bahutva (abundance). Out of main
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6 these, alpatva comes into being on account of the sparse use of svaras and main
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7 bahutva is on account of (their) abundant use. Alpatva and bahutva are main
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8 twofold each, one operating in samnyāsa and the like and the other through main
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9 antaramārga. 38 The definition of antaramārga is thus—sometimes in jātis even main
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10 the svara that is not an amsa (anamsa) is not sparse (alpa). Similarly in main
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11 Kārmāravī, gāndhāra (which is not an amśa), is used in antaramārga with main
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12 abundance through concert (saigati) with all the other svaras; thus will be main
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13 said-39 annotation_inline
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14 "Specially gāndhāra has movement towards all (svaras)." main
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15 (NŚ XXVIII.136) main
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16 [8. The definition of bahutva] section_header
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17 [ Anu. 129 ] editorial_bracket
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18 After this he (the author) spoke (speaks) of bahutva. Bahutva is like main
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19 alpatva; it is to be perceived, thus is the special implication of the said main
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20 statement (about bahutva). How is that? Thus spoke (speaks) he (the main
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21 author), the inversion of strong and weak, i.e. the weak one is sparse (by main
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22 rule), in the case of inversion it becomes strong, thus is understood the main
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23 characteristic of strong (svara). Hence it has been said - main
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24 "The sparseness in jātis is always manifested through their svaras. There main
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25 is sañcāra (to and fro movement) among the amsas and the strong svaras. main
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26 Sparseness occurs in those jātis which have weak (svaras). Antaramārga main
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27 (inversion of strength and weakness) and nyāsa brings about the manifestation main
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28 of jātis." annotation_inline
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29 (Cf. NŚ XXVIII 74cd, 75) main
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30 [9. The definition of nyasa] section_header
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31 [ Anu. 130 ] editorial_bracket
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32 Now he (the author) spoke (speaks) of nyāsa - that (svara) on which or main
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vol_I_p098 RIGHT — 43 lignes

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1 179 page_number
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2 VIMARŚA page_header
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3 20. Rāga, in general, as colour or delightfulness could increase due to list_item
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4 mūrchanā because the latter gives rise to variety of scalar forms that would in list_item
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5 turn, bring into existence variety in melodic structures. list_item
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6 21, 22. Both ascent and descent and unimpaired original order of svaras as list_item
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7 well as use of seven svaras without any omission are the three conditions for list_item
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8 mūrchanā. The omission of svaras gives rise to tāna. list_item
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9 23. BṛD is the first known text to speak of 12-svara-mūrchanā. Kumbhā has list_item
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10 vehemently criticised this type of mūrchanā (vide S Raj II, 1.1.352-364). list_item
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11 24. When hexatonic and pentatonic scales are accepted as murchana, the list_item
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12 condition of using all the seven svaras is violated. ( see glossary ) list_item
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13 25. Svarasamyutāh of the text has been translated as 'filled' with svaras. list_item
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14 26. It is notable that the starting points of murchanas follow the descending list_item
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15 order i.e. after the murchana beginning with sadja comes the one beginning list_item
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16 with niṣāda, and not ṛṣabha. list_item
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17 27. The beginning svara of each mūrchanā has been put in the locative case, list_item
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18 implying, perhaps that a mūrchanā subsists there. list_item
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19 28. Here the instrumental case has been used in order to meet the requirement of list_item
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20 metre. list_item
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21 29. Tārakādi is a gaņa of Pāņini (V.2.36, Gaņaratnamahodadhi, 388-391, vide list_item
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22 Monier Williams). list_item
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23 30. Itac is a suffix. list_item
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24 31. This derivation occurs for the first time in BrD. list_item
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25 32. This is the total number of hexatonic tanas in both the gramas. list_item
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26 33. This is the total number of pentatonic tānas in both the grāmas. list_item
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27 34,35. All the omitted pairs are samvādins except ri-dha in madhyamagrāma list_item
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28 which is anuvādin. list_item
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29 36. Prastāra literally means elaboration; here it means notational presentation. list_item
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30 37. If the author is referring to a recapitulatory verse in Viśākhila's work we list_item
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31 have no way of verification because that work is lost. It is not improbable that he list_item
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32 is referring to NS XXVIII, 32 where mūrchanās have been said to be made of all list_item
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33 the seven svaras and tanas have been said to be hexatonic and pentatonic. list_item
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34 38. This distinction between murchana and tana as the former being with list_item
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35 ascent and descent and the latter being only with ascent is a new point made in list_item
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36 BrD which does not seem to be valid. ( see glossary ) list_item
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37 39. BrD is the first text to assign yajña names to tānas. Some later texts have list_item
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38 reproduced these names (cf. SR I,4.72 cd 90 ab and SRāj II,1.1.453-474). list_item
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39 S Rāj also attempts to justify this assignment of Yajña-names (vide ibid. 476-493. list_item
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40 ab). ( see glossary ) list_item
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41 40. This statement of BrD to the effect that sādhāraņa mūrchanās begin with antara list_item
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42 and kākalī is in contradiction of the postulation of NS XXVIII, p. 82 that kākalī (and list_item
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43 by implication antara also ) is anamsa ( non-amsa i.e. is not the progenitor of a list_item
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vol_II_p095 LEFT — 28 lignes

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1 BŖHADDEŚĪ page_header
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2 172 page_number
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3 एषा ह्यन्तरभाषा वै पुलिन्देन तु गीयते । main
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4 पुलिन्दिकेति विख्याता पड्ज औडुविता तथा ॥ ११७॥ main
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5 व्केत् annotation_inline
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6 •तास्तथा annotation_inline
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7 उदाहरणम् - [धाधा]सासासाधानिसारिसा धानिधाधाधारिरिसासासा रिरिधाधाधारिसा- editorial_bracket
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8 धानिसासारिसा रिसाधनीपा[सा] । [पुलिन्दी]। [९] editorial_bracket
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9 एता याष्ट्रिकनिर्दिष्टा भाषा वै भिन्नषङ्जके ॥ ११८॥ main
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10 <sup>१०७</sup>याष्ट्रिकेन निर्दिष्टा annotation_inline
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11 भाषा:। annotation_inline
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12 ७. अतः परं सौवीरकभाषाः main
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13 (रीरवीर?सीवीर)के annotation_inline
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14 षड्जाद्यन्तसमायुक्ता मूलभाषा मनोहरा । main
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15 सुसम्पूर्णस्वरा होषा बहुलौ १०८षड्जपञ्चमौ ॥ ११९॥ main
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16 धनिपञ्चमी annotation_inline
parent ligne 15
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17 षड्जधैवतसंवाद ऋषभधैवतयोस्तथा। main
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18 एषा सौवीरके प्रोक्ता सौवीरी दिव्यरूपिणी १०९ ॥ १२०॥ main
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19 दुछ्य annotation_inline
parent ligne 18
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20 उदाहरणम्-सागासासा साधानीधापापापारीपा धामागममपापामाधाधासासासानिधानिगारि- main
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21 मामागारिसा साधानिधासासा । [सौवीरी]। [१] editorial_bracket
parent ligne 20
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22 १९॰मध्यमांशा तु षड्जान्ता सम्पूर्णा मध्यमोज्ज्वला । annotation_inline
parent ligne 20
via heuristic_markers
23 १११मध्यमपञ्चमानां तु वेगवत्त्वं च दृश्यते ॥ main
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24 एषा भाषा तु विज्ञेया गीतज्ञैर्वेगमध्यमा ॥ १२१॥ main
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25 उदाहरणम् - [मामा] पामामामधापापापमामानिधासासा निमसानिसानिधानिपापानिनिसा- editorial_bracket
parent ligne 24
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26 निसासारिगारिसासासा सागासानिपापाधानिनिसासा । वेगमध्यमा । [२] editorial_bracket
parent ligne 24
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27 षड्जांशा मध्यमन्यासा ज्ञेया साधारिता तु सा<sup>११२</sup>॥ १२२॥ main
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28 साधारि(धा?ता) annotation_inline
parent ligne 27
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vol_II_p118 LEFT — 26 lignes

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1 3 page_number
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2 BRHADDEŚĪ page_header
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3 218 page_number
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4 [२६. कलहंस:] section_header
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5 एकं पादं पुरो गीत्वा गीयन्ते च स्वरास्तत:। main
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6 झम्पादितालसंयुक्त: स भवेत् कलहंसक:<sup>२३</sup>॥४०७॥ main
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7 [ २७. घट:] section_header
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8 यत्रार्धं तेनकोपेतं द्विपदीवद् भवेद् घट:<sup>२४</sup>॥४०८॥ main
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9 तेन्तकोपेत annotation_inline
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10 भवेद्धल: annotation_inline
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11 [२८. चक्रवाल:] section_header
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12 पदमन्त्यं गृहीत्वा तु यमकस्थितिभूषित: । main
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13 आवृत्या गीयते योऽसौ चक्रवालः प्रकीर्तितः १५॥ ४०९॥ main
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14 [२९. त्रिपदी, षट्पदी वा] section_header
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15 तालेन येन केनापि बिरुदै: केवलैरपि। main
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16 बिरुतै: annotation_inline
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17 यद्यदापि [?] तथाभूता या[ऽऽ]वृत्त्या गीयते द्विधा ॥ ४१०॥ editorial_bracket
parent ligne 15
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18 [३०. बन्धकरणम् ] section_header
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19 तालेन करणेनैव स्वरै: समुरजाक्षरै:। main
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20 गन्धर्वेर्गीयते यतु तद् बन्धकरणं पुनः १६॥ ४११॥ main
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21 [३१. पाटकरणम् ] section_header
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22 पाटाख्यं करणं प्रोक्तं हस्तपाटस्वरान्वितम् ॥ ४१२॥ main
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23 पादा॰ annotation_inline
parent ligne 22
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24 [३२. कैवाट:] section_header
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25 अक्षरैर्गीयते सम्यक् पाटैरेव हि केवलै:। main
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26 कैवाट इति स ज्ञेयो गन्धर्वेस्तालसंयुतः १७॥४१३॥ main
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153 lignes a valider — change uniquement les roles incorrects.