Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21167). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p102 RIGHT — 28 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 187 page_number
via heuristic_pagenum
3 Illustration - Gāsānīdhadhānīsā nīsādhādhāmāmādhānīsā main
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4 māgāmā annotation_inline
parent ligne 3
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5 dhādhāmāgāmānisāsā. Dohyā [v] editorial_bracket
parent ligne 3
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6 Having niṣāda as amśa, ṣadja as the concluding note, being devoid of main
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7 pañcama svara, śārdūlī<sup>4</sup> bhāṣā in ṭakkarāga is weak in ṛṣabha. main
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8 (6) annotation_inline
parent ligne 7
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9 Illustration-<i>Nīninis</i>ā rīrīmārīrīpānidhāpānisāririmadhāmāridhānirisā.Sārdūlī [vi] editorial_bracket
parent ligne 7
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10 Combined with ṣadja as the initial and concluding note, alaghvī is born of main
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11 a deśa (region), is complete (and) comes into being from takkarāga, which main
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12 is sung in one's own abode. main
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13 (7) annotation_inline
parent ligne 12
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14 Illustration - Sasasas Dhasasasas เกิดเลือนที่เกิดเลือนที่สายสายสายสายสายสายสายสายสายสายสายสายสายส main
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15 sādhāgā risārisā nidhānisāsā. Alaghvī [vii] editorial_bracket
parent ligne 14
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16 Thus end the <i>bhāṣās</i> in <i>ṭakkarāga</i> in the opinion of Sārdūla. main
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17 [2. Now in hindola] section_header
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18 Bhinnavalitikā, ravicandrā, bhinnapaurālī, drāviḍī, piūjarī (and) pārvatī- main
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19 these are the bhāṣās in hindolaka. main
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20 Having gāndhāra as ainsa, sadja as the concluding note, being hexatonic, main
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21 bereft of dhaivata, bhinnavalitā is sung in hindola by people in lonely places.<sup>6</sup> main
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22 (8) annotation_inline
parent ligne 21
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23 Illustration - Gāgārī saninipā sanīpāpā panīsāsā . Gāsāni sāsāpānī sāgāmāpā main
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24 pลักโอลิเทลิรสิทิรนิ. Ninininīnī māgāgāsānīnī nīnīsīmāgāsā nisāsī. Bhinnavalitikā [i] editorial_bracket
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25 Having niṣāda as amśa ,ṣadja as the concluding note, being hexatonic, main
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26 omitting dhaivata, the bhāṣā ravicandrā is sung in hindola in due order.<sup>7</sup> main
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27 (9) annotation_inline
parent ligne 26
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28 Illustration - Ninipāsā māgārīsāgārīsā sāsāmāmā gānininisāsāni sāsāni pāpā main
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vol_II_p044 LEFT — 47 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŠĪ page_header
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2 70 page_number
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3 गां पा मां पा नी नी नी नी table
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4 (११) table
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5 (१२) table
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6 मापा मा परि गा गा गा गा table
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7 (१३) table
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8 नी नी पा धा नी गां गां गां table
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9 (१४) table
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10 नी नी नी नी नी नी नी table
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11 (१५) table
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12 मां मां धा नी सनि धा पा पा table
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13 (१६) table
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14 मां पां मां परिग गां गां गां गां table
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15 . ॥ [इति] गान्धारपञ्चमी ॥ editorial_bracket
parent ligne 17
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16 । म॥ annotation_inline
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17 [८, आन्ध्री] section_header
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18 १८३ आन्ध्र्यामंशा निरिगपा रिगयोर्निधयोस्तथा । main
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19 अन्ध्रया(मङ्गा ? मंशा) निरू main
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20 सङ्गतिन्यासपर्यन्तमंशानुक्रमतो व्रजेत् ॥२१॥ main
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21 षाडवं षड्जलोपेन मध्यमादिश्च मूर्छना । main
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22 १८४ दिस्तु annotation_inline
parent ligne 21
via heuristic_short
23 पूर्वावत् तु कलातालविनियोगाः प्रकीर्तिताः ॥२२॥ main
via surya_layout
24 १८५ ॰काल॰ annotation_inline
parent ligne 23
via heuristic_markers
25 <sup>१८६</sup>अस्यामान्ध्र्यां गान्धारो न्यास: । अंशा एवापन्यासा: । <sup>१८७</sup>प्रस्तार: - main
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26 ॰ मन्ध्र्यां table
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27 (१) table
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28 गारी री री री री री री table
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29 री गारी गारी री री री table
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30 (२) table
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31 (३) table
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32 री री गा गा री री मा मा table
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33 (8) table
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34 री गा सा धनि नीं नीं नीं नीं table
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35 (4) table
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36 नीं रीं नीं रीं धनि धनि पा पा table
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37 (६) table
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38 मा पा मा रिग गा गा गा गा table
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39 (७) table
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40 री री गा सम मा मा पा पा table
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41 (८) table
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42 मा पा मा रिग गा गा गा गा table
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43 (9) table
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44 धा नी गा गा गा गा गा गा table
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45 (१०) table
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46 पा पा मा रिग गा गा गा गा table
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47 The same of the same of the same of the same of the same of the same of the same of the same of the same of the same of annotation_inline
parent ligne 25
via heuristic_height

vol_II_p036 LEFT — 29 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 54 page_number
via heuristic_pagenum
3 [८. गान्धारी] section_header
via surya_layout
4 तत्र गान्धार्या गान्धारषड्जमध्यमपञ्चमनिषादा <sup>१५७</sup>ग्रहा: , त एवांशा:। पञ्चस्वरपरस्तारो main
via surya_layout
5 न्यासपरस्तत्परो वा मन्द्र:। ऋषभहीनं षाडवम्,ऋषभधैवतहीनमौडुवितम्। main
via surya_layout
6 पूर्णावस्थायामृषभधैवतयोरल्पत्वम्, शेषाणां बहुत्वम्। स्वरजातित्वाद् गान्धारो न्यासः, main
via surya_layout
7 १५८षड्जपञ्चमावपन्यासौ, धैवतर्षभयो: सङ्गति:। तद्यथा - गान्धारी यदा सम्पूर्णा गीयते तदा main
via surya_layout
8 ॰मध्यमा॰ annotation_inline
parent ligne 7
via heuristic_markers
9 माधारिगा<sup>९५९</sup> इति प्रयोग: स्यात् । यदा ऋषभहीना गीयते [तदाऽ]धरस्वरप्रवेशने माधाधागा इति editorial_bracket
parent ligne 7
via heuristic_brackets
10 <b>ण्नं(?)</b> annotation_inline
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11 (गि?गः) annotation_inline
parent ligne 7
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12 (甲) annotation_inline
parent ligne 7
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13 प्रयोग: स्यात् । यदा औडुविता गीयते तदा <sup>१६०</sup>उत्तर-स्वर-प्रवेशे मागागा इति प्रयोग: स्यात्, main
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14 <b>॰यन्ते</b> annotation_inline
parent ligne 13
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15 मापरिध इति प्रयोगः कदाचिदपि न स्यात् । main
via surya_layout
16 [अनु॰ १६१] section_header
via surya_layout
17 [ एका- ]दशविधत्वमस्या:। एकादशांशका:-शुद्ध:,विकृता: पूर्णा: पञ्च,चत्वार:षाडवा: , editorial_bracket
parent ligne 16
via heuristic_brackets
18 ॰द्धा annotation_inline
parent ligne 16
via heuristic_markers
19 औडुवित एक: । मूर्छना धैवतादि: । चच्चत्पुटस्ताल: एककलविधौ चित्रमार्गे मागधी, द्विकले main
via surya_layout
20 ·ध: annotation_inline
parent ligne 19
via heuristic_height
21 वार्तिके सम्भाविता, चतुष्कले दक्षिणे पृथुला। रसः 'करुणः'र६१। ध्रुवागाने तृतीयप्रेक्षणके main
via surya_layout
22 विनियोग:।। main
via surya_layout
23 [९. रक्तगान्धारी] section_header
via surya_layout
24 [अनु॰ १६२] section_header
via surya_layout
25 रक्तगान्धार्याः षड्जमध्यमपञ्चमगान्धारनिषादा ग्रहा अंशाश्च । पञ्चस्वरपरस्तारः , main
via surya_layout
26 <b>गान्धा(यंप्य ? यांप्य)</b> main
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27 न्यासपरस्तत्परो वा मन्द्र:। ऋषभहीनं षाडवम् ऋषभधैवतहीनमौडुवितम्। main
via surya_layout
28 पूर्णावस्थायामृषभधैवतयोरल्पत्वम् , शेषाणां बाहुल्यम् । निषादस्यांशत्वाद् बहुत्वे प्राप्ते main
via surya_layout
29 οζ page_footer
via surya_layout

vol_II_p095 RIGHT — 27 lignes

page vol_II_p095 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 173 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 Illustration-[Dhādhā] Sāsāsādhānisārisā dhānidhādhādhāririsāsāsāriridhā editorial_bracket
parent ligne 5
via heuristic_brackets
4 dhādhā-risādhānisāsārisā risādhanīdhā [sa]. Pulindī [ix] editorial_bracket
parent ligne 5
via heuristic_brackets
5 These are the bhāṣās based on bhinnaṣaḍja, described by Yāṣṭika. main
via surya_layout
6 (118) annotation_inline
parent ligne 5
via heuristic_height
7 7. After this the bhāṣās in sauvīraka section_header
via surya_layout
8 Combined with sadja as the initial and concluding note, being complete main
via surya_layout
9 in svaras, this is a beautiful <math>m\bar{u}labh\bar{a}</math>ṣ<math>\bar{a}</math>. Şadja-pa<math>\bar{u}</math>cama a main
via surya_layout
10 is concert between şadja-dhaivata and similarly ṛṣabha-dhaivata. This is main
via surya_layout
11 sauvīrī having a divine form and said to subsist in sauvīraka (rāga). main
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12 <math>(119-120)</math> annotation_inline
parent ligne 11
via heuristic_height
13 Illustration - Sāgāsāsā sādhānīdhāpāpāpārīpā dhāmāgamamapāpāmādhā main
via surya_layout
14 sādhāsā -sānidhānigārimāmāgārisā sādhānidhāsāsā. Sauvīrī [i] editorial_bracket
parent ligne 13
via heuristic_brackets
15 Having madhyama as amśa and şadja as the concluding note, being main
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16 complete and brilliant <math>^{56}</math> with <math>madhyama</math>, this <math>bh\bar{a}</math>, <math>\bar{a}</math> main
via surya_layout
17 knowledgeable ones in music to be vegamadhyamā. Madhyama-pañcama are main
via surya_layout
18 seen to be speedy. annotation_inline
parent ligne 17
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19 (121) annotation_inline
parent ligne 17
via heuristic_height
20 Illustration- [Māmā]pāmāmāmadhāpāpāpamāmānidhāsāsānimasānisā- editorial_bracket
parent ligne 17
via heuristic_brackets
21 sāgāsānipāpādhāninisāsā. main
via surya_layout
22 sānisāsārigārisāsāsā main
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23 nidhānipāpānini annotation_inline
parent ligne 22
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24 ·Vegamadhyamā[ii] editorial_bracket
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25 Sādhāritā should be known to be that which has şadja as aniśa and main
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26 madhyamaas nyāsa. annotation_inline
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27 (122) annotation_inline
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vol_I_p063 LEFT — 39 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 <b>BRHADDESI</b> page_header
via surya_layout
2 108 page_number
via heuristic_pagenum
3 क्रमशो दीप्यते यस्तु प्रसन्नादिः स कथ्यते। main
via surya_layout
4 व्यस्तोच्चारित एवैष प्रसन्नान्तोऽभिधीयते ॥ १३८ ॥ main
via surya_layout
5 (मे?ए) annotation_inline
parent ligne 4
via heuristic_short
6 आद्यन्तयोः प्रसन्नत्वात् प्रसन्नाद्यन्त इष्यते। main
via surya_layout
7 (मि?इ) annotation_inline
parent ligne 6
via heuristic_short
8 प्रसन्नमध्यो मध्ये तु प्रसन्नत्वादुदाहृतः॥१३९॥ main
via surya_layout
9 सर्वसाम्यात् समो ज्ञेयः स्थितश्चैकस्वरेऽपि हि। main
via surya_layout
10 ,₀मा ७या annotation_inline
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11 oमाo annotation_inline
parent ligne 9
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12 बिन्दुरेककलं तारं स्पृष्ट्वा तु पुनरागतः॥१४०॥ main
via surya_layout
13 स्याद्रिवृत्तप्रवृत्तश्च मन्द्रं गत्वा समागतः। main
via surya_layout
14 ৽ন্ম annotation_inline
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via heuristic_height
15 ₀त्तः annotation_inline
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via heuristic_markers
16 आक्रीडितलयो यस्तु स च वेणुः प्रकीर्तितः॥१४१॥ main
via surya_layout
17 <b>.इनी.</b> (?) annotation_inline
parent ligne 16
via heuristic_short
18 उरोगतः कम्पितः स्यात् कम्पनाच्च कलात्रयम्। main
via surya_layout
19 ₀यः annotation_inline
parent ligne 18
via heuristic_markers
20 कण्ठे निरुद्धपवनः कुहरो नाम जायते॥१४२॥ main
via surya_layout
21 ्दः ₀नो रु annotation_inline
parent ligne 20
via heuristic_markers
22 त्रिकला [त्] कम्पना [त्] तद्वद्रेचिताख्यः शिरोगतः। editorial_bracket
parent ligne 20
via heuristic_brackets
23 ( ? ) হৈ ৹বা৹ main
via surya_layout
24 गतागतप्रवृत्तो यः स प्रेङ्क्षोलित उच्यते॥१४३॥ main
via surya_layout
25 ( मु?उ ) annotation_inline
parent ligne 24
via heuristic_short
26 48 यस्तु कण्ठस्वरोऽधस्तात् स तु तारः प्रकीर्तितः। main
via surya_layout
27 उरोगतस्तथा मन्द्रो मूर्ध्नि तारतरः स्मृतः॥१४४॥] editorial_bracket
parent ligne 26
via heuristic_brackets
28 क्रमागतस्तु यस्तारश्चतुर्थः पञ्चमोऽपि वा। main
via surya_layout
29 श्चेत् ततः पञ्चतु₀ annotation_inline
parent ligne 28
via heuristic_markers
30 तारमन्द्रप्रसन्नस्तु ज्ञेयो मन्द्रगतो बुधैः ॥१४५॥ main
via surya_layout
31 ৹রা৯ annotation_inline
parent ligne 30
via heuristic_height
32 लङ्घयित्वा परान् मन्द्रात् क्रमात् तारगति गतः। main
via surya_layout
33 ॳ (द?द)) annotation_inline
parent ligne 32
via heuristic_short
34 मन्द्रतारप्रसन्नस्तु ज्ञेयो ह्यारोहणाद् बुधैः ॥१४६॥ main
via surya_layout
35 विज्ञेयारोहणा annotation_inline
parent ligne 34
via heuristic_short
36 एकस्वराधिरूढः क्रमशः प्रस्तारसंज्ञको ज्ञेयः। main
via surya_layout
37 ( जि? ज ) annotation_inline
parent ligne 36
via heuristic_short
38 49[ प्रस्तारस्तु निवृत्तः शनैः प्रसन्नः प्रसादः स्यात्।।१४७॥] editorial_bracket
parent ligne 36
via heuristic_brackets
39 <b>०स्वा</b>७ annotation_inline
parent ligne 36
via heuristic_height
170 lignes a valider — change uniquement les roles incorrects.