Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21168). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p028 RIGHT — 34 lignes

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1 (vide) annotation_inline
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2 39 page_number
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3 TRANSLATION page_header
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4 applied without any svara forming an exception. Out of sixty-three (anisas), main
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5 nine amsas that pertain to the four jātis which are always complete, should main
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6 be subtracted. That is thus-pa-sa-ga-pa-ri-pa-dha-ni-pa. When these nine are main
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7 subtracted, fifty-four amsas remain. Out of them (again) the seven amsas of main
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8 six jātis viz. ṣadjamadhyamā, ṣadjodīcyavā, kaišikī, gāndhārī, raktagāndhārī main
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9 (and) ṣādjī, should be subtracted. When seven ainsas are subtracted, there main
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10 are forty-seven anisas. That is thus - main
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11 Madhyamodicyavā (becomes non-ṣāḍava) with pa, similarly gāndhārapañcamī main
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12 (and) kārmāravī (become non-ṣāḍava) with ri-pa-ni-dha (and ) ṣaḍjakaiśiki main
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13 (becomes so) with sa - ga - pa. annotation_inline
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14 (257) annotation_inline
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15 [ Anu. 140] editorial_bracket
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16 This means .....in the forty-seven anisas, the formation of ṣāḍava should main
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17 be carried out with the said svaras. annotation_inline
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18 Now he (the author) shows the svaras that are not exceptional <math>^{53}</math> in the main
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19 formation of auduvita - annotation_inline
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20 In the same way, those that are free from being exceptional are thirty main
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21 (amśa svaras that form) auduvita. main
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22 (258) annotation_inline
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23 [Anu. 141] editorial_bracket
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24 This means - in that way, those devoid of exception should be known to main
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25 be of thirty kinds. That is thus - out of sixty-three, nine anisas belonging to main
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26 the four jātis that are always complete (in which omission is not prescribed) main
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27 should be subtracted. After their subtraction, fifty-four amsas remain there. main
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28 There also out of fifty-four, twelve amsas of the four jātis that are always main
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29 complete and ṣāḍava, should be subtracted. After their subtraction, out of main
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30 forty-two (being the remainder), twelve anisas that do not form auduvita in main
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31 five jātis, viz. gāndhārī, raktagāndhārī, ṣaḍjamadhyamā, kaiśikī and pañcamī, main
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32 should be subtracted. After their subtraction, the formation of auduvita main
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33 takes place with thirty amśa svaras that have been spoken of. Similarly has main
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34 said Bharata- annotation_inline
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1 • • annotation_inline
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2 BRHADDEŚĪ page_header
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3 210 page_number
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4 [३. गद्य:] section_header
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5 ५प्रान्ते यस्य भवेत्तालो वर्णनीयस्य संज्ञया । main
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6 म्रातो annotation_inline
parent ligne 5
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7 गीयते यत् तदत्राहुर्गद्यं गीतविशारदा: ॥३८५॥ main
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8 [४.दण्डक:] section_header
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9 तालयुक्तं स्वरोपेतं मध्ये- ६पाटविराजितम् । main
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10 पुन: पदसमायुक्तं गानं तद् दण्डकं विदु: ॥३८६॥ main
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11 दण्डको बुधैः main
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12 [५. वर्णः] section_header
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13 विभूतित्यागसौभाग्यबिरुदै: समलङ्कृत: । main
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14 ॰(तम् ? तः) annotation_inline
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15 •विस्तै: main
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16 विभृत्याग + annotation_inline
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17 तालेनापि च युक्त: स्याद् वर्ण: कर्णाटभाषया ॥३८७॥ main
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18 ٦٧ page_number
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19 [६.पद्धडी] section_header
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20 स्वरपाटसमायुक्ता तालेन च समन्विता । main
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21 <sup>८</sup>कयापि भाषया युक्ता बिरुदै: सा तु पद्धडी ॥३८८॥ main
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22 पाटली annotation_inline
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23 <i>्</i>विभाषया annotation_inline
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24 [७. अडिला] section_header
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25 यत्र स्यात् स्वरिवन्यासः प्रतिपादान्तमुज्ज्वलः । main
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26 ॰पादा (द्ध?मु)॰ annotation_inline
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27 तालेन च समायुक्त: <sup>९</sup>अडिला नामतो भवेत् ॥३८९॥ main
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28 अधिला नामशो (?) main
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29 [८.चतुष्पदी] section_header
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30 यत्र प्रतिपदार्थं तु गीतं तालयुतं भवेत्। main
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31 परूप्रतिः annotation_inline
parent ligne 30
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32 <sup>१</sup>॰स्वरतेनकसंयुक्तैः सा चतुष्पदिका भवेत् ॥३९०॥ annotation_inline
parent ligne 30
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33 तातेन्तकैस्वासंयुक्तैः स्वाचतुष्पीटिका भवेत् (?) main
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L#Texte OCRRole autoCorriger si incorrect
1 91 page_number
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2 TRANSLATION page_header
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3 [Anu. 167] section_header
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4 This means – śuddhasādhārita rāga is related to ṣaḍjagrāma on account of main
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5 being born of şadjamadhyamā jāti. Tāra (high) şadja is the graha and amśa main
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6 and madhyama is the nyāsa. There is the sparseness of niṣāda and gāndhāra. main
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7 It is complete (with all the svaras). Its application is prescribed in the garbha- main
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8 sandhi. 39 Vīra, raudra and the like (perhaps adbhuta also) are the rasas. The main
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9 mūrchanā beginning with ṣaḍja obtains. Avarohin (descending) is the varṇa main
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10 and prasannānta the alarikāra. The kalā is formed in the dakṣiṇa (mārga), the main
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11 kalā obtains in the vṛtti (mārga), the kalā prevails in the citra (mārga). In the main
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12 song comprised of svaras and padas a tāla like caccatpuṭa obtains. main
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13 [4. Śuddhakaiśikamadhyama] section_header
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14 Suddhakaisikamadhyama is born of kaisikī and şadjamadhyamā. Şadja is its main
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15 amśa, madhyama the nyāsa and ṛṣabha – pañcama are omitted. main
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16 (302) annotation_inline
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17 [Anu. 168] section_header
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18 This means—the <i>rāga śuddhakaiśikamadhyama</i> is related to <i>ṣaḍjagrāma</i> on main
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19 account of being born of kaiśikī and şadjamadhyamā jātis. (Contention) Kaiśikī main
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20 ŧ annotation_inline
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21 is related to madhyamagrāma and ṣadjamadhyamā to ṣadjagrāma, hence this main
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22 (<math>r\bar{a}ga</math>) is related to both the <math>gr\bar{a}mas^{40}</math>. This is the implication. On account main
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23 of being devoid of ṛṣabha-pañcama, this is related only to ṣaḍjagrāma. In main
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24 madhyamagrāma, the omission of ṛṣabha-pañcama does not take place; this is main
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25 the implication. Tāra (high) ṣaḍja is its graha and aniśa. Madhyama is the main
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26 nyāsa. There is the weakness of niṣāda and gāndhāra. The omission of main
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27 pañcama and ṛṣabha obtains. Niṣāda is kākalī here. It is pentatonic. It is used main
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28 in the <i>nirvahaṇa (sandhi</i>).<sup>41</sup> The <i>mūrchanā</i> beginning with <i>ṣaḍja</i> obtains. main
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29 Raudra, vīra and the like is the rasa. Prasannānta is the alankāra. main
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30 .................. annotation_inline
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31 [5. Šuddhakaisika] section_header
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32 Kaišika has ṣaḍja as its amśa and pañcama as its nyāsa, is born of kaišikī jāti main
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33 and kārmāravī jāti and is with complete svaras. main
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34 (303) annotation_inline
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vol_II_p041 LEFT — 48 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
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2 64 page_number
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3 धा नी सां सा रीं रीं रीं रीं table
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4 (३) table
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5 सां सां सां री गा मा मा मा table
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6 (8) table
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7 मां धां नीं धां मां धां मां पां table
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8 (4) table
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9 गारी साधित रीरीरीरी table
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10 (६) table
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11 गां रीं सां सां पा धा मा मा table
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12 (v) table
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13 गा गा गा मा पा निधनि नी नी table
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14 (८) table
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15 गा गा नी नी गा गा गा गा table
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16 (९) table
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17 गा गा नी नी निध पा पा पा table
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18 (१०) table
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19 मां पो मो पो पो मो मो table
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20 (११) table
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21 सा मा गा निध नी नी गा गा table
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22 (१२) table
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23 ॥ [इति] कैशिकी ॥ table
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24 1 म ॥ annotation_inline
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25 [५. मध्यमोदीच्यवा] section_header
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26 पञ्चमांशा सदा पूर्णा, मध्यमोदीच्यवा मता ॥१४॥ main
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27 ंपञ्च(मा: ? मां) annotation_inline
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28 [मता] editorial_bracket
parent ligne 26
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29 लक्ष्म शेषं विजानीयाद् गान्धारोदीच्यवागतम् । main
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30 (म्) annotation_inline
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31 मध्यमादिर्मूर्छना स्यात् तालश्चचत्पुटो मत: ॥१५॥ main
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32 ॰(मंरीन ? मूर्छना) annotation_inline
parent ligne 31
via heuristic_markers
33 चतुर्थस्य प्रेक्षणस्य ध्रुवायां विनियोजनम् । main
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34 ্ক annotation_inline
parent ligne 33
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35 <sup>१७६</sup>अस्यां मध्यमो न्यास: । षड्जधैवतावपन्यासौ । <sup>१७७</sup>प्रस्तार:- main
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36 अस्या annotation_inline
parent ligne 35
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37 पा धनि नी नी मा मा नी पा table
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38 (१) table
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39 री री री गा सा रिग गा गा table
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40 (२) table
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41 नी नी नी नी नी नी नी table
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42 (3) table
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43 नी नी धप मा निध निध पा पा table
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44 (8) table
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45 पांपारी री री री री री table
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46 (4) table
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47 मा रिग सा सधं नीं नीं नीं नीं table
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48 <b>(६)</b> table
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L#Texte OCRRole autoCorriger si incorrect
1 103 page_number
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2 TRANSLATION page_header
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3 phrase). As - sarigā garisā, rigamā magarī, gamapā pamagā, mapadhā dhapamā, main
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4 padhanī nidhapā, dhanisā 76 sanidhā, padhanī nidhapā, mapadhā dhapamā, main
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5 gamapā pamagā, rigamā magarī, sarigā garisā. Or, sarigama magarisa, rigamapa main
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6 pamagari, gamapadha dhapamaga, mapadhani nidhapama, padhanisa 77 main
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7 sanidhapa, mapadhani nidhapama, gamapadha dhapamaga, rigamapa pamagari, main
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8 sarigama magarisa. Thus is (ends) hunkāra in eighteen kalās (phrases). main
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9 (29) main
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10 (Anu. 99) section_header
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11 From the high (şadja), after going to the seventh (svara viz. nişāda), again main
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12 coming back there itself (on sadja), through the pronouncement of two svaras main
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13 in the descending order, on making four kalās (units in each phrase), main
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14 sandhipracchādana (is formed). As - sani sani sani sani, nidha nidha nidha main
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15 nidha, dhapa dhapa dhapa, pama pama pama pama, maga maga maga main
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16 maga, gari gari gari gari, risa risa risa risa risa risa risa nisa, gari gari gari main
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17 gari, maga maga maga, pama pama pama pama, dhapa dhapa dhapa main
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18 dhapa, nidha nidha nidha nidha,78 sani sani sani sani. Thus is (ends) main
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19 (30) annotation_inline
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20 sandhipracchādana. main
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21 (Anu. 100) section_header
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22 Having pronounced the amsa svara 79 (initial note) four times, after that main
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23 with the fast pronunciation of two immediate svaras, with gradual (successive) main
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24 ascent, ekakala (single-phrased) vidhuta (is formed) As - sa sa sa sa riga, ri ri main
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25 ri ri gama, ga ga ga mapa, ma ma ma padha, pa pa pa dhani, dha main
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26 (31) annotation_inline
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27 dha dha dha nisa. Thus is (ends) vidhuta. main
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28 (Anu. 101) section_header
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29 Udgita (is formed) on account of the descent from high with the gap of one main
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30 svara (in each phrase) in (successive) order. As - sadha nipa dhama paga mari main
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31 (32) annotation_inline
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32 gasa. Thus is ends udgita. main
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181 lignes a valider — change uniquement les roles incorrects.