Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21183). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p120 RIGHT — 36 lignes

page vol_II_p120 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 223 page_number
via heuristic_pagenum
3 In the opinion of some, it (elā) is combined with the (name of the) object main
via surya_layout
4 of description (alone). Elā should be made full of charming qualities of main
via surya_layout
5 song, embodying the gaņas (textual units)<sup>31</sup> of metre (and) endowed with main
via surya_layout
6 alankāra and rasa, by the wise. main
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7 (422) annotation_inline
parent ligne 6
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8 [The types of <i>Elā</i>] editorial_bracket
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9 [A. Out of them the varieties of Gaṇailā] editorial_bracket
parent ligne 6
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10 First, nādāvatī has been said, then is known hamsāvatī, nandāvatī is the main
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11 third and bhadrāvatī is known as the fourth. main
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12 (423) annotation_inline
parent ligne 11
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13 Derived out of Rgveda and the like, 'coloured' with variegated sounds, main
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14 thus has elā been said to be fourfold by the wise, in accordance with the main
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15 'path'<math>^{32}</math> (order) of ganas. main
via surya_layout
16 (424) main
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17 [1. Nādāvatī] section_header
via surya_layout
18 The elā (named) nādāvatī is charming, bedecked with varņa (and) main
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19 alankāra, is sung with manthatāla (and) is full of nāda 33 in every foot. There main
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20 takkarāga becomes delightful to all. main
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21 (425) annotation_inline
parent ligne 20
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22 (Its) colour should be known to be white and śṛṅgāra has been said to be main
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23 the rasa; kaišikī vṛtti<sup>34</sup> has been spoken of (and) pañcālī rīti<sup>35</sup> is accepted. main
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24 (426) annotation_inline
parent ligne 23
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25 Bhāratī is its devatā (presiding deity) and the lineage of brāhmaņas prevails. main
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26 Where five candraganas 36 combined with one svargana 37 are there, that cla main
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27 is known to be nādāvatī, by the foregoing learned ones. main
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28 (427) main
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29 [2. Hamsāvatī] section_header
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30 Making movement like a swan, with nāda and pada, it is known as main
via surya_layout
31 hamsāvatī, because it proceeds smoothly. Dvitīyaka is the tāla there and (it) main
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32 is sung in <i>hindola (rāga</i>). main
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33 (428) annotation_inline
parent ligne 32
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34 Red colour has been said to prevail. Caṇḍikā is the devatā (presiding main
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35 deity), ārabhaţī is the vṛtti<sup>38</sup> (and) lāṭīyā rīti<sup>39</sup> is accepted. main
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36 (429) main
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vol_II_p041 LEFT — 48 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 64 page_number
via heuristic_pagenum
3 धा नी सां सा रीं रीं रीं रीं table
via surya_layout
4 (३) table
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5 सां सां सां री गा मा मा मा table
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6 (8) table
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7 मां धां नीं धां मां धां मां पां table
via surya_layout
8 (4) table
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9 गारी साधित रीरीरीरी table
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10 (६) table
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11 गां रीं सां सां पा धा मा मा table
via surya_layout
12 (v) table
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13 गा गा गा मा पा निधनि नी नी table
via surya_layout
14 (८) table
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15 गा गा नी नी गा गा गा गा table
via surya_layout
16 (९) table
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17 गा गा नी नी निध पा पा पा table
via surya_layout
18 (१०) table
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19 मां पो मो पो पो मो मो table
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20 (११) table
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21 सा मा गा निध नी नी गा गा table
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22 (१२) table
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23 ॥ [इति] कैशिकी ॥ table
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24 1 म ॥ annotation_inline
parent ligne 25
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25 [५. मध्यमोदीच्यवा] section_header
via surya_layout
26 पञ्चमांशा सदा पूर्णा, मध्यमोदीच्यवा मता ॥१४॥ main
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27 ंपञ्च(मा: ? मां) annotation_inline
parent ligne 26
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28 [मता] editorial_bracket
parent ligne 26
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29 लक्ष्म शेषं विजानीयाद् गान्धारोदीच्यवागतम् । main
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30 (म्) annotation_inline
parent ligne 29
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31 मध्यमादिर्मूर्छना स्यात् तालश्चचत्पुटो मत: ॥१५॥ main
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32 ॰(मंरीन ? मूर्छना) annotation_inline
parent ligne 31
via heuristic_markers
33 चतुर्थस्य प्रेक्षणस्य ध्रुवायां विनियोजनम् । main
via surya_layout
34 ্ক annotation_inline
parent ligne 33
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35 <sup>१७६</sup>अस्यां मध्यमो न्यास: । षड्जधैवतावपन्यासौ । <sup>१७७</sup>प्रस्तार:- main
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36 अस्या annotation_inline
parent ligne 35
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37 पा धनि नी नी मा मा नी पा table
via surya_layout
38 (१) table
via surya_layout
39 री री री गा सा रिग गा गा table
via surya_layout
40 (२) table
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41 नी नी नी नी नी नी नी table
via surya_layout
42 (3) table
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43 नी नी धप मा निध निध पा पा table
via surya_layout
44 (8) table
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45 पांपारी री री री री री table
via surya_layout
46 (4) table
via surya_layout
47 मा रिग सा सधं नीं नीं नीं नीं table
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48 <b>(६)</b> table
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vol_I_p028 RIGHT — 28 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 39 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 (Anu.25) annotation_inline
parent ligne 4
via heuristic_height
4 Now, upon anuvāditva being applicable to gāndhāra and niṣāda on account main
via surya_layout
5 of their being less45 by one śruti, vivāditva has been spoken of on account of the main
via surya_layout
6 interval of two (srutis) (pertaining to them). What is that vivāditva indeed? main
via surya_layout
7 Vivaditva is indeed the state of being the destroyer of the state of vadin, main
via surya_layout
8 samvādin and anuvādin of the rāga (concerned) attained by the svaras main
via surya_layout
9 (qualified as) vādin and the like. The vivādi-maņļala is thus - main
via surya_layout
10 şa annotation_inline
parent ligne 9
via heuristic_height
11 ni annotation_inline
parent ligne 9
via heuristic_height
12 ga annotation_inline
parent ligne 9
via heuristic_height
13 dha annotation_inline
parent ligne 9
via heuristic_height
14 ma annotation_inline
parent ligne 9
via heuristic_height
15 pa annotation_inline
parent ligne 9
via heuristic_height
16 Thus ends the vivādi-maṇḍala [ in ṣadjagrāma ]. editorial_bracket
parent ligne 9
via heuristic_brackets
17 (Anu. 26) annotation_inline
parent ligne 9
via heuristic_height
18 The use of the vivadins 44 is thus - gandhara being used in the place of main
via surya_layout
19 ṛṣabha and ṛṣabha being used in the place of gāndhāra brings about the loss of main
via surya_layout
20 jāti and rāga. Niṣāda being used in the place of dhaivata and dhaivata being main
via surya_layout
21 used in the place of niṣāda brings about the loss of jāti and rāga. main
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22 Thus it is for şadjagrāma. annotation_inline
parent ligne 21
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23 (Anu. 27) annotation_inline
parent ligne 21
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24 Now the state of being vādin, samvādin, anuvādin and vivādin is being shown main
via surya_layout
25 in madhyamagrāma. Out of them, vādins are the seven svaras beginning with main
via surya_layout
26 madhyama. Those ending at ninth and thirteenth (śrutis) are samvādins. main
via surya_layout
27 Anuvadins are so on account of being less by one sruti. The svaras having an main
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28 interval of two (śrutis) are vivādins. main
via surya_layout

vol_I_p061 LEFT — 41 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 <b>BRHADDESI</b> page_header
via surya_layout
2 104 page_number
via heuristic_pagenum
3 [ अनु, १०२ ] editorial_bracket
parent ligne 8
via heuristic_brackets
4 हुङ्कारवत् सम [ न ] न्तरं संयुक्तं त्रिस्वराक्षरमारोहेत् ततो द्वौ द्वौ स्व [रौ] editorial_bracket
parent ligne 8
via heuristic_brackets
5 .क्त डि॰ annotation_inline
parent ligne 8
via heuristic_markers
6 .तः annotation_inline
parent ligne 8
via heuristic_height
7 म्रो annotation_inline
parent ligne 8
via heuristic_height
8 कम्पनयुक्तौ कलान्तरयोगादेव प्रसन्नौ मन्द्रौ कार्यौ। इत्येककलस्वरयोगाद् गात्रवर्णः। main
via surya_layout
9 [ यथा - ] ३३धनिस निनि धध, पधनि धध पप, मपध पप मम, गमप मम गग, editorial_bracket
parent ligne 8
via heuristic_brackets
10 रिगम गग रिरि, सरिग रिरि सस इति गात्रवर्णः ३४। main
via surya_layout
11 [ 33 ] editorial_bracket
parent ligne 10
via heuristic_brackets
12 भरतमतेनालङ्कारनिरूपणम् section_header
via surya_layout
13 यस्मिन् वर्णे स्थिता ये च अलङ्कारा मनोहराः। main
via surya_layout
14 तानिदानी प्रवक्ष्यामि भरतोक्तविधानतः ॥१२१॥ main
via surya_layout
15 प्रसन्नादिः प्रसन्नान्तः प्रसन्नाद्यन्त एव च। main
via surya_layout
16 तथा प्रसन्नमध्यस्तु समो रेचित एव च॥१२२॥ main
via surya_layout
17 पुस्तारम्च प्रसादश्च स्थायिवर्णसमाश्रयाः। main
via surya_layout
18 •र्णाः annotation_inline
parent ligne 17
via heuristic_height
19 प्रसाद+ annotation_inline
parent ligne 17
via heuristic_height
20 ज्ञेया ह्येते त्वलङ्कारा अध्यथालक्षणलक्षिताः ॥१२३॥ main
via surya_layout
21 ₀रादमी annotation_inline
parent ligne 20
via heuristic_markers
22 ∘धेतद₀ annotation_inline
parent ligne 20
via heuristic_markers
23 अथ सञ्चारिजान् भूयः कीर्त्यमानाव्निबोधत। main
via surya_layout
24 •णी annotation_inline
parent ligne 23
via heuristic_height
25 मन्द्रतारप्रसन्नश्च बिन्दुः प्रेङ्खोलितस्तथा।।१२४।। main
via surya_layout
26 उ६ तारमन्द्रप्रसन्नश्च स्यान्निवृत्तप्रवृत्तकः । ] editorial_bracket
parent ligne 25
via heuristic_brackets
27 .র্ব. annotation_inline
parent ligne 25
via heuristic_height
28 कुहरश्चैव वेणुश्च रिक्षतश्चोपलोलकः ॥१२५॥ main
via surya_layout
29 ₀ला。 annotation_inline
parent ligne 28
via heuristic_markers
30 ₹₀ annotation_inline
parent ligne 28
via heuristic_markers
31 आवर्तकः परावर्त इति सञ्चारिसम्भवाः। main
via surya_layout
32 अलङ्कारास्तु विज्ञेया अएकादश मनोहराः ॥१२६॥ main
via surya_layout
33 निष्कूजितम्च कुहरो हसितो अबिन्दुरेव च। main
via surya_layout
34 कोरो annotation_inline
parent ligne 33
via heuristic_height
35 प्रेह्मोलितस्तथाऽऽक्षिप्तो विधुतोद्वाहितौ तथा।।१२७।। main
via surya_layout
36 .योत्सि. annotation_inline
parent ligne 35
via heuristic_short
37 ह्रादमानः सम्प्रदानः सन्धिप्रच्छादनस्तथा। main
via surya_layout
38 (ना ? मा) annotation_inline
parent ligne 37
via heuristic_short
39 प्रा annotation_inline
parent ligne 37
via heuristic_height
40 प्रसन्नादिः प्रसन्नान्त आरेहिणि त्रयोदश।।१२८।। main
via surya_layout
41 ०णी page_footer
via surya_layout

vol_I_p061 RIGHT — 29 lignes

page vol_I_p061 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 105 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 (Anu. 102) annotation_inline
parent ligne 4
via heuristic_height
4 Like hunkāra one should ascend (with) three solfa syllables without a gap main
via surya_layout
5 (and) in a combined80 (manner), thence two lower svaras (forming two phrase- main
via surya_layout
6 units each) should be made (pronounced) with shake81 and verily in main
via surya_layout
7 combination with another (next) kalā 82 (phrase-unit). Thus is gātravarņa, main
via surya_layout
8 because of the combination or formulation of ekakala 83 svaras (forming main
via surya_layout
9 temporal units of one kalā or mātrā each). As - dhanisa nini dhadha, padhani main
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10 dhadha papa, mapadha papa mama, gamapa mama gaga, rigama gaga riri, main
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11 (33) annotation_inline
parent ligne 10
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12 sariga riri sasa. Thus is (ends) gatravarna. main
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13 [ The treatment of Alankaras according to Bharata's opinion ] section_header
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14 I shall now speak of the varnas 84 in which the charming alankāras are main
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15 'seated' (formed), according to the prescription of Bharata. main
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16 (121) annotation_inline
parent ligne 15
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17 Prasannādi, prasannānta, prasannādyanta, similarly prasannamadhya, sama, main
via surya_layout
18 recita itself, prastāra and prasāda are based on the sthāyivarņa. These alankāras main
via surya_layout
19 (122, 123) annotation_inline
parent ligne 18
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20 should be known according to their respective definition. main
via surya_layout
21 After this, please understand (the alankāras) born of the sancārin (varņa), as main
via surya_layout
22 they are again and again being described (lit. glorified). Mandratāraprasanna, main
via surya_layout
23 bindu, prenkolita, tāramandraprasanna, nivīttapravītta, kuhara, veņu, ranjita, main
via surya_layout
24 upalolaka, avartaka, paravarta. Thus are the eleven charming alankaras born of main
via surya_layout
25 <math>(124 - 126)</math> annotation_inline
parent ligne 24
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26 the sancarin (varna). annotation_inline
parent ligne 24
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27 Nişkūjita, kuhara, hasita, bindu itself, prenkholita, ākṣipta, vidhuta, udvāhita, main
via surya_layout
28 hrādamāna, sampradāna, sandhipracchādana, prasannādi and main
via surya_layout
29 prasannanta—(these) thirteen are (based) on the arohin (varna). (127, 128) main
via surya_layout
182 lignes a valider — change uniquement les roles incorrects.