Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21199). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p161 RIGHT — 46 lignes

page vol_II_p161 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 ٠ page_number
via heuristic_pagenum
2 <b>VIMARŚA</b> page_header
via surya_layout
3 305 page_number
via heuristic_pagenum
4 central part of present Madhya Pradesh. The special preference for Mālavā main
via surya_layout
5 requires further investigation. annotation_inline
parent ligne 4
via heuristic_height
6 29. The word gamaka is used here in the sense of vocal embellishments list_item
via surya_layout
7 including shakes; it is not restricted to shake. list_item
via surya_layout
8 30. See note 22. list_item
via surya_layout
9 31. Each grāmarāga is said to be born of one or more jātis. list_item
via surya_layout
10 32. Pūrvaranga has been described in NS IV and V; it embodies list_item
via surya_layout
11 instrumental rendering, song, dance, dialogue etc. presented as a preliminary list_item
via surya_layout
12 to drama. It has both ritualistic and psychological value as it ensures the list_item
via surya_layout
13 success of drama by propitiating the gods and prepares the audience for list_item
via surya_layout
14 being receptive to drama. list_item
via surya_layout
15 33. Kākalī and antara are always prescribed to be sparse, but here only list_item
via surya_layout
16 the sparseness of gandhara is prescribed, although both antara and kakali are list_item
via surya_layout
17 present. It could be construed that gandhara stands for the original list_item
via surya_layout
18 gāndhāra and not antara. See note 91. list_item
via surya_layout
19 • annotation_inline
parent ligne 18
via heuristic_height
20 34,35. The prescription of a specific varņa and alankāra in a rāga is list_item
via surya_layout
21 not easy to comprehend. It could only be surmised that the peculiar form list_item
via surya_layout
22 of a raga in some cases becomes manifest in ascent, in other cases in descent list_item
via surya_layout
23 and similarly a specific alankāra could be assigned to a rāga on account of list_item
via surya_layout
24 having a special role in establishing the same. list_item
via surya_layout
25 36. Mārga literally means path; it stands for the span of a tāla. NŠ list_item
via surya_layout
26 describes three mārgas of each tāla, citra being the shortest, vārtika or vṛtti list_item
via surya_layout
27 being its double and dakṣiṇa again being its double. Our text describes two list_item
via surya_layout
28 additional mārgas viz. dhruva being half of the length of citra and śūnya list_item
via surya_layout
29 being half of dhruva. (See Vol.I. Anu.113) list_item
via surya_layout
30 37. Kalā has many meanings; the main ones are-firstly, the time-unit list_item
via surya_layout
31 that is equal to a guru i.e. two mātrās of tāla, secondly, the 'action' (kriyā) in list_item
via surya_layout
32 tāla, sounded or unsounded and thirdly, the unsounded action. Here the list_item
via surya_layout
33 first meaning is relevant because the length of kalā depends on the mārga in list_item
via surya_layout
34 use at a given time. list_item
via surya_layout
35 38. Caccatpuța is the first among the five tālas described in NŠ XXXI. list_item
via surya_layout
36 This is the only caturasra (lit. square) tala, being composed of four kalas or list_item
via surya_layout
37 eight mātrās. list_item
via surya_layout
38 39. Garbha-sandhi is the third among the five sandhis or junctures in list_item
via surya_layout
39 drama described in NŚ XIX; the first two being mukha and pratimukha and list_item
via surya_layout
40 the last two being vimarsa and nirvahana. Garbha literally means 'womb', list_item
via surya_layout
41 the inside or interior of something. In drama garbha-sandhi stands for that list_item
via surya_layout
42 juncture where the 'sprouting' of the 'seed' has taken place, but the fruit list_item
via surya_layout
43 is still enshrouded in the 'garbha'. list_item
via surya_layout
44 40. Our text does not uphold the relationship of any raga to both the list_item
via surya_layout
45 grāmas; the decision always rests with the interval of pañcama, if it is list_item
via surya_layout
46 composed of four śrutis, then relationship with ṣadjagrāma is confirmed and list_item
via surya_layout

vol_I_p050 LEFT — 39 lignes

page vol_I_p050 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESI page_header
via surya_layout
2 82 page_number
via heuristic_pagenum
3 तस्माद् यत्किञ्चिद् गीयते तन्मध्यमध्वनिविशेषैः main
via surya_layout
4 कण्ठध्वनिभिर्मन्द्रतारव्यवस्थासिद्ध्यर्थमेव। main
via surya_layout
5 चतुर्विधा मया प्रोक्ता मूर्छनाः सप्तस्वरात्मिकाः। main
via surya_layout
6 द्वादशस्वरमूर्छनाः annotation_inline
parent ligne 5
via heuristic_short
7 इदानी तु प्रवक्ष्यामि द्वादशस्वरमूर्छनाः ॥११७॥ main
via surya_layout
8 90H annotation_inline
parent ligne 7
via heuristic_height
9 <sup>91</sup>ुनाम् main
via surya_layout
10 [ अनु॰ ६१ ] section_header
via surya_layout
11 तत्र मूर्छनानिर्देशः स्थानित्रतयप्राप्त्यर्थमिति वचनात्, main
via surya_layout
12 मन्द्रतारसिद्ध्यर्थमिति वचनाच्च द्वादशस्वरसम्पन्ना मूर्छना main
via surya_layout
13 द्रष्टव्याः annotation_inline
parent ligne 12
via heuristic_short
14 प्रयोगकाले। तथा चाह कोहलः -- main
via surya_layout
15 "योजनीयो बुधैर्नित्यं क्रमो लक्ष्यानुसारतः। main
via surya_layout
16 संस्थाप्य मूर्छना जातिरागभाषादिसिद्धये" ।।१२ main
via surya_layout
17 ुना annotation_inline
parent ligne 16
via heuristic_height
18 नान्दकश्वरणाप्युक्तम्- main
via surya_layout
19 “द्वादशस्वरसम्पन्ना ज्ञातव्या मूर्छना बुधैः। main
via surya_layout
20 जातिभाषादिसिद्ध्यर्थं तारमन्द्रादिसिद्धये।" main
via surya_layout
21 [ अनु₀ ६२ ] section_header
via surya_layout
22 यद्यप्याचार्यैः अप्तस्वरमूर्छनाः प्रतिपादिताः, स्थानत्रितयप्राप्त्यर्थं main
via surya_layout
23 ुदा annotation_inline
parent ligne 22
via heuristic_short
24 द्वादशस्वरैरेव मूर्छनाः प्रयुक्ताः। अन्यथा चोक्षषाडवे रिमा इति प्रयोगो main
via surya_layout
25 सा annotation_inline
parent ligne 24
via heuristic_height
26 न स्यात्। एवं च १५सति स रागः सिद्धो न स्यात्। main
via surya_layout
27 ग सिध्यान्त (२) annotation_inline
parent ligne 26
via heuristic_short
28 षाङ्जीजातौ रिगमधनि प्रयोगस्तारमन्द्रको न main
via surya_layout
29 पर्ज, annotation_inline
parent ligne 28
via heuristic_short
30 स्यात्। अन्येषामपि रागाणां नाशंकरः प्रयोगः स्यात्। तेन सरिगम [प] editorial_bracket
parent ligne 28
via heuristic_brackets
31 धन्याद्या मूर्छना धनि [ सरि ] गमपाद्याः। तद्यथा— editorial_bracket
parent ligne 28
via heuristic_brackets
32 नि अन्या annotation_inline
parent ligne 28
via heuristic_height
33 धनिसरिगमपधनिसरिग । उत्तरमन्द्रा main
via surya_layout
34 [ <sup>8</sup> ] editorial_bracket
parent ligne 33
via heuristic_brackets
35 निसरिगमपधनिसरिगम । रजनी main
via surya_layout
36 ि ३ ो annotation_inline
parent ligne 35
via heuristic_short
37 सरिगमपधनिसरिगमप । उत्तरायता main
via surya_layout
38 रिगमपधनिसरिगमपध । शुद्धषड्जा [ ४ ] editorial_bracket
parent ligne 37
via heuristic_brackets
39 गमपधनिसरिगमपधनि । मत्सरीकृता [ ५ editorial_bracket
parent ligne 37
via heuristic_brackets

vol_I_p019 LEFT — 32 lignes

page vol_I_p019 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESI page_header
via surya_layout
2 20 page_number
via heuristic_pagenum
3 नानाबुद्धिप्रसाध्यत्वात् स्वरश्रुत्योस्तु भिन्नता। main
via surya_layout
4 ₀गृहीत｡<sup>72</sup> annotation_inline
parent ligne 3
via heuristic_markers
5 आश्रयाश्रयिभेदाच्च तादात्म्यं नैव सिध्यति ॥३६॥ main
via surya_layout
6 7 अकेन annotation_inline
parent ligne 5
via heuristic_short
7 यदभाणि विवर्तत्वं स्वराणां न तदसङ्गतम्। main
via surya_layout
8 श्रुतीना74 annotation_inline
parent ligne 7
via heuristic_short
9 विवर्तत्वे स्वराणां हि भ्रान्तिज्ञानं प्रसज्यते ॥३७॥ main
via surya_layout
10 ₀त्वात्<sup>75</sup> annotation_inline
parent ligne 9
via heuristic_markers
11 कार्यकारणभावस्तु स्वरश्रुत्योर्न सम्भवेत्। main
via surya_layout
12 श्रुतीनामिह सद्भावे प्रमाणं नैव विद्यते ।।३८।। main
via surya_layout
13 ₀व76 annotation_inline
parent ligne 12
via heuristic_markers
14 अर्थापत्त्या यदि वा व्याप्तिग्रहणपूर्वकप्रमाणबलात्। main
via surya_layout
15 77ग्रहपूर्वक annotation_inline
parent ligne 14
via heuristic_short
16 सिद्ध [:] स्वरजनकानां गगनगुणानां स्वरो भेदः ॥३९॥ editorial_bracket
parent ligne 14
via heuristic_brackets
17 सत्यम् । main
via surya_layout
18 कार्यकारणभेदोऽस्ति यद्यपि स्फुटमेव हि। main
via surya_layout
19 तथापि कारणत्वं च श्रुतीनां नैव सम्भवेत् ॥४०॥ main
via surya_layout
20 ਚ78 annotation_inline
parent ligne 19
via heuristic_height
21 कार्येषु विद्यमानेषु कारणस्योपलम्भनात्। main
via surya_layout
22 घटादौ विद्यमाने तुः मृत्पिण्डो नोपलभ्यते ॥४१॥ main
via surya_layout
23 79fH annotation_inline
parent ligne 22
via heuristic_short
24 805<del>4</del> main
via surya_layout
25 825<del>0</del>23° annotation_inline
parent ligne 24
via heuristic_markers
26 परिणामोऽभिव्यक्तिस्तु न्याय्यः पक्षः सतां मतः। main
via surya_layout
27 <sup>83</sup>्मा<sub>॰</sub> <sup>84</sup>ह्यभिव्यक्तिः annotation_inline
parent ligne 26
via heuristic_markers
28 <b>65,च्यः      ६६,न्य</b>ि main
via surya_layout
29 इति तावन्मया प्रोक्तं तादात्म्यादिविकल्पनम् ॥४२॥ main
via surya_layout
30 [ अनु. १२ ] editorial_bracket
parent ligne 29
via heuristic_brackets
31 ननु श्रुतीनां द्वाविशतिप्रकारता यत्तदप्यसङ्गतम् श्रुतीनां श्रुत्यवयवानां main
via surya_layout
32 चानु [प]लम्भात्। editorial_bracket
parent ligne 31
via heuristic_brackets

vol_II_p041 LEFT — 48 lignes

page vol_II_p041 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 64 page_number
via heuristic_pagenum
3 धा नी सां सा रीं रीं रीं रीं table
via surya_layout
4 (३) table
via surya_layout
5 सां सां सां री गा मा मा मा table
via surya_layout
6 (8) table
via surya_layout
7 मां धां नीं धां मां धां मां पां table
via surya_layout
8 (4) table
via surya_layout
9 गारी साधित रीरीरीरी table
via surya_layout
10 (६) table
via surya_layout
11 गां रीं सां सां पा धा मा मा table
via surya_layout
12 (v) table
via surya_layout
13 गा गा गा मा पा निधनि नी नी table
via surya_layout
14 (८) table
via surya_layout
15 गा गा नी नी गा गा गा गा table
via surya_layout
16 (९) table
via surya_layout
17 गा गा नी नी निध पा पा पा table
via surya_layout
18 (१०) table
via surya_layout
19 मां पो मो पो पो मो मो table
via surya_layout
20 (११) table
via surya_layout
21 सा मा गा निध नी नी गा गा table
via surya_layout
22 (१२) table
via surya_layout
23 ॥ [इति] कैशिकी ॥ table
via surya_layout
24 1 म ॥ annotation_inline
parent ligne 25
via heuristic_height
25 [५. मध्यमोदीच्यवा] section_header
via surya_layout
26 पञ्चमांशा सदा पूर्णा, मध्यमोदीच्यवा मता ॥१४॥ main
via surya_layout
27 ंपञ्च(मा: ? मां) annotation_inline
parent ligne 26
via heuristic_short
28 [मता] editorial_bracket
parent ligne 26
via heuristic_brackets
29 लक्ष्म शेषं विजानीयाद् गान्धारोदीच्यवागतम् । main
via surya_layout
30 (म्) annotation_inline
parent ligne 29
via heuristic_short
31 मध्यमादिर्मूर्छना स्यात् तालश्चचत्पुटो मत: ॥१५॥ main
via surya_layout
32 ॰(मंरीन ? मूर्छना) annotation_inline
parent ligne 31
via heuristic_markers
33 चतुर्थस्य प्रेक्षणस्य ध्रुवायां विनियोजनम् । main
via surya_layout
34 ্ক annotation_inline
parent ligne 33
via heuristic_height
35 <sup>१७६</sup>अस्यां मध्यमो न्यास: । षड्जधैवतावपन्यासौ । <sup>१७७</sup>प्रस्तार:- main
via surya_layout
36 अस्या annotation_inline
parent ligne 35
via heuristic_height
37 पा धनि नी नी मा मा नी पा table
via surya_layout
38 (१) table
via surya_layout
39 री री री गा सा रिग गा गा table
via surya_layout
40 (२) table
via surya_layout
41 नी नी नी नी नी नी नी table
via surya_layout
42 (3) table
via surya_layout
43 नी नी धप मा निध निध पा पा table
via surya_layout
44 (8) table
via surya_layout
45 पांपारी री री री री री table
via surya_layout
46 (4) table
via surya_layout
47 मा रिग सा सधं नीं नीं नीं नीं table
via surya_layout
48 <b>(६)</b> table
via surya_layout

vol_I_p055 RIGHT — 36 lignes

page vol_I_p055 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 93 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 (Anu. 75) annotation_inline
parent ligne 4
via heuristic_height
4 Where, having 'stayed' (stopped) for a long time at one svara in the form of main
via surya_layout
5 șadja and the like, having touched the octave36 (tara) of that like fire and main
via surya_layout
6 having stayed there for one (short) time-unit<sup>37</sup> (kalā), suddenly the 'low' (svara) main
via surya_layout
7 is reached, that is bindu. As - sā sa - sā. Thus is (ends) bindu. main
via surya_layout
8 <b>(6)</b> annotation_inline
parent ligne 7
via heuristic_height
9 (Anu. 76) annotation_inline
parent ligne 7
via heuristic_height
10 Having touched (a svara) for the interval of one kalā (time-unit), on main
via surya_layout
11 account of the pronunciation of (svaras) in the reverse order of bindu, (the main
via surya_layout
12 alankāra) named nivīttapravītta (comes into being). As - sā sā sā. thus ends main
via surya_layout
13 <b>(7)</b> annotation_inline
parent ligne 12
via heuristic_height
14 nivṛttapravṛtta. annotation_inline
parent ligne 12
via heuristic_height
15 (Anu. 77) annotation_inline
parent ligne 12
via heuristic_height
16 Veņu is with seven kalās 40 (phrases) in the order of ascent and descent, like main
via surya_layout
17 ākrīḍita 11 (playful way?). sarigamapadhani nidhapamagarisa. Thus is (ends) veņu. main
via surya_layout
18 (8) annotation_inline
parent ligne 17
via heuristic_height
19 (Anu 78) annotation_inline
parent ligne 17
via heuristic_height
20 On account of the shake of (svara having) three srutis in the lower heptad, main
via surya_layout
21 kampita (is formed), that is composed of three kalās (time-units). As - main
via surya_layout
22 <b>(9)</b> annotation_inline
parent ligne 21
via heuristic_height
23 sarigamapadhanisa,42 thus is (ends) kampita. main
via surya_layout
24 (Anu. 79) annotation_inline
parent ligne 23
via heuristic_height
25 On account of the shake of (svara having) three śrutis 43 in the middle main
via surya_layout
26 heptad kuharita (is formed), that is composed of three kalās. As - main
via surya_layout
27 (10) annotation_inline
parent ligne 26
via heuristic_height
28 sarigamapadhanisa.44 Thus is (ends) kuharita. main
via surya_layout
29 (Anu. 80) annotation_inline
parent ligne 28
via heuristic_height
30 On account of the shake of (svara having) three śrutis in the higher main
via surya_layout
31 heptad, recita (is formed), that is composed of three kalās. As - main
via surya_layout
32 (11) annotation_inline
parent ligne 31
via heuristic_height
33 sarigamapadhanisa 45 Thus is (ends) recita. main
via surya_layout
34 (Anu. 81) annotation_inline
parent ligne 33
via heuristic_short
35 Prenkholita is with fourteen kalās 16 (phrases) on account of 'going' (ascent) main
via surya_layout
36 and 'coming' (descent) of (groups of) two or more svaras, in equal temporal main
via surya_layout
201 lignes a valider — change uniquement les roles incorrects.