Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21200). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p026 LEFT — 21 lignes

page vol_I_p026 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 34 page_number
via heuristic_pagenum
2 <b>BRHADDES!</b> page_header
via surya_layout
3 स annotation_inline
parent ligne 8
via heuristic_height
4 नि annotation_inline
parent ligne 8
via heuristic_height
5 रि annotation_inline
parent ligne 8
via heuristic_height
6 . <b>u</b> annotation_inline
parent ligne 8
via heuristic_height
7 ग annotation_inline
parent ligne 8
via heuristic_height
8 [ इति षड्जग्रामे संवादिमण्डलम् ] section_header
via surya_layout
9 [ अनु. २२ ] section_header
via surya_layout
10 संवादिप्रयोगो यथा— section_header
via surya_layout
11 यस्मिन् गीते योऽशत्वेन परिकल्पितः षड्जस्तस्य स्थाने main
via surya_layout
12 मध्यमः क्रियमाणो रागहा न भवेत् । यस्मिन् स्थाने मूर्छनावशात् main
via surya_layout
13 मध्यमः प्रयुक्तः तस्मिन् स्थाने क्रियमाणः षड्जो जातिरागहा न भवेत्। main
via surya_layout
14 ग्र annotation_inline
parent ligne 13
via heuristic_height
15 षड्जपञ्चमयोः स्थाने पञ्चमषड्जौ प्रयुज्यमानौ जातिरागहानिकरौ न main
via surya_layout
16 भवतः । एवम् ऋषभधैवतयोः स्थाने धैवतर्षभी प्रयुज्यमानौ जातिराग- main
via surya_layout
17 विनाशकरौ न भवतः। एवं गान्धारनिषादयोः स्थाने निषादगान्धारौ main
via surya_layout
18 17[ प्रयुज्यमानौ जातिरागहानिं न कुरुतः । ] editorial_bracket
parent ligne 17
via heuristic_brackets
19 18ककुभस्य धैवतांशत्वेन 19रेवगुप्तस्य ऋषभांशत्वेन main
via surya_layout
20 तदुभयरागजनन्याश्चार्षभीजातेऋिषभांशपरिग्रहात् परस्परसम्बद्धौ च प्रयुज्यमानौ main
via surya_layout
21 जातिरागविनाशकरौ न भवतः । main
via surya_layout

vol_II_p061 RIGHT — 33 lignes

page vol_II_p061 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 1 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 105 page_number
via heuristic_pagenum
4 [C. Gauda rāgas] section_header
via surya_layout
5 [Anu. 186] section_header
via surya_layout
6 (Contention) Why are they known as gaudas? It is being answered, on main
via surya_layout
7 account of being related to gaudigiti. What is its description? It is being main
via surya_layout
8 answered. That is thus - annotation_inline
parent ligne 7
via heuristic_height
9 Oḥāṭi<sup>61</sup> born in the mandra (low svaras) is employed. In performance with main
via surya_layout
10 shaken sounds, without pause, in the three registers, gaudī gīti is said to main
via surya_layout
11 prevail. *(First line of the verse reconstructed vide c.r. in Sudhā on SR II. 1.2-5). main
via surya_layout
12 (315) annotation_inline
parent ligne 11
via heuristic_height
13 [1. Gaudapañcama] section_header
via surya_layout
14 The description of gaudapañcama - main
via surya_layout
15 Dhaivatī and ṣadjamadhyamā operate in the formation of gauḍapañcama. It main
via surya_layout
16 has dhaivata as its amśa and madhyama as its concluding note; it is devoid of main
via surya_layout
17 pañcama. annotation_inline
parent ligne 16
via heuristic_height
18 (316) annotation_inline
parent ligne 16
via heuristic_height
19 [Anu. 187] section_header
via surya_layout
20 This means - gaudapañcama is related to sadjagrāma on account of being main
via surya_layout
21 born of dhaivatī and şadjamadhyamā jātis. Dhaivata is the aniśa and graha. main
via surya_layout
22 Madhyama is the nyāsa. Niṣāda and gāndhāra are kākalī and antara. It is main
via surya_layout
23 hexatonic, being devoid of pañcama. Its application is prescribed in main
via surya_layout
24 passionate acting (or dance) and in vipralambha śringāra (love in separation). main
via surya_layout
25 Bībhatsa62 and bhayānaka are the rasas. The mūrchanā beginning with main
via surya_layout
26 dhaivata obtains. Ārohin is the varņa. Prasannamadhya is the alankāra. The main
via surya_layout
27 kalāis formed in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and main
via surya_layout
28 the kalā prevails in the citra (mārga). A tāla like caccatpuța obtains in the songs main
via surya_layout
29 comprised of svara and pada. main
via surya_layout
30 [2. Gaudakaisika] section_header
via surya_layout
31 Gauḍakaiśika is known to be born of kaiśikī and ṣaḍjamadhyamā jātis. It is main
via surya_layout
32 said to have şadja as the amśa and pañcama as the nyāsa. main
via surya_layout
33 (317) annotation_inline
parent ligne 32
via heuristic_height

vol_II_p102 RIGHT — 28 lignes

page vol_II_p102 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 187 page_number
via heuristic_pagenum
3 Illustration - Gāsānīdhadhānīsā nīsādhādhāmāmādhānīsā main
via surya_layout
4 māgāmā annotation_inline
parent ligne 3
via heuristic_height
5 dhādhāmāgāmānisāsā. Dohyā [v] editorial_bracket
parent ligne 3
via heuristic_brackets
6 Having niṣāda as amśa, ṣadja as the concluding note, being devoid of main
via surya_layout
7 pañcama svara, śārdūlī<sup>4</sup> bhāṣā in ṭakkarāga is weak in ṛṣabha. main
via surya_layout
8 (6) annotation_inline
parent ligne 7
via heuristic_height
9 Illustration-<i>Nīninis</i>ā rīrīmārīrīpānidhāpānisāririmadhāmāridhānirisā.Sārdūlī [vi] editorial_bracket
parent ligne 7
via heuristic_brackets
10 Combined with ṣadja as the initial and concluding note, alaghvī is born of main
via surya_layout
11 a deśa (region), is complete (and) comes into being from takkarāga, which main
via surya_layout
12 is sung in one's own abode. main
via surya_layout
13 (7) annotation_inline
parent ligne 12
via heuristic_short
14 Illustration - Sasasas Dhasasasas เกิดเลือนที่เกิดเลือนที่สายสายสายสายสายสายสายสายสายสายสายสายสายส main
via surya_layout
15 sādhāgā risārisā nidhānisāsā. Alaghvī [vii] editorial_bracket
parent ligne 14
via heuristic_brackets
16 Thus end the <i>bhāṣās</i> in <i>ṭakkarāga</i> in the opinion of Sārdūla. main
via surya_layout
17 [2. Now in hindola] section_header
via surya_layout
18 Bhinnavalitikā, ravicandrā, bhinnapaurālī, drāviḍī, piūjarī (and) pārvatī- main
via surya_layout
19 these are the bhāṣās in hindolaka. main
via surya_layout
20 Having gāndhāra as ainsa, sadja as the concluding note, being hexatonic, main
via surya_layout
21 bereft of dhaivata, bhinnavalitā is sung in hindola by people in lonely places.<sup>6</sup> main
via surya_layout
22 (8) annotation_inline
parent ligne 21
via heuristic_height
23 Illustration - Gāgārī saninipā sanīpāpā panīsāsā . Gāsāni sāsāpānī sāgāmāpā main
via surya_layout
24 pลักโอลิเทลิรสิทิรนิ. Ninininīnī māgāgāsānīnī nīnīsīmāgāsā nisāsī. Bhinnavalitikā [i] editorial_bracket
parent ligne 23
via heuristic_brackets
25 Having niṣāda as amśa ,ṣadja as the concluding note, being hexatonic, main
via surya_layout
26 omitting dhaivata, the bhāṣā ravicandrā is sung in hindola in due order.<sup>7</sup> main
via surya_layout
27 (9) annotation_inline
parent ligne 26
via heuristic_height
28 Illustration - Ninipāsā māgārīsāgārīsā sāsāmāmā gānininisāsāni sāsāni pāpā main
via surya_layout

vol_II_p010 LEFT — 25 lignes

page vol_II_p010 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 ॥ श्री: ॥ annotation_inline
parent ligne 2
via heuristic_height
2 श्रीमतङ्गमुनिप्रणीता section_header
via surya_layout
3 बृहद्देशी section_header
via surya_layout
4 [द्वितीयोऽध्यायः] editorial_bracket
parent ligne 3
via heuristic_brackets
5 [ जातयः] editorial_bracket
parent ligne 3
via heuristic_brackets
6 [१. तासां सङ्ख्या, उद्देश:, भेदाश्च] editorial_bracket
parent ligne 3
via heuristic_brackets
7 [तत्र सङ्ख्या उद्देशश्च] editorial_bracket
parent ligne 3
via heuristic_brackets
8 [अनु ॰ ११४] editorial_bracket
parent ligne 3
via heuristic_brackets
9 इदानीमवसरप्राप्तानां जातीनामुद्देशमाह-तत्र जातयोऽष्टादशैव। एता: सर्वांशभेदेन main
via surya_layout
10 (:) समांश्र annotation_inline
parent ligne 9
via heuristic_height
11 शतं चत्वारिशदधिकं सङ्ख्यया भवन्ति। main
via surya_layout
12 <sup>१</sup> तत्र स्वरे annotation_inline
parent ligne 11
via heuristic_height
13 र[ जातयोऽष्टादशेत्येवं ब्रह्मणाभिहितं पुरा। editorial_bracket
parent ligne 11
via heuristic_brackets
14 तास्त्वहं वर्तयिष्यामि ग्रहांशादिविभागत: ॥१८५॥ main
via surya_layout
15 [षड्जग्रामाश्रिता जातय:] section_header
via surya_layout
16 षाड्जी चैवार्षभी चैव धैवत्यथ निषादिनी। main
via surya_layout
17 षड्जोदीच्यवती चैव तथा वै षड्जकैशिकी ॥१८६॥ main
via surya_layout
18 षड्जमध्या तथा चैव षड्जग्रामसमाश्रया: ॥१८७॥ main
via surya_layout
19 ॥ इति सप्त षड्जग्रामाश्रयाः॥ editorial_bracket
parent ligne 18
via heuristic_brackets
20 [मध्यमग्रामाश्रिता जातय:] section_header
via surya_layout
21 अत ऊर्ध्वं प्रवक्ष्यामि मध्यमग्रामसंश्रिता: ॥ १८८॥] editorial_bracket
parent ligne 20
via heuristic_brackets
22 गान्धारी मध्यमा चैव पञ्चमी च तथैव हि । main
via surya_layout
23 गान्धारोदीच्यवा चैव तथा गान्धारपञ्चमी ॥ १८९॥ main
via surya_layout
24 ततश्च रक्तगान्धारी मध्यमोदीच्यवा तथा। main
via surya_layout
25 ॰ दच्यि • annotation_inline
parent ligne 24
via heuristic_markers

vol_II_p087 RIGHT — 29 lignes

page vol_II_p087 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 <b>TRANSLATION</b> page_header
via surya_layout
2 157 page_number
via heuristic_pagenum
3 Madhukarī has pañcama as amśa, is replete with the same, has dha main
via surya_layout
4 (dhaivata) as the concluding note, there is the mutual concert of gandhara main
via surya_layout
5 and pañcama, (and) commingling of dhaivata and niṣāda is seen. This bhāṣā, main
via surya_layout
6 born of kakubha, is complete and sankīrņā (mixed). main
via surya_layout
7 <math>(76-77)</math> annotation_inline
parent ligne 6
via heuristic_height
8 Illustration-[<i>Pāpā</i>] ninininipadhapā dhanisāsanisani. Sapadhānidhādhapā editorial_bracket
parent ligne 6
via heuristic_brackets
9 dharisāsāgarimagarisasama. Garisānininidhapāpāsāgā. Pāpāmādhā. main
via surya_layout
10 Mādhādhāmā. Nīsāsādhādhā. Madhukarī [v] editorial_bracket
parent ligne 9
via heuristic_brackets
11 Šakamišritā is a bhāṣā having niṣāda as amśa, ṣaḍja as the concluding note, main
via surya_layout
12 combined with niṣāda as graha, should be known to be devoid of ṛṣabha and main
via surya_layout
13 the concert of niṣāda and pañcama with dhaivata is there. The shade or main
via surya_layout
14 reflection (chāyā)31 (?) mixed with śaka is there. main
via surya_layout
15 (78-79) annotation_inline
parent ligne 14
via heuristic_height
16 Illustration - Nīsānigadhamāgāririnininisā dhādhānidhāgamāmāmapāsā main
via surya_layout
17 sanisāsādhādhāmanīdhādhāmānī dhāpāmādhānīsāsāsā nīsāsārigārisānīsānī sā- main
via surya_layout
18 nidhādhāmāsānīmāgārīri [sā]. Šakamiśritā [vi] editorial_bracket
parent ligne 17
via heuristic_brackets
19 Bhinnapañcamī should be known to have dhaivata as the concluding note main
via surya_layout
20 and madhyama as amśa, miṣāda is kākalī mixed profusely with dhaivata, where main
via surya_layout
21 there is seen the concert of kākalī and dhaivata and where one should put up main
via surya_layout
22 communion between pañcama and ṛṣabha. This is complete and sādhāraṇakṛtā, main
via surya_layout
23 i.e., involves the use of <i>antar</i>a and <i>kākalī</i> and <i>kākalī</i> is frequent. 32 main
via surya_layout
24 <math>(80-81)</math> annotation_inline
parent ligne 23
via heuristic_height
25 Illustration - Dhanidhādhānidhāpāpāmaripāpāpapamādhādhāpāsāsa nisāsa main
via surya_layout
26 niririsārī. Dhādhā. Parimāpāpā. Pamadhādhāmānī dhāpāpāparī dhāpāpāpā main
via surya_layout
27 dhādhāsa nidhā. Bhinnapañcamī [vii] editorial_bracket
parent ligne 26
via heuristic_brackets
28 These seven bhāṣās of kakubha have been indicated. main
via surya_layout
29 (82) page_footer
via surya_layout
136 lignes a valider — change uniquement les roles incorrects.