Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21215). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p009 RIGHT — 4 lignes

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1 श्रीमतङ्गमुनिप्रणीता<br>बृहद्देशी<br>BRHADDEŚĪ main
via surya_layout
2 <b>OF</b> annotation_inline
parent ligne 1
via heuristic_height
3 ŚRĪ MATANGA MUNI main
via surya_layout
4 (Volume I) main
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vol_II_p138 LEFT — 41 lignes

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1 1. ***** annotation_inline
parent ligne 4
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2 258 page_number
via heuristic_pagenum
3 BRHADDEŚĨ page_header
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4 38. Reconstuction based on the reading found in all subsequent list_item
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5 rāgas. list_item
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6 39. P.t. breaks here. Ākṣiptikā is thus defined in SR list_item
via surya_layout
7 चच्चत्पुटादितालेन मार्गत्रयविभूपिता। list_item
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8 आक्षिप्तिका स्वरपदग्रथिता कथिता बुधै: ॥ list_item
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9 SR II.2.25 cd, 26 ab. main
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10 स्वरपदग्रधिता, पड्जादिस्वरोपेतै: पदै: पदार्थवाचकै: शब्दैग्रंथिता रचिता main
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11 पदतालाद्याक्षिप्तत्वादाक्षिप्तिकेत्यर्था । वुधैर्मतङ्गादिभि: कथिता । main
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12 Kalā on ibid, p. 22. main
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13 40. P.t. breaks here. The following extracts would be pertinent - main
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14 मध्यमापञ्चमीजात्यो: सम्भूत: शुद्धपञ्चम: । main
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15 अंशोऽस्य पञ्चमो न्यास: स्वल्पद्विश्रुतिकस्वर:॥ main
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16 BhaKo, p. 666, ascribed to Kaśyapa. main
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17 यदि पञ्चमो विरमते गान्धारधान्तरस्वरो भवति । main
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18 ऋपभो निपादसहितस्तं पञ्चममीदृशं विद्यात् ॥ main
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19 Nā Śi 1.4.6. annotation_inline
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20 मध्यमापञ्चमीजातः काकल्यन्तरसंयुतः ॥ main
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21 पञ्चमांशग्रहन्यासो मध्यसप्तकपञ्चम:। main
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22 <b>इ</b>ष्यकामूर्च्छनोपेतो ज्ञेय: कामादिदैवत: ॥ main
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23 चारुसञ्चारिवर्णश्च ग्रीप्मेऽहः प्रहरेऽग्रिमे । main
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24 शृङ्गारहास्ययो: सन्धाववमर्शे प्रयुज्यते ॥ main
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25 SR.II.2. 148c-150. main
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26 41. Reconstruction based on the succeeding prose portion, where list_item
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27 the omission of rṣabha and pañcama is prescribed. list_item
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28 42. The 'jātyoḥ' of p.t. could be taken to be the dual number of the list_item
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29 genitive or locative case, though locative would be more appropriate list_item
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30 according to the context. We have changed it to the dual number of the list_item
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31 ablative case which was felt to be more idiomatic, but the locative case is not list_item
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32 misplaced. list_item
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33 43. This sentence has been cited by Kallinātha in Kalā on SR II. 2.30- list_item
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34 32, p. 29 for refuting the opinion that the rāga śuddhakaiśikamadhyama list_item
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35 belongs to two grāmas. list_item
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36 पड्जांशो मध्यमन्यासः कैशिकीजातिसम्भवः। list_item
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37 44. cf. list_item
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38 तथा कार्मारवीजात: सम्पूर्ण इति कैशिक: ॥ list_item
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39 BhaKo p. 149, ascribed to Matanga. main
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40 45. ' Pañcamo nyāsaḥ 'of p.t. has been changed to pañcamanyāsaḥ in main
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41 order to make a compound matching ' ṣadjāmśaḥ '. main
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1 TRANSLATION page_header
via surya_layout
2 13 page_number
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3 [2. The definition of amsa] section_header
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4 [Anu. 120] editorial_bracket
parent ligne 3
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5 After this amsa is being spoken of; that is known as tenfold according to main
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6 the division of its angas (lit. limbs, here functions). Anisa is that which leads main
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7 to the manifestation of raga (delight) in the course of its operation; this is its main
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8 first (function). And the second anisa (in its functioning) is that with which main
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9 gīta (melodic organisation and performance) begins and proceeds, which is main
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10 vikalpita (alternatively arranged) as graha, this is its second (function). That main
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11 amsa is third (in its functioning) which is the cause of the manifestation of main
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12 tāra (high) and mandra (low). The ascent up to the fifth svara is (the range main
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13 of) tāra (high); sometimes even the ascent up to the sixth svara is tāra, just main
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14 as in gāndhārī (jāti) şadja is tāra, ni-dha-ni-dha-sā, thus is (its illustration). main
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15 Just as it (amśa) is the regulator of tāra, similarly the svara that is the regulator main
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16 . annotation_inline
parent ligne 15
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17 ofmandra is also amsa on account of descent in seven svaras. Just as in the main
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18 ṣāḍjī (jāti) with pañcama as theamśa there is (descent in seven svaras) - as sā main
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19 <math>-s\bar{a}</math> - <math>s\bar{a}</math> - <math>dh\bar{a}^{14}</math> in its svasthāna 15 (section of melodic ela main
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20 amśa which is used profusely; this is the fourth (function). That svara is also main
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21 amsa which stands as the object (here content) of raga; this is the fifth main
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22 (function). That is also amsa which is perceptible in (the operation of) main
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23 graha, apanyāsa, vinyāsa, samnyāsa (and) nyāsa; this is the sixth, seventh, main
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24 eighth, ninth and tenth (function).<sup>16</sup> main
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25 [The definition of apanyasa forming part of that of amsa section_header
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26 [Anu. 121] section_header
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27 • annotation_inline
parent ligne 26
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28 That is apanyāsa, where gīta (melodic rendering) is supposed or appears main
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29 to be ending; this occurs in the middle of all vidārīs (sub-sections). That main
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30 vidārī is of two kinds, viz. gīta-vidārī 17 (sections of melodic structure) and main
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31 pada-vidārī 18 (splitting of the melodic- cum-textual units). main
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32 (Contention) What is signified by the word vidārī (?) It is the splitting or main
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33 separating of <math>p\bar{a}das^{19}</math> (feet), the <math>pes\bar{i}^{20}</math> (lit. muscle) i.e. section of a <ma main
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34 (melodic structure) could be (understood) as such. main
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35 [The definition of samnyāsa forming part of that of amśa] section_header
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36 [Anu. 122] section_header
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37 Now samnyāsa is being said. The nyāsa (final svara) is called samnyāsa when main
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1 TRANSLATION page_header
via surya_layout
2 129 page_number
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3 "Sometimes the aniśa, sometimes the nyāsa, sometimes ṣāḍava and auḍuvita main
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4 (becomes obvious). The wise should arrange (the melody) after knowing main
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5 the sparseness and abundance combined with graha and apanyasa and main
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6 similarly low and high (mandra-tāra). The grāma-rāgas should be used in main
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7 daśarūpaka 97 according to the prescribed rules. The gāna that is five-fold as main
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8 praveśa (entry), ākṣepa (sudden change in emotive state), niṣkrāma (exit), main
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9 prāsādika (pacifying) and āntara (filler of gaps) should be performed in main
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10 these rāgas." annotation_inline
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11 [The application of gītis] section_header
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12 In pūrvaraiga, the śuddhā should be there, the bhinnā is based on main
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13 prastāvanā, 98 the vesarā should be 'done ' in the two mukhas (mukha and main
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14 pratimukha sandhi),99 gauḍi is prescribed in the garbha (sandhi) and main
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15 similarly sādhārita should be there in avamarsa sandhi<sup>101</sup> and nirvahana main
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16 (sandhi). annotation_inline
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17 (344) annotation_inline
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18 Thus ends the third chapter entitled "Raga-laksana" in annotation_inline
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19 Bṛhaddeśi composed by Matanga Muni. main
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1 37 page_number
via heuristic_pagenum
2 TRANSLATION page_header
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3 (Anu. 23) main
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4 Anuvāditva (the state of being anuvādin) occurs by the state of being one main
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5 śruti less<sup>41</sup> (i.e. pairs of svaras where one of the constituents is less than the other main
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6 by one śruti are anuvādins). But what is that anuvāditva? main
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7 The expositorhood of the ragatva of raga brought about by the samvadin is main
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8 indeed anuvāditva. annotation_inline
parent ligne 7
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9 The anuvādi-maņdala is thus - main
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10 Sa annotation_inline
parent ligne 9
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11 Ň annotation_inline
parent ligne 9
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12 ni annotation_inline
parent ligne 9
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13 ga annotation_inline
parent ligne 9
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14 dha annotation_inline
parent ligne 9
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15 ma annotation_inline
parent ligne 9
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16 pa annotation_inline
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17 Thus ends the anuvādi-maṇḍala. [in ṣaḍjagrāma] caption
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18 (Anu. 24) main
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19 The use<sup>42</sup> of anuvadins is thus - şadja in the place of ṛṣabha and ṛṣabha in the main
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20 place of şadja, remaining in its own form, does not destroy jāti or rāga. main
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21 Dhaivata, being used in the place of pañcama and pañcama being used in the main
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22 place of dhaivata may not become the destroyer of jāti and rāga. Dhaivata being main
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23 used in the place of şadja and şadja being used in the place of dhaivata does not main
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24 become the destroyer of jāti and rāga. Rṣabha being used in the place of pañcama main
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25 and pañcama being used in the place of rṣabha does not destroy jāti and rāga. main
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26 Rṣabha in the place of madhyama and madhyama in the place of ṛṣabha; main
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27 similarly, madhyama being used in the place of dhaivata and dhaivata in the place main
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28 of madhyama does not destroy jāti and rāga. main
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129 lignes a valider — change uniquement les roles incorrects.