Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21221). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p106 RIGHT — 35 lignes

page vol_II_p106 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 195 page_number
via heuristic_pagenum
3 ......Mālavī [iii] editorial_bracket
parent ligne 5
via heuristic_brackets
4 .....Gūrjarī [iv] editorial_bracket
parent ligne 5
via heuristic_brackets
5 Having madhyama as aniśa, dhaivata as the concluding note, being hexatonic, main
via surya_layout
6 devoid of rṣabha, that which is sung on the occasion of yajña<sup>19</sup> is said to be main
via surya_layout
7 bāhyaṣāḍavā. annotation_inline
parent ligne 6
via heuristic_short
8 (24) main
via surya_layout
9 Illustration - Mādhā. Mānini pāmāpādhādhā. main
via surya_layout
10 Mādhāmāgā annotation_inline
parent ligne 9
via heuristic_short
11 gāgāgāmāmamanidhā. Māpāpāni. Dhādhādhā. Bāhyaṣāḍavā [v] editorial_bracket
parent ligne 9
via heuristic_brackets
12 Having niṣāda as amsa (and ) dhaivata as the concluding note, being main
via surya_layout
13 hexatonic, omitting rşabha, kausalī is born of a region<sup>20</sup> (and) is sung in (the main
via surya_layout
14 context of ) the door-keepers. 21 main
via surya_layout
15 (25) annotation_inline
parent ligne 14
via heuristic_short
16 Illustration-Ninidhā. Pāmāmā. Māgamā. Sāsāsāsāsā. Māgamānidhādhā. main
via surya_layout
17 Kausalī [vi] editorial_bracket
parent ligne 16
via heuristic_brackets
18 Having gāndhāra as amśa, madhyama as the concluding note, gāndhārī is main
via surya_layout
19 based on madhyama (grāma?)<sup>22</sup>; it is sung by those living in solitude (and) main
via surya_layout
20 is a mūlabhāṣā coming under (bhinna) ṣaḍja (rāga). main
via surya_layout
21 (26) annotation_inline
parent ligne 20
via heuristic_short
22 Illustration - Gāmāpānīsāsā. Nidhādhāmā māmāgāmādhā. Nisārī. Sāpāmāmā. main
via surya_layout
23 Dhānīsārī. Gārīsānī. Dhāmāmā. Gāndhārī [vii] editorial_bracket
parent ligne 22
via heuristic_brackets
24 Combined with dhaivata as the initial and concluding note, devoid of main
via surya_layout
25 rṣabha, hexatonic, this svaravallitikā is sung by those having a steady mind.23 main
via surya_layout
26 (27) annotation_inline
parent ligne 25
via heuristic_short
27 Illustration - Dhādhāmāpā.Gāgāmādhā nisānidhādhā main
via surya_layout
28 pāpāgāmā · annotation_inline
parent ligne 27
via heuristic_short
29 dhāsanidhānisāsāgāmā pāpādhādhā. Madhāpāmāmā gadhagāmadhānisāsā. main
via surya_layout
30 Nisānigāgā māsānīdhā dhāpamāmāgādhā. Sāmādhānī sasādhāpāmādhādhā. main
via surya_layout
31 Svaravallitā [viii] editorial_bracket
parent ligne 30
via heuristic_brackets
32 Having dhaivata as the initial and concluding note, lalitā is devoid of main
via surya_layout
33 pañcama-ṛṣabha, should be sung as pentatonic (and) is held to be excellent main
via surya_layout
34 in due order (?).<sup>24</sup> main
via surya_layout
35 (28) main
via surya_layout

vol_II_p063 RIGHT — 35 lignes

page vol_II_p063 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 . ..... ... ... ....................... annotation_inline
parent ligne 5
via heuristic_height
2 r . annotation_inline
parent ligne 5
via heuristic_height
3 TRANSLATION page_header
via surya_layout
4 109 page_number
via heuristic_pagenum
5 [D. The rāgas pertaining to rāga-gīti or vesarā-gīti] section_header
via surya_layout
6 [Anu. 190] editorial_bracket
parent ligne 5
via heuristic_brackets
7 (Contention) Why is the word 'rāga' 64 used for the vesara (rāgas)? On main
via surya_layout
8 account of the statement by the authorities. Similarly has said Kaśyapa - main
via surya_layout
9 "Where the raga that is attractive in all the four varnas, is seen in its totality, main
via surya_layout
10 they are known as rāgas." main
via surya_layout
11 [Anu. 191] section_header
via surya_layout
12 In the opinion of Durgaśakti , 'rāgas' themselves are known as being main
via surya_layout
13 'vesara'. Thus has said Durgaśakti - main
via surya_layout
14 "Vesaras are known to be so because the svaras move with speed." main
via surya_layout
15 In the opinion of Durgaśakti vesaraṣāḍava alone is prominent on account main
via surya_layout
16 of having 'inherited' the state of ṣāḍava (from śuddhaṣāḍava). In the opinion main
via surya_layout
17 of Kasyapa, on the other hand, takkarāga alone is prominent on account of main
via surya_layout
18 being gratifying to Laksmi.65 That is thus - main
via surya_layout
19 [1. Takkarāga] section_header
via surya_layout
20 Takkarāga is combined with şadja as amśa and nyāsa and is weak in main
via surya_layout
21 pañcama. Dhaivatī and ṣadjamadhyamā are indicated as its cause. main
via surya_layout
22 (320) main
via surya_layout
23 [Anu. 192] section_header
via surya_layout
24 This means—takkarāga is related to ṣaḍjagrāma on account of being born of main
via surya_layout
25 dhaivatī and ṣadjamadhyamā. Ṣadja is its graha, aniśa and nyāsa. There is the main
via surya_layout
26 sparseness of niṣāda and pañcama. Niṣāda and gāndhāra are kākalī and antara here main
via surya_layout
27 and this (rāga) is complete. It is used in the yuddhavīra (rasa). Vīra and adbhuta main
via surya_layout
28 are the rasas, the mūrchanā beginning with ṣaḍja obtains. Sañcārin is the varṇa. main
via surya_layout
29 Prasannānta is the alankāra. The kalā is formed in the dakṣiṇa (mārga), the kalā main
via surya_layout
30 obtains in the vṛtti (mārga) and the kalā prevails in the citra (mārga). A tāla like main
via surya_layout
31 caccatputa obtains in the songs comprised of svara and pada. main
via surya_layout
32 [2. Sauvīra] section_header
via surya_layout
33 Şadjais the amśa and nyāsa and ṣadjamadhyamā is the cause of sauvīra. Gāndhāra main
via surya_layout
34 and niṣāda also is weak. main
via surya_layout
35 (321) main
via surya_layout

vol_I_p038 LEFT — 30 lignes

page vol_I_p038 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESI page_header
via surya_layout
2 58 page_number
via heuristic_pagenum
3 अनु. ३९ main
via surya_layout
4 एवं तावदुभयग्रामिक्यश्चतुर्दश मूर्छनाः सम्पूर्णाः कथिताः। इदानीं main
via surya_layout
5 तासां नामानि कथ्यन्ते— main
via surya_layout
6 षड्जे चोत्तरमन्द्रा स्यान्निषादे रजनी स्मृता। main
via surya_layout
7 •वा annotation_inline
parent ligne 6
via heuristic_height
8 धैवते चोत्तरा ज्ञेया शुद्धषड्जा च पञ्चमे।। ९३।। main
via surya_layout
9 मध्यमे मत्सरी ज्ञेया गान्धारे चाश्वक्रान्तिका। main
via surya_layout
10 ऋषभेण च विज्ञेया सप्तमी चाभिरुद्रता॥९४॥ main
via surya_layout
11 षड्जग्रामाश्रितास्त्वेवं विज्ञेयाः सप्त मूर्छनाः। main
via surya_layout
12 अतः परं प्रवक्ष्यामि मध्यमग्राममूर्छनाः ॥९५॥ main
via surya_layout
13 मध्यमेन च सौवीरी गान्धारे हरिणायिका । main
via surya_layout
14 ह्या annotation_inline
parent ligne 13
via heuristic_height
15 स्यात् कलोपनता चैव ऋषभेणैव मूर्छना।।९६।। main
via surya_layout
16 शुद्धमध्या [ तु ] षड्जे स्यान्निषादे चैव मार्गिका। editorial_bracket
parent ligne 15
via heuristic_brackets
17 पौरवी धैवते ज्ञेया हृष्यका पञ्चमे तथा।।९७।। main
via surya_layout
18 इति तावन्मया प्रोक्ता मध्यमग्राममूर्छनाः। main
via surya_layout
19 इदानी सम्प्रवक्ष्यामि षाडवौडुवमूर्छनाः ॥९८॥ main
via surya_layout
20 षट्स्वरा षाडवा ज्ञेया औडुवा पञ्चिभः स्वरैः। main
via surya_layout
21 षाडवौडुवितानां च व्युत्पत्तिश्च निगद्यते।।९९।। main
via surya_layout
22 अनु. ४० annotation_inline
parent ligne 21
via heuristic_short
23 षट्स्वरा अवन्ति रक्षन्ति ये ते षाडवस्वराः। तेषां प्रयोगः षाडवः। main
via surya_layout
24 तारकादितच् प्रत्ययः। main
via surya_layout
25 [ अनु. ४१ ] editorial_bracket
parent ligne 24
via heuristic_brackets
26 उडवो नक्षत्राणि गच्छन्ति यस्मिन्नाकाशे तदाकाशमौडुवम्। तेन पञ्च main
via surya_layout
27 संख्या लक्ष्यते, पञ्चमं हि महाभूतं, तत्स्था संख्या च विद्यते main
via surya_layout
28 यस्य तदौडुवितम्। annotation_inline
parent ligne 27
via heuristic_short
29 षाडवं षट्स्वरं ज्ञेयं लक्षणं सप्तधा मतम्। main
via surya_layout
30 एकोनपञ्चाशत् संख्यं तज्ज्ञेयं गीतवेदिभिः॥१००॥ main
via surya_layout

vol_II_p079 LEFT — 43 lignes

page vol_II_p079 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 <b>网络克里斯</b>亚斯斯斯 unknown
via fallback
2 <b>京都的基本的工作</b> unknown
via fallback
3 140 page_number
via heuristic_pagenum
4 BRHADDEŚĪ page_header
via surya_layout
5 142 page_number
via heuristic_pagenum
6 उदाहरणम् – सागागपा । पामपामगामामा रीगसासा सासमागपापा । पाधनीधा । मपापामा- main
via surya_layout
7 बीठ बीठ annotation_inline
parent ligne 6
via heuristic_height
8 पामामामगास सारिधानिसासा सधानीगारीगामापागनिसा नीगारीनिसासा । main
via surya_layout
9 निधापामागा - main
via surya_layout
10 ०धी० annotation_inline
parent ligne 9
via heuristic_height
11 रीगासा । मानीधनीधासा । छेवाटी । [४] editorial_bracket
parent ligne 9
via heuristic_brackets
12 षड्जन्यासा निषादांशा दुर्बला<sup>२६</sup> पञ्चमेन तु । main
via surya_layout
13 षड्जगान्धारसंवाद: षड्जमध्यमयोस्तथा ॥ main
via surya_layout
14 ॰(मध्यमं?)मध्यमयोस्तथा annotation_inline
parent ligne 13
via heuristic_markers
15 •गमारः annotation_inline
parent ligne 13
via heuristic_height
16 उदाहरण main
via surya_layout
17 भाषेयं षाडवा ज्ञेया मूलाख्या मालवेसरी ॥४४॥ unknown
via fallback
18 <sup>२७</sup>मालववेसरी main
via surya_layout
19 (飞) annotation_inline
parent ligne 18
via heuristic_height
20 मामा ग main
via surya_layout
21 उदाहरणम् – निधानिनी सरिसासागामागाधारिसमामासा गासारिसासागधरिसा । गामाधामा मागाधागा । main
via surya_layout
22 रीगामाम unknown
via fallback
23 सासासा । माल[व]वेसरी । [५] editorial_bracket
parent ligne 21
via heuristic_brackets
24 निषादांशा च षड्जान्ता सम्पूर्णा षड्जमध्ययो: । main
via surya_layout
25 निपादर्यभषङ्जान्ता व्मध्यमा main
via surya_layout
26 <sup>२८</sup>सङ्ग[तिस्]तत्र विज्ञेया पञ्चमर्षभयोस्तथा । editorial_bracket
parent ligne 25
via heuristic_brackets
27 उदाहरष main
via surya_layout
28 <sup>२९</sup>देशभाषात्र विख्याता गूर्जरी परमोज्ज्वला ॥४५॥ main
via surya_layout
29 वेसरिक unknown
via fallback
30 उदाहरणम् - निसासानिपापानीधानीनी सानीसासा । सारिसारिरि । सामागा । रि़रि । नीनीनी । main
via surya_layout
31 पापापा । निधानि । नीगासा । गूर्जरी । [६] editorial_bracket
parent ligne 30
via heuristic_brackets
32 धाधाधा annotation_inline
parent ligne 30
via heuristic_height
33 निषादांशा तु षड्जान्ता सम्पूर्णा नित्यमेव हि । main
via surya_layout
34 उदाहरण annotation_inline
parent ligne 33
via heuristic_short
35 (पा;) main
via surya_layout
36 सौराष्ट्रिका तु भाषेयं देश्याख्या गीयते जनै:३०॥४६॥ main
via surya_layout
37 रिरीगगि annotation_inline
parent ligne 36
via heuristic_short
38 उदाहरणम् - निनिधानिनिसासा निरिगासासा main
via surya_layout
39 सागागासा annotation_inline
parent ligne 38
via heuristic_short
40 धनिनिनि main
via surya_layout
41 धामामानान unknown
via fallback
42 क्षी main
via surya_layout
43 निनिधासासागासासागासासधानिधानिधामामामारिगासासा गासनीसासासा । सौराष्ट्री । [७] editorial_bracket
parent ligne 42
via heuristic_brackets

vol_I_p026 LEFT — 21 lignes

page vol_I_p026 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 34 page_number
via heuristic_pagenum
2 <b>BRHADDES!</b> page_header
via surya_layout
3 स annotation_inline
parent ligne 8
via heuristic_height
4 नि annotation_inline
parent ligne 8
via heuristic_height
5 रि annotation_inline
parent ligne 8
via heuristic_height
6 . <b>u</b> annotation_inline
parent ligne 8
via heuristic_height
7 ग annotation_inline
parent ligne 8
via heuristic_height
8 [ इति षड्जग्रामे संवादिमण्डलम् ] section_header
via surya_layout
9 [ अनु. २२ ] section_header
via surya_layout
10 संवादिप्रयोगो यथा— section_header
via surya_layout
11 यस्मिन् गीते योऽशत्वेन परिकल्पितः षड्जस्तस्य स्थाने main
via surya_layout
12 मध्यमः क्रियमाणो रागहा न भवेत् । यस्मिन् स्थाने मूर्छनावशात् main
via surya_layout
13 मध्यमः प्रयुक्तः तस्मिन् स्थाने क्रियमाणः षड्जो जातिरागहा न भवेत्। main
via surya_layout
14 ग्र annotation_inline
parent ligne 13
via heuristic_height
15 षड्जपञ्चमयोः स्थाने पञ्चमषड्जौ प्रयुज्यमानौ जातिरागहानिकरौ न main
via surya_layout
16 भवतः । एवम् ऋषभधैवतयोः स्थाने धैवतर्षभी प्रयुज्यमानौ जातिराग- main
via surya_layout
17 विनाशकरौ न भवतः। एवं गान्धारनिषादयोः स्थाने निषादगान्धारौ main
via surya_layout
18 17[ प्रयुज्यमानौ जातिरागहानिं न कुरुतः । ] editorial_bracket
parent ligne 17
via heuristic_brackets
19 18ककुभस्य धैवतांशत्वेन 19रेवगुप्तस्य ऋषभांशत्वेन main
via surya_layout
20 तदुभयरागजनन्याश्चार्षभीजातेऋिषभांशपरिग्रहात् परस्परसम्बद्धौ च प्रयुज्यमानौ main
via surya_layout
21 जातिरागविनाशकरौ न भवतः । main
via surya_layout
164 lignes a valider — change uniquement les roles incorrects.