Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21222). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p029 LEFT — 36 lignes

page vol_II_p029 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŠĪ page_header
via surya_layout
2 40 page_number
via heuristic_pagenum
3 ‘‘षट्स्वरा सप्तमे त्वंशे नेष्यते षड्जमध्यमा । main
via surya_layout
4 ९७-र्य annotation_inline
parent ligne 3
via heuristic_short
5 ९९हांशे main
via surya_layout
6 ९८०राः १०००मांशा त unknown
via fallback
7 संवाद्यलोपाद् गान्धारे १०१तद्वदेव हि नेष्यते ॥ main
via surya_layout
8 <sup>९०२</sup>संवादिलोपाद् गान्धारस्तत्रैव न भविष्यति main
via surya_layout
9 गान्धारी-रक्तगान्धारी-कैशिकीनां च पञ्चमम्। main
via surya_layout
10 १०३त व्मः annotation_inline
parent ligne 9
via heuristic_short
11 षड्जायाश्चेव गान्धारमंशकं विद्ध्यषाडवम् ॥ main
via surya_layout
12 १०४वां चैव unknown
via fallback
13 <sup>१०५</sup>विद्धि षाडवम् main
via surya_layout
14 षाडवं धैवते नास्ति षड्जोदीच्य[ां]शके द्विजा:। editorial_bracket
parent ligne 13
via heuristic_brackets
15 <sup>१०६</sup>षाडवे धैवतो १०७पड्जोदीच्यवियोगता main
via surya_layout
16 <sup>१०८</sup>दीच्यामधांशके main
via surya_layout
17 <sup>१०९</sup>[संवाद्यलोपात् सप्तैता: षाट्स्वर्येण विवर्जिता: ॥] editorial_bracket
parent ligne 16
via heuristic_brackets
18 गान्धारी-रक्तगान्धार्यो: षड्जमध्यमपञ्चमा:। main
via surya_layout
19 व्यौ<sup>११०</sup> annotation_inline
parent ligne 18
via heuristic_short
20 सप्तमश्चैव विज्ञेया १११ यैस्त्वनौडुवितं भवेत् ॥ main
via surya_layout
21 <sup>११२</sup>सनिपादाश्च विज्ञेया येषु नौडुविते इमे unknown
via fallback
22 <sup>११३</sup>येषु नौडुवितं भवेत् main
via surya_layout
23 द्वौ षड्जमध्यमांशा तु गान्धार: सनिषादवान् । main
via surya_layout
24 न्त्रोपुरेश्४ न्तोऽधरेर५ main
via surya_layout
25 ऋषभश्चेव पञ्चम्यां कैशिक्यां धैवतस्तथा ॥ main
via surya_layout
26 चैव धैवत: annotation_inline
parent ligne 25
via heuristic_short
27 <sup>११६</sup>॰क्याक्षैव annotation_inline
parent ligne 25
via heuristic_markers
28 एवं च द्वादशैवैते वर्ज्या:११९ पञ्चस्वरे सदा । main
via surya_layout
29 तु११७ व्वेह११८ (र्गा:? ज्यां:) न्या:१२० main
via surya_layout
30 [तास्त्वनौडुविता नित्यं कर्तव्या हि स्वराश्रया: ॥] १२१ editorial_bracket
parent ligne 29
via heuristic_brackets
31 सर्वस्वराणां नाशोऽत्र विहितः सर्वजातिषु । main
via surya_layout
32 <sup>१२२</sup>नाशस्तु विहितस्त्वथ जातिषु main
via surya_layout
33 <sup>१२३</sup>विहितो विनाशस्त्वथ जातिषु main
via surya_layout
34 न मध्यमस्य लोपो हि कर्तव्यस्तु कदाचन ॥ main
via surya_layout
35 १२४नाशस्तु कर्तव्यो हि main
via surya_layout
36 <sup>१२५</sup>मध्यमस्य विनाशस्तु कर्तव्यो न main
via surya_layout

vol_I_p061 LEFT — 41 lignes

page vol_I_p061 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 <b>BRHADDESI</b> page_header
via surya_layout
2 104 page_number
via heuristic_pagenum
3 [ अनु, १०२ ] editorial_bracket
parent ligne 8
via heuristic_brackets
4 हुङ्कारवत् सम [ न ] न्तरं संयुक्तं त्रिस्वराक्षरमारोहेत् ततो द्वौ द्वौ स्व [रौ] editorial_bracket
parent ligne 8
via heuristic_brackets
5 .क्त डि॰ annotation_inline
parent ligne 8
via heuristic_markers
6 .तः annotation_inline
parent ligne 8
via heuristic_height
7 म्रो annotation_inline
parent ligne 8
via heuristic_height
8 कम्पनयुक्तौ कलान्तरयोगादेव प्रसन्नौ मन्द्रौ कार्यौ। इत्येककलस्वरयोगाद् गात्रवर्णः। main
via surya_layout
9 [ यथा - ] ३३धनिस निनि धध, पधनि धध पप, मपध पप मम, गमप मम गग, editorial_bracket
parent ligne 8
via heuristic_brackets
10 रिगम गग रिरि, सरिग रिरि सस इति गात्रवर्णः ३४। main
via surya_layout
11 [ 33 ] editorial_bracket
parent ligne 10
via heuristic_brackets
12 भरतमतेनालङ्कारनिरूपणम् section_header
via surya_layout
13 यस्मिन् वर्णे स्थिता ये च अलङ्कारा मनोहराः। main
via surya_layout
14 तानिदानी प्रवक्ष्यामि भरतोक्तविधानतः ॥१२१॥ main
via surya_layout
15 प्रसन्नादिः प्रसन्नान्तः प्रसन्नाद्यन्त एव च। main
via surya_layout
16 तथा प्रसन्नमध्यस्तु समो रेचित एव च॥१२२॥ main
via surya_layout
17 पुस्तारम्च प्रसादश्च स्थायिवर्णसमाश्रयाः। main
via surya_layout
18 •र्णाः annotation_inline
parent ligne 17
via heuristic_height
19 प्रसाद+ annotation_inline
parent ligne 17
via heuristic_height
20 ज्ञेया ह्येते त्वलङ्कारा अध्यथालक्षणलक्षिताः ॥१२३॥ main
via surya_layout
21 ₀रादमी annotation_inline
parent ligne 20
via heuristic_markers
22 ∘धेतद₀ annotation_inline
parent ligne 20
via heuristic_markers
23 अथ सञ्चारिजान् भूयः कीर्त्यमानाव्निबोधत। main
via surya_layout
24 •णी annotation_inline
parent ligne 23
via heuristic_height
25 मन्द्रतारप्रसन्नश्च बिन्दुः प्रेङ्खोलितस्तथा।।१२४।। main
via surya_layout
26 उ६ तारमन्द्रप्रसन्नश्च स्यान्निवृत्तप्रवृत्तकः । ] editorial_bracket
parent ligne 25
via heuristic_brackets
27 .র্ব. annotation_inline
parent ligne 25
via heuristic_height
28 कुहरश्चैव वेणुश्च रिक्षतश्चोपलोलकः ॥१२५॥ main
via surya_layout
29 ₀ला。 annotation_inline
parent ligne 28
via heuristic_markers
30 ₹₀ annotation_inline
parent ligne 28
via heuristic_markers
31 आवर्तकः परावर्त इति सञ्चारिसम्भवाः। main
via surya_layout
32 अलङ्कारास्तु विज्ञेया अएकादश मनोहराः ॥१२६॥ main
via surya_layout
33 निष्कूजितम्च कुहरो हसितो अबिन्दुरेव च। main
via surya_layout
34 कोरो annotation_inline
parent ligne 33
via heuristic_height
35 प्रेह्मोलितस्तथाऽऽक्षिप्तो विधुतोद्वाहितौ तथा।।१२७।। main
via surya_layout
36 .योत्सि. annotation_inline
parent ligne 35
via heuristic_short
37 ह्रादमानः सम्प्रदानः सन्धिप्रच्छादनस्तथा। main
via surya_layout
38 (ना ? मा) annotation_inline
parent ligne 37
via heuristic_short
39 प्रा annotation_inline
parent ligne 37
via heuristic_height
40 प्रसन्नादिः प्रसन्नान्त आरेहिणि त्रयोदश।।१२८।। main
via surya_layout
41 ०णी page_footer
via surya_layout

vol_II_p051 RIGHT — 29 lignes

page vol_II_p051 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 <b>g</b>., annotation_inline
parent ligne 4
via heuristic_height
2 85 page_number
via heuristic_pagenum
3 TRANSLATION page_header
via surya_layout
4 with minute<sup>26</sup> kākus.<sup>27</sup> Thus sādhāraņī should be known to be the abode of main
via surya_layout
5 all gitis. annotation_inline
parent ligne 4
via heuristic_short
6 <math>(284 - 285)</math> main
via surya_layout
7 [6. Bhāṣā gīti] section_header
via surya_layout
8 This bhāṣā gīti is described by the experts in gīti as consisting of prayogas main
via surya_layout
9 (melodic phrases?) that are rendered by the body (voice), are smooth, main
via surya_layout
10 colourful with kākus, well composed, shaken, soft, brilliant, combined with main
via surya_layout
11 mālavīkāku<sup>28</sup> attractive, and graceful. It is performed in the manner that main
via surya_layout
12 delights the people. main
via surya_layout
13 <math>(286 - 287)</math> main
via surya_layout
14 [7. Vibhāṣā gīti] section_header
via surya_layout
15 Vibhāṣā gīti should be composed with gamakas<sup>29</sup> that are attractive, main
via surya_layout
16 numerous, brilliant, shaken, pertaining to the chest region, even, high and main
via surya_layout
17 very high, smooth, in which madhyama shines forth in between, that are main
via surya_layout
18 delightful to the ear and are attractive. This process of composition should main
via surya_layout
19 be spontaneous and should take the course that delights the people. main
via surya_layout
20 (288-289) annotation_inline
parent ligne 19
via heuristic_short
21 [ Thus ends the description of gitis.] editorial_bracket
parent ligne 19
via heuristic_brackets
22 [ The number and nomenclature of ragas ] section_header
via surya_layout
23 The lakṣaṇa (description) of gītis has been spoken of; now the number of main
via surya_layout
24 rāgas is being stated. Five cokṣa (śuddha, pure rāgas) have been spoken of, the main
via surya_layout
25 bhinna ones are of the same number. Gauda (rāgas) have been said to be main
via surya_layout
26 three and rāgas (pertaining to rāga-gīti) have been said to be eight. Seven- main
via surya_layout
27 sādhāraņa (rāgas) have been spoken of and here bhāṣās are sixteen. Vibhāṣās main
via surya_layout
28 are only twelve and (now) know their names. main
via surya_layout
29 <math>(290 - 292)</math> main
via surya_layout

vol_II_p058 RIGHT — 35 lignes

page vol_II_p058 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 99 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [Jāti-bhinna] section_header
via surya_layout
4 Now he (the author) has spoken of the description of jāti-bhinna - main
via surya_layout
5 The amśa of jātis should be established and so should be the sparse and the main
via surya_layout
6 abundant. Sparseness and abundance come about on account of sparse and main
via surya_layout
7 abundant usage. Jāti-bhinnais so called, formed as it is with sūkṣma, atisūkṣma main
via surya_layout
8 (short and very short in time) and curved (phrases).<sup>50</sup> main
via surya_layout
9 (308) annotation_inline
parent ligne 8
via heuristic_height
10 [Anu. 178] section_header
via surya_layout
11 This means-śuddhakaiśika madhyamais born of kaiśiki and ṣadjamadhyamā jā ūs. main
via surya_layout
12 Bhinnakaisikamadhyama, on the other hand, is jāti-bhinna on account of being main
via surya_layout
13 born of the sadjamadhyamā jāti,51 the taking up of its (jāti's) amsaand taking up main
via surya_layout
14 of the sthāyin varņa and is formed with sūkṣma and atisūkṣma (short and very short main
via surya_layout
15 in time) phrases, this is the import. Its description is thus - main
via surya_layout
16 [3. Bhinnakaisikamadhyama] section_header
via surya_layout
17 Bhinnakaisikamadhyamacomes of ṣadjamadhyamā jāti, has ṣadja as its ainśa, main
via surya_layout
18 <math>madhyama</math> as its <math>ny\bar{a}sa</math> and is (endowed) with <math>mandra</math> (low) <math>gamakas^{52} main
via surya_layout
19 (309) annotation_inline
parent ligne 18
via heuristic_height
20 [Anu. 179] editorial_bracket
parent ligne 18
via heuristic_brackets
21 This means-bhinnakaisikamadhyama is related to şadjagrāma on account main
via surya_layout
22 of being born of şadjamadhyamā jāti. Şadja is its graha and ainša. Madhyama main
via surya_layout
23 is the nyāsa. It has mandra (low) gamakas. Niṣāda is kākalī here and this (rāga) main
via surya_layout
24 is complete. It is used in the context of dānavīra i.e. heroism in charity. 53 main
via surya_layout
25 Vīra, raudra and the like are the rasas. The mūrchanā beginning with ṣaḍja main
via surya_layout
26 obtains. Sañcārin is the varņa. Prasannādi is the alankāra. The kalā is formed main
via surya_layout
27 in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and the kalā main
via surya_layout
28 prevails in the citra (mārga). A tāla like caccatpuța obtains in the songs main
via surya_layout
29 comprised of svara and pada. main
via surya_layout
30 [Śuddhabhinna] section_header
via surya_layout
31 Now he (the author) has spoken of the definition of śuddhabhinna- main
via surya_layout
32 (The rāga) that bedecks itself with its own jāti (from which it is born) and main
via surya_layout
33 kula (family), leaving the other jāti and taking up (the qualities of) its own main
via surya_layout
34 family, is called <i>śuddhabhinna</i>. main
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35 (310) annotation_inline
parent ligne 34
via heuristic_height

vol_II_p079 RIGHT — 24 lignes

page vol_II_p079 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 141 page_number
via heuristic_pagenum
3 Illustration - Sāgāgapā. Pāmapāmagāmāmā rīgasāsā sāsamāgapāpā. main
via surya_layout
4 Pādhanidhā. Mapāpāmapāmāmāmagāsa sīvidhānisīsī sadhānīgāvīgāmāpāganisā main
via surya_layout
5 nīgārīnisāsā-. Nidhāpāmāgārīgāsā . Mānīdhanīdhāsā. Chevāţī [iv] editorial_bracket
parent ligne 4
via heuristic_brackets
6 Having ṣadja as its nyāsa, niṣāda as its amsa, being weak in pancama, there main
via surya_layout
7 being the concert of ṣadja-gāndhāra and similarly ṣadja-madhyama, this bhāṣā main
via surya_layout
8 should be known as hexatonic. Mālavesarī bears the name mūlā. main
via surya_layout
9 (44) annotation_inline
parent ligne 8
via heuristic_height
10 Illustration - Nīdhāninī sarisāsāgāmāgādhārisamāmāsā gāsārisāsāgadharisā. main
via surya_layout
11 Gāmādhāmā māgādhāgā. Sāsāsā. Mālavesarī [v] editorial_bracket
parent ligne 10
via heuristic_brackets
12 Gūrjarī is well- known as a deśa-bhāṣā (regional melodic variety); it is main
via surya_layout
13 immensely lustrous, has niṣāda as amśa , ṛṣabha and ṣaḍja as its concluding main
via surya_layout
14 notes, and is complete. The concert<sup>17</sup> of sadja-madhyama and similarly main
via surya_layout
15 pañcama-ṛṣabha should be known there. annotation_inline
parent ligne 14
via heuristic_height
16 (45) annotation_inline
parent ligne 14
via heuristic_height
17 Illustration - Nisāsānipāpānīdhānīnī sānīsāsā. Sārīsāriri. Sāmāgā. Riri. main
via surya_layout
18 Nīnīnī. Pāpāpā. Nidhāni. Nigāsā. Gūrjarī [vi] editorial_bracket
parent ligne 17
via heuristic_brackets
19 This bhāṣā, saurāṣṭrī bearing the name deśī (regional) has niṣāda as its main
via surya_layout
20 amsa, sadja as its concluding note, is always complete and is sung by people. main
via surya_layout
21 (46) annotation_inline
parent ligne 20
via heuristic_height
22 Illustration - Ninidhāninisāsā nirigāsāsā sāgāgāsā dhaninini dhāmāmānini main
via surya_layout
23 ninidhāsāsā gāsāsāgāsāsadhāni dhānidhāmāmāmārigāsāsā gāsanīsāsāsā. main
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24 Saurāstrī [vii] editorial_bracket
parent ligne 23
via heuristic_brackets
165 lignes a valider — change uniquement les roles incorrects.