Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21228). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p133 LEFT — 46 lignes

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1 <b>F</b> unknown
via fallback
2 age grant in the annotation_inline
parent ligne 5
via heuristic_height
3 248 page_number
via heuristic_pagenum
4 BRHADDEŚĪ page_header
via surya_layout
5 ग्रहापन्यासविन्याससंन्याससन्यासगोचर:। main
via surya_layout
6 अनुवृत्तश्च यस्येह सोंऽशः स्याद्दशलक्षणः ॥ main
via surya_layout
7 XXVIII. 69. annotation_inline
parent ligne 6
via heuristic_height
8 37. P.t. adds here - 'syādityādi', which is out of context. main
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9 38. Reconstruction based on Datti . 142. main
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10 39,40. Reconstruction based on c.r. in Sudhā on SR I.7.47cd,p.190. main
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11 41-44. C.r. in Sudhā on SRI.7.47cd, p.190. main
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12 45. Reconstruction based on c.r. in Kalā on SR I.7.29-34, p.180,181. main
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13 46. cf.(i) annotation_inline
parent ligne 12
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14 यस्मिन् भवति रागश्च यस्माच्चैव प्रवर्तते । main
via surya_layout
15 मन्द्रश्च तारमन्द्रश्च योऽत्यर्थं चोपलभ्यते ॥ main
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16 [अनेकस्वरसंयोगो योऽत्यर्थमुपलभ्यते । editorial_bracket
parent ligne 15
via heuristic_brackets
17 अन्यश्च बलिनो यस्य संवादी चानुवाद्यपि ॥] editorial_bracket
parent ligne 15
via heuristic_brackets
18 ग्रहापन्यासविन्याससंन्यासन्यासगोचर:। main
via surya_layout
19 अनुवृत्तश्च यस्येह सोंऽशः स्याद्दशलक्षणः॥ main
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20 NŚ XXVIII. 68,69. annotation_inline
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21 (ii) main
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22 यस्मिन् वसति रागस्तु यस्माच्चैव प्रवर्तते । main
via surya_layout
23 तेन वै तारमन्द्राणां योऽत्यर्थमुपलभ्यते ॥ main
via surya_layout
24 मन्द्रश्च तारविषया पञ्चस्वरपरा गति: ॥ main
via surya_layout
25 अनेकस्वरसंयोगो योऽत्यर्धमुपलभ्यते । main
via surya_layout
26 अन्यच्च बलिनो यस्य संवादी चानुवाद्यपि । main
via surya_layout
27 ग्रहोपन्यासविन्यासविन्यासाभ्यासगोचर: । main
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28 परिवार्य स्थितो यस्तु सोंऽश: स्याद् दशलक्षण:॥ main
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29 NŚ Chau. XXVIII.72 -74. main
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30 (iii) annotation_inline
parent ligne 29
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31 यद्यपि भरतमतङ्गादिभिः संन्यासविन्यासयोर्विदार्याश्रयत्वादपन्यासेऽन्तर्भावेणान्तर- main
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32 मार्गस्याप्यंशकाद्यवयवानामन्योन्यसंघटनात्मकस्यांशादिसम्बन्धाधीनसिद्धेः पृथगुद्देशो नापेक्षित इति दशकं जातिलक्षणमित्युक्त main
via surya_layout
33 तथापि संन्यासिवन्यासयो: पृथगवयवत्वेनान्तरमार्गस्य तु सत्स्वंशादिष्ववयवेषु तेन विना प्रयोगासिद्धेस्तस्यावश्यिकत्वाक्षक्षण main
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34 पृथगुद्दिश्य त्रयोदशेत्युक्तं ग्रन्थकारेण । main
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35 Kalā on SR I. 7.3.29-34 p.180,181. main
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36 In the last passage above the inclusion of samnyāsa-vinyāsa and antaramārga in main
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37 jāti-lakṣaṇas by Śārṅgadeva in addition to the ten lakṣaṇas accepted by main
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38 Bharata and Matanga is noticed and justified. main
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39 47. P.t. begins - balavati ca śrutike 'mśe durbalem' śāmśe, which is redun- main
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40 dant and has been dropped. main
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41 cf.तत्पूर्वावधित्वे त्वातारषड्जं तारषड्जमारभ्यारोहः सामान्यतः प्राप्तचतुर्थस्वरारोहः। सामान्यतः प्रकीर्तितो  स्द्रटादिभि main
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42 यावत्पड्जमेव तारगतिर्मध्यमस्याप्यत्र संवादित्वादनाशित्वाच्च तारगती रुद्रटेन कृता मध्यमस्येति न दोष इति मतङ्गोक्तम् । main
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43 C.r.in Kalā on SR I. 7.35,36, p.185. main
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44 48. MS B reading as recorded by the ed. is - 'evamatra vinyāsau'. main
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45 والمعالم والمعالي والمعالي والمعالي والمعالي والمعالي والمعالي والمعالية والمعالية والمعالية والمعالية والمعالية والمعال annotation_inline
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46 and the second second second annotation_inline
parent ligne 44
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L#Texte OCRRole autoCorriger si incorrect
1 53 page_number
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2 TRANSLATION page_header
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3 rṣabha-pañcama. There is abundance of gāndhāra although the state of amśa main
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4 does not obtain in it. There is the sparseness of pañcama in the ṣāḍava state, main
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5 in the auduvita state there is the sparseness of none; there is abundance of main
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6 all. Madhyama is the nyāsa. Ŗṣabha, dhaivata are the two apanyāsas. There main
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7 is mutual reaching out among the amsas. main
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8 [Anu. 157] section_header
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9 This is eleven-fold. There are eleven amsas, four in the complete state, main
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10 three in the sādava state, because of the exclusion of the form in which main
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11 dhaivata is the amśa, four in the auduvita state. There is no śuddha (amśa). main
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12 The mūrchanā<sup>69</sup> beginning with gāndhāra obtains. Paūcapāņi is the tāla. main
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13 With ekakala (tāla) and citra (mārga) there is māgadhī (gīti). With dvikala (tāla) main
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14 in the vārtika (mārga) there is sambhāvitā (gītī). With catuṣkala (tāla) in the main
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15 dakşina (mārga) there is pṛthulā (gīti). Śṛṅgāra and hāsya are the two rasas. Its main
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16 application (viniyoga) is prescribed in the singing of dhruvā (s) in the second main
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17 scene (or act). main
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18 [7.Şadjamadhyamā] section_header
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19 [Anu. 158] section_header
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20 All the seven svaras are grahas and anisas of şadjamadhyamā. The tāra main
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21 extends upto five svaras. The mandra is upto the nyāsa or upto the svara next main
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22 to it. In the ṣāḍava state it is devoid of niṣāda. In the auḍuvita state it is devoid main
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23 of niṣāda-gāndhāra. There is free movement (sancāra) without violating the main
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24 grāma. In the complete state, there is the sparseness of niṣāda and gāndhāra. main
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25 Ṣadja and madhyama are the two nyāsas. Seven svaras are apanyāsas. main
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26 [Anu. 159] section_header
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27 It is seventeen-fold. There are seventeen amsas – out of them seven obtain main
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28 in the <i>pūrņa</i> state, five in the <i>ṣāḍava</i> state and five in the <i>auḍava</i> state. There main
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29 is no śuddha state. The murchanā<sup>70</sup> beginning with madhyama obtains. main
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30 Pañcapāṇiis the tāla. With ekakala (tāla) in the citra (mārga), there is māgadhī main
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31 (gīti). With dvikala (tāla) in the vārtika (mārga) there is sambhāvitā (gīti). main
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32 With catușkala (tāla) in the dakșiņa (mārga) there is pṛthulā (gīti). It is relevant main
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33 in all the rasas. Its application (viniyoga) is (prescribed) in the singing of main
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34 dhruvā (s) in the second scene (prekṣaṇaka).71 main
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35 Thus end these seven jātis pertaining to sadjagrāma. main
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36 [Anu. 160] section_header
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37 Now the jātis pertaining to madhyamagrāma are being said - main
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vol_I_p050 LEFT — 39 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESI page_header
via surya_layout
2 82 page_number
via heuristic_pagenum
3 तस्माद् यत्किञ्चिद् गीयते तन्मध्यमध्वनिविशेषैः main
via surya_layout
4 कण्ठध्वनिभिर्मन्द्रतारव्यवस्थासिद्ध्यर्थमेव। main
via surya_layout
5 चतुर्विधा मया प्रोक्ता मूर्छनाः सप्तस्वरात्मिकाः। main
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6 द्वादशस्वरमूर्छनाः annotation_inline
parent ligne 5
via heuristic_short
7 इदानी तु प्रवक्ष्यामि द्वादशस्वरमूर्छनाः ॥११७॥ main
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8 90H annotation_inline
parent ligne 7
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9 <sup>91</sup>ुनाम् main
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10 [ अनु॰ ६१ ] section_header
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11 तत्र मूर्छनानिर्देशः स्थानित्रतयप्राप्त्यर्थमिति वचनात्, main
via surya_layout
12 मन्द्रतारसिद्ध्यर्थमिति वचनाच्च द्वादशस्वरसम्पन्ना मूर्छना main
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13 द्रष्टव्याः annotation_inline
parent ligne 12
via heuristic_short
14 प्रयोगकाले। तथा चाह कोहलः -- main
via surya_layout
15 "योजनीयो बुधैर्नित्यं क्रमो लक्ष्यानुसारतः। main
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16 संस्थाप्य मूर्छना जातिरागभाषादिसिद्धये" ।।१२ main
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17 ुना annotation_inline
parent ligne 16
via heuristic_height
18 नान्दकश्वरणाप्युक्तम्- main
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19 “द्वादशस्वरसम्पन्ना ज्ञातव्या मूर्छना बुधैः। main
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20 जातिभाषादिसिद्ध्यर्थं तारमन्द्रादिसिद्धये।" main
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21 [ अनु₀ ६२ ] section_header
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22 यद्यप्याचार्यैः अप्तस्वरमूर्छनाः प्रतिपादिताः, स्थानत्रितयप्राप्त्यर्थं main
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23 ुदा annotation_inline
parent ligne 22
via heuristic_short
24 द्वादशस्वरैरेव मूर्छनाः प्रयुक्ताः। अन्यथा चोक्षषाडवे रिमा इति प्रयोगो main
via surya_layout
25 सा annotation_inline
parent ligne 24
via heuristic_height
26 न स्यात्। एवं च १५सति स रागः सिद्धो न स्यात्। main
via surya_layout
27 ग सिध्यान्त (२) annotation_inline
parent ligne 26
via heuristic_short
28 षाङ्जीजातौ रिगमधनि प्रयोगस्तारमन्द्रको न main
via surya_layout
29 पर्ज, annotation_inline
parent ligne 28
via heuristic_short
30 स्यात्। अन्येषामपि रागाणां नाशंकरः प्रयोगः स्यात्। तेन सरिगम [प] editorial_bracket
parent ligne 28
via heuristic_brackets
31 धन्याद्या मूर्छना धनि [ सरि ] गमपाद्याः। तद्यथा— editorial_bracket
parent ligne 28
via heuristic_brackets
32 नि अन्या annotation_inline
parent ligne 28
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33 धनिसरिगमपधनिसरिग । उत्तरमन्द्रा main
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34 [ <sup>8</sup> ] editorial_bracket
parent ligne 33
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35 निसरिगमपधनिसरिगम । रजनी main
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36 ि ३ ो annotation_inline
parent ligne 35
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37 सरिगमपधनिसरिगमप । उत्तरायता main
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38 रिगमपधनिसरिगमपध । शुद्धषड्जा [ ४ ] editorial_bracket
parent ligne 37
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39 गमपधनिसरिगमपधनि । मत्सरीकृता [ ५ editorial_bracket
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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
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2 66 page_number
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3 (৬) table
via surya_layout
4 सा पा नी मा पा पा गां गां table
via surya_layout
5 मां पां मां निधं नी नी सा सा table
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6 (८) table
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7 पां पां मां धंनिं पां पां पां पां table
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8 (९) table
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9 (१०) table
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10 मां पां मां रिग गा गा गा गा table
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11 (११) table
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12 गा पा मा पा नी नी नी नी table
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13 (१२) table
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14 मा पा मा परि गा गा गा गा table
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15 (१३) table
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16 गा गा गा मा मा निध नी नी table
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17 (१४) table
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18 नी नी धप मा निध निध पा पा table
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19 (१५) table
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20 रीं गां सां सां मा नी नी नी table
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21 (१६) table
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22 नी नी धा पा धा पा मा मा table
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23 ॥ [इति] मध्यमोदीच्यवा ॥ table
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24 141 page_number
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25 [६. कामारवी] section_header
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26 कार्मारव्यां भवन्त्यंशा निषादरिपधैवता: ॥ १६॥ main
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27 बहवोऽन्तरमार्गत्वादनंशा: परिकीर्तिता: । main
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28 गान्धारोऽत्यन्तबहुल: सर्वाशस्वरसंगति: ॥ १७॥ main
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29 सर्वाशत्वं(?)स्वसंगतैः main
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30 चच्चत्पृट: षोडशात्र कला: षड्जादिमूर्छना । main
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31 (জা) annotation_inline
parent ligne 30
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32 पञ्चमस्य प्रेक्षणस्य ध्रुवायां विनियोजनम् ॥ १८॥ main
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33 <sup>१७८</sup>अस्यां पञ्चमो न्यास:, अंशा एवापन्यासा: । <sup>१७९</sup>प्रस्तार: - main
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34 ए(व?वा) main
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35 री री री री री री री री table
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36 (१) table
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37 मां गां सां गां सा नी नी नी table
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38 (२) table
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39 (3) table
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40 नी मा नी मा पा पा गा गा table
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41 (8) table
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42 गा पा मा पा नी नी नी नी table
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43 (4) table
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44 री गासानी री गारी गा table
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45 री गारी सानिध नी पापा table
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46 <b>(</b>\(\xi\) table
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47 (৩) table
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48 मा पा मा परि गा गा गा गा table
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vol_II_p104 RIGHT — 32 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 ŀ annotation_inline
parent ligne 4
via heuristic_height
2 TRANSLATION page_header
via surya_layout
3 191 page_number
via heuristic_pagenum
4 [3. Now in mālavapancama] section_header
via surya_layout
5 Vibhāvinī, paurālī, vegavantī, pañcamī, āndhrī and gāndhārikā alone are the main
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6 six (bhāṣās) in mālavapañcama. main
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7 (14) annotation_inline
parent ligne 6
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8 Having pañcama as the initial and concluding note vibhāvinī is born of a main
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9 region<sup>11</sup> (and) is sung in (the context of) hair - dressing (and) restrained main
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10 union with an amorous woman.<sup>12</sup> main
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11 (15) annotation_inline
parent ligne 10
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12 Illustration - Paninimāgā risānirinisārigāmāpāpāmāgārisānini main
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13 dhānīnīdhāmāpāpā. Vibhāvinī [i] editorial_bracket
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14 .....Paurālī [ii] editorial_bracket
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15 The auspicious vegavatī should be known to have pañcama as amsa, being main
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16 complete, (this) vibhāṣā is sung in karuṇa (rasa) 13 in which dainya (depression main
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17 or affliction) is profuse. main
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18 (16) annotation_inline
parent ligne 17
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19 Illustration - Pāpānidhādhāni dhāgāsāsāsāsāni dhādhāninipā main
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20 dhāmā. annotation_inline
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21 Gāgādhāmā māpāpādhā nīsāsārīgārī. Sanidhāpāpā. Vegavatī [iii] editorial_bracket
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22 Having pañcama as amsa and concluding note (and) being complete, main
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23 pañcamī is a mūlabhāṣā. It is a bhāṣā in mālavapañcama (rāga) in (the context main
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24 of) the song of (one with) a mature mind. 14 main
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25 (17) annotation_inline
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26 Illustration - Pāpāpāmāsā ririgāninidhādhā. Dhādhārinigārimāgarinīdhā main
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27 pāpāpādhā pāmāmāpā mādhānirimā gāmāgārī sāsānisāni dhāpāpā. Pañcamī main
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28 [iv] editorial_bracket
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29 Having madhyama as amśa (and) pañcama as the concluding note, andhri main
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30 is a bhāṣā born in the Āndhra region, well-known among the people (and) main
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31 is sung in (the context of) those who are corrupted by disease. 15 main
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32 (18) main
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202 lignes a valider — change uniquement les roles incorrects.