Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21229). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p140 LEFT — 51 lignes

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1 r annotation_inline
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2 ### ### 100 mg 2 annotation_inline
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3 262 page_number
via heuristic_pagenum
4 BRHADDEŚĪ page_header
via surya_layout
5 शुद्धपङ्जाया एव विवक्षितत्वेन तत्प्रयुक्तमन्द्रव्याप्तपङ्जग्रामसम्बन्धोऽनुमेय इति । main
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6 Kalā on SR II.2.30-32, p.30. main
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7 78. P.t. repeats (śruti?) main
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8 79. cf. मान्तोऽल्पगः main
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9 SR II.2.51a, where gāndhāra is said to be sparse. main
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10 80. cf. annotation_inline
parent ligne 9
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11 केचिद् ऋषभलोपेन हिन्दोलं षड्जसंश्रितम्। main
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12 वदन्ति, तन्मतं नाहं मतङ्गादिविरोधत:। main
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13 धैवतस्याविलोपेन द्विग्रामत्वेऽपि मध्यगम् ॥ main
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14 मध्यमग्रामजात्युत्थं शुद्धमध्याख्यमूर्च्छनम् । main
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15 S.Rāj II.2.1.502c-504b. main
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16 81. ८. यथाह मतङ्ग: - ‘‘भरतकोहलादिभिराचार्यैधैवतलोपस्यानिष्टत्वात् केचित् पङ्जग्रामाश्रित एवायमिति main
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17 मन्यन्ते चतुःश्रुतिकस्य पञ्चमस्यात्रोपलम्भाद् धैवतस्यास्तित्वं वा नास्तित्वं वा न विशेषप्रदर्शकं सर्वत्र । एवं च सित main
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18 ग्राममूर्छनाभेदो वा धैवतेन न स्यादिति भाव:।" main
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19 C.r. in Kalā on SR II.2.30-32, p. 31. main
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20 82.cf. अत्र टीकाकार: शङ्कते । योऽयं जात्यंशकानां विनियोग उक्त: स कश्यपमुनिमतङ्गादिभिविंरुध्यते । main
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21 तथाहि तैरुक्तम् -सम्भोगे चैव शृङ्गारे प्रेङ्खोलितकमेव च । main
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22 Abhi Bhā on NŚ XXIX. 8, p.69 main
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23 83. cf. यद्यपि सम्पूर्णस्वरस्यास्य प्रयोगे च चतुःश्रुतिकस्य पञ्चमस्योपलम्भात् पूर्वोक्तन्यायेन पड्जग्रामसम्बद्ध main
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24 एवायमिति मतङ्गमतम्, तथापि कश्यपमतेन निषादगान्धारयोर्लोपादयमौडुवित इति मतङ्गेनोक्तत्वात् तदा “रिधाभ्यां main
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25 द्विश्रुतिभ्यां च मध्यमग्रामगास्तु ते । हीनाश्चतुर्दशैव स्युः'' इत्यौडुवशुद्धतानलक्षणं मध्यमग्रामेऽपि साक्षादवगम्यत main
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26 इत्याचार्यद्वयमतानुसारिणा नि:शङ्कसूरिणा 'द्विग्रामष्टककैशिक:' इति सुष्ट्रदिष्टम् । main
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27 Kalā on SR II.2.30-32, p.30. main
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28 84.cf. annotation_inline
parent ligne 27
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29 थैवतांश(स्तदन्तश्च)स्वल्पद्विश्रुतिकस्वर:। main
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30 मध्यमाधैवतीजात्योर्जायते टक्ककेशिक:॥ main
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31 Cited in the name of Kasyapa on Bha Bhā Vol. II, VI. 102. main
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32 85. cf. annotation_inline
parent ligne 31
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33 पङ्जांशकग्रहन्यासमन्द्रतारोपशोभित: । main
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34 ----- तदा मालवकैशिक:॥ unknown
via fallback
35 C.r. in Bha Bhā Vol . VII MS folio no. 203. main
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36 86. cf. annotation_inline
parent ligne 35
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37 केचित् पञ्चमविश्रामं मन्यन्ते केचन त्विमम् । main
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38 गान्धारकृतसम्पूर्तिमेतन्नादरमहीत । main
via surya_layout
39 गान्धारस्य विवादित्वात्र्यासस्तत्र न युज्यते ॥ main
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40 S Rāj II.2.1.467c-468. main
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41 87. cf. अत्र टीकाकार: शङ्कते । योऽयं जात्यंशकानां विनियोग उक्त: स कश्यपमुनिमतङ्गादिभिर्विरुध्यते । main
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42 तथाहि तैरुक्तम् - कामभूतेषु सर्वेषु कुर्यान् मालवकैशिकम् । main
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43 Abhi Bhā on NŚ XXIX. 8, p. 69. main
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44 88. cf. annotation_inline
parent ligne 43
via heuristic_short
45 कथिता यत्र तान् वक्ष्ये सप्त साधारणांस्तत: । main
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46 C.r. in Kalā on SR II.2.23-26,p.26. main
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47 89. cf. annotation_inline
parent ligne 46
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48 मतङ्गो रेवगुप्तं च टक्कसैन्धवमेव च। main
via surya_layout
49 साधारणेषु निक्षिप्य न तान(व) ब्रबीदथ ॥ main
via surya_layout
50 S Rāj II.2.1.62c,63b. main
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51 Terminate and the control of the control of the control of the control of the control of the control of the control of t annotation_inline
parent ligne 50
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L#Texte OCRRole autoCorriger si incorrect
1 175 page_number
via heuristic_pagenum
2 TRANSLATION page_header
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3 Illustration-.....Sādhāritā [iii] editorial_bracket
parent ligne 4
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4 Gāndhārī has niṣāda as amśa, ṣadja as the concluding note, (and) is main
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5 complete in svaras. This is a bhāṣā in sauvīraka (rāga) and is always sung in main
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6 karuna (rasa).<sup>57</sup> main
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7 (123) annotation_inline
parent ligne 6
via heuristic_height
8 Illustration - Ninigāgāpāmāmānisāmāgānī dhāsāsāsā. Gāndhārī [iv] editorial_bracket
parent ligne 6
via heuristic_brackets
9 Thus end the <i>bhāṣās</i> of <i>sauvīraka</i>. main
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10 [8. After this are being described the bhāṣās in bhinna-paācama] section_header
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11 Śuddhabhinnakā has dhaivata as amśa and the same as the concluding note, main
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12 is complete, there is concert between dhaivata-ṛṣabha and similarly between main
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13 șadja-madhyama. This śuddhabhinnā is said to be born of bhinnapañcama. It main
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14 is always sung by the Kinnaras<sup>58</sup> in view of its being delightful to the people. main
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15 (124-125) annotation_inline
parent ligne 14
via heuristic_height
16 Illustration - Dhānidhānisasadhā nīdhānisāgāsanigānidhā main
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17 pāpāninimapāmāpāpamādhā dhāpādhāpādhādhā. Śuddhabhinnā [i] editorial_bracket
parent ligne 16
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18 Having madhyama as amśa, dhaivata as the concluding note, weak in ṛṣabha, main
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19 this bhāṣā is hexatonic with profuse dhaivata and madhyama. There is concert main
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20 between şadja-dhaivata and the svaras comprised of two śrutis each alongwith main
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21 dhaivata. It is well-known as varāṭī and is verily sung by the vidyādharas. 59 main
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22 <math>(126-127)</math> annotation_inline
parent ligne 21
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23 Illustration - Mādhāsadhānidhā pānimāmāgāsāsāgāmāgā sādhānīdhā. main
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24 Dhādhā dhādhāsādhānī pāpāmāgāsāsāgāmā [dhādhā]. Varāṭī [ii] editorial_bracket
parent ligne 23
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25 Lower (mandra) ṛṣabha should be used and so also dhaivata again and main
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26 again. (The gamaka) sphurita60 should be used there as fast, medium and main
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27 One should bring about movement in high and low and similarly main
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28 slow.<sup>61</sup> annotation_inline
parent ligne 27
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29 ascentand descent. Eshould be known as a vibhāṣā born of bhinnapañcama. main
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30 <math>(128-129)</math> main
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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
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2 113 page_number
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3 [5. Boţţa-rāga] section_header
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4 Boṭṭarāgashould be known to be born of ṣaḍjamadhyamājāti and pancamī, main
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5 has pañcama as its amsa and madhyama as the concluding note. main
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6 (324) annotation_inline
parent ligne 5
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7 [Anu. 196] section_header
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8 This means-bottarāga is related to ṣaḍjagrāma on account of being born of main
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9 şadjamadhyamā and pancamī jātis. Although it is born of two jātis arising out main
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10 of the two grāmas, yet it is related to sadjagrāma because of pañcama being main
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11 comprised of four śrutis. Pañcama is the graha and aniśa, madhyama the nyāsa. main
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12 There is sparseness of niṣāda and gāndhāra. Niṣāda is kākalī here and this main
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13 (rāga) is complete in svaras. Its application is prescribed in festivities. main
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14 Śānta<sup>69</sup> and the like is the rasa. The mūrchanā beginning with paūcama main
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15 obtains. Ārohin is the varņa. Prasannānta is the alankāra. The kalā is formed main
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16 in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga), and the kalā main
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17 prevails in the citra (mārga). A tāla like caccatpuţa obtains in songs comprised main
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18 of svara and pada. annotation_inline
parent ligne 17
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19 [6. Hindola] section_header
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20 Hindolais combined with ṣaḍja as amśa and nyāsa, is devoid of dhaivata and main
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21 ṛṣabha and is formed with jātis excepting dhaivatī and ārṣabhī, in drama. main
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22 (325) annotation_inline
parent ligne 21
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23 [Anu. 197] section_header
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24 This means -hindolaka is related to madhyamagrāma. (Contention) Its main
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25 relation with the two grāmas alone is proper on account of its being born of main
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26 all the jātis (of both the grāmas) bearing the names of svaras excluding main
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27 dhaivatī and ārṣabhī and carrying the residue of relationship with ṣaḍjagrāma. main
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28 Why is it said to be based on madhyamagrāma? (Answer) On account of its main
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29 being devoid of dhaivata and ṛṣabha, its relation with madhyamagrāma alone main
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30 is justified because authorities like Bharata and Kohala have treated the main
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31 omission of dhaivata and ṛṣabha in ṣadjagrāma as undesirable.70 main
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32 Some hold that it is based in sadjagrāma alone because pañcama comprised main
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33 of four śrutis is obtained here. The inomissibility of dhaivata should be main
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34 viewed only with respect to tāna and does not hold good everywhere. This main
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35 is improper. If this be so, then there would be no distinction between grāma main
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36 and mürchanā<sup>71</sup> annotation_inline
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37 , annotation_inline
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1 39 page_number
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2 TRANSLATION page_header
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3 (Anu.25) annotation_inline
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4 Now, upon anuvāditva being applicable to gāndhāra and niṣāda on account main
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5 of their being less45 by one śruti, vivāditva has been spoken of on account of the main
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6 interval of two (srutis) (pertaining to them). What is that vivāditva indeed? main
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7 Vivaditva is indeed the state of being the destroyer of the state of vadin, main
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8 samvādin and anuvādin of the rāga (concerned) attained by the svaras main
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9 (qualified as) vādin and the like. The vivādi-maņļala is thus - main
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10 şa annotation_inline
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11 ni annotation_inline
parent ligne 9
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12 ga annotation_inline
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13 dha annotation_inline
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14 ma annotation_inline
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15 pa annotation_inline
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16 Thus ends the vivādi-maṇḍala [ in ṣadjagrāma ]. editorial_bracket
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17 (Anu. 26) annotation_inline
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18 The use of the vivadins 44 is thus - gandhara being used in the place of main
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19 ṛṣabha and ṛṣabha being used in the place of gāndhāra brings about the loss of main
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20 jāti and rāga. Niṣāda being used in the place of dhaivata and dhaivata being main
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21 used in the place of niṣāda brings about the loss of jāti and rāga. main
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22 Thus it is for şadjagrāma. annotation_inline
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23 (Anu. 27) annotation_inline
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24 Now the state of being vādin, samvādin, anuvādin and vivādin is being shown main
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25 in madhyamagrāma. Out of them, vādins are the seven svaras beginning with main
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26 madhyama. Those ending at ninth and thirteenth (śrutis) are samvādins. main
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27 Anuvadins are so on account of being less by one sruti. The svaras having an main
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28 interval of two (śrutis) are vivādins. main
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1 BRHADDEŚĪ page_header
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2 32 page_number
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3 सगमपनि, सरिमपध । षट्स्वरांशा कैशिकी - सगमपधनि । सप्तस्वरांशा षड्जमध्यमा - main
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4 मग annotation_inline
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5 सरिगमपंध annotation_inline
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6 पहज annotation_inline
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7 सरिगमपधनि । एवं त्रिषष्टिरंशा व्याख्याता: । main
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8 मध्यमोदीच्यवा चैव तथा गान्धारपञ्चमी । main
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9 नन्दयन्ती च तिस्रस्ताः पश्चमैकांशतः स्मृताः ॥२४१॥ main
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10 धैवती पञ्चमी चैव ज्ञेये धरिरिपांशके । main
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11 ॰दिवां॰ annotation_inline
parent ligne 10
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12 गान्धारोदीच्यवा द्वाभ्यां मध्यम: षड्ज इत्यपि ॥२४२॥ main
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13 (न्म)र्यभ annotation_inline
parent ligne 12
via heuristic_height
14 आर्षभ्यां निरिधा अंशा नैषाद्यां निरिगास्त्रय:। main
via surya_layout
15 (तिरि? निरि) annotation_inline
parent ligne 14
via heuristic_height
16 सगपाः षड्जकैशिक्यां तिस्रस्त्र्यंशाः प्रकीर्तिताः ॥२४३॥ main
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17 (ला:?पा:) annotation_inline
parent ligne 16
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18 चतुरंशा समनिधै: षड्जोदीच्यवती स्मृता । main
via surya_layout
19 कार्मारवी रिपनिधैरान्ध्री गरिनिपैरपि ॥२४४॥ main
via surya_layout
20 (국 ?) annotation_inline
parent ligne 19
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21 सगमपधै: षाड्जी स्यात् पञ्चभिश्चापि मध्यमा । main
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22 सरिमपधैरंशै:, स्याद् गान्धारी सगमनिपै: ॥२४५॥ main
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23 तद्वत् स्याद् रक्तगान्धारी पूर्वेरंशैश्च पञ्चभिः। main
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24 कैशिक्येका षडंशा स्यात् सगमपनिधैः स्मृता ॥२४६॥ main
via surya_layout
25 षड्जमध्या तु सप्तांशा त्रिषष्टिरिति तेंऽशका: । main
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26 न्मध्यमा annotation_inline
parent ligne 25
via heuristic_height
27 [७. जातीनां प्रयोगविधिः] section_header
via surya_layout
28 ८८अंशकैर्ग्रामरागांस्तु जनयन्तीति जातय: ॥२४७॥ main
via surya_layout
29 (ग्रा?र्ग्रा) annotation_inline
parent ligne 28
via heuristic_height
30 आसां प्रयोगकाले तु युग्मायुग्माश्रयो विधि:। main
via surya_layout
31 मार्गेस्त्रिभि: प्रयोक्तव्याश्चित्रवार्तिकदक्षिणै: ॥२४८॥ main
via surya_layout
177 lignes a valider — change uniquement les roles incorrects.