Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21232). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p068 RIGHT — 35 lignes

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1 119 page_number
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2 <b>TRANSLATION</b> page_header
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3 [Anu. 202] editorial_bracket
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4 (Contention) Why has Kasyapa Muni described narta-rāga in the main
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5 beginning? It is being answered. In the opinion of Kasyapa its prominence main
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6 is due to its application in passionate performance of caris, mandalas and main
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7 situations of combat. In the opinion of Durgaśakti, on the other hand, main
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8 sadjakaisika alone is prominent. Why? On account of its falling under the main
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9 order of the state of sādava (rāga).76 That is thus - main
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10 [1. Narta-rāga] section_header
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11 Having pañcama as its amśa and madhyama as its concluding note, being main
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12 born of pañcamī and madhyamā (jātis), narta-rāga should be known to treat main
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13 as sparse the svaras comprised of two śrutis each. main
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14 (333) annotation_inline
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15 [Anu. 203] editorial_bracket
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16 Its meaning is thus - narta-rāga is related to madhyamagrāma on account of main
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17 being born of pañcamî and madhyamā (jātis). Pañcama is its graha and aniśa, main
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18 madhyama is the nyāsa. Niṣāda and gāndhāra have sparseness here. Niṣāda is main
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19 kākalī here and its application is prescribed in passionate performance of cārī, maṇḍala and combat. Sṛṅgāra and the lik main
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20 mūrchanā beginning with pañcama obtains. Prasannamadhyama is the alankāra. main
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21 Sañcārin is the varņa. Thus is it in the opinion of Kaśyapa. main
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22 [Anu. 204] editorial_bracket
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23 In the opinion of Durgaśakti this rāga itself is born of pañcamī and dhaivatī main
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24 jātis. It should be known to be related to şadjagrāma itself. Why? On account main
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25 of pañcama being comprised of four śrutis (and) dhaivata of three śrutis, it is main
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26 related to şadjagrāma. annotation_inline
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27 [2. Saka] section_header
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28 That is said to be śaka which has a weak pañcama, is combined with ṣaḍja main
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29 as nyāsa and aniśa and is born of ṣāḍjī and dhaivatī jātis. main
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30 (334) annotation_inline
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31 [Anu. 205] editorial_bracket
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32 Its meaning is thus - śaka is related to şadjagrāma on account of being born main
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33 of ṣāḍjī and dhaivatī (jātis). Ṣaḍja is its graha, amśa and nyāsa. There is the main
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34 sparseness of pañcama. Niṣāda and gāndhāra are kākalī and antara here. And main
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35 this (rāga) is complete in svaras. Its application is prescribed in vīra, adbhuta main
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vol_II_p166 RIGHT — 41 lignes

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1 VIMARŚA page_header
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2 315 page_number
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3 a bhāṣā is something that deserves special notice. main
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4 31. 'Pārvatī' is associated with parvata or mountains; whether or not main
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5 a particular mountainous region is implied, is hard to confirm. "Parvata is main
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6 1. a country in the Panjab to the north-west of Multan between the Ravi and main
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7 Sutlej. 2. same as Śrīśaila" (Nando Lal De ). It is difficult to say whether main
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8 the mountains in general or a particular mountainous region or either of main
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9 the two identifications cited above is intended. main
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10 Chapter V section_header
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11 (Desī rāgas) section_header
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12 1. This verse bears a distinct stamp of the Tantric stream and is list_item
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13 significant on account of being placed in the beginning of the chapter on list_item
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14 desī rāgas. It could be conjectured on the evidence of this verse and on other list_item
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15 evidence also that our author gave rāga-dhyānas for deśī rāgas (see Vol.III). list_item
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16 2. Deśī rāgas are contradistinct to grāmarāgas. list_item
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17 3. Reference to laksya in the context of desi rāgas points to the fact that list_item
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18 they must have been in vogue in the author's time. list_item
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19 4. The citation in the name of Matanga given by Kalli, in his list_item
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20 commentary on SR II.2.1. also mentions these three types of desī-rāgas, but list_item
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21 Sārngadeva has added a fourth category named upānga. list_item
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22 5. 'Chāyā' is subtle similarity. list_item
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23 6. The special mention of panegyric in the context of bhāṣāṅga rāgas list_item
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24 is worth noticing. list_item
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25 7. 'Bhāṣā 'here would include vibhāṣā and antara-bhāṣā. list_item
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26 8. 'Kriyā' seems to stand for expressive rendering. list_item
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27 9. Karuņā and utsāha are two pervasive names that symbolise mādhurya list_item
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28 and ojas respectively (See Vol. III). list_item
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29 10. The text is mutilated at this point and a small portion on bhāṣāṅga list_item
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30 rāgas seems to have survived. list_item
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31 11. Kacchelli could perhaps, be related to Kacch (Cutch); "it was list_item
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32 called Marukaccha in contradistinction to Kausiki-kaccha". (Nando Lal list_item
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33 De). list_item
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34 12. Māngalī has been described as a bhāṣā in the preceding section. list_item
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35 13. Bhammāṇa is not known as a region. list_item
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36 14. 'Pulindikā' refers directly to the ethnic group known as the list_item
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37 pulindas. list_item
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38 15. Gāndhārasindhu is mentioned as a bhāṣāṅga rāga in S Rāj list_item
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39 II.2.3.203, but is said to be out of vogue and is not, therefore, described. list_item
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40 16. Karņātī is described in S Raj II.2.3.208, but the laksaņas are list_item
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41 different. list_item
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vol_II_p154 RIGHT — 44 lignes

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1 ŀ annotation_inline
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2 PATHAVIMARŚA page_header
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3 291 page_number
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4 दस्रवेदास्तृतीयेऽङ्ग्री .....। section_header
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5 Ibid. 158. main
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6 39. Mānaso IV.16. 508, SR IV.108 and S Rāj II.4.2.165 read bhogavatī in list_item
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7 the place of hemavatī. list_item
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8 40. Reconstruction based on probable meaning and proximity to list_item
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9 p.t. list_item
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10 41. Reconstruction based on the uddeśa (enumeration) given in verse list_item
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11 449 of our text. list_item
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12 42. The ed. has suggested 'yamaka' in the place of 'gamaka', taking list_item
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13 'alankāra' as standing for śabdālankāra in poetry, but here the context list_item
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14 demands the melodic alankāra and gamaka is a corollary of the same. list_item
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15 43. Our reconstruction as 'gamaka' in the place of 'yamaka' of p.t. is list_item
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16 corroborated by Mānaso IV.16. 505. list_item
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17 44. Śārngadeva (SR IV.112c, 113) refers to these seven varieties as list_item
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18 having been spoken of by Matanga, but says that they are not described by list_item
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19 him because their distinctive nature lies only in the difference caused by yati list_item
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20 (splitting or pause). list_item
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21 P.t. adds the following two verses after this, which are out of place - main
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22 लोकदुष्टं शास्त्र शास्त्र पञ्च वर्जयेत्। main
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23 + गोदुष्टं (?) तथा ग्राम्यं गतक्रममपार्थकम् ॥४८५॥ main
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24 पदं काप्यमसन्दिग्धं कला चाभ्यश्चि भक्तकम् । main
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25 प्राकारेण तताश्चोका वर्णे तालचतुष्टयम् ॥ ४८६॥ main
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26 We have given a reconstructed version at the end of this chapter as verse 490 main
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27 (three lines). annotation_inline
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28 45. Reconstruction based on SR IV.127a. main
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29 46. cf. गमकप्रासिनमुक्ता एला स्याद गौडदेशजा। main
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30 SR IV.127 cd. annotation_inline
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31 ानाप्रयोगरागांशरसभावोत्कटाऽऽन्धिका । main
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32 47. cf. annotation_inline
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33 भूरिभावरसोत्कर्षा द्राविडी प्रासवर्जिता ॥ main
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34 Ibid. 128. annotation_inline
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35 48. cf. मातृकाक्षरमेकैकं पदादौ विनियोज्य च। main
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36 Mānaso IV.16.310. annotation_inline
parent ligne 35
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37 49. cf. उद्ग्राहो ध्रुवकश्चेति यत्र खण्डद्वयं भवेत्। main
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38 Ibid. 431. main
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39 1 page_number
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40 50. cf. करणं करपाटेन तालेन किल गीयते । main
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41 Sam Sa Sā V.137. annotation_inline
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42 51. cf. हस्तपाटैस्तथा तेनपदस्वरसमन्वित: । main
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43 गीयते तालयुक्तो य: स वर्णस्वरको भवेत् ॥ main
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44 Mānaso IV.16.437. main
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vol_I_p077 RIGHT — 41 lignes

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1 137 page_number
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2 PĂŢHA VIMARŚA page_header
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3 पञ्चमस्य च श्रृङ्गारो बीभत्सो धैवतस्य च । main
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4 करुणा च निषादस्य सप्तस्थानरसा नव ॥ annotation_inline
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5 (Sam Mak II.1.47, 48) main
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6 It is notable that Santa rasa has been included here and bhayanaka has main
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7 been omitted; thus the number of rasas enumerated is only eight and not nine, main
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8 as stated in the last foot. main
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9 46. MS B reading as recorded by the ed. main
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10 Section V ( Grāma-mūrchanā ) section_header
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11 ग्रामो नाम विशिष्टश्रुतिकस्वरसमूहो मूर्छनात्मा main
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12 1. cf. annotation_inline
parent ligne 11
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13 पूर्णापूर्णस्वभावस्वरगतग्रहाशादिविशेषसमूहरूपजातिसमूहश्च । main
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14 (Abhi Bhā on NŚ XXVIII, p. 42) main
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15 2. C.r. in S R I Sudhā, p. 102. main
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16 3. C.r. in S R I Sudhā, p. 101 has been accepted because 'vyavasthitaḥ' is an list_item
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17 adjectival form which is not matched by a noun that could be qualified by it, but list_item
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18 'vyavasthitih' is an abstract noun that fits the sentence. list_item
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19 4,5. C.r. in S R I Sudhā, p. 103. main
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20 6. This verse is not found in the text of Nā Ši. list_item
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21 7. C.r. in S R I Sudhä, p. 101. main
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22 8. P.t., modified according to C.r. in ibid. main
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23 9. C.r. in S R I Kalā, p. 99 in the name of Muni (Bharata), but this line is list_item
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24 not found in the text of NS. In P.t. this line has not been treated as a citation, list_item
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25 but as a part of the text, because quotation marks are not given. list_item
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26 10. This line forms part of the text of NS (XVIII, 5 ab). Hence it is treated main
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27 by us as a citation. main
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28 11. P.t. includes ' sadbhih' after 'suddhābhih', but that has no relevance to the list_item
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29 context and has, therefore, been omitted by us. list_item
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30 12. C.r. in S R I Sudhā, p. 105 adds the following half-verse, paraphrasing list_item
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31 the prose-portion regarding the etymology of mūrchanā - list_item
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32 मूर्खनामब्दनिष्यतिर्मुखं मोहे समुच्छये । main
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33 13, 14. C.r. in S R I Sudhā, p. 114. main
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34 15. P.t. adds 'tiryak' after 'svarāḥ', but that is redundant. list_item
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35 16. P.t. adds 'ürdhvā' after 'mā'. main
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36 17. P.t. मध्यमे तिर्यगूर्ध्वगा अपि स्वराः । main
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37 18. Hariņāśvā is the name found in NŚ, S R etc. 'Hariņāhvayā' is the form of main
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38 'hariṇāhvā' in the instrumental case; but this case is not relevant to the context. main
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39 The P.t. is utterly confused, mutilated and in disorder after this line upto the main
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40 end of Anu. 41; it has been reconstructed according to the context, mainly by main
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41 re-arranging the order. main
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vol_I_p053 LEFT — 36 lignes

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1 BRHADDEŚI page_header
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2 88 page_number
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3 पापापापापापाधानीमापागागागागागा । [ - - - -] editorial_bracket
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4 दारव्यां भवन्ति [ - - - - ] यदर्थमुक्तं यथा एवमेते प्रवर्तन्ते तथा editorial_bracket
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5 ुषति (?) main
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6 •प्पर्व annotation_inline
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7 प्रवर्तयन्तीत्यर्थः शारीरस्वरे। तदुक्तम् ] editorial_bracket
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8 एते वर्णास्तु विज्ञेयाश्चत्वारो गीतयोजकाः ॥ main
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9 [ ना. मा. २९. १९ कख ] editorial_bracket
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10 वीणा unknown
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11 [ इति वर्णाः ] editorial_bracket
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12 [ अथालङ्काराः ] editorial_bracket
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13 अनु₀ ६८ ] section_header
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14 इदानीं सुप्रसिद्धास्त्रयस्त्रिशदलङ्कारा नामतः प्रयोगतश्च कथ्यन्ते— main
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15 पादेनाततः annotation_inline
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16 तत्रालङ्कारणब्देन किमुच्यते ? [ ग्व्युत्पत्तिर्वा तस्य कीदृशी ? उच्यते- ] editorial_bracket
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17 <b>ध्नन्व</b>० annotation_inline
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18 अलङ्कारशब्देन ध्मण्डनमुच्यते। यथा कटककेयूरादिनालङ्कारेण नारी पुरुषो वा main
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19 ৹ল৹ annotation_inline
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20 मण्डितः शोभामावहेत्, तथा एतैरलङ्कारैः श्रप्तम्नाद्यादिभिरलङ्कृता वर्णाश्रया main
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21 ( द्या ) annotation_inline
parent ligne 20
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22 गीतिर्गातृश्रोतृणां सुखावहा भवतीति। व्युत्पत्तिश्च यथा—‘डुकृञ् करणे’ main
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23 <sup>10</sup>धातुरलंशब्दपूर्वोऽलङ्करोतीत्यलङ्कारः। घञन्तोऽयमलङ्कारशब्द इति। main
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24 •विः अलङ्कृतमल • main
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25 [ अनु₀ ६९ ] section_header
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26 ं तत्रालङ्काराणां नामानि कथ्यन्ते— (१) प्रसन्नादिः (२) प्रसन्नान्तः (३) प्रसन्नाद्यन्तः main
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27 (४) प्रसन्नमध्यः (५) समः (६) बिन्दुः (७) निवृत्तप्रवृत्तः (८) वेणुः (९) कम्पितः main
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28 (तः) annotation_inline
parent ligne 27
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29 (१०) कुहरितः (११) रेचितः (१२) प्रेङ्घोलितः (१३) तारमन्द्रप्र [ list_item
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30 सन्नः । list_item
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31 (१४) मन्द्रतारप्रसन्नः (१५) प्रस्तारः (१६) प्रसादः (१७) उद्वाहितः list_item
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32 ्रः ,व्रनिसनः list_item
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33 ह्रस्वार list_item
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34 (?) list_item
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35 (१८) उपलोलकः (१९) क्रमः (२०) निष्कृजितः (२१) ह्रादमानः (२२) रिञ्जतः list_item
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36 (प्रा?ह्रा) list_item
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197 lignes a valider — change uniquement les roles incorrects.