Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21233). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p118 RIGHT — 31 lignes

page vol_II_p118 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 219 page_number
via heuristic_pagenum
3 [26. Kalahaṁsa] section_header
via surya_layout
4 Where, having sung one foot first, then svaras are sung, that is kalahamsa, main
via surya_layout
5 combined with tālas like jhampā. main
via surya_layout
6 (407) main
via surya_layout
7 [27. <i>Ghața</i>] section_header
via surya_layout
8 Where one-half is full of tenaka, that is ghata, like dvipadī. main
via surya_layout
9 (408) main
via surya_layout
10 [28. Cakravāla] section_header
via surya_layout
11 That which is sung with repetition, taking the last pada (textual-cum- main
via surya_layout
12 melodic unit of the preceding sub-section), being bedecked with the state main
via surya_layout
13 of yamaka, is said to be cakravāla.25 main
via surya_layout
14 (409) main
via surya_layout
15 [29. Tripadī or Şaţpadī] section_header
via surya_layout
16 Performed with any of the tālas and (rendered) exclusively with birudas, main
via surya_layout
17 that which is sung in a two-fold way....? main
via surya_layout
18 (410) main
via surya_layout
19 [30. Bandhakarana] section_header
via surya_layout
20 That which is sung by the gandharvas <math>^{26}</math> in karana tāla, with svaras coupled with main
via surya_layout
21 the akṣaras (syllables) of muraja (drum-variety), isagain, known as bandhakarana?7 main
via surya_layout
22 (411) unknown
via fallback
23 [31. Pāṭakaraṇa] section_header
via surya_layout
24 ٠ page_number
via heuristic_pagenum
25 The karaṇa (prabandha) named pāṭa is composed of pāṭas (syllables) of the main
via surya_layout
26 hands<sup>28</sup> (on a drum) main
via surya_layout
27 (412) main
via surya_layout
28 [32. <i>Kaivāţa</i>] section_header
via surya_layout
29 That which is sung properly with <i>pāṭas</i> alone, should be known by the main
via surya_layout
30 gandharvas as kaivāṭa, combined with tāla. main
via surya_layout
31 (413) main
via surya_layout

vol_II_p078 RIGHT — 27 lignes

page vol_II_p078 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 139 page_number
via heuristic_pagenum
3 Illustration - Māsāsāsā sānidhāni dhānī dhāgāsāsā. Dhānisāmā gāgāgāmā main
via surya_layout
4 sānidhāsāsāsāsāgāmādhānīdhādhāmārīgārīrīmarigāsāsānidhāsāsā. Nidhagāsās- main
via surya_layout
5 ānidhanimāmānidhāsāsā nidhāsagamāgāsā nīdhanīsā. Travaņā [i] editorial_bracket
parent ligne 4
via heuristic_brackets
6 That which has sadja as its concluding note, madhyama as its amsa, is main
via surya_layout
7 always abundant in gāndhāra, is devoid of pañcama; dhaivata and ṛṣabha are main
via surya_layout
8 profuse, (and) is always sankīrņā (mixed), this travaņodbhavā is hexatonic. main
via surya_layout
9 (40) annotation_inline
parent ligne 8
via heuristic_short
10 Illustration - Mānīnīnīsāsā. Sārīrīrīgāgāgamāmā māmārī. Garininidhā. main
via surya_layout
11 Dhādhā-māmagārigā. Sāmāgarī. Saninigāgā ninidhāsarigārīmā, Gāmāmānī main
via surya_layout
12 nīsasā. Travaņodbhavā [ii] editorial_bracket
parent ligne 11
via heuristic_brackets
13 Verañjikā should be known to have gandhāra as its amśa and weak main
via surya_layout
14 pañcama. It should be performed with ṣaḍja as its nyāsa, bringing about the main
via surya_layout
15 mutual movement of şadja-dhaivata and similarly gāndhāra-ṛṣabha. Thus main
via surya_layout
16 should be known (this) bhāṣā; it is said to be hexatonic. main
via surya_layout
17 <math>(41-42)</math> main
via surya_layout
18 Illustration-Gānigāgā dharimāmāgā māmāgārigāsasāsā nigārīninidhādhādha- main
via surya_layout
19 nigārīmāgārisanīdhāni. Sāsāgamāmādhāsāsaganigānigāniga dharīgarīrigārirīga main
via surya_layout
20 ma-mamadhamamamadharīgasāsāsā sanīgārīgā ninidhāmādhānidhāsanigā main
via surya_layout
21 rīmamarisā- nidhānisāsā. Verañjika [iii] editorial_bracket
parent ligne 20
via heuristic_brackets
22 Combined with sadja as the initial and concluding one (graha-nyāsa), main
via surya_layout
23 complete, brilliant 15 with madhyama, there being the mutual concert main
via surya_layout
24 (samvāda<sup>16</sup>) between sadja-madhyama and the (two) svaras comprised of two main
via surya_layout
25 śrutis each (gāndhāra and niṣāda), chevāṭī should be known by the main
via surya_layout
26 knowledgeable ones in music as <i>mūlabhāṣā</i>. main
via surya_layout
27 (43) page_footer
via surya_layout

vol_II_p147 RIGHT — 43 lignes

page vol_II_p147 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 277 page_number
via heuristic_pagenum
2 PĂTHAVIMARŚA page_header
via surya_layout
3 पांशग्रहान्ता सम्पूर्णा भाषा मालवपञ्चमे । main
via surya_layout
4 वनेषु कामिनीसङ्गे नियोज्या ऋषिकैनरै:॥ main
via surya_layout
5 विभावनीति तामेवाचष्ट याष्टिकसत्तमः॥ main
via surya_layout
6 122. The name of this bhāṣā is read as mālavā at the end of the main
via surya_layout
7 illustration and so it is in S Rāj II.2.1.905. main
via surya_layout
8 123,124. cf. सञ्चार: सधयोर्यस्यां रिधयोधैव दृश्यते । main
via surya_layout
9 Kalā (appendix) on SR II, p. 137. main
via surya_layout
10 125. In spite of this adjective indicating the completeness of this main
via surya_layout
11 bhāṣā, the illustration omits ṣaḍja. main
via surya_layout
12 126. SR II. 1. 30 cd reads this name as bhinnavalitā and so does S Rāj main
via surya_layout
13 II.2.1.131 c; ibid 88a reads bhinnalalitā and ibid 907c reads bhinnavallikā. main
via surya_layout
14 Our text seems to change bhinnavalikā to bhinnavālikā in verse 34 c in order main
via surya_layout
15 to meet the demand of metre, the sixth syllable being required to be long. main
via surya_layout
16 At this point of our text the change to bhinnalālikā or bhinnalālitā seems to main
via surya_layout
17 involve an error of deciphering or copying. main
via surya_layout
18 127. Kalā (appendix) on SR II, p.137 reads 'magrahāmśā' describing main
via surya_layout
19 madhyama as graha and aṁśa. main
via surya_layout
20 128. cf. पञ्चमांशग्रहा धान्ता पूर्णा मध्यमभूयसी । main
via surya_layout
21 मध्यमग्रामगा भाषा धनिसङ्गतिराजिता ॥ main
via surya_layout
22 द्राविडी देशनाम्रेयं विख्याता याष्ट्रिकोदिता ॥ main
via surya_layout
23 S Rāj II.2.1.912. annotation_inline
parent ligne 22
via heuristic_short
24 The illustration in our text is not in accordance with any of the three main
via surya_layout
25 divergent descriptions viz. those in our text, Kalā and S Rāj. main
via surya_layout
26 129. The dual number of the instrumental case has been changed to main
via surya_layout
27 the same number of the genitive case, because the instrumental case would main
via surya_layout
28 require reference to some other svara with which the two svaras composed main
via surya_layout
29 of two śrutis each are supposed to have to and fro movement. Kalā (appen- main
via surya_layout
30 dix) on SRII, p. 141 reads 'nigayo rigayoryuktā'. main
via surya_layout
31 ्सम्पूर्णा, यं विना बाह्मपाडवा कैधिदिप्यते । main
via surya_layout
32 130. cf. annotation_inline
parent ligne 31
via heuristic_short
33 S Rāj II.2.1.107 cf. main
via surya_layout
34 131. Corresponding to this, S Rāj II.2.1.1081 gives a bhāṣā named main
via surya_layout
35 națță, which is described as being complete. main
via surya_layout
36 पञ्चमांशान्तिमा ताना भिन्नताने रिवर्जिता । main
via surya_layout
37 132. cf. annotation_inline
parent ligne 36
via heuristic_short
38 सकाकलिका शृङ्गारे विनियुक्ता पुरातनै: ॥ main
via surya_layout
39 ताना भाषैकिका भिन्नताने याष्ट्रिकसम्मता ॥ main
via surya_layout
40 S Rāj 11.2.1.1097,1099. main
via surya_layout
41 The illustration of this bhāṣā is not available in our text; the illustration main
via surya_layout
42 contained in p.t. at this point as follows seems to be out of place, since rşabha main
via surya_layout
43 -------------------------------------- annotation_inline
parent ligne 42
via heuristic_height

vol_II_p085 LEFT — 32 lignes

page vol_II_p085 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚI page_header
via surya_layout
2 152 page_number
via heuristic_pagenum
3 षड्जाद्यन्तसमायुक्ता सम्पूर्णा देशसम्भवा । main
via surya_layout
4 <sup>५४</sup>ऋषभषड्जसंवादो द्विश्रुती चाल्परूपिणौ ॥ main
via surya_layout
5 +++षड्जासंवादो annotation_inline
parent ligne 4
via heuristic_short
6 िद्विश्रुति चाल्यरूपिणौ(?) main
via surya_layout
7 साधारणकृता होषा त्वाभीरी गीयते जनै: ॥६८॥ main
via surya_layout
8 आभीरी annotation_inline
parent ligne 7
via heuristic_height
9 उदाहरणम् - सासारीरी । सासारीरी । सासारीसारी । सासानीसारीरी। सारीसारीसासानीसरीरीगारीगारी। main
via surya_layout
10 सनिसासा । गारीरी । गामागरी। गपापगारी । सनिसासा । सनीसासा धारीगगमासा । पमागारी। main
via surya_layout
11 सनीसासा । धनीधानी । साधनिसा । रिरिगामा । गामारिरि । गापामापा । मागारीरी । सासारिसारी। main
via surya_layout
12 सासानीसारी । रीरीसासा सानिरीरिगारि । रिगारिरि । सनि । सासागारीरि । गामगारी । सानि । main
via surya_layout
13 गारीरी। मागागारी । गापागारी। सनीसासासनी । सासा । रिगगमासा । पमागारी । सनिससा । main
via surya_layout
14 संधनिसासा । सनिधानिधाधनिसारीरी । गामागमारिरी । गापामापा । मपमा । मगारिरी । मपागारि। main
via surya_layout
15 सनिसासा । आभीरी । [६] editorial_bracket
parent ligne 14
via heuristic_brackets
16 <sup>५५</sup>खञ्जनी पञ्चमांशा तु षड्जान्ता <sup>५६</sup>धैवतोज्झिता । main
via surya_layout
17 खण्डनी annotation_inline
parent ligne 16
via heuristic_height
18 षड्जनिषादसंवादो मध्यमर्षभयोस्तथा ॥ main
via surya_layout
19 सङ्कीर्णा षाडवा ज्ञेया सर्वलोकस्य रञ्जिका ॥६९॥ main
via surya_layout
20 उदाहरणम् - पानीमारीसरि । सासासरीरि । सनि । रिरी । सनिसनि । रि । पापापानि । सरिसनि। main
via surya_layout
21 सगसस्। सनिरीसनीरीरी । मागारिगमा । नीपापानीसनीपापामग । पापा । नि । निमनिसरिसगसासा। main
via surya_layout
22 । खञ्जनी ।[७] editorial_bracket
parent ligne 21
via heuristic_brackets
23 खण्डनी annotation_inline
parent ligne 21
via heuristic_height
24 निषादांशा तु षड्जान्ता गुर्जरी देशसम्भवा । main
via surya_layout
25 निषादर्षभसंयोगो मध्यमर्षभयोस्तथा ॥ main
via surya_layout
26 सम्पूर्णा चैव विज्ञेया <sup>५७</sup>भाषा वै गेयवेदिभि:॥७०॥ main
via surya_layout
27 पाडवा annotation_inline
parent ligne 26
via heuristic_height
28 उदाहरणम् - निधानीनी । रिगानिधा । निसासाधनि । धाग । रि । सागरी । सानीधानी । main
via surya_layout
29 गधासारी । गारीमागारी । सनिधाधानिधासरिगारी । सनीसासा । निधासानीगरी । मगरि । main
via surya_layout
30 मगारि । पापागारीमामा । रिधानिधानिधासरि । गरिसानीसासानीधासरीरि । निधासासा । main
via surya_layout
31 धनीसागा । गारीरि । मगरीमगरि । मापागरि । मगरिसनी धाधानिधासरिगरि । सनिसासा । main
via surya_layout
32 [गुर्जरी]।[८] editorial_bracket
parent ligne 31
via heuristic_brackets

vol_II_p123 RIGHT — 34 lignes

page vol_II_p123 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 229 page_number
via heuristic_pagenum
3 [2. Kāmalekhā] section_header
via surya_layout
4 Kāmalekhā is that where there are twenty-two<sup>60</sup> (dviguņita-rudra) mātrās in the main
via surya_layout
5 first (foot) and in the foot bearing an even number (second) the same (number main
via surya_layout
6 of mātrās) obtains, in the foot of odd number (third) there are twenty (mātrās). main
via surya_layout
7 (445) main
via surya_layout
8 [3. Bāṇalekhā] section_header
via surya_layout
9 If in all the three feet, in a uniform manner there are double the number main
via surya_layout
10 of mātrās (obtaining in kāmalekhā) (and) where they are composed in main
via surya_layout
11 bāṇagaṇas,61 that is bāṇalekhā. main
via surya_layout
12 (446) main
via surya_layout
13 [4. Candralekhā] section_header
via surya_layout
14 Where there are three above forty (forty-three) mātrās in a couple of feet main
via surya_layout
15 i.e. the first two feet (and where) the number of mātrās is less by one (forty- main
via surya_layout
16 two) in the foot bearing an odd number (third foot), that is candralekhā. main
via surya_layout
17 (447) main
via surya_layout
18 Thus ends the fourfold mātrailā. section_header
via surya_layout
19 [C. The varieties of <i>Varnailā</i>] section_header
via surya_layout
20 There is no regulation of <i>tāla</i> here, none of <i>msa</i> and none of <i>rāga</i>; there is only main
via surya_layout
21 the regulation of syllables <math>^{62}</math> (in their number); hence it is called <i>varyailā</i>. main
via surya_layout
22 (448) annotation_inline
parent ligne 21
via heuristic_short
23 Madanavatī, śaśilekhā, prabhāvatī, mālatī, similarly lalitā, hemavatī, (and) main
via surya_layout
24 kusumavatī, these seven are the elās regulated on the basis of varņa (syllable). main
via surya_layout
25 (449) annotation_inline
parent ligne 24
via heuristic_short
26 Beginning with eleven syllables and ending with seventeen (syllables in main
via surya_layout
27 each foot), these seven are sung in sequence, by the gandharvas with main
via surya_layout
28 beautiful padas (textual units) (and) good sounds. main
via surya_layout
29 (450) main
via surya_layout
30 [1. Madanavatī 2. Šašilekhā 3. Prabhāvatī] section_header
via surya_layout
31 That madanavatī is composed of non-short (alaghu) gaṇas 63 i.e., has all main
via surya_layout
32 long (guru) syllables, śaśilekhā is with short (laghu) gaṇas, prabhāvatī is always main
via surya_layout
33 profuse with long (guni) gaṇas (and) mālatī and lalitā (will be described now). main
via surya_layout
34 (451) main
via surya_layout
167 lignes a valider — change uniquement les roles incorrects.