Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21249). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p125 LEFT — 28 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 L annotation_inline
parent ligne 5
via heuristic_height
2 · - 1 1 1 annotation_inline
parent ligne 5
via heuristic_height
3 232 page_number
via heuristic_pagenum
4 BRHADDESĪ page_header
via surya_layout
5 [घ. पुनर्वर्णेला-सप्तकम्] section_header
via surya_layout
6 रमणी चन्द्रिका लक्ष्मी: पद्मिनी रञ्जिनी तथा। main
via surya_layout
7 मालती मोहिनी चेति वर्णेलासप्तकं तथा ॥ ४५९॥ main
via surya_layout
8 [१. रमणी] section_header
via surya_layout
9 समा यत्र यति: पादे प्रथमे च द्वितीयके । main
via surya_layout
10 द्विगिद्वितीयके(?) annotation_inline
parent ligne 9
via heuristic_height
11 पादे पादे च नादाढ्या षट्पदी रमणीति सा ॥४६०॥ main
via surya_layout
12 ॰द्यो॰ annotation_inline
parent ligne 11
via heuristic_markers
13 [२.चन्द्रिका] section_header
via surya_layout
14 स्रोतोगता समा चैव यत्र पादद्वये भवेत्। main
via surya_layout
15 बिन्दुभिर्गमकैर्युक्ता चन्द्रिणीति प्रकीर्तिता ॥४६१॥ main
via surya_layout
16 [३.लक्ष्मी] section_header
via surya_layout
17 गोपुच्छा च समा स्रोता यत्र पादत्रयेऽपि च । main
via surya_layout
18 मूर्छना नादसहिता सैला लक्ष्मीरिति स्मृता ॥४६२॥ main
via surya_layout
19 [४.पद्मिनी] section_header
via surya_layout
20 आद्ये पादे द्वितीये च तृतीये च चतुर्थके । main
via surya_layout
21 वर्णध्वनिसमायुक्ता पद्मिन्येला निगद्यते ॥ ४६३॥ main
via surya_layout
22 [५.रञ्जिनी] section_header
via surya_layout
23 प्रथमे च समा प्रोक्ता द्वितीये च तृतीयके । main
via surya_layout
24 स्रोता annotation_inline
parent ligne 23
via heuristic_height
25 गोपुच्छा गमकाढ्या च रञ्जिनी नाम सा भवेत् ॥४६४॥ main
via surya_layout
26 [६. मालती] section_header
via surya_layout
27 लघुभिर्गुरुभिर्वर्णैयां तु प्रासैर्विनिर्मिता । main
via surya_layout
28 यथेष्टका चतुष्पादा सा चैला मालती मता ॥ ४६५॥ main
via surya_layout

vol_II_p110 LEFT — 25 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 202 page_number
via heuristic_pagenum
3 [२. माङ्गाली] section_header
via surya_layout
4 गान्धारग्रहन्यासा च षड्जांशा तारवर्जिता । main
via surya_layout
5 समन्द्रा सस्वरा[?]चैव परिहीना सदा भवेत् ॥ ३५४॥ editorial_bracket
parent ligne 4
via heuristic_brackets
6 सिका annotation_inline
parent ligne 4
via heuristic_height
7 षड्जांशा धग्रहन्यासा धमन्द्रा तारतत्परा । main
via surya_layout
8 समस्वरा च सम्पूर्णा माङ्गाली गीयते जनै:८॥ ३५५॥ main
via surya_layout
9 (पी?गी)॰ annotation_inline
parent ligne 8
via heuristic_markers
10 [३. भम्माणिका] section_header
via surya_layout
11 पञ्चमांशग्रहन्यासा गमन्द्रा षड्जतारका । main
via surya_layout
12 रिहीना च धगस्वल्पा ज्ञेया भम्माणिका बुधै: १॥ ३५६॥ main
via surya_layout
13 [४. पुलिन्दिका] section_header
via surya_layout
14 षड्जांशा धैवतन्यासा गपहीना पुलिन्दिका । main
via surya_layout
15 +ग्रहन्यासा annotation_inline
parent ligne 14
via heuristic_height
16 षड्जधैवतसंवादो धैवतर्षभयोस्तथा १०॥ ३५७॥ main
via surya_layout
17 ॰संघादा annotation_inline
parent ligne 16
via heuristic_markers
18 [५. गान्धारसिन्धुः ] section_header
via surya_layout
19 १९गान्धारसिन्धुः .....॥ ३५८॥ main
via surya_layout
20 [६. कार्णाटी] section_header
via surya_layout
21 १२षड्जन्यासग्रहा धांशा गतारा मन्द्रमध्यमा । main
via surya_layout
22 समस्वरा च सम्पूर्णा कर्णाटी नामतो भवेत्रवा ३५९॥ main
via surya_layout
23 नामत(द्भ?भ)वेत् annotation_inline
parent ligne 22
via heuristic_short
24 ॥ इति मतङ्गमुनिविरचितबृहद्देश्यां देशीरागाध्यायो नाम पञ्चमः समाप्तः ॥ editorial_bracket
parent ligne 22
via heuristic_brackets
25 भाषालक्ष(णो?णा) main
via surya_layout

vol_II_p025 RIGHT — 34 lignes

page vol_II_p025 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 33 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 Kaiśikī is (the only one) with six aniśa svaras - sa, ga, ma, pa, dha, ni. main
via surya_layout
4 Ṣaḍja - madhyamā is (the only one) with seven amśa svaras - sa, ri, ga, ma, main
via surya_layout
5 pa, dha, ni. main
via surya_layout
6 1 page_number
via heuristic_pagenum
7 Thus sixty-three amsas have been explained. main
via surya_layout
8 Madhyamodīcyavā and similarly gāndhārapañcamī and nandayantī, these main
via surya_layout
9 three are known to be with one anisa viz. pancama. main
via surya_layout
10 (241) annotation_inline
parent ligne 9
via heuristic_short
11 Dhaivatī and pañcamī, these two should be known with two amśa (svaras) main
via surya_layout
12 each viz. dhari and ripa. Gāndhārodīcyavā is with two (amśa svaras) viz. main
via surya_layout
13 madhyama and şadja. annotation_inline
parent ligne 12
via heuristic_short
14 (242) main
via surya_layout
15 In ārṣabhī niridha, in naiṣādī the three niriga (and) in ṣaḍjakaiśikī sagapa are main
via surya_layout
16 amsa (svaras); (these) three are said to be with three amsas each. main
via surya_layout
17 (243) annotation_inline
parent ligne 16
via heuristic_short
18 Şadjodīcyavatī is known to be with four amśasviz. samanidha, kārmāravī is main
via surya_layout
19 with ripanidha, andhrī also with garinipa. main
via surya_layout
20 (244) annotation_inline
parent ligne 19
via heuristic_short
21 Ṣāḍjī is with sagamapadha (as amśas), madhyamā is also with five amśas viz. main
via surya_layout
22 sarimapadha, gāndhārī is with sagamanipa and similarly is raktagāndhārī with main
via surya_layout
23 the same five amśas. Kaiśikī is the one (jāti) that is known to have six amśas main
via surya_layout
24 viz. sagamapanidha. annotation_inline
parent ligne 23
via heuristic_short
25 <math>(245-246)</math> main
via surya_layout
26 Ṣadjamadhyā is with seven amsas and thus those amsas are sixty-three (in main
via surya_layout
27 total). main
via surya_layout
28 [7. Prescription regarding the performance of jātis] section_header
via surya_layout
29 Jātis are those that give rise to grāma-rāgas through their amśas.43 main
via surya_layout
30 (247) annotation_inline
parent ligne 29
via heuristic_short
31 During their performance the prescription (regarding temporal main
via surya_layout
32 organisation) is based on yugma<sup>44</sup> (lit.even) and ayugma<sup>45</sup> (lit.odd). They main
via surya_layout
33 are to be performed with three 46 mārgas viz. citra, vārtika and dakṣiṇa. main
via surya_layout
34 (248) main
via surya_layout

vol_II_p071 RIGHT — 36 lignes

page vol_II_p071 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 125 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [Anu. 210] editorial_bracket
parent ligne 4
via heuristic_brackets
4 Its meaning is thus – pañcamaṣāḍavais related to ṣaḍjagrāma. Ŗṣabhais its graha main
via surya_layout
5 and anisa. Madhyama is the nyāsa and with relevance to the performer 88 it main
via surya_layout
6 sometimes becomes amśa also. Niṣāda is kākalī here and this (rāga) is complete. main
via surya_layout
7 Its application is prescribed in the passionate performance of cārīs, maṇḍalas and main
via surya_layout
8 (situations of ) combat. Vīra and the like is the rasa89. The mūrchanā beginning main
via surya_layout
9 with ṛṣabha obtains. Prasannādyanta is the alankāra. The kalā is formed in the main
via surya_layout
10 dakṣiṇa (mārga), the kalā obtains in the vārtika (mārga) and the kalā prevails in main
via surya_layout
11 the citra (mārga). A tāla like caccatpuṭa obtains in the songs comprised of svara and main
via surya_layout
12 pada annotation_inline
parent ligne 11
via heuristic_height
13 [9. Revagupta] section_header
via surya_layout
14 Revagupta is said to be born of ārṣabhī and madhyamā jātis, has ṛṣabha as main
via surya_layout
15 its amsa and madhyama as its concluding note and is with complete svaras. main
via surya_layout
16 (340) annotation_inline
parent ligne 15
via heuristic_height
17 [Anu. 211] editorial_bracket
parent ligne 15
via heuristic_brackets
18 Its meaning is thus - Revagupta is related to sadjagrāma. Although it is born main
via surya_layout
19 of ārṣabhī and madhyamā jātis, it is related to ṣaḍjagrāma alone because of main
via surya_layout
20 pañcama being comprised of four śrutis. Rṣabha is its graha and amśa, main
via surya_layout
21 <math>madhyama</math> alone is <math>ny\bar{a}sa</math>, <math>nis\bar{a}da</math> is <math>k\bar{a}kal\bar{t}</math> he main
via surya_layout
22 svaras. Its application is prescribed in the passionate performance of cārīs, main
via surya_layout
23 mandalas and (situations of) combat. Vira and the like is the rasa. The main
via surya_layout
24 mūrchanā beginning with ṛṣabha obtains. Ārohin is the varṇa. Prasannānta is main
via surya_layout
25 the alankāra. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in main
via surya_layout
26 the vārtika (mārga) and the kalā prevails in the citra (mārga). A tāla like main
via surya_layout
27 caccatputa obtains in the songs comprised of svara and pada. main
via surya_layout
28 [10. Takkasaindhava] section_header
via surya_layout
29 The rāga takka qualified by saindhava is born of ṣāḍjī and dhaivatī jātis, is main
via surya_layout
30 combined with sadja as amsa and nyāsa and is weak in pancama. main
via surya_layout
31 (341) annotation_inline
parent ligne 30
via heuristic_height
32 [Anu. 212] editorial_bracket
parent ligne 30
via heuristic_brackets
33 Its meaning is thus - takkasaindhava rāga is related to şadjagrāma on main
via surya_layout
34 account of being born of ṣāḍjī and dhaivatī (jātis). Ṣaḍja is its graha, amśa and main
via surya_layout
35 nyāsa. Niṣāda and gāndhāra are kākalī and antara. There is the sparseness of main
via surya_layout
36 pañcama and this (rāga) is complete in svaras. Its application is prescribed main
via surya_layout

vol_I_p050 LEFT — 39 lignes

page vol_I_p050 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESI page_header
via surya_layout
2 82 page_number
via heuristic_pagenum
3 तस्माद् यत्किञ्चिद् गीयते तन्मध्यमध्वनिविशेषैः main
via surya_layout
4 कण्ठध्वनिभिर्मन्द्रतारव्यवस्थासिद्ध्यर्थमेव। main
via surya_layout
5 चतुर्विधा मया प्रोक्ता मूर्छनाः सप्तस्वरात्मिकाः। main
via surya_layout
6 द्वादशस्वरमूर्छनाः annotation_inline
parent ligne 5
via heuristic_short
7 इदानी तु प्रवक्ष्यामि द्वादशस्वरमूर्छनाः ॥११७॥ main
via surya_layout
8 90H annotation_inline
parent ligne 7
via heuristic_height
9 <sup>91</sup>ुनाम् main
via surya_layout
10 [ अनु॰ ६१ ] section_header
via surya_layout
11 तत्र मूर्छनानिर्देशः स्थानित्रतयप्राप्त्यर्थमिति वचनात्, main
via surya_layout
12 मन्द्रतारसिद्ध्यर्थमिति वचनाच्च द्वादशस्वरसम्पन्ना मूर्छना main
via surya_layout
13 द्रष्टव्याः annotation_inline
parent ligne 12
via heuristic_short
14 प्रयोगकाले। तथा चाह कोहलः -- main
via surya_layout
15 "योजनीयो बुधैर्नित्यं क्रमो लक्ष्यानुसारतः। main
via surya_layout
16 संस्थाप्य मूर्छना जातिरागभाषादिसिद्धये" ।।१२ main
via surya_layout
17 ुना annotation_inline
parent ligne 16
via heuristic_height
18 नान्दकश्वरणाप्युक्तम्- main
via surya_layout
19 “द्वादशस्वरसम्पन्ना ज्ञातव्या मूर्छना बुधैः। main
via surya_layout
20 जातिभाषादिसिद्ध्यर्थं तारमन्द्रादिसिद्धये।" main
via surya_layout
21 [ अनु₀ ६२ ] section_header
via surya_layout
22 यद्यप्याचार्यैः अप्तस्वरमूर्छनाः प्रतिपादिताः, स्थानत्रितयप्राप्त्यर्थं main
via surya_layout
23 ुदा annotation_inline
parent ligne 22
via heuristic_short
24 द्वादशस्वरैरेव मूर्छनाः प्रयुक्ताः। अन्यथा चोक्षषाडवे रिमा इति प्रयोगो main
via surya_layout
25 सा annotation_inline
parent ligne 24
via heuristic_height
26 न स्यात्। एवं च १५सति स रागः सिद्धो न स्यात्। main
via surya_layout
27 ग सिध्यान्त (२) annotation_inline
parent ligne 26
via heuristic_short
28 षाङ्जीजातौ रिगमधनि प्रयोगस्तारमन्द्रको न main
via surya_layout
29 पर्ज, annotation_inline
parent ligne 28
via heuristic_short
30 स्यात्। अन्येषामपि रागाणां नाशंकरः प्रयोगः स्यात्। तेन सरिगम [प] editorial_bracket
parent ligne 28
via heuristic_brackets
31 धन्याद्या मूर्छना धनि [ सरि ] गमपाद्याः। तद्यथा— editorial_bracket
parent ligne 28
via heuristic_brackets
32 नि अन्या annotation_inline
parent ligne 28
via heuristic_height
33 धनिसरिगमपधनिसरिग । उत्तरमन्द्रा main
via surya_layout
34 [ <sup>8</sup> ] editorial_bracket
parent ligne 33
via heuristic_brackets
35 निसरिगमपधनिसरिगम । रजनी main
via surya_layout
36 ि ३ ो annotation_inline
parent ligne 35
via heuristic_short
37 सरिगमपधनिसरिगमप । उत्तरायता main
via surya_layout
38 रिगमपधनिसरिगमपध । शुद्धषड्जा [ ४ ] editorial_bracket
parent ligne 37
via heuristic_brackets
39 गमपधनिसरिगमपधनि । मत्सरीकृता [ ५ editorial_bracket
parent ligne 37
via heuristic_brackets
162 lignes a valider — change uniquement les roles incorrects.