Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21260). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p069 RIGHT — 40 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	121	page_number via heuristic_pagenum
3	and hāsya (rasas) and nirvahaṇa (sandhi). Vīra<sup>80</sup> and the like is the rasa. The	main via surya_layout
4	mūrchanā beginning with ṣaḍja obtains. Ārohin is the varņa. Prasannamadhya	main via surya_layout
5	is the <i>alankāra. The kalā</i> is formed in the <i>dakṣiṇa (mārga</i>), the <i>kalā</i> obtains	main via surya_layout
6	in the <i>vārtika (mārga</i>) and the <i>kalā</i> prevails in the <i>citra (mārga</i>). A <i>tāla</i> like	main via surya_layout
7	caccatputa obtains in the songs comprised of svara and pada.	main via surya_layout
8	[3. Kakubha]	section_header via surya_layout
9	Kakubha comes out of madhyamā, pañcamī and dhaivatī jātis, has pañcama	main via surya_layout
10	as its nyāsa and is formed with dhaivata as the amśa.	main via surya_layout
11	(335)	main via surya_layout
12	[Anu. 206]	section_header via surya_layout
13	Its meaning is thus – Kakubha is related to şadjagrāma. How is it related	main via surya_layout
14	to şadjagrāma alone in spite of being born of madhyamā, pañcamī and	main via surya_layout
15	dhaivatī? On account of pañcama being comprised of four śrutis and	main via surya_layout
16	dhaivata of three śrutis. Dhaivata is its amśa and graha. Pañcama is the nyāsa	main via surya_layout
17	and this (rāga) is complete in svaras. Its application is prescribed in the medium state of karuṇa (rasa). Karuṇa is its	main via surya_layout
18	with dhaivata obtains. Ārohin is the varņa. Prasannamadhya is the alaṅkāra.	main via surya_layout
19	The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the vārtika	main via surya_layout
20	(mārga) and the kalā prevails in the citra(mārga). A tāla like caccatupṭa	main via surya_layout
21	obtains in the songs comprised of svara and pada.	main via surya_layout
22	[4. Bhammāṇapañcama]	section_header via surya_layout
23	Bhammāṇapañcama comes of ṣaḍjamadhyamā jāti, has ṣaḍja as its aṅiśa,	main via surya_layout
24	madhyama as nyāsa and treats as sparse the svaras comprised of two śrutis each.	main via surya_layout
25	(336)	main via surya_layout
26	[Anu. 207]	section_header via surya_layout
27	Its meaning is thus – Bhammāṇapañcama is related to madhyamagrāma on	main via surya_layout
28	account of being born of sadja-madhyamā jāti. Şadja is the graha and anisa,	main via surya_layout
29	madhyama is the nyāsa. There is the sparseness of niṣāda and gāndhāra. Niṣāda	main via surya_layout
30	is kākalī here and this (rāga) is complete in svaras. Its application is prescribed	main via surya_layout
31	in (the situation of ) travel on a path in summer, (by those) full of fatigue and	main via surya_layout
32	in (the depiction of) forests. Vīra and the like is the rasa<sup>83</sup>. The mūrchanā	main via surya_layout
33	beginning with ṣadjaobtains. Ārohinisthe varṇa. Prasannamadhya isthe alankāra.	main via surya_layout
34	The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the vārtika (mārga)	main via surya_layout
35	and the kalāprevails in the citra (mārga). A tāla like caccatpuṭa obtains in the songs	main via surya_layout
36	comprised of svara and pada.	main via surya_layout
37	[5. Rūpasādhārita]	section_header via surya_layout
38	Rūpasādhārita is born of şadjamadhyamā and naiṣādī (jātis). It has ṣadja as	main via surya_layout
39	its <i>amśa, madhyama</i> as <i>nyāsa</i> and is with sparse <i>pañcama</i> and <i>ṛṣabha.</i>	main via surya_layout
40	(337)	main via surya_layout

vol_II_p113 RIGHT — 30 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	209	page_number via heuristic_pagenum
3	prabandha svarārtha. Karaņa<sup>5</sup> has been said to be the fortieth, combined with	main via surya_layout
4	five (forty-five).	annotation_inline parent ligne 3 via heuristic_short
5	<math>(377-378)</math>	main via surya_layout
6	This varņasvara is known to be (numbered) forty combined with six	main via surya_layout
7	(forty-sixth); that which is muktāvalī should be known to be (numbered)	main via surya_layout
8	forty, combined with seven (forty-seven).	main via surya_layout
9	(379)	annotation_inline parent ligne 8 via heuristic_short
10	Pratāpavardhana is said to be the forty-eighth. Eight combined with	main via surya_layout
11	forty(forty-eight) are (the prabandhas) spoken of by the muni.	main via surya_layout
12	(380)	annotation_inline parent ligne 11 via heuristic_short
13	I shall speak of their characteristics in brief for the sake of scholars. They	main via surya_layout
14	should be sung by those adept in music in accordance with the rules related	main via surya_layout
15	to <i>svara-tāla</i> and the like as well as <math>r\bar{a}gas^6</math>.	main via surya_layout
16	(381)	main via surya_layout
17	[The description of Prabandhas]	section_header via surya_layout
18	[1. <i>Kanda</i>]	section_header via surya_layout
19	That which is bereft of <i>tāla</i> and is combined with <i>pāṭas</i> and <i>birudas</i>, that	main via surya_layout
20	is kanda, mixed with the pada (text) of the Karpāṭa<sup>7</sup> language and the like.	main via surya_layout
21	(382)	annotation_inline parent ligne 20 via heuristic_short
22	Prabandhas like kanda are verily well-known in practice.	main via surya_layout
23	[2. <i>Vṛtta</i>]	section_header via surya_layout
24	There is never a regulation (or specification of tāla in) vṛtta (composed	main via surya_layout
25	in) āryā, dvipatha, vṛtta, gāthā, dodhaka and similarly toṭaka. The prominence	main via surya_layout
26	of metre has been clearly specified in them, by the munis. In the end the	main via surya_layout
27	placing of svaras<sup>9</sup> is (prescribed), others hold it to be devoid of svara. Others	main via surya_layout
28	say that it is (formed) in the vitta metre; that is also acceptable.	main via surya_layout
29	(383-384)	main via surya_layout
30	- ---	annotation_inline parent ligne 29 via heuristic_height

vol_II_p147 RIGHT — 43 lignes

L#	Texte OCR	Role auto
1	277	page_number via heuristic_pagenum
2	PĂTHAVIMARŚA	page_header via surya_layout
3	पांशग्रहान्ता सम्पूर्णा भाषा मालवपञ्चमे ।	main via surya_layout
4	वनेषु कामिनीसङ्गे नियोज्या ऋषिकैनरै:॥	main via surya_layout
5	विभावनीति तामेवाचष्ट याष्टिकसत्तमः॥	main via surya_layout
6	122. The name of this bhāṣā is read as mālavā at the end of the	main via surya_layout
7	illustration and so it is in S Rāj II.2.1.905.	main via surya_layout
8	123,124. cf. सञ्चार: सधयोर्यस्यां रिधयोधैव दृश्यते ।	main via surya_layout
9	Kalā (appendix) on SR II, p. 137.	main via surya_layout
10	125. In spite of this adjective indicating the completeness of this	main via surya_layout
11	bhāṣā, the illustration omits ṣaḍja.	main via surya_layout
12	126. SR II. 1. 30 cd reads this name as bhinnavalitā and so does S Rāj	main via surya_layout
13	II.2.1.131 c; ibid 88a reads bhinnalalitā and ibid 907c reads bhinnavallikā.	main via surya_layout
14	Our text seems to change bhinnavalikā to bhinnavālikā in verse 34 c in order	main via surya_layout
15	to meet the demand of metre, the sixth syllable being required to be long.	main via surya_layout
16	At this point of our text the change to bhinnalālikā or bhinnalālitā seems to	main via surya_layout
17	involve an error of deciphering or copying.	main via surya_layout
18	127. Kalā (appendix) on SR II, p.137 reads 'magrahāmśā' describing	main via surya_layout
19	madhyama as graha and aṁśa.	main via surya_layout
20	128. cf. पञ्चमांशग्रहा धान्ता पूर्णा मध्यमभूयसी ।	main via surya_layout
21	मध्यमग्रामगा भाषा धनिसङ्गतिराजिता ॥	main via surya_layout
22	द्राविडी देशनाम्रेयं विख्याता याष्ट्रिकोदिता ॥	main via surya_layout
23	S Rāj II.2.1.912.	annotation_inline parent ligne 22 via heuristic_short
24	The illustration in our text is not in accordance with any of the three	main via surya_layout
25	divergent descriptions viz. those in our text, Kalā and S Rāj.	main via surya_layout
26	129. The dual number of the instrumental case has been changed to	main via surya_layout
27	the same number of the genitive case, because the instrumental case would	main via surya_layout
28	require reference to some other svara with which the two svaras composed	main via surya_layout
29	of two śrutis each are supposed to have to and fro movement. Kalā (appen-	main via surya_layout
30	dix) on SRII, p. 141 reads 'nigayo rigayoryuktā'.	main via surya_layout
31	्सम्पूर्णा, यं विना बाह्मपाडवा कैधिदिप्यते ।	main via surya_layout
32	130. cf.	annotation_inline parent ligne 31 via heuristic_short
33	S Rāj II.2.1.107 cf.	main via surya_layout
34	131. Corresponding to this, S Rāj II.2.1.1081 gives a bhāṣā named	main via surya_layout
35	națță, which is described as being complete.	main via surya_layout
36	पञ्चमांशान्तिमा ताना भिन्नताने रिवर्जिता ।	main via surya_layout
37	132. cf.	annotation_inline parent ligne 36 via heuristic_short
38	सकाकलिका शृङ्गारे विनियुक्ता पुरातनै: ॥	main via surya_layout
39	ताना भाषैकिका भिन्नताने याष्ट्रिकसम्मता ॥	main via surya_layout
40	S Rāj 11.2.1.1097,1099.	main via surya_layout
41	The illustration of this bhāṣā is not available in our text; the illustration	main via surya_layout
42	contained in p.t. at this point as follows seems to be out of place, since rşabha	main via surya_layout
43	--------------------------------------	annotation_inline parent ligne 42 via heuristic_height

vol_II_p109 RIGHT — 41 lignes

L#	Texte OCR	Role auto
1	[Chapter V]	section_header via surya_layout
2	[Desī rāgas]	section_header via surya_layout
3	[Propitiation]	section_header via surya_layout
4	I make obeisance to the Devīl who bears a red hue like that of the bandhūka	main via surya_layout
5	(flower), has three eyes, wears a crest of the kalā (part) of the one having rays	main via surya_layout
6	of ampta (nectar) (crescent moon), wears red clothes, is bent with the weight	main via surya_layout
7	of breasts that are becoming plump and elevated, is conventionally associated	main via surya_layout
8	with the begininning of youth, is adorned with all ornaments, has abode in	main via surya_layout
9	the lotus, whose body bears association with the citron fruit, whose (two)	main via surya_layout
10	hands hold the snare (pāśa) (and) hook (ankuśa) (and the other two) hands	main via surya_layout
11	are held in the abhaya (granting of freedom from fear) and vara (granting	main via surya_layout
12	of boons) gestures and who is the yoni (origin, birth-place) of the universe.	main via surya_layout
13	(345)	annotation_inline parent ligne 12 via heuristic_height
14	[Threefold desi ragās]	section_header via surya_layout
15	After this I shall speak of the group of desī rāgas, which embodies the	main via surya_layout
16	combination of practice (laksya) and theory (laksana) and is threefold4; viz.	main via surya_layout
17	rāgānga, bhāṣānga and kriyānga as the third one.	main via surya_layout
18	(346, 347)	annotation_inline parent ligne 17 via heuristic_height
19	I shall speak of the description of each of them one after another.	main via surya_layout
20	(348)	annotation_inline parent ligne 19 via heuristic_height
21	All rāgāngas are so called by the experts in music because they bear only	main via surya_layout
22	a reflection or shadow (chāyā) of the grāmarāgas that have been spoken of.	main via surya_layout
23	(349)	annotation_inline parent ligne 22 via heuristic_height
24	Bhāṣāṅgas are so called by the singers devoted to the rendering of	main via surya_layout
25	panegyrics because they are based on the reflection or shadow (châyā) of	main via surya_layout
26	bhāṣās<sup>7</sup> and hence become similar to the same (bhāṣās).	main via surya_layout
27	(350)	annotation_inline parent ligne 26 via heuristic_height
28	Kriyāngas are so called because they are born of the kriyā<math>^8</math> (special way of	main via surya_layout
29	rendering), born of karuna (pathos), utsāha 9 (enthusiasm) and the like.	main via surya_layout
30	(351)	annotation_inline parent ligne 29 via heuristic_height
31	The set of regulations prescribed earlier for the mārga-rāgas, could	main via surya_layout
32	sometimes become otherwise in desī-rāgas, bhāṣās and the like.	main via surya_layout
33	(352)	annotation_inline parent ligne 32 via heuristic_height
34	[Bhāṣāṅgarāgas<sup>10</sup>]	editorial_bracket parent ligne 32 via heuristic_brackets
35	[1. Kacchelli]	section_header via surya_layout
36	Kacchelli 11 is known to have madhyama as amsa, graha (and) nyāsa,	main via surya_layout
37	has low(mandra) ri (rṣabha) (and) has leaning towards high (tāra), is devoid	main via surya_layout
38	of ga-dha (gāndhāra-dhaivata) and should be known to have profuse	main via surya_layout
39	movement of pa-ri (pañcama-ṛṣabha).	main via surya_layout
40	(353)	annotation_inline parent ligne 39 via heuristic_height
41	(vide)	annotation_inline parent ligne 39 via heuristic_height

vol_I_p026 LEFT — 21 lignes

L#	Texte OCR	Role auto
1	34	page_number via heuristic_pagenum
2	<b>BRHADDES!</b>	page_header via surya_layout
3	स	annotation_inline parent ligne 8 via heuristic_height
4	नि	annotation_inline parent ligne 8 via heuristic_height
5	रि	annotation_inline parent ligne 8 via heuristic_height
6	. <b>u</b>	annotation_inline parent ligne 8 via heuristic_height
7	ग	annotation_inline parent ligne 8 via heuristic_height
8	[ इति षड्जग्रामे संवादिमण्डलम् ]	section_header via surya_layout
9	[ अनु. २२ ]	section_header via surya_layout
10	संवादिप्रयोगो यथा—	section_header via surya_layout
11	यस्मिन् गीते योऽशत्वेन परिकल्पितः षड्जस्तस्य स्थाने	main via surya_layout
12	मध्यमः क्रियमाणो रागहा न भवेत् । यस्मिन् स्थाने मूर्छनावशात्	main via surya_layout
13	मध्यमः प्रयुक्तः तस्मिन् स्थाने क्रियमाणः षड्जो जातिरागहा न भवेत्।	main via surya_layout
14	ग्र	annotation_inline parent ligne 13 via heuristic_height
15	षड्जपञ्चमयोः स्थाने पञ्चमषड्जौ प्रयुज्यमानौ जातिरागहानिकरौ न	main via surya_layout
16	भवतः । एवम् ऋषभधैवतयोः स्थाने धैवतर्षभी प्रयुज्यमानौ जातिराग-	main via surya_layout
17	विनाशकरौ न भवतः। एवं गान्धारनिषादयोः स्थाने निषादगान्धारौ	main via surya_layout
18	17[ प्रयुज्यमानौ जातिरागहानिं न कुरुतः । ]	editorial_bracket parent ligne 17 via heuristic_brackets
19	18ककुभस्य धैवतांशत्वेन 19रेवगुप्तस्य ऋषभांशत्वेन	main via surya_layout
20	तदुभयरागजनन्याश्चार्षभीजातेऋिषभांशपरिग्रहात् परस्परसम्बद्धौ च प्रयुज्यमानौ	main via surya_layout
21	जातिरागविनाशकरौ न भवतः ।	main via surya_layout

175 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p069 RIGHT — 40 lignes

vol_II_p113 RIGHT — 30 lignes

vol_II_p147 RIGHT — 43 lignes

vol_II_p109 RIGHT — 41 lignes

vol_I_p026 LEFT — 21 lignes