Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21265). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p107 RIGHT — 29 lignes

page vol_II_p107 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 197 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 Illustration - Dhāsādhāgā sānisāmāni. Mānidhāmāgā. Gāmādhāni. Dhāmāmāgā. main
via surya_layout
4 Ninidhādhā. Lalitā [ix] editorial_bracket
parent ligne 3
via heuristic_brackets
5 Niṣādavatikā<sup>25</sup> is said to be adorned with dhaivata as the initial and main
via surya_layout
6 concluding note, is a complete antara-bhāṣā and by others it is sung as being main
via surya_layout
7 devoid of ri (ṛṣabha). main
via surya_layout
8 (29) annotation_inline
parent ligne 7
via heuristic_height
9 Illustration - Dhāmāgāpā. Pāsāpāpā. Gamāmāpāni dhāpādhādhādhā. main
via surya_layout
10 Pāmādhāgāgā. Sanidhādhāpāpā. Dhāsāgamāgāpa nīdhādhānīsari main
via surya_layout
11 sāmāpānidhāpā māmāgāpa sadhānidhādhā. Niṣāḍavatī [x] editorial_bracket
parent ligne 10
via heuristic_brackets
12 Tumburu<sup>26</sup> is combined with dhaivata as the initial and concluding note, main
via surya_layout
13 is known to be hexatonic, is devoid of rşabha (and) is sung by the expounders main
via surya_layout
14 of Veda<sup>27</sup> main
via surya_layout
15 (30) annotation_inline
parent ligne 14
via heuristic_height
16 Illustration - Dhānisāgā gāmādhāpā māgani sanīdhādhā. Tumburu [xi] editorial_bracket
parent ligne 14
via heuristic_brackets
17 Gāndhāralalitā is complete, has madhyama as amśa and dhaivata as the main
via surya_layout
18 concluding note, is sung in the rituals associated with manes<sup>28</sup> (and) has main
via surya_layout
19 concert between şadja-dhaivata. main
via surya_layout
20 (31) annotation_inline
parent ligne 19
via heuristic_height
21 Illustration - Mādhāpā. Pāsāsāmaga sāsārīrī sānidhādhā sāsārigāmā main
via surya_layout
22 gāriri. Sāgarīsārī. Sādhā. Gāndhāralalitā [xii] editorial_bracket
parent ligne 21
via heuristic_brackets
23 ..................... annotation_inline
parent ligne 21
via heuristic_height
24 Illustration - Dhādhādhāpā. Gariridhāpadhāninirigā papānidhādhā main
via surya_layout
25 rigarigadhāpadhā ripāgā rinidhā pādhādhā. Kalingā [xiii] editorial_bracket
parent ligne 24
via heuristic_brackets
26 The <i>bhāṣā</i> having <i>dhaivata</i> as the initial and concluding note, is <math>\acute{s}uddh\bar{a}</math>, <math> main
via surya_layout
27 dhaivata-madhyama (have concert?). It is a <math>m\bar{u}labh\bar{a}</math>ṣ<math>\bar{a}</math> sung by Nārada<math>^{3 main
via surya_layout
28 others in bhinnaṣadja (rāga). main
via surya_layout
29 (32) annotation_inline
parent ligne 28
via heuristic_height

vol_II_p033 RIGHT — 32 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 1400 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 49 page_number
via heuristic_pagenum
4 citra (mārga) there is māgadhī (gīti), with the dvikala (tāla) in the vārtika main
via surya_layout
5 (mārga) there is sambhāvitā (gīti), with the catuṣkala (tāla) in the dakṣiṇa main
via surya_layout
6 (mārga) there is pṛthulā (gīti). Vīra, raudra, adbhuta are the rasas. Its main
via surya_layout
7 application (viniyoga) is (prescribed) in the singing of the naiskrāmiki<sup>65</sup> main
via surya_layout
8 (associated with exit) dhruvā in the first scene (or act). main
via surya_layout
9 [3. Dhaivati] section_header
via surya_layout
10 [Anu. 150] section_header
via surya_layout
11 In dhaivati, dhaivata and ṛṣabha are the two grahas and aṁśas. In the śuddhā main
via surya_layout
12 state, dhaivataitself is the apanyāsa and in the vikrtā state, dhaivata, ṛṣabha and main
via surya_layout
13 madhyama are the apanyāsas, dhaivata is the nyāsa. The ṣāḍava formation is main
via surya_layout
14 devoid of pañcama and the auduva formation is devoid of pañcama, șadja. main
via surya_layout
15 The same two svaras, viz. şadja and pañcama should be made weak and should main
via surya_layout
16 sometimes be leapt over. The tara is upto five svaras. The mandra is upto the main
via surya_layout
17 nyāsa<sup>66</sup> or upto the svara next to nyāsa. main
via surya_layout
18 [Anu. 151] section_header
via surya_layout
19 It (dhaivatī) is seven-fold. There are seven amśas. Śuddhā (is one), vikṛtās main
via surya_layout
20 in the complete state are two and ṣāḍava-auḍuva are two each. The mūrchanā main
via surya_layout
21 beginning with ṛṣabha obtains (in it). Pañcapāṇi is the tāla. Ekakala (tāla), main
via surya_layout
22 citra mārga and māgadhī gīti (go together). Dvikala (tāla), vārtika (mārga) and main
via surya_layout
23 sambhāvitā (gīti) (go together). Catuṣkala (tāla), dakṣiṇa (mārga) and pṛthulā main
via surya_layout
24 (gīti) (go together). The kalās are twelve in the citra (mārga), twenty-four in main
via surya_layout
25 the vārtika (mārga) and forty-eight in dakṣiṇa (mārga). Vīra, bībhatsa, main
via surya_layout
26 bhayānaka are the rasas. Its application is (prescribed) in the singing of main
via surya_layout
27 dhruvā in the first scene (or act). main
via surya_layout
28 [4. Naisādī] section_header
via surya_layout
29 [Anu. 152] section_header
via surya_layout
30 In niṣādavatī,67 niṣāda, ṛṣabha and gāndhāra are the grahas and aniśas. main
via surya_layout
31 Niṣāda, gāndhāra and ṛṣabha are apanyāsas. Niṣāda alone is nyāsa. The ṣāḍava main
via surya_layout
32 formation is devoid of pañcama and the auduvita formation is devoid of main
via surya_layout

vol_II_p090 LEFT — 28 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 (vide) annotation_inline
parent ligne 4
via heuristic_height
2 BŖHADDEŚĪ page_header
via surya_layout
3 162 page_number
via heuristic_pagenum
4 <sup>७८</sup>माङ्गाली <sup>७९</sup>पञ्चमान्ता च धैवतांशा प्रकीर्तिता । main
via surya_layout
5 षड्जधैवतसंवादो ८०मध्यमर्षभयोस्तथा ॥ ९२॥ main
via surya_layout
6 सम्पूर्णा च मता नित्यं ज्ञेया वै देशसम्भवा । main
via surya_layout
7 सङ्क्षीर्णा annotation_inline
parent ligne 6
via heuristic_height
8 एषा भाषा च गीतज्ञैरुक्ता पञ्चमसम्भवा ॥ ९३॥ unknown
via fallback
9 उदाहरणम् -[धाधा]सासासाधासारिरि [मिरि]धासारिरिधासाधासाधासासारिमारिमामाम- editorial_bracket
parent ligne 6
via heuristic_brackets
10 धमधपापापा धामपापमसासासानिधसा रिरिमागरिसासारिमारिमाममधमपपापापामापापमसा- main
via surya_layout
11 सानिधससारिरिगारिमारीसा। धासासाधमासासासासामपमामापापा। माङ्गाली।[३] editorial_bracket
parent ligne 10
via heuristic_brackets
12 पञ्चमांशा तदन्ता च सम्पूर्णा पञ्चमोज्ज्वला । main
via surya_layout
13 सिन्धुदेशसमुद्भूतां विभाषां सैन्धवीं विदु: ॥ main
via surya_layout
14 सैन्धवीषड्जसम्भूतां annotation_inline
parent ligne 13
via heuristic_height
15 षड्जपञ्चमसंवादो दृश्यते च मुहुर्मुहु:८९॥ ९४॥ main
via surya_layout
16 उदाहरणम् -पापाधसारिगागागरिमारि। ससानिधाधासनिधाधामसरिगागागरि साधाधमापाधापाधसारिगा - main
via surya_layout
17 रिपपारिगागारिरीसाधासाधापा मापापाधापाधापा मामामापा धाधासारीरिसाधापा मापापा । सैन्धवी ।[४] editorial_bracket
parent ligne 16
via heuristic_brackets
18 गूर्जरी पञ्चमान्ता च गान्धारांशाऽल्पमध्यमा<sup>८२</sup>। main
via surya_layout
19 षड्जमध्यमसंवादा सम्पूर्णा नित्यमेव हि ॥ main
via surya_layout
20 ८३विभाषेयं समाख्याता सम्पूर्णा पञ्चमोद्भवा ॥९५॥ main
via surya_layout
21 उदाहरणम् - गरीमामामधानिधापापा धाधानीधामामामाधा गारीरीसरिगरिमाधामापा धपधनिधाधाधधप- main
via surya_layout
22 रीरी सारिमागारिमामामाघा नीधरिपघानीधापापा नीधामामामधमधमगारिरीमामारीसा सागारीमामापाधा- main
via surya_layout
23 नीसनीसनीधामपापा । गूर्जरी । [५] editorial_bracket
parent ligne 22
via heuristic_brackets
24 ८४पञ्चमाद्यन्तसंयुक्ता दाक्षिणात्या मनोरमा । main
via surya_layout
25 ८५सम्पूर्ण[कथिता]होषा जाता गान्धारप[ञ्च]मे ॥ editorial_bracket
parent ligne 24
via heuristic_brackets
26 ८६विभाषेयं सदा ज्ञेया देशाख्या पश्चमोद्भवा ॥ ९६। main
via surya_layout
27 उदाहरणम् -पापानीरी। निरिगारिगरिमामरिरिनिनिरि। धापापापपा निरिरिगरिगरिमगरिरिरि।ध - main
via surya_layout
28 निधधनिधाधनिधापा पानिरिरिगारिगाधामागारिरिसा निरिगामागारीनिधापापा।दाक्षिणात्या।[६] editorial_bracket
parent ligne 27
via heuristic_brackets

vol_II_p061 LEFT — 32 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 . 4 unknown
via fallback
2 2 a - annotation_inline
parent ligne 5
via heuristic_height
3 104 page_number
via heuristic_pagenum
4 BRHADDEŚĪ page_header
via surya_layout
5 [ग. गौडरागाः] section_header
via surya_layout
6 [अनु॰ १८६] editorial_bracket
parent ligne 5
via heuristic_brackets
7 नन् गौडाः कथम् ? उच्यते, गौडगीतिसम्बन्धत्वात् । main
via surya_layout
8 किं लक्षणम् ? उच्यते । तद्यथा - main
via surya_layout
9 ओहाटी मन्द्रजोपात्ता प्रयोगे ध्वनिकम्पितै:। * main
via surya_layout
10 ओहाडी मन्त्रजा(?)+तु प्रयोगै (दूं?र्हू)तकम्पितै:। main
via surya_layout
11 अविश्रामेण त्रिस्थाने गौडी गीतिरुदाहृता ॥३१५॥ main
via surya_layout
12 गौह॰ annotation_inline
parent ligne 11
via heuristic_markers
13 [१.गौडपञ्चम:] section_header
via surya_layout
14 गौडपञ्चमस्य लक्षणम् - main
via surya_layout
15 गौडपञ्चमनिष्पत्तौ धैवतीषड्जमध्यमे । main
via surya_layout
16 धैवतांशो मध्यमान्तो रहित: पञ्चमेन तु ६३॥३१६॥ main
via surya_layout
17 (वि? र)हित: annotation_inline
parent ligne 16
via heuristic_height
18 [अन्॰ १८७] editorial_bracket
parent ligne 16
via heuristic_brackets
19 अस्यार्थ: -गौडपञ्चम: षड्जग्रामसम्बन्ध:,धैवतीषड्जमध्यमाजात्यो: समुत्पन्नत्वात्। main
via surya_layout
20 धैवतोंऽशो ग्रहश्च। मध्यमो न्यासः। निषादगान्धारौ काकल्यन्तरौ । पञ्चमरहितोऽयं षट्स्वरः । main
via surya_layout
21 प्र(ह)स annotation_inline
parent ligne 20
via heuristic_height
22 उद्भटनाट्ये विप्रलम्भशृङ्गारे चास्य विनियोग:।बीभत्सभयानकरसौ।धैवतादिमूर्छना।आरोही main
via surya_layout
23 (क)रसो रसः annotation_inline
parent ligne 22
via heuristic_height
24 प्रसन्नमध्योऽलङ्कार: । दक्षिणे कला, वार्तिके कला, चित्रे कला । स्वरपदगीते main
via surya_layout
25 वर्णः। annotation_inline
parent ligne 24
via heuristic_short
26 चच्चत्पुटादिताल:। main
via surya_layout
27 चचत्पुटताल: annotation_inline
parent ligne 26
via heuristic_height
28 [२.गौडकैशिक:] section_header
via surya_layout
29 उत्पन्नः कैशिकीषड्जमध्यमाजातितो मतः। main
via surya_layout
30 षड्जांशः पञ्चमन्यासः सम्प्रोक्तो गौडकैशिकः ॥३१७॥ main
via surya_layout
31 (स:) annotation_inline
parent ligne 30
via heuristic_height
32 (vide) annotation_inline
parent ligne 30
via heuristic_height

vol_I_p049 LEFT — 33 lignes

page vol_I_p049 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 80 page_number
via heuristic_pagenum
2 <b>BRHADDEŚ</b>I page_header
via surya_layout
3 व्युत्क्रमाः पञ्च।गरिस गसरि रिगस [ रिसग ] सगरि इति व्युत्क्रमेण editorial_bracket
parent ligne 5
via heuristic_brackets
4 रिगस गसरि annotation_inline
parent ligne 5
via heuristic_height
5 क्टतानाः पञ्च। तदेवं गान्धारस्य षट् तानाः। main
via surya_layout
6 ुञ्चम (?) annotation_inline
parent ligne 5
via heuristic_height
7 एवं मध्यमस्य सरिगमेत्येकः क्रमः। मगरिसेत्येवमादयस्त्रयो- main
via surya_layout
8 ्रयो- - annotation_inline
parent ligne 7
via heuristic_height
9 विंशतिरुत्क्रमाः। तद्यथा—ब्ध्मगरिस, मगसरि, मरिगस, मरिसग, मसगरि, main
via surya_layout
10 मसरिग इति मध्यमपूर्वाः षट् तानाः व्युत्क्रमकृताः। एवं गान्धारर्षभषङ्जानां main
via surya_layout
11 प्रत्येकं षट् ताना भवन्ति मिलित्वा चतुर्विशतिर्भवन्ति। main
via surya_layout
12 एवं पञ्चमस्य सरिगमपेत्येक एव क्रमः। पमगरिसेत्या- main
via surya_layout
13 दिव्युत्क्रमकूटतानानां शतमेकोनविंशतिर्भवन्ति। तद्यथा— सरिगमप, पमगरिस। main
via surya_layout
14 पमगरिसानां प्रत्येकं चतुर्विंशतिर्भवन्ति, मिलित्वा विंशत्यधिकं शतं main
via surya_layout
15 भवति। एवं धैवतस्य सरिगमपधेत्येकः क्रमः। धपमगरिसेति व्युत्क्रमः। main
via surya_layout
16 धपमगरिसानां प्रत्येकं विंशत्यधिकं [ शतं ] भवति, editorial_bracket
parent ligne 15
via heuristic_brackets
17 मिलित्वा annotation_inline
parent ligne 15
via heuristic_height
18 सप्तशतानि विंशत्यधिकानि भवन्ति। एवं निषादस्यापि सरिगमपधनीत्येकः main
via surya_layout
19 क्रमः। निधपमगरिसेति व्युत्क्रमः। निधपमगरिसानां प्रत्येकं सप्तशतानि main
via surya_layout
20 विंशत्यधिकानि भवन्ति, मिलित्वा पञ्चसहस्राणि चत्वारिशच्च भवन्ति। main
via surya_layout
21 . अनु₀ ५९ ो editorial_bracket
parent ligne 20
via heuristic_brackets
22 तदेवमेतेषां स्वराणां तानविधानं षट्षष्टितन्त्र्यां शततन्त्र्यां चोपलभ्यते। main
via surya_layout
23 ुन् annotation_inline
parent ligne 22
via heuristic_height
24 ुना annotation_inline
parent ligne 22
via heuristic_height
25 तयोः स्वमानानि मध्यमादीनि । main
via surya_layout
26 ुभावा ऋ (२म) ना annotation_inline
parent ligne 25
via heuristic_height
27 ( तत्र ) कूटतानभेदप्रदर्शनमिह न कृतमितप्रसङ्गनिवृत्त्यर्थम् । एतेनैव main
via surya_layout
28 क्रमेण बुद्धिमद्भिः स्वयमेव लक्षणीयमिति। main
via surya_layout
29 [ अनु<sub>0</sub> ६० ] editorial_bracket
parent ligne 28
via heuristic_brackets
30 87 तदेषां तानानां प्रयोजनं 88 [ स्थान- ] प्राप्त्यर्थमुक्तम् 89स्थानानि editorial_bracket
parent ligne 28
via heuristic_brackets
31 त्रीण्युक्तानि काकुविधौ, व्यस्तानि षट्षष्टिं विद्या [न्] मन्द्रादिसिद्धये। editorial_bracket
parent ligne 28
via heuristic_brackets
32 ुरुविधो annotation_inline
parent ligne 28
via heuristic_height
33 स्यू annotation_inline
parent ligne 28
via heuristic_height
154 lignes a valider — change uniquement les roles incorrects.