Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21289). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p097 RIGHT — 27 lignes

page vol_II_p097 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 177 page_number
via heuristic_pagenum
3 Illustration-Dhādhānidhāsāsānidhādhānidhādhādhāpā māgāriririgāmāpā main
via surya_layout
4 pādhāpagārīdhamādhāpāpādhāpāmarigāmānīdhāpādhādhāmapādhāpāniriga main
via surya_layout
5 risāridhāridhāripādhādhādhādhāni. Sāsārigāgā masāmapamādhā- main
via surya_layout
6 dhādhāpādhāsānidhaivatadhādhā. Dhaivatabhūṣitā [iii] editorial_bracket
parent ligne 5
via heuristic_brackets
7 Viśālā has pañcama as amśa and dhaivata as the concluding note, (and) is main
via surya_layout
8 charming. This is complete in svaras and has to and fro movement between main
via surya_layout
9 sa-dha (ṣadja-dhaivata). This bhāṣā is always sung by the Kinnaras.<sup>63</sup> main
via surya_layout
10 (130) annotation_inline
parent ligne 9
via heuristic_height
11 Illustration - Pādhāsāsādhānī gāsānidhādhā.Pādhādhā. Nisāsānīdhāpā main
via surya_layout
12 māgānininirigāmāmāgāmamadhānīdhānisārigārisāsānidhārigasāsanisānidhāni- main
via surya_layout
13 nīdhāpadhadhadhapāpāmāgāriridhāririmamadhyamagamāpāpāpāpānidhadhad- main
via surya_layout
14 hadhapāmādhānisāsāsāriririmamamapamapāpādhānīsānīdhāpādhādhāpānininī. main
via surya_layout
15 Sāsāmadhāpādhānidhā. Viśālā [iv] editorial_bracket
parent ligne 14
via heuristic_brackets
16 These are the bhāṣās of bhinnapañcama spoken of by Yāṣṭika. main
via surya_layout
17 [9. Now in Bottaraga] section_header
via surya_layout
18 Having pañcama as amsa, madhyama as the concluding note, being complete main
via surya_layout
19 and brilliant with madhyama, this baṅgāla bhāṣā is sung in boṭṭa-rāga. To and main
via surya_layout
20 fro movement is always seen in profusion. It is sung by the <math>n\bar{a}yakas^{64}</math> on all main
via surya_layout
21 auspicious occasions. Since it is auspicious and commendable, it is known main
via surya_layout
22 as mangalā. annotation_inline
parent ligne 21
via heuristic_height
23 <math>(131-132)</math> annotation_inline
parent ligne 21
via heuristic_height
24 Illustration - Pādhāpādhāmā dhāpāmā gāriririgamapā dhāsāgāsānidhāpā- main
via surya_layout
25 pāmā. Maṅgalā [i] editorial_bracket
parent ligne 24
via heuristic_brackets
26 [10. Bhāṣās in mālavapañcama] table
via surya_layout
27 .....[Bhāvinī] table
via surya_layout

vol_II_p091 LEFT — 32 lignes

page vol_II_p091 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 programme. annotation_inline
parent ligne 4
via heuristic_height
2 BRHADDEŠĪ page_header
via surya_layout
3 164 page_number
via heuristic_pagenum
4 ऋषभांशा पञ्चमान्ता विज्ञेया षड्जदुर्बला । main
via surya_layout
5 প্লা annotation_inline
parent ligne 4
via heuristic_height
6 निषादकाकलीरूपा कर्तव्या सा तु नित्यशः॥ ९७॥ main
via surya_layout
7 साधारणकृता ह्येषा विभाषा गीतवेदिभि:। main
via surya_layout
8 ८७अन्थाली विश्रुता लोके कित्रराणां च वल्लभा ॥ ९८॥ main
via surya_layout
9 अमाली annotation_inline
parent ligne 8
via heuristic_height
10 उदाहरणम् - रीमापापाधाधाधाधापा धाधासापापापा धानिनिपा। पासापाधापापापा मरिमरि- main
via surya_layout
11 धाधापधपसाधाधापापा धधपधपापाधापा। पामारिरिसाधापापापा मपधममारिरिधाधपपाप। main
via surya_layout
12 मामाधपपापममरिरिमपापा धपापापधपधसासारिगरिधपापापा । अन्धाली। [७] editorial_bracket
parent ligne 11
via heuristic_brackets
13 अल्पर्षभा मध्यमांशा पञ्चमन्याससंयुता । main
via surya_layout
14 मध्यमांशाल्पऋपभा annotation_inline
parent ligne 13
via heuristic_height
15 मध्यधैवतसंवादो बाहुल्यं पञ्चमस्य तु ॥ main
via surya_layout
16 ॰वादस्तुल्यं स्यात् annotation_inline
parent ligne 15
via heuristic_markers
17 मध्यमः annotation_inline
parent ligne 15
via heuristic_height
18 ८८ सम्पूर्णा पञ्चमाच्चेयं भाषा तानोद्भवा भवेत् ॥ ९९॥ main
via surya_layout
19 सम्पूर्णपाड(वा) चेयं annotation_inline
parent ligne 18
via heuristic_height
20 उदाहरणम् - मामामगासारिरिनिसागरि । सानिनिगागागसानिपापा पासानिसासासानिसानि - main
via surya_layout
21 निधधनिनिसा। गरिसासासानिनिसाधानिपापा धानिनिगगसासासासासागासानीधामापापा । main
via surya_layout
22 तानोद्भवा। [८] editorial_bracket
parent ligne 21
via heuristic_brackets
23 त्रावणी पञ्चमन्यासा पञ्चमर्षभदुर्बला । main
via surya_layout
24 त्रापणी annotation_inline
parent ligne 23
via heuristic_height
25 द्विश्रुतीनां स्वरूपेण गमनं तत्प्रयोक्तृभि: ॥ १००॥ main
via surya_layout
26 तु annotation_inline
parent ligne 25
via heuristic_height
27 षड्जमध्यमबाहुल्यं पञ्चमर्षभयोस्तथा । main
via surya_layout
28 साधारणकृता होषा त्रावणी देशसम्भवा ८९॥१०१॥ main
via surya_layout
29 उदाहरणम् -सासासापापापा धाधाधाधानीनीनीसासानिधानिधाधारिसासा नीधानीधासाममरि main
via surya_layout
30 मारिमागागारिसा सनिपापापा निधानिसासनिसनिमधधसनिधामागामाधानीसासाधानीसामधा - main
via surya_layout
31 मागामाधानीसास। सससनिसासानिगासनिधामामाधारीसासा सधानीधापा । त्रावणी । [९] editorial_bracket
parent ligne 30
via heuristic_brackets
32 त्रापणी annotation_inline
parent ligne 30
via heuristic_height

vol_II_p088 RIGHT — 29 lignes

page vol_II_p088 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 159 page_number
via heuristic_pagenum
3 [4. Bhāṣās in hindolaka] section_header
via surya_layout
4 Combined with ṣaḍja as amśa and nyāsa, weak in dhaivata, this vesarī bhāṣā main
via surya_layout
5 is formed with the (profuse) use of gandhara. The to and fro movement main
via surya_layout
6 between şadja and gandhara should be arranged there by the performers. main
via surya_layout
7 (83) unknown
via fallback
8 Illustration main
via surya_layout
9 Sāsāgāsāsanipāni.Mādhāmāgāsamāsāsāsā. main
via surya_layout
10 Samagāsapamarigāsā ninimāsāgāsāsā. Dhanipāpāpanisāsā. Vesarī [i] editorial_bracket
parent ligne 9
via heuristic_brackets
11 Having pancama as amśa, şadja as the concluding note, being devoid of main
via surya_layout
12 ṛṣabha and having concert between ṣaḍja-pañcama and the svaras comprised main
via surya_layout
13 of two śrutiseach, this bhāṣā called prathamamañjarī is (based on ) hindolaka. main
via surya_layout
14 (84) annotation_inline
parent ligne 13
via heuristic_short
15 Illustration - Pāpāpāpādhamapānīsā pañcamapādhani dhāsāsāpāpānisāsāsā main
via surya_layout
16 gāsāpāgāmānisanipāpānisā gānisānisāsā. Prathamamanjarī [ii] editorial_bracket
parent ligne 15
via heuristic_brackets
17 Combined with sadja as amsa and nyāsa, complete, weak in dha(dhaivata), main
via surya_layout
18 thus has been described chevāțī and concert between șadja-madhyama and main
via surya_layout
19 similarly şadja-gāndhāra should always be put up. main
via surya_layout
20 (85) annotation_inline
parent ligne 19
via heuristic_short
21 Illustration - Sāpāsā. Māgāsāsā gāmanimāpāmāsā sāmāmānīmāmāmā main
via surya_layout
22 nīmāmāpāpāgāmāsāsāsāgāsānī. Sāgāsānīsanīdhāmadhāmāpāpāpādhāmāmādhama main
via surya_layout
23 pamagarisā sānīnīnīsāgārīmāmārīnīsāsā. Chevāţī [iii] editorial_bracket
parent ligne 22
via heuristic_brackets
24 Having şadja às amśa and madhyama as concluding note, being weak in main
via surya_layout
25 niṣāda and ṛṣabha (which are also perhaps omissible), there being concert main
via surya_layout
26 between <i>ṣaḍja-madhyama</i> and similarly <i>gāndhāra-pañcama</i>, this <i>bhāṣā</i>, said to main
via surya_layout
27 be şadjamadhyamā, should be known to be hexatonic and pentatonic by main
via surya_layout
28 nature. It is sung also by Kinnaras.<sup>33</sup> main
via surya_layout
29 <math>(86-87)</math> main
via surya_layout

vol_I_p068 RIGHT — 39 lignes

page vol_I_p068 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 119 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 sarimapapamarisa rigapadhadhapagari gamadhaninidhamaga 143 mapanisasasanipama main
via surya_layout
4 sanipamamapanisa nidhamagagamadhani dhapagaririgapadha pamarisasarimapa, main
via surya_layout
5 (25) annotation_inline
parent ligne 4
via heuristic_height
6 udghattitah annotation_inline
parent ligne 4
via heuristic_height
7 sarigā rigamā gamapā mapadhā padhanī dhanisā 144 sanidhā nidhapā dhapamā main
via surya_layout
8 (26) annotation_inline
parent ligne 7
via heuristic_height
9 pamagā magarī garisā, āksiptakah main
via surya_layout
10 sagamā marisā rimapā pagarī gapadhā dhamagā madhanī nipamā panisā 145 main
via surya_layout
11 sadhapā dhanisā sadhapā panisā nipamā madhanī dhamagā gapadhā pagarī main
via surya_layout
12 (27) annotation_inline
parent ligne 11
via heuristic_height
13 rimapā marisā sagamā garisā, sampradānam main
via surya_layout
14 sagama marisa rimapa pagari..... main
via surya_layout
15 VII [ Section on Pada - giti ] section_header
via surya_layout
16 O! most venerable muni! I have duly spoken of the alankaras. Now I shall main
via surya_layout
17 speak about giti1 which is associated with chandas2 and akṣara3 (syllable). main
via surya_layout
18 (170) annotation_inline
parent ligne 17
via heuristic_height
19 The first one should be known as māgadhī, and the second one is main
via surya_layout
20 ardhamāgadhī, the third one is sambhāvitā and the fourth one is known as main
via surya_layout
21 (171) annotation_inline
parent ligne 20
via heuristic_height
22 pṛthulā. annotation_inline
parent ligne 20
via heuristic_height
23 The giti which is 'returned to'4 (repeated) thrice, that giti is known as main
via surya_layout
24 māgadhī. That (gītī) which is completed5 in half the time (of māgadhī) should be main
via surya_layout
25 (172) annotation_inline
parent ligne 24
via heuristic_height
26 known as ardhamāgadhī (lit. half-māgadhī). main
via surya_layout
27 And sambhāvitā should be known to be composed of guru (lit. heavy, here main
via surya_layout
28 long) syllables. And the one called pṛthulā should be known to be composed of main
via surya_layout
29 (173) annotation_inline
parent ligne 28
via heuristic_height
30 laghu (lit. light, here short) syllables. main
via surya_layout
31 (Anu. 104) annotation_inline
parent ligne 30
via heuristic_height
32 In dakṣiṇa 6 mārga 7 (lit. path) (operates) the pṛthulā gīti, in vārtika 8 mārga main
via surya_layout
33 sambhāvitā (gīti) and in citra 10 mārga māgadhī gīti. There are eight mātrās in main
via surya_layout
34 dakṣiṇa mārga, four mātrās in vārtika mārga and two mātrās in citra mārga in the main
via surya_layout
35 order of the use of kalās.11 main
via surya_layout
36 In the citra mārga and ekakala tāla, māgadhī gīti should be known; in the main
via surya_layout
37 vārtika mārga (and) dvikala tāla sambhāvitā gīti should be known. (174) main
via surya_layout
38 ___ annotation_inline
parent ligne 37
via heuristic_height
39 (vide) annotation_inline
parent ligne 37
via heuristic_height

vol_I_p038 LEFT — 30 lignes

page vol_I_p038 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESI page_header
via surya_layout
2 58 page_number
via heuristic_pagenum
3 अनु. ३९ main
via surya_layout
4 एवं तावदुभयग्रामिक्यश्चतुर्दश मूर्छनाः सम्पूर्णाः कथिताः। इदानीं main
via surya_layout
5 तासां नामानि कथ्यन्ते— main
via surya_layout
6 षड्जे चोत्तरमन्द्रा स्यान्निषादे रजनी स्मृता। main
via surya_layout
7 •वा annotation_inline
parent ligne 6
via heuristic_height
8 धैवते चोत्तरा ज्ञेया शुद्धषड्जा च पञ्चमे।। ९३।। main
via surya_layout
9 मध्यमे मत्सरी ज्ञेया गान्धारे चाश्वक्रान्तिका। main
via surya_layout
10 ऋषभेण च विज्ञेया सप्तमी चाभिरुद्रता॥९४॥ main
via surya_layout
11 षड्जग्रामाश्रितास्त्वेवं विज्ञेयाः सप्त मूर्छनाः। main
via surya_layout
12 अतः परं प्रवक्ष्यामि मध्यमग्राममूर्छनाः ॥९५॥ main
via surya_layout
13 मध्यमेन च सौवीरी गान्धारे हरिणायिका । main
via surya_layout
14 ह्या annotation_inline
parent ligne 13
via heuristic_height
15 स्यात् कलोपनता चैव ऋषभेणैव मूर्छना।।९६।। main
via surya_layout
16 शुद्धमध्या [ तु ] षड्जे स्यान्निषादे चैव मार्गिका। editorial_bracket
parent ligne 15
via heuristic_brackets
17 पौरवी धैवते ज्ञेया हृष्यका पञ्चमे तथा।।९७।। main
via surya_layout
18 इति तावन्मया प्रोक्ता मध्यमग्राममूर्छनाः। main
via surya_layout
19 इदानी सम्प्रवक्ष्यामि षाडवौडुवमूर्छनाः ॥९८॥ main
via surya_layout
20 षट्स्वरा षाडवा ज्ञेया औडुवा पञ्चिभः स्वरैः। main
via surya_layout
21 षाडवौडुवितानां च व्युत्पत्तिश्च निगद्यते।।९९।। main
via surya_layout
22 अनु. ४० annotation_inline
parent ligne 21
via heuristic_short
23 षट्स्वरा अवन्ति रक्षन्ति ये ते षाडवस्वराः। तेषां प्रयोगः षाडवः। main
via surya_layout
24 तारकादितच् प्रत्ययः। main
via surya_layout
25 [ अनु. ४१ ] editorial_bracket
parent ligne 24
via heuristic_brackets
26 उडवो नक्षत्राणि गच्छन्ति यस्मिन्नाकाशे तदाकाशमौडुवम्। तेन पञ्च main
via surya_layout
27 संख्या लक्ष्यते, पञ्चमं हि महाभूतं, तत्स्था संख्या च विद्यते main
via surya_layout
28 यस्य तदौडुवितम्। annotation_inline
parent ligne 27
via heuristic_short
29 षाडवं षट्स्वरं ज्ञेयं लक्षणं सप्तधा मतम्। main
via surya_layout
30 एकोनपञ्चाशत् संख्यं तज्ज्ञेयं गीतवेदिभिः॥१००॥ main
via surya_layout
157 lignes a valider — change uniquement les roles incorrects.