Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21291). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p063 LEFT — 39 lignes

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1 <b>BRHADDESI</b> page_header
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2 108 page_number
via heuristic_pagenum
3 क्रमशो दीप्यते यस्तु प्रसन्नादिः स कथ्यते। main
via surya_layout
4 व्यस्तोच्चारित एवैष प्रसन्नान्तोऽभिधीयते ॥ १३८ ॥ main
via surya_layout
5 (मे?ए) annotation_inline
parent ligne 4
via heuristic_short
6 आद्यन्तयोः प्रसन्नत्वात् प्रसन्नाद्यन्त इष्यते। main
via surya_layout
7 (मि?इ) annotation_inline
parent ligne 6
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8 प्रसन्नमध्यो मध्ये तु प्रसन्नत्वादुदाहृतः॥१३९॥ main
via surya_layout
9 सर्वसाम्यात् समो ज्ञेयः स्थितश्चैकस्वरेऽपि हि। main
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10 ,₀मा ७या annotation_inline
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11 oमाo annotation_inline
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12 बिन्दुरेककलं तारं स्पृष्ट्वा तु पुनरागतः॥१४०॥ main
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13 स्याद्रिवृत्तप्रवृत्तश्च मन्द्रं गत्वा समागतः। main
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14 ৽ন্ম annotation_inline
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15 ₀त्तः annotation_inline
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16 आक्रीडितलयो यस्तु स च वेणुः प्रकीर्तितः॥१४१॥ main
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17 <b>.इनी.</b> (?) annotation_inline
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18 उरोगतः कम्पितः स्यात् कम्पनाच्च कलात्रयम्। main
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19 ₀यः annotation_inline
parent ligne 18
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20 कण्ठे निरुद्धपवनः कुहरो नाम जायते॥१४२॥ main
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21 ्दः ₀नो रु annotation_inline
parent ligne 20
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22 त्रिकला [त्] कम्पना [त्] तद्वद्रेचिताख्यः शिरोगतः। editorial_bracket
parent ligne 20
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23 ( ? ) হৈ ৹বা৹ main
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24 गतागतप्रवृत्तो यः स प्रेङ्क्षोलित उच्यते॥१४३॥ main
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25 ( मु?उ ) annotation_inline
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26 48 यस्तु कण्ठस्वरोऽधस्तात् स तु तारः प्रकीर्तितः। main
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27 उरोगतस्तथा मन्द्रो मूर्ध्नि तारतरः स्मृतः॥१४४॥] editorial_bracket
parent ligne 26
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28 क्रमागतस्तु यस्तारश्चतुर्थः पञ्चमोऽपि वा। main
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29 श्चेत् ततः पञ्चतु₀ annotation_inline
parent ligne 28
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30 तारमन्द्रप्रसन्नस्तु ज्ञेयो मन्द्रगतो बुधैः ॥१४५॥ main
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31 ৹রা৯ annotation_inline
parent ligne 30
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32 लङ्घयित्वा परान् मन्द्रात् क्रमात् तारगति गतः। main
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33 ॳ (द?द)) annotation_inline
parent ligne 32
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34 मन्द्रतारप्रसन्नस्तु ज्ञेयो ह्यारोहणाद् बुधैः ॥१४६॥ main
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35 विज्ञेयारोहणा annotation_inline
parent ligne 34
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36 एकस्वराधिरूढः क्रमशः प्रस्तारसंज्ञको ज्ञेयः। main
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37 ( जि? ज ) annotation_inline
parent ligne 36
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38 49[ प्रस्तारस्तु निवृत्तः शनैः प्रसन्नः प्रसादः स्यात्।।१४७॥] editorial_bracket
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39 <b>०स्वा</b>७ annotation_inline
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vol_I_p069 RIGHT — 32 lignes

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1 121 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 In the dakṣiṇa (mārga) and catuṣkala tāla pṛthulā giti should be known. main
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4 With this prescription itself the gitis should be sung by the wise. main
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5 (175) annotation_inline
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6 (Anu. 105) annotation_inline
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7 In the citra (mārga) the tāla is ekakala 12 itself, on account of the use of two- main
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8 mātrā (units). In the vārtika (mārga) the tāla is dvikala 13 itself, on account of main
via surya_layout
9 the use of four-mātrā (units). In the dakṣiṇa (mārga) the tāla is catuṣkala 14 itself main
via surya_layout
10 on account of the use of eight-mātrā (units). main
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11 In citra (mārga) māgadhi gīti (operates), it is with two gurus and is (also) main
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12 composed of laghu (one short) and (one) pluta 15 (three mātrā-unit); (it is) main
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13 twice retreated;16 ardhamāgadhī is (completed) in half of that.17 main
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14 (176) annotation_inline
parent ligne 13
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15 Sambhāvitā is guru 18 in vṛtti (mārga) and pṛthulā is laghu 19 in dakṣiṇa main
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16 (177) annotation_inline
parent ligne 15
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17 (mārga). main
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18 As - table
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19 Māgadhī [-----] table
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20 Ardhamāgadhī [-----] table
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21 Sambhāvitā [-----] table
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22 Pythulā [-----] table
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23 (Anu. 106) annotation_inline
parent ligne 17
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24 In Vārtika (mārga) there is samagraha,20 in dakṣiṇa (mārga), there is atīta 21 main
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25 (lit. past) graha, in citra mārga there is anāgata<sup>22</sup> (lit. future) graha. main
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26 (Anu. 107) annotation_inline
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27 In the mārgas the use of mātrās 23 has been said. As - dakṣiṇā, vṛtti and citrā main
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28 (are the margas). annotation_inline
parent ligne 27
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29 The mātrās (to be used in them) are eight, four and two (respectively). As main
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30 — dhruvakā, sarpiņī, kṛṣṇā, vartinī and then visarjitā, vikṣiptā and patākā and main
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31 (178) annotation_inline
parent ligne 30
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32 patitā is known to be the eighth one. main
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vol_II_p011 RIGHT — 38 lignes

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1 TRANSLATION page_header
via surya_layout
2 5 page_number
via heuristic_pagenum
3 and andhri and nandayanti and karmaravi and then kaisiki, thus should be main
via surya_layout
4 known the eleven (jātis) based on madhyamagrāma. main
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5 <math>(189 - 190)</math> main
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6 [Thus end the eleven jātis based on madhyamagrāma] editorial_bracket
parent ligne 5
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7 [ sādhāraņakṛtā jātis ] section_header
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8 Three jatis should be known by the wise to be sadharanakṛtā (those in main
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9 which the use of sādhāraṇa svaras is prescribed) viz., madhyamā, pañcamī and main
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10 similarly <i>şadjamadhyamā</i>. main
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11 (191) annotation_inline
parent ligne 10
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12 Thus ends the number and nomenclature of jātis. main
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13 [2. The śuddhā, vikṛtā and samsargajā vikṛtā jātis] section_header
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14 [Anu. 115] section_header
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15 Out of these eighteen jātis the seven bearing the names of (seven) svaras main
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16 are spoken of as being twofold - suddhās and vikṛtās. The suddhās are devoid main
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17 of the omission of notes and have their anisa, graha, nyāsa and apanyāsa on main
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18 their own svara, i.e. the svara from which each of them derives its respective main
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19 name. They assume the name vikṛtā on account of the alteration obtaining main
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20 in them through an alteration in respect of one, two or many lakṣaṇas main
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21 (characteristics) out of the above lakṣaṇas(characteristics of their śuddha main
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22 1002 472 7 unknown
via fallback
23 form), excepting nyāsa4 (which is not altered). main
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24 [Anu. 116] section_header
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25 Out of these (lakṣaṇas) he (the author) spoke (speaks) about the main
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26 日本が一次の後の日の行人の行うのできるというますが、まるは、大利の大利の人の自己となりから unknown
via fallback
27 prescription of nyāsa. There in the prescription of nyāsa, the nyāsa which is main
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28 the svara from which the respective jāti derives its name, is, as a rule, low main
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29 (mandra) in the jātis that are śuddhā (unaltered). In the vikṛtā (jātis) the main
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30 nyāsa on the note from which the respective jāti derives its name, is either main
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31 tāra (high) or mandra (low); thus there is no rule. main
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32 [Anu. 117] section_header
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33 Thus the śuddhā jātis have a twofold<sup>5</sup> form, viz., the original (unaltered) main
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34 and the altered state. The eleven jātis have only an altered state because they main
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35 are born of the vikṛtā varieties (of śuddhā jātis); they do not have an main
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36 unaltered state. Why is that so? They are born of mutual blending. main
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37 Similarly has said Bharata - main
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38 ر<br>د د د د د د د د د د د د د د د د د د د unknown
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vol_I_p035 LEFT — 29 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚI page_header
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2 52 page_number
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3 एतदुक्तं भवति— main
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4 "द्वौ ग्रामौ विश्रुतौ लोके षड्जमध्यमसंज्ञितौ।" main
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5 •जकी? annotation_inline
parent ligne 4
via heuristic_height
6 [ अनु. ३३ ] editorial_bracket
parent ligne 4
via heuristic_brackets
7 ननु कथं द्वावेव ग्रामौ ? उच्यते— इह हि द्विस्वरप्रयोगमूलप्रयोगवशाद् main
via surya_layout
8 द्वौ ग्रामावुपन्यस्तौ। main
via surya_layout
9 गण्णातिभः श्रुतिभिष्टचैव स्वरा ग्रामत्वमागताः”। main
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10 [ अनु. ३४ ] editorial_bracket
parent ligne 9
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11 तत्र जातिभिः शुद्धाभिर्विकृताभिष्टच श्रुतिभिष्टच। तस्मात् शुद्धासु जातिषु main
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12 <b>ंभिः श्रुतिभिष्टच</b> नातिकाभिः main
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13 विकृतासु च ये स्वराः सन्ति तेषां स्वराणां श्रुतिवैकल्यात् किञ्च- main
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14 怀 annotation_inline
parent ligne 13
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15 स्या annotation_inline
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16 दुत्कर्षापकर्षाभ्यां संकीर्णत्वेन च स्वरा ग्रामत्वमागताः। तत्र शुद्धाभिः।। main
via surya_layout
17 षड्जो विकृताभिर्मध्यम इति द्वाभ्यां च संकीर्णा जाताः ताभ्यो रागसम्भव main
via surya_layout
18 इति। ग्रामान्यत्वाज्जातिरागान्यत्वम्। main
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19 [ इति ग्रामनिरूपणम् ] editorial_bracket
parent ligne 18
via heuristic_brackets
20 [ मूर्छना-निरूपणम् ] section_header
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21 [ अनु. ३५ ] editorial_bracket
parent ligne 20
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22 इदानीमवसरप्राप्ता मूर्छनाः कथ्यन्ते। ननु मूर्छनाशब्दस्य व्युत्पत्ति [ : ] editorial_bracket
parent ligne 20
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23 ंमिव स्वराः annotation_inline
parent ligne 20
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24 कीदृशी ? लक्षणं च कीदृशं तस्य ? उच्यते — मूर्छनाव्युत्पत्तिः मूर्छ् main
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25 मूर्खा annotation_inline
parent ligne 24
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26 मोहसमुच्छ्राययोः।12 main
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27 मूर्छ्यते येन रागो हि मूर्छनेत्यभिसंज्ञिता।।९०॥ main
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28 र्घ (?) annotation_inline
parent ligne 27
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29 (vide) unknown
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vol_I_p054 RIGHT — 38 lignes

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1 91 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 Udghaisita (rubbed, pressed or shaken upwards) (26) Ākṣiptaka (thrown down) main
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4 (27) Sampradāna (the act of giving or bestowing), (28) Hasita (laughter), (29) main
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5 Hunkāra (the 'hum' sound) (30) Sandhipracchādana (covering the joint or main
via surya_layout
6 juncture) (31) Vidhuta (shaken off) (32) Udgita (sung, celebrated) (33) main
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7 Gātravarṇa (the colour of the body). main
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8 (Anu. 70) annotation_inline
parent ligne 7
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9 Now the definition of these alankāras is being given (said). That is thus—the main
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10 gradual ascent beginning from 'low' upto the starting point of 'high' is (known main
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11 as) prasannādi.27 By the word mandra28 is denoted the low sound. As - sā nī gā main
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12 mā pā dhā nī sā.29 annotation_inline
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13 (1) annotation_inline
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14 Thus is (ends) prasannādi. annotation_inline
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15 (Anu. 71) annotation_inline
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16 Beginning from tara 30 (high) and (reaching) upto mandra (low) is main
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17 prasannānta. As - sā<sup>31</sup> nī dhā pā mā gā nī sā. Thus is (ends) prasannānta. main
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18 (2) annotation_inline
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19 (Anu. 72) annotation_inline
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20 Where there is 'low' in the beginning and end and 'high' in the middle, main
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21 that is prasannādyanta. As - sā rī gā mā pā dhā nī sā, 52 sā nī dhā pā mā gā rī main
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22 (3) annotation_inline
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23 sā. Thus is (ends) prasannādyanta. main
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24 (Anu. 73) annotation_inline
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25 Where there is 'low' in the middle and 'high' in the beginning and end, main
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26 that is prasannamadhya. As - sā 33 ní dhā pā mā gā rī sā, sā rī gā mā pā dhā ni main
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27 (4) annotation_inline
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28 sā.34 Thus is (ends) prasannamadhya. main
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29 (Anu. 74) annotation_inline
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30 The pronunciation (sounding) of the seven svaras with a similar sound in main
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31 the three registers is sama. This is being said. (A svara) should be made main
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32 (sounded) in the three registers with the same number of śrutis 35 as it is main
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33 composed of (originally). As - sa ri ga ma pa dha ni - thus (it is). Or, sama main
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34 (comes into being) on account of the pronunciation of pairs of samvādin main
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35 (consonant) svaras. That is as - sama sapa ridha gani (thus). When the grāma main
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36 changes (to madhyamagrāma, then) sama, ripa, gani - thus is the special main
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37 <b>(5)</b> annotation_inline
parent ligne 36
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38 (structure of pairs). Thus is (ends) sama. main
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176 lignes a valider — change uniquement les roles incorrects.