Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21292). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p057 LEFT — 27 lignes

page vol_II_p057 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 96 page_number
via heuristic_pagenum
3 [१. भिन्नषड्जः] section_header
via surya_layout
4 धैवतांशो मध्यमान्तः पञ्चमर्षभवर्जितः । main
via surya_layout
5 षड्जोदीच्यवतीजातो भिन्नषड्ज: स्मृतो बुधै: ॥३०६॥ main
via surya_layout
6 (जमा?जातो) annotation_inline
parent ligne 5
via heuristic_height
7 [अनुः १७५] editorial_bracket
parent ligne 5
via heuristic_brackets
8 [अस्यार्थ:-]भित्रषड्जः पड्जग्रामसम्बन्धः षड्जोदीच्यवतीजातेर्जातत्वात्। धैवतो editorial_bracket
parent ligne 5
via heuristic_brackets
9 ग्रहोंऽशश्च। मध्यमो न्यासः। ऋषभपञ्चमहीन औडुवितः। निषादगान्धारौ काकल्यन्तरौ। main
via surya_layout
10 सर्वोपकरणप्रवृत्तस्य ५७विजातीयाद्रणान्निवृत्तस्य मृगयायां प्रवृत्तस्य नायकस्य प्रावेशिकीषु अस्य main
via surya_layout
11 विजातीयो निरणानियृत्तस्य (?) annotation_inline
parent ligne 10
via heuristic_height
12 विनियोगः। <sup>५८</sup>बीभत्सभयानकौ रसौ । धैवतादिमूर्छना । सञ्चारी वर्णः । <sup>५९</sup>प्रसन्नादिरलङ्कारः । main
via surya_layout
13 दक्षिणे कला, वृत्तौ कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल: । main
via surya_layout
14 [२.भिन्नपञ्चमः] section_header
via surya_layout
15 [अन्॰ १७६] editorial_bracket
parent ligne 14
via heuristic_brackets
16 .असौ भिन्नपञ्चम: स्वरभिन्नोऽभिधीयते । लक्षणं च तद्यथा - main
via surya_layout
17 शुद्धपञ्चमवत् प्रोक्तः स्वरज्ञैर्भित्रपञ्चमः। main
via surya_layout
18 स्वर(न्ग्रे?ई) annotation_inline
parent ligne 17
via heuristic_short
19 धैवतांशः पञ्चमान्तः सूत्रधारप्रवेशने ॥ ३०७॥ main
via surya_layout
20 [अन्॰ १७७] editorial_bracket
parent ligne 19
via heuristic_brackets
21 अस्यार्थः - भित्रपञ्चमो मध्यमग्रामसम्बन्धः, मध्यमापञ्चमीजात्योर्जातत्वात् main
via surya_layout
22 पङ्जोदीच्यवतीजाते: मध्यमा(पञ्चमी) जात्यो॰ annotation_inline
parent ligne 21
via heuristic_markers
23 ण्या(म) annotation_inline
parent ligne 21
via heuristic_height
24 भिन्न(सं?)पञ्चमो annotation_inline
parent ligne 21
via heuristic_height
25 ग्रहोंऽशश्च धैवतः। पञ्चमो न्यासः। निषादोऽत्र काकली। क्वचित्रिषादस्यापि प्रयोगः । सम्पूर्ण- main
via surya_layout
26 श्चायम् । सूत्रधारप्रवेशेऽस्य विनियोगः । बीभत्सभयानकौ रसौ । धैवतादिमूर्छना । सञ्चारी वर्णः । main
via surya_layout
27 प्रसन्नादिख्लङ्कारः । दक्षिणे कला, वृत्तौ कला, चित्रे कला, स्वरपदगीते चच्चत्पुटादितालः । main
via surya_layout

vol_I_p020 RIGHT — 33 lignes

page vol_I_p020 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 23 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 (Anu. 12) annotation_inline
parent ligne 4
via heuristic_height
4 (Objection) But the twenty-two-fold nature of śrutis does not also stand reason main
via surya_layout
5 (or is not amenable), because of the non-perception of srutis and the parts of main
via surya_layout
6 śruli. annotation_inline
parent ligne 5
via heuristic_height
7 It has been said— annotation_inline
parent ligne 5
via heuristic_height
8 "How can the perception or apprehension of this (śruti) take place? The main
via surya_layout
9 nabhas (ether, space) cannot become disturbed (vyākulita) in the beginning main
via surya_layout
10 (before svara); śruti has imperceptible parts and hence it does not appear as main
via surya_layout
11 being composed of parts. annotation_inline
parent ligne 10
via heuristic_height
12 (Objection continued) annotation_inline
parent ligne 10
via heuristic_height
13 "(If it be accepted that) they do exist, then how many are they in relation to main
via surya_layout
14 mātṛkās 59 (subtle bases)? If they are twenty-two, what is their process by krama main
via surya_layout
15 (straight order) and utkrama (reverse order)? main
via surya_layout
16 "If the infinity or singularity of śrutis becomes unavoidable, (then) there main
via surya_layout
17 would be a doubtless state of those mātṛkās. Mātṛkās themselves are not there, main
via surya_layout
18 how (why) should there be their vikalpana (assumption, imagination)? main
via surya_layout
19 "The wise say that the existence (sattā) of dharmas (attributes) <math>^{60}</math> is there main
via surya_layout
20 when the dharmin (the one to whom the attributes belong) is there. When the main
via surya_layout
21 dharmins are not there, the dharmas are (also) not there, so say the wise. The main
via surya_layout
22 sattva (existence) and asattva (non-existence) of gunas and dosas are there main
via surya_layout
23 when (the same occur in respect of) gunins (those to whom the gunas belong). main
via surya_layout
24 "If the respective śrutis become the cause (of svaras) without themselves main
via surya_layout
25 having a cause, then their origin (or) cause should not be sought. main
via surya_layout
26 "Moreover, if in spite of there being equal tangibility (of śruti and mātṛkā) main
via surya_layout
27 through pramāņa (means of valid perception), mātṛkās are concealed (denied), main
via surya_layout
28 then it would be very difficult also to save śrutis (i.e. śruti will also have to be main
via surya_layout
29 denied)." annotation_inline
parent ligne 28
via heuristic_height
30 Now is being said (in answer)— annotation_inline
parent ligne 28
via heuristic_height
31 Srutis that are the cause of the manifestation of svara are grasped by main
via surya_layout
32 arthāpatti (negative inference) anumāna (inference) or pratyakṣa-jñāna 61 main
via surya_layout
33 (perception) (43) annotation_inline
parent ligne 32
via heuristic_height

vol_II_p068 LEFT — 31 lignes

page vol_II_p068 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 118 page_number
via heuristic_pagenum
2 BRHADDESÎ page_header
via surya_layout
3 [अनु॰ २०२] editorial_bracket
parent ligne 4
via heuristic_brackets
4 ननु कश्यपमुनिना नर्तरागस्य किमित्यादौ निर्देश: कृत: ? उच्यते । उद्भटचांरिमण्डलाजौ main
via surya_layout
5 न(क?) र्क annotation_inline
parent ligne 4
via heuristic_height
6 न्दौ annotation_inline
parent ligne 4
via heuristic_height
7 विनियुज्यमानत्वान्मुख्यत्विमिति कश्यपमते । दुर्गशक्तिमते तु षड्जकैशिक एव मुख्यः । कुतः ? main
via surya_layout
8 षाडवत्वेन क्रमायातत्वात् । तद्यथा - main
via surya_layout
9 [१.नर्तरागः] section_header
via surya_layout
10 ९१पञ्चमांशो मध्यमान्तः पञ्चमीमध्यमोद्भवः । main
via surya_layout
11 नर्तरागस्तु विज्ञेय: स्वल्पद्विश्रुतिकस्वर: ॥ ३३३॥ main
via surya_layout
12 ·(वि ? द्वि)· main
via surya_layout
13 [अनु॰ २०३] section_header
via surya_layout
14 अस्यार्थः - नर्तरागो मध्यमग्रामसम्बन्धः पञ्चमीमध्यमोद्भवत्वात् । पञ्चमो ग्रहोंऽशश्च । main
via surya_layout
15 मध्यमो न्यास: । निषादगान्धारयोरत्राल्पत्वम् । निषादोऽत्र काकली । उद्भटचारिमण्डलाजौ<sup>९२</sup> main
via surya_layout
16 (जी?दी) annotation_inline
parent ligne 15
via heuristic_height
17 चास्य विनियोग: । शृङ्गारादिरस:<sup>९३</sup>। पञ्चमादिमूर्छना । अलङ्कार: प्रसन्नमध्यम: ।  वर्ण: सञ्चारी । main
via surya_layout
18 इति कश्यपमते॥ main
via surya_layout
19 [अनु॰ २०४] section_header
via surya_layout
20 <sup>९४</sup>दुर्गशक्तिमते तु अयमेव राग: पञ्चमीधैवतीजात्योर्जायते, षड्जग्रामसम्बन्ध एव main
via surya_layout
21 बोद्धव्यः। कुतः? पञ्चमस्य चतुःश्रुतिकत्वाद्भैवतस्य त्रिश्रुतिकत्वात् षड्जग्रामसम्बन्धः । main
via surya_layout
22 <b>॰त्वात्, धैवतस्य</b> annotation_inline
parent ligne 21
via heuristic_markers
23 [२. शक:] section_header
via surya_layout
24 स्यात् षाड्जीधैवतीजात्योः षड्जन्यासांशसंयुतः । main
via surya_layout
25 (जि? ह्जी) annotation_inline
parent ligne 24
via heuristic_short
26 दुर्बल: पञ्चमो यत्र १५स शक: परिकीर्तित: ॥ ३३४॥ main
via surya_layout
27 काकल्य:(?) annotation_inline
parent ligne 26
via heuristic_height
28 [अनुष् २०५] section_header
via surya_layout
29 अस्यार्थः - शकः षड्जग्रामसम्बन्धः, षाड्जीधैवतीसमुत्पत्रत्वात् । षड्जोऽस्य main
via surya_layout
30 ग्रहोंऽशो न्यासश्च। <sup>१६</sup>पञ्चमस्याल्पत्वम् । निषादगान्धारौ चात्र काकल्यन्तरौ । पूर्णस्वरश्चायम् । main
via surya_layout
31 (पश्चमस्याल्पत्वम्) annotation_inline
parent ligne 30
via heuristic_height

vol_II_p061 LEFT — 32 lignes

page vol_II_p061 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 . 4 unknown
via fallback
2 2 a - annotation_inline
parent ligne 5
via heuristic_height
3 104 page_number
via heuristic_pagenum
4 BRHADDEŚĪ page_header
via surya_layout
5 [ग. गौडरागाः] section_header
via surya_layout
6 [अनु॰ १८६] editorial_bracket
parent ligne 5
via heuristic_brackets
7 नन् गौडाः कथम् ? उच्यते, गौडगीतिसम्बन्धत्वात् । main
via surya_layout
8 किं लक्षणम् ? उच्यते । तद्यथा - main
via surya_layout
9 ओहाटी मन्द्रजोपात्ता प्रयोगे ध्वनिकम्पितै:। * main
via surya_layout
10 ओहाडी मन्त्रजा(?)+तु प्रयोगै (दूं?र्हू)तकम्पितै:। main
via surya_layout
11 अविश्रामेण त्रिस्थाने गौडी गीतिरुदाहृता ॥३१५॥ main
via surya_layout
12 गौह॰ annotation_inline
parent ligne 11
via heuristic_markers
13 [१.गौडपञ्चम:] section_header
via surya_layout
14 गौडपञ्चमस्य लक्षणम् - main
via surya_layout
15 गौडपञ्चमनिष्पत्तौ धैवतीषड्जमध्यमे । main
via surya_layout
16 धैवतांशो मध्यमान्तो रहित: पञ्चमेन तु ६३॥३१६॥ main
via surya_layout
17 (वि? र)हित: annotation_inline
parent ligne 16
via heuristic_height
18 [अन्॰ १८७] editorial_bracket
parent ligne 16
via heuristic_brackets
19 अस्यार्थ: -गौडपञ्चम: षड्जग्रामसम्बन्ध:,धैवतीषड्जमध्यमाजात्यो: समुत्पन्नत्वात्। main
via surya_layout
20 धैवतोंऽशो ग्रहश्च। मध्यमो न्यासः। निषादगान्धारौ काकल्यन्तरौ । पञ्चमरहितोऽयं षट्स्वरः । main
via surya_layout
21 प्र(ह)स annotation_inline
parent ligne 20
via heuristic_height
22 उद्भटनाट्ये विप्रलम्भशृङ्गारे चास्य विनियोग:।बीभत्सभयानकरसौ।धैवतादिमूर्छना।आरोही main
via surya_layout
23 (क)रसो रसः annotation_inline
parent ligne 22
via heuristic_height
24 प्रसन्नमध्योऽलङ्कार: । दक्षिणे कला, वार्तिके कला, चित्रे कला । स्वरपदगीते main
via surya_layout
25 वर्णः। annotation_inline
parent ligne 24
via heuristic_short
26 चच्चत्पुटादिताल:। main
via surya_layout
27 चचत्पुटताल: annotation_inline
parent ligne 26
via heuristic_height
28 [२.गौडकैशिक:] section_header
via surya_layout
29 उत्पन्नः कैशिकीषड्जमध्यमाजातितो मतः। main
via surya_layout
30 षड्जांशः पञ्चमन्यासः सम्प्रोक्तो गौडकैशिकः ॥३१७॥ main
via surya_layout
31 (स:) annotation_inline
parent ligne 30
via heuristic_height
32 (vide) annotation_inline
parent ligne 30
via heuristic_height

vol_I_p097 RIGHT — 43 lignes

page vol_I_p097 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 177 page_number
via heuristic_pagenum
2 VIMARŚA annotation_inline
parent ligne 3
via heuristic_height
3 85. Assigning a seer to each svara is, again, an extension of the Vedic main
via surya_layout
4 tradition. annotation_inline
parent ligne 3
via heuristic_height
5 86. The association of rasas with svaras is reproduced from NS XXVII, 103 cd- list_item
via surya_layout
6 105 ab. list_item
via surya_layout
7 87. The location of svaras in the human body as described here is quite list_item
via surya_layout
8 different from the seven sthanas discussed above in note No. 63. list_item
via surya_layout
9 88. 'Desi' here stands for the manifest realm of sound. list_item
via surya_layout
10 Section V ( Grāma-mūrchanā ) section_header
via surya_layout
11 1. Grāma is not just any group of svaras, it is a specific grouping which is the main
via surya_layout
12 basis of the perception of śruti and is also a fundamental categorisation of main
via surya_layout
13 melodies with the consonance of fifth between sa-pa and with the consonance main
via surya_layout
14 of fourth between ri-pa. annotation_inline
parent ligne 13
via heuristic_height
15 2. The analogy of a village inherent in the word grāma is being made main
via surya_layout
16 explicit. BrD is the only text that has explained this point. main
via surya_layout
17 3. NŚ does not mention gāndhāra-grāma; Dattilam (11) and Nā Ši (1.2.6,7) main
via surya_layout
18 do mention it; Dattilam clearly states that it is not to be found here in this world. main
via surya_layout
19 ( See glossary ) annotation_inline
parent ligne 18
via heuristic_height
20 4. The statement that svaras are born of Sāmaveda should be viewed list_item
via surya_layout
21 alongwith the backdrop of the common belief and oft-repeated platitude that list_item
via surya_layout
22 Indian music is born of Sāmaveda. When something is said to be the origin of list_item
via surya_layout
23 another thing, the general impression is that the origin precedes in time the list_item
via surya_layout
24 thing born of it. But in the case of music this impression could not hold good. It list_item
via surya_layout
25 would be absurd to say that there was no music among the people before list_item
via surya_layout
26 Sāmaveda became formalised or codified. The balanced view would be that list_item
via surya_layout
27 Sāmavedic music was the first to be codified and the codification of the music list_item
via surya_layout
28 of the people came later and that the 'vision' that inspired or guided the Vedic list_item
via surya_layout
29 codification continued to guide the later codification. The statement of our list_item
via surya_layout
30 author that svaras are born of Sāmaveda matches the statement in NŚ (I,17) list_item
via surya_layout
31 that gita (music) was taken by Brahmä from Sāmaveda, just as pāthya (text) list_item
via surya_layout
32 was taken from Rgueda, abhinaya (gesture) from Yajurveda and rasa from list_item
via surya_layout
33 Atharvaveda. To go a step further it would be pertinent to say that the mention list_item
via surya_layout
34 of the Vedic origin of a thing need not be taken to imply Vedic anteriority in list_item
via surya_layout
35 time; it could be interpreted to mean that the Vedic world-view and 'vision' was list_item
via surya_layout
36 the guiding spirit. list_item
via surya_layout
37 5. The number 'two' given here for grāma indicates that the author, in spite main
via surya_layout
38 of mentioning gandhara-grama, does not subscribe to the theory of three gramas. main
via surya_layout
39 6. The objective of grāma, stated here as the systematisation of svara, śruti, list_item
via surya_layout
40 mūrchanā, tāna, jāti and nāga is significant. Being a specific arrangement of intervals list_item
via surya_layout
41 in terms of śruti, grāma systematises svara and śruti; the intervals established in grāma list_item
via surya_layout
42 are strictly followed in murchana, the omission of svaras in tana is guided by the grama list_item
via surya_layout
43 (e.g. pañcama being the distinctive svara in madhyama-grāma, cannot be omitted in the list_item
via surya_layout
166 lignes a valider — change uniquement les roles incorrects.