Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21294). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p038 RIGHT — 51 lignes

page vol_II_p038 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 1 page_number
via heuristic_pagenum
2 59 page_number
via heuristic_pagenum
3 TRANSLATION page_header
via surya_layout
4 (3) table
via surya_layout
5 mā gā rī gā mā mā sā sā table
via surya_layout
6 <b>(4)</b> table
via surya_layout
7 [mā magama mā mā nidha padha pama gamama] table
via surya_layout
8 (5) table
via surya_layout
9 dhā padha pari riga maga riga sadhasa sā table
via surya_layout
10 (6) table
via surya_layout
11 nidha sā rī magama mā mā mā mā table
via surya_layout
12 (7) table
via surya_layout
13 mā mā magama madha dhapa padha pama gamaga table
via surya_layout
14 (8) table
via surya_layout
15 dhā padha pari riga maga riga sadhasa sā table
via surya_layout
16 (9) table
via surya_layout
17 mā mā dhani dhasa dhapa mapa pā pā table
via surya_layout
18 (10) table
via surya_layout
19 mā magama mā nidha padha pamaga gā mā table
via surya_layout
20 (11) table
via surya_layout
21 dhā padha pari riga maga riga sadhasa sā table
via surya_layout
22 (12) table
via surya_layout
23 nidha sā rī magama mā mā mā mā table
via surya_layout
24 Thus ends <i>şadjamadhyamā</i>. section_header
via surya_layout
25 [2. Gāndhārodīcyavā] section_header
via surya_layout
26 In gāndhārodīcyavā, ṣadjaand madhyama are the two amśas. The hexatonic main
via surya_layout
27 is known to be with the omission of rşabha. In the state of completeness there main
via surya_layout
28 is the sparseness of svaras other than those that are anisas. main
via surya_layout
29 (4) annotation_inline
parent ligne 28
via heuristic_short
30 In the hexatonic form, niṣāda, dhaivata, pañcama and gāndhāra are said to main
via surya_layout
31 be sparse. Saigati (concert) between ṛṣabha and dhaivata should be known main
via surya_layout
32 and the mūrchanā beginning with dhaivata obtains. main
via surya_layout
33 (5) annotation_inline
parent ligne 32
via heuristic_short
34 The tāla should be known as caccatpuța. Sixteen kalās (time units) are said main
via surya_layout
35 to obtain. Its application (viniyoga) is accepted to be in the singing of dhruvā main
via surya_layout
36 in the fourth act. annotation_inline
parent ligne 35
via heuristic_short
37 (6) main
via surya_layout
38 Madhyamais the nyāsain this (jāti). Ṣaḍja and dhaivata are apanyāsas. The main
via surya_layout
39 prastāra is thus - main
via surya_layout
40 (1) table
via surya_layout
41 sā sā pā mā pā dhapa pā mā table
via surya_layout
42 (2) table
via surya_layout
43 dhā pā mā mā sā sā sā sā table
via surya_layout
44 (3) table
via surya_layout
45 dhã nĩ sã sã mã mã pã pã table
via surya_layout
46 (4) table
via surya_layout
47 ករី ករី ករី ករី ករី ករី ករី ករី table
via surya_layout
48 (5) table
via surya_layout
49 mã mã dhã nisa nĩ nĩ nĩ table
via surya_layout
50 (6) table
via surya_layout
51 mā pā mā pari gā gā sā sā table
via surya_layout

vol_II_p097 RIGHT — 27 lignes

page vol_II_p097 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 177 page_number
via heuristic_pagenum
3 Illustration-Dhādhānidhāsāsānidhādhānidhādhādhāpā māgāriririgāmāpā main
via surya_layout
4 pādhāpagārīdhamādhāpāpādhāpāmarigāmānīdhāpādhādhāmapādhāpāniriga main
via surya_layout
5 risāridhāridhāripādhādhādhādhāni. Sāsārigāgā masāmapamādhā- main
via surya_layout
6 dhādhāpādhāsānidhaivatadhādhā. Dhaivatabhūṣitā [iii] editorial_bracket
parent ligne 5
via heuristic_brackets
7 Viśālā has pañcama as amśa and dhaivata as the concluding note, (and) is main
via surya_layout
8 charming. This is complete in svaras and has to and fro movement between main
via surya_layout
9 sa-dha (ṣadja-dhaivata). This bhāṣā is always sung by the Kinnaras.<sup>63</sup> main
via surya_layout
10 (130) annotation_inline
parent ligne 9
via heuristic_height
11 Illustration - Pādhāsāsādhānī gāsānidhādhā.Pādhādhā. Nisāsānīdhāpā main
via surya_layout
12 māgānininirigāmāmāgāmamadhānīdhānisārigārisāsānidhārigasāsanisānidhāni- main
via surya_layout
13 nīdhāpadhadhadhapāpāmāgāriridhāririmamadhyamagamāpāpāpāpānidhadhad- main
via surya_layout
14 hadhapāmādhānisāsāsāriririmamamapamapāpādhānīsānīdhāpādhādhāpānininī. main
via surya_layout
15 Sāsāmadhāpādhānidhā. Viśālā [iv] editorial_bracket
parent ligne 14
via heuristic_brackets
16 These are the bhāṣās of bhinnapañcama spoken of by Yāṣṭika. main
via surya_layout
17 [9. Now in Bottaraga] section_header
via surya_layout
18 Having pañcama as amsa, madhyama as the concluding note, being complete main
via surya_layout
19 and brilliant with madhyama, this baṅgāla bhāṣā is sung in boṭṭa-rāga. To and main
via surya_layout
20 fro movement is always seen in profusion. It is sung by the <math>n\bar{a}yakas^{64}</math> on all main
via surya_layout
21 auspicious occasions. Since it is auspicious and commendable, it is known main
via surya_layout
22 as mangalā. annotation_inline
parent ligne 21
via heuristic_height
23 <math>(131-132)</math> annotation_inline
parent ligne 21
via heuristic_height
24 Illustration - Pādhāpādhāmā dhāpāmā gāriririgamapā dhāsāgāsānidhāpā- main
via surya_layout
25 pāmā. Maṅgalā [i] editorial_bracket
parent ligne 24
via heuristic_brackets
26 [10. Bhāṣās in mālavapañcama] table
via surya_layout
27 .....[Bhāvinī] table
via surya_layout

vol_I_p024 RIGHT — 35 lignes

page vol_I_p024 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 31 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 It is being said (answered) - It is one and many, pervasive<sup>6</sup> and eternal.<sup>7</sup> In the main
via surya_layout
4 undifferentiated state there is one svara; in the form of sadja and the like svara is main
via surya_layout
5 many. annotation_inline
parent ligne 4
via heuristic_height
6 Similarly also said Kohala - annotation_inline
parent ligne 4
via heuristic_height
7 "Svara is said to be infinite" on account of (its) combination with jāti, bhāṣā main
via surya_layout
8 etc. It is combined with padas 9 (syllabic units, meaningful or non-sensical) and main
via surya_layout
9 is to be combined with alankāra10 and (used in) rasas." 11 main
via surya_layout
10 (It is) eternal i.e. indestructible. 12 (It is) pervasive i.e. sarvagata 13 (contained main
via surya_layout
11 in or permeating everything). annotation_inline
parent ligne 10
via heuristic_height
12 Similarly said Kohala - annotation_inline
parent ligne 10
via heuristic_height
13 "By the effort of the ūrdhvanāḍīs14 on account of rubbing or striking of all main
via surya_layout
14 'walls', the sound that grows upto the cerebrum, is svara, it is vyāpaka main
via surya_layout
15 (pervasive) (and) para (beyond).15 main
via surya_layout
16 (Anu. 17) annotation_inline
parent ligne 15
via heuristic_height
17 But how is the svaratva 16 of (svara-names) şadja and the like, on account of main
via surya_layout
18 their being consonants? If the svaratva of consonants is spoken of, then there main
via surya_layout
19 should be the svaratva of (consonants) beginning with ka? main
via surya_layout
20 Here it is being said (answered) that there is the svaratva of only şadja and main
via surya_layout
21 the like on account of their being asādhāraņa 17 (lit. uncommon, special), not of main
via surya_layout
22 (consonants) beginning with ka. main
via surya_layout
23 But why (or how) is the uncommon or special nature of sadja and the like? main
via surya_layout
24 (Answer) - on account of the upadesa 18 (speaking of) by the aptas (trusted ones) main
via surya_layout
25 the asadharanatva (uncommonness, special nature) of svaras is there. main
via surya_layout
26 So did say Maheśvara<sup>19</sup> in Kohala — main
via surya_layout
27 "The peacock speaks şadja, the cātaka (bird) speaks ṛṣabha, the goat speaks main
via surya_layout
28 gāndhāra, the kraunca (bird) speaks madhyama, in the puspasādhāraņa time main
via surya_layout
29 (common time for flowers i. e. Spring) kokilā speaks pañcama, when the rainy main
via surya_layout
30 season approaches, dardura (the frog) speaks dhaivata. O Devi ! in the same main
via surya_layout
31 way, the elephant always speaks niṣāda." main
via surya_layout
32 Or, only sadja and the like have uncommonness or special nature because of main
via surya_layout
33 their movement in upward sound, or şadja and the like are not svaras, only main
via surya_layout
34 (vowels) beginning with ākāra 20 are svaras. şadja and the like are there for the main
via surya_layout
35 pronunciation of (vowels) beginning with ākāra, so (it is said). main
via surya_layout

vol_II_p081 RIGHT — 31 lignes

page vol_II_p081 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 ٠ page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 145 page_number
via heuristic_pagenum
4 performed as to involve mutual movement between rşabha-gandhara and main
via surya_layout
5 similarly <i>şadja-madhyama</i>. main
via surya_layout
6 <math>(52-53)</math> main
via surya_layout
7 Illustration - Gāgāgāmā. Sāsī. Māgāmāmāgāmāsīsāsī. Gāgādhānisīsīgādhanisā main
via surya_layout
8 dhādhāmārīmāgārīgasā sāsāsāmā sārīdhādhādhādhadhamāgārīgāgā dhārīsāsīsā. main
via surya_layout
9 Māgāmāmāgā Māsīsimāgā dhādhādhāparīgamarīgamasīsisīmāgārīdhā dhamagari main
via surya_layout
10 gamadhanī. Sāsāgādhānisāsā. Ravicandrā [xi] editorial_bracket
parent ligne 9
via heuristic_brackets
11 Ambāherī is said to have madhyama as its amśa, ṣadja as its concluding note, main
via surya_layout
12 gāndhāra and dhaivata as profuse, incomplete in svaras, being always devoid main
via surya_layout
13 of pa (pancama), this bhāṣā is said to bear the name <math>desi^{20}</math> (regional). main
via surya_layout
14 (54) annotation_inline
parent ligne 13
via heuristic_short
15 Illustration – Māmāsā. Nīnī. Nidhādhāni dhādhāni. Dhānidhādhānī. main
via surya_layout
16 Sāgāgārī. Sanīsanīdhā. Nidhānigāgā māgānisāsāni. Sādhānīgā gānisāsā. main
via surya_layout
17 Sāninisanīdhā dhāmānīmā dhāsanini. Nisādhānīmādhādhāmāgāsānisānidhā. main
via surya_layout
18 Mādhādhā. Sādhānīdhānīsāsā. Māmādhāsāsā. Māmāgārīmāgāsāsā. main
via surya_layout
19 Māsāmāmāgārīmāgāsāsā. Masānī ninimāni dhādhānidhāmāgā. Sānīmādhā. main
via surya_layout
20 Sāsanīdhā dhanisādhādhā. Dhanidhānīsā. Ambāherī [xii] editorial_bracket
parent ligne 19
via heuristic_brackets
21 Being combined with sadja in the beginning and having madhyama and main
via surya_layout
22 dhaivata as abundant and with the omission of rşabha, this bhāṣā, lalitā, is main
via surya_layout
23 sankīrņā (mixed) and hexatonic. There is (mutual) movement between the main
via surya_layout
24 svaras comprised of two śrutis each. main
via surya_layout
25 (55) annotation_inline
parent ligne 24
via heuristic_short
26 Illustration - Sāgāgādhāgāmāmāgā. Dhamādhānīsāsā. Nidhāgāgā. main
via surya_layout
27 Säsäsämäpädhäni dhäpämäsä sädhäpädhänidhädhäsä nidhägänigädhanisasasa. main
via surya_layout
28 Lalitā [xiii] editorial_bracket
parent ligne 27
via heuristic_brackets
29 Combined with şadja as the initial and concluding note, omitting main
via surya_layout
30 pañcama, being devoid of the seventh (niṣāda), having the concert of main
via surya_layout
31 madhyamawith ṣaḍja there, the saii kīrṇā (mixed) and pentatonic bhāṣā, born main
via surya_layout

vol_II_p089 LEFT — 30 lignes

page vol_II_p089 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 160 page_number
via heuristic_pagenum
3 यापापाधापासासापाधापमगामामा page_header
via surya_layout
4 उदाहरणम् - सापापाधामामा पागामगापधाधापागमा main
via surya_layout
5 गामसासासागागामागामामा । षड्ज[मध्यमा]।[४] editorial_bracket
parent ligne 4
via heuristic_brackets
6 मध्यमांशा तु षड्जान्ता <sup>७२</sup>दुर्बला पञ्चमेन तु । main
via surya_layout
7 ७३धैवतनिषादबाहुल्यं षड्जधैवतयोस्तथा ॥ main
via surya_layout
8 भाषेयं षाडवा ज्ञेया प्रेङ्खके मधुरी भवेत् ॥ ८८॥ main
via surya_layout
9 प्रेक्षके मधुकरी annotation_inline
parent ligne 8
via heuristic_height
10 मापानिसासारिरोगमगारीसासा main
via surya_layout
11 उदाहरणम् – मापापाधाधामाधनिनिपासनिधसासा मापाधनिसनिसासा main
via surya_layout
12 निधापापापाधनिधा सासा रिरोममागरिसासा। मधुरी। [५] editorial_bracket
parent ligne 11
via heuristic_brackets
13 मधु(क)री annotation_inline
parent ligne 11
via heuristic_height
14 ॥ इति हिन्दोलके भाषा[:] समाप्ता[:] ॥ editorial_bracket
parent ligne 11
via heuristic_brackets
15 [५.अथ पञ्चमे] ७४ editorial_bracket
parent ligne 11
via heuristic_brackets
16 पञ्चमांशा तदन्ता च निषादबहुला सदा। main
via surya_layout
17 परस्परं तु दृश्येत अषड्जधैवतसङ्गतिः ॥ ८९॥ main
via surya_layout
18 <sup>७६</sup>पूर्णा पञ्चमजा ह्येषा त्वाभीरी देशसम्भवा । main
via surya_layout
19 आभौरी annotation_inline
parent ligne 18
via heuristic_height
20 पूर्ण annotation_inline
parent ligne 18
via heuristic_height
21 एषा भाषा तु विज्ञेया प्रथमा पञ्चमोद्भवा ॥ ९०॥ main
via surya_layout
22 उदाहरणम् -पाधामाधनिधापापापा पधनिधामामाधानिसासा सनिधनिसधानिसानिधासा धरि- main
via surya_layout
23 मामाधानिनिधापापा पममधनिसासा सनिनिसासासिनगरिमममागा रिसससधिनपा धामामास - main
via surya_layout
24 रिमाधारिमपापा । आभीरी। [१] editorial_bracket
parent ligne 23
via heuristic_brackets
25 भाविनी पञ्चमन्यासा गान्धारांशाल्पधैवता । main
via surya_layout
26 मध्यपञ्चमयोर्यत्र गमनं दृश्यते घनम् ॥ main
via surya_layout
27 मध्यम् annotation_inline
parent ligne 26
via heuristic_height
28 भाषा तु भाविनी ज्ञेया पूर्णा गान्धर्ववेदिभिः ७०॥ ९१॥ main
via surya_layout
29 उदाहरणम् -गामापागमपानिधा[पा]। गमपामागागारीरीगानीधापापापाप। मामागामापापा editorial_bracket
parent ligne 28
via heuristic_brackets
30 मापापामाधारीसगगमापा मागारीरीपापा । भाविनी ।[२] editorial_bracket
parent ligne 28
via heuristic_brackets
174 lignes a valider — change uniquement les roles incorrects.