Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21295). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p114 RIGHT — 27 lignes

L#	Texte OCR	Role auto
1	211	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	[3. <i>Gadya</i>]	section_header via surya_layout
4	That in which <math>t\bar{a}la</math> comes at the end along with the name of the object of	main via surya_layout
5	description 10 (divine or human) and is sung as such, is said here to be gadya,	main via surya_layout
6	by the proficient ones in music.	main via surya_layout
7	(385)	annotation_inline parent ligne 6 via heuristic_height
8	[4. Daṇḍaka]	section_header via surya_layout
9	Combined with <math>t\bar{a}la</math>, endowed with svara, bedecked with <math>p\bar{a}ta^{11}</math> in the	main via surya_layout
10	middle (and) again combined with pada, that song is known as daṇḍaka.	main via surya_layout
11	(386)	main via surya_layout
12	[5. Varņa]	section_header via surya_layout
13	Bedecked with birudas12 (eulogistic phrases) related to plenty,	main via surya_layout
14	renunciation, well-being or prosperity and combined also with <math>t\bar{a}la</math>, is varya (composed) in the <math>	main via surya_layout
15	(387)	annotation_inline parent ligne 14 via heuristic_short
16	*******	annotation_inline parent ligne 14 via heuristic_height
17	[6. Paddhaḍi]	section_header via surya_layout
18	Combined with svara (and) pāṭa and endowed with tāla, composed in any	main via surya_layout
19	language and combined with birudas is that paddhaḍī.	main via surya_layout
20	(388)	main via surya_layout
21	[7. Adilā]	section_header via surya_layout
22	Where there is the brilliant arrangement of svaras at the end of every foot,	main via surya_layout
23	combined with <math>t\bar{a}la</math>, that is <math>a\dot{q}il\bar{a}^{14}</math> by name.	main via surya_layout
24	(389)	annotation_inline parent ligne 23 via heuristic_height
25	[8. Catușpadi]	section_header via surya_layout
26	Where the song is endowed with meaning in every unit of text (pada)	main via surya_layout
27	(and) is combined with <math>t\bar{a}la</math>, having svara and <math>tenaka</math>, that is <math>catuspadik\bar{a}</m	main via surya_layout

vol_II_p099 RIGHT — 22 lignes

L#	Texte OCR	Role auto
1	181	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	Illustration-Māmāsārisārigārisāsāsārimā pādhaivatadhāpāsāmāgāpāmadhya-	main via surya_layout
4	mā gāgāgārigāgagadharimā gānisānisādhapāmāmā. Bāhyaṣāḍavā [i]	editorial_bracket parent ligne 3 via heuristic_brackets
5	Having şadjaas amśa, madhyamaas nyāsa, embellished with gāndhāra in the	main via surya_layout
6	mandra (sthāna, lower register), this (bhāṣā) nādākhyā<sup>68</sup> should be made	main via surya_layout
7	hexatonic in rāga ṣāḍava. This (bhāṣā) has been said to be hexatonic, with	main via surya_layout
8	the omission of <math>pa\bar{n}cama</math>. This (<math>bh\bar{a}s\bar{a}</math>) is always said to be <math>sa\bar{n}k\	main via surya_layout
9	delightful to the people.	main via surya_layout
10	<math>(139-140)</math>	main via surya_layout
11	Illustration - Sāsānimāmā sārimāmādhāmāmā rigāririnigāsānidhāmāmā.	main via surya_layout
12	Nādākhyā [ii]	editorial_bracket parent ligne 11 via heuristic_brackets
13	These two are there in vesarașādava.	main via surya_layout
14	13. Now the bhāṣās in bhinnatāna	section_header via surya_layout
15	Having pañçama as amsa and the same as the concluding note, this	table via surya_layout
16	sādhāraņakṛtā<sup>70</sup> bhāṣā is known to be tānodbhavā. It has to be made devoid	table via surya_layout
17	of rṣabha, by the knowledgeable ones in music.	table via surya_layout
18	(141)	table via surya_layout
19	.....[Tānodbhavā]	table via surya_layout
20	[This one is in bhinnatāna]	table via surya_layout
21	[14. Bhāṣās in gāndhārapancama]	table via surya_layout
22	.....[Gāndhārī]	table via surya_layout

vol_I_p057 LEFT — 49 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚI	page_header via surya_layout
2	96	page_number via heuristic_pagenum
3	निधधनि २२धपपध पममप	page_header via surya_layout
4	मगगम गरिरिंग रिसंसरि [ इति ]	page_header via surya_layout
5	सनिनिस	page_header via surya_layout
6	अथवा—	page_header via surya_layout
7	१६ \|	page_header via surya_layout
8	प्रसादः ।	page_header via surya_layout
9	\| अन्₀ ८६ \|	page_header via surya_layout
10	द्वौ द्वौ स्वरौ द्विकलौ २३सञ्चरन्तावारोहक्रमेणावरोहाच्चोद्वाहितः । [ यथा— ]	page_header via surya_layout
11	वि॰	page_header via surya_layout
12	∙डु	page_header via surya_layout
13	<sup>21</sup>सरि रिंग गम मप पध धनि निस सनि निध धप पम मग गरि रिस [ इति ]	page_header via surya_layout
14	उद्वाहितः।	page_header via surya_layout
15	\| १७ \|	page_header via surya_layout
16	अनु₀ ८७	page_header via surya_layout
17	द्विरभ्यस्तैरुपलोलकः। यथा—सरिसरि रिगरिग	page_header via surya_layout
18	अयमेव	page_header via surya_layout
19	गमगम	page_header via surya_layout
20	मपमप	page_header via surya_layout
21	पधपध	page_header via surya_layout
22	धनिधनि निसनिस सनिसनि निधनिध धपधप पमपम मगमग गरिगरि रिसरिस	page_header via surya_layout
23	[ १८ ]	page_header via surya_layout
24	<b>इति । उपलोलकः।</b>	page_header via surya_layout
25	। अनु₀ ८८ ।	page_header via surya_layout
26	एकादिक्रमेणान्तरस्वरेष्वारुह्य	page_header via surya_layout
27	पुनरवरोहणक्रमण	page_header via surya_layout
28	स्थायिन	page_header via surya_layout
29	स्वर	page_header via surya_layout
30	गत्वा	page_header via surya_layout
31	प्रस्तारक्रमेणैव एकैकाभिवृद्ध्या यत्र स्वरा उच्चार्यन्ते तत्र स क्रमः। अयमेकरूपत्वात्	page_header via surya_layout
32	परिवा	page_header via surya_layout
33	प्रस्तारेण [न] भिद्यते। [ यथा ] सरिरिस सरिगगरिस सरिगममगरिस सरिगमपपमगरिस	page_header via surya_layout
34	्रगा	page_header via surya_layout
35	॰मा॰	page_header via surya_layout
36	ुपा	page_header via surya_layout
37	सरिगमपधधपमगरिस सरिगमपधनिनिधपमगरिस सरिगमपधनिस-सनिधपमगरिस	page_header via surya_layout
38	्नीनी,	page_header via surya_layout
39	धा	page_header via surya_layout
40	क्रमः। अथवान्तरस्वरमारुह्य काकलीं गत्वा तेनैव क्रमेणावरुह्य स्थायिन्यागम्यते स	page_header via surya_layout
41	<sub>व</sub>के	page_header via surya_layout
42	क्रमः [ यथा - ] सगनिनिगस [ इति ] क्रमः।	page_header via surya_layout
43	[ १९ ]	page_header via surya_layout
44	[ अनु。 ८९ ]	editorial_bracket via heuristic_brackets
45	अाद्यं तृतीयं ततो द्वितीयं ततश्च चतुर्थमनेनैव क्रमेणान्यानप्यारुह्य मन्द्राव्निष्कृजितः।	unknown via fallback
46	₀रो₀	annotation_inline via heuristic_markers
47	कोहलमते च एकान्तरस्वरारोहान्निष्कूजितः । [ यथा - ] सग रिम गप मध पनि धस	editorial_bracket via heuristic_brackets
48	[ इति निष्कृजितः ]	editorial_bracket via heuristic_brackets
49	[ २० ]	editorial_bracket via heuristic_brackets

vol_I_p031 RIGHT — 38 lignes

L#	Texte OCR	Role auto
1	45	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	(That which) reaches the heart quickly from the other (svara) is known as	main via surya_layout
4	rṣabha. Just as the big bull seated (or standing) among the female gos (cows)	main via surya_layout
5	looks splendid, similar is this svara ṛṣabha 54 born in the svara-grāma (gamut).	main via surya_layout
6	(56, 57 ab)	annotation_inline parent ligne 5 via heuristic_height
7	That which holds the ganatmika vak (musical vak) is named as gandhara.55	main via surya_layout
8	<math>(57 \text{ cd})</math>	annotation_inline parent ligne 7 via heuristic_height
9	Madhyama svara is known to be so because of being the middle one among	main via surya_layout
10	svaras.56 Pañcama is that which measures the elaboration of svaras.57 (58)	main via surya_layout
11	Or, it is pañcama (fifth) in number in the order of pāṭha (lit. reading aloud	main via surya_layout
12	or recitation, here enumeration). Dhīvān is one who has got dhī (buddhi,	main via surya_layout
13	intellect), the one related to him (dhivan) is dhaivata.58	main via surya_layout
14	(59)	annotation_inline parent ligne 13 via heuristic_height
15	Or	annotation_inline parent ligne 13 via heuristic_height
16	It is known as dhaivata because it is held on the sixth sthana (location).	main via surya_layout
17	(60 ab)	annotation_inline parent ligne 16 via heuristic_height
18	The place of dhaivata is in the lalāţa (forehead), this is the meaning.59	main via surya_layout
19	Niṣāda is known as such because all the svaras rest upon it.60	main via surya_layout
20	<math>(60 \text{ cd})</math>	annotation_inline parent ligne 19 via heuristic_height
21	(Anu. 29)	annotation_inline parent ligne 19 via heuristic_height
22	But why is the rule that there are (only) seven svaras? It is being said	main via surya_layout
23	(answered) - (This rule is there) in the same way as (in the human body) seven	main via surya_layout
24	dhātus alone beginning with rasa61 are to be accepted in accordance with their	main via surya_layout
25	being dependent on seven dhātus62 (minerals). Similarly said Suśruta -	main via surya_layout
26	Tvak (lit. skin, here serum), blood, flesh, fat, bone, marrow and semen,	main via surya_layout
27	these are dhātus. Similarly, svaras are only seven on account of being dependent	main via surya_layout
28	on or dwelling in seven cakras 63 or seven dvipas 64 (lit. islands).	main via surya_layout
29	[ The castes of sveres ]	section_header via surya_layout
30	The svaras (comprised of) four śrutis are brāhmaņas,65 the ones (comprised	main via surya_layout
31	of) three śrutis are kṣatriyas,66 the ones with two śrutis should be known as	main via surya_layout
32	(61)	annotation_inline parent ligne 31 via heuristic_height
33	vaisyas 67 and the antara-svaras are śūdras.68	main via surya_layout
34	[ The drawing out of svara signs as contained in agama ]	editorial_bracket parent ligne 33 via heuristic_brackets
35	Having acquired the eight groups beginning with akara and ending with	main via surya_layout
36	ya-śa, one should draw out70 the heptad of svaras (their abbreviated names i.e.	main via surya_layout
37	solfa-syllables) combined with letters and mātrās (vowel-endings).	main via surya_layout
38	(62)	annotation_inline parent ligne 37 via heuristic_height

vol_II_p024 RIGHT — 34 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	31	page_number via heuristic_pagenum
3	[Anu. 132]	editorial_bracket parent ligne 4 via heuristic_brackets
4	In the opinion of our guru, ṛṣabha becomes the apanyāsa, on account of its	main via surya_layout
5	being non-amśa. Some others have accepted rṣabha as apanyāsa, just like	main via surya_layout
6	amsa.	annotation_inline parent ligne 5 via heuristic_height
7	· Pañcama is strong in it and so is niṣāda. The graha in all (the jātis) should	main via surya_layout
8	always be known like the amśa.	main via surya_layout
9	(238)	main via surya_layout
10	[6. Indication of the gaņas or groups of the jātis]	section_header via surya_layout
11	The gaṇa (group) of all the jātis is formed with three jātis 42 in each case.	main via surya_layout
12	This group should be known by the wise by its definition to be with	main via surya_layout
13	increasing (number of) svaras.	main via surya_layout
14	(239)	annotation_inline parent ligne 13 via heuristic_short
15	(This group is) with one svara, two svaras, three svaras, four svaras (all the	main via surya_layout
16	four are comprised of three jātis each), the one with five svaras is fourfold	main via surya_layout
17	(comprised of four jātis) and the two with six and seven svaras have one	main via surya_layout
18	variety each.	annotation_inline parent ligne 17 via heuristic_short
19	(240)	annotation_inline parent ligne 17 via heuristic_height
20	[Anu. 133]	section_header via surya_layout
21	This means that the statement that a gana (group) is formed with three	main via surya_layout
22	jātis is the indication of the number (which is applicable in maximum cases).	main via surya_layout
23	Out of these groups there is one that is formed with three (jātis) having one	main via surya_layout
24	amśa svara each viz. madhyamodicyavā, gāndhārapancamī and nandayantī-pa,	main via surya_layout
25	pa, pa.	annotation_inline parent ligne 24 via heuristic_height
26	There are three (jātis) having two amśa svaras each viz. dhaivatī,	main via surya_layout
27	gāndhārodīcyavā and pancamī-dhari, sama, pari.	main via surya_layout
28	There are three jātis having three amśa svaras each viz. ārṣabhī, naiṣādī and	main via surya_layout
29	şadjakaiśikī-dhaniri, garini, sagapa.	main via surya_layout
30	There are three (jātis) with four amśa svaras each viz. şadjodīcyavatī, āndhrī	main via surya_layout
31	and kārmāravī – samadhani, rigapani, paridhani.	main via surya_layout
32	There are four (jātis) with five amśa svaras each, viz. ṣāḍjī, gāndhārī,	main via surya_layout
33	raktagāndhārī and madhyamā - sagamapadha, sagamapani, sagamapani,	main via surya_layout
34	sarimapadha.	main via surya_layout

170 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p114 RIGHT — 27 lignes

vol_II_p099 RIGHT — 22 lignes

vol_I_p057 LEFT — 49 lignes

vol_I_p031 RIGHT — 38 lignes

vol_II_p024 RIGHT — 34 lignes