Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21296). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p041 RIGHT — 47 lignes

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1 TRANSLATION page_header
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2 65 page_number
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3 dhā nī sā sā rī rī rī rī table
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4 (3) table
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5 sā sā sā rī gā mā mā mā table
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6 (4) table
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7 mā dhā nī dhā mā dhā mā pā table
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8 . annotation_inline
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9 <b>(5)</b> table
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10 gā rī sā dhani rī rī rī rī table
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11 (6) table
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12 gā rī sā sā pā dhā mā mā table
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13 (7) table
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14 gā gā gā mā pā nidhani nī nī table
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15 (8) table
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16 gã gã nĩ nĩ gã gã gã gã table
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17 (9) table
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18 gā gā nī nī nidha pā pā pā table
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19 (10) table
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20 mā pā mā pā pā pā mā mā table
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21 (11) table
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22 sā mā gā nidha nī nī gā gā table
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23 (12) table
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24 Thus ends <i>Kaišikī</i>. section_header
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25 [5. Madhyamodicyavā] section_header
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26 Madhyamodīcyavā is known to be always complete and having pañcama as main
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27 amsa. annotation_inline
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28 (14) main
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29 The remaining lakṣaṇa should be known to be as in gāndhārodīcyavā. The main
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30 mūrchanā beginning with madhyama obtains. Caccatpuța is known as the main
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31 (prescribed) <i>tāla</i>. main
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32 (15) annotation_inline
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33 The application is (prescribed) in the dhruvā of the fourth act. main
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34 Madhyama is the nyāsa in this jāti. Ṣadja and dhaivata are the apanyāsas. The main
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35 prastāra is thus – main
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36 pā dhani nī nī mā mā nī pā table
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37 (1) table
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38 rī rī rī gā sā riga gā gā . table
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39 (2) table
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40 nī nī nī nī nī nī nī nī table
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41 (3) table
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42 nī nī dhapa mā nidha nidha pā pā table
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43 <b>(4)</b> table
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44 pā pā rī rī rī rī rī rī table
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45 (5) table
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46 mā riga sā sadha nī nī nī nī table
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47 (6) table
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vol_II_p044 LEFT — 47 lignes

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1 BRHADDEŠĪ page_header
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2 70 page_number
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3 गां पा मां पा नी नी नी नी table
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4 (११) table
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5 (१२) table
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6 मापा मा परि गा गा गा गा table
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7 (१३) table
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8 नी नी पा धा नी गां गां गां table
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9 (१४) table
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10 नी नी नी नी नी नी नी table
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11 (१५) table
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12 मां मां धा नी सनि धा पा पा table
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13 (१६) table
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14 मां पां मां परिग गां गां गां गां table
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15 . ॥ [इति] गान्धारपञ्चमी ॥ editorial_bracket
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16 । म॥ annotation_inline
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17 [८, आन्ध्री] section_header
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18 १८३ आन्ध्र्यामंशा निरिगपा रिगयोर्निधयोस्तथा । main
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19 अन्ध्रया(मङ्गा ? मंशा) निरू main
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20 सङ्गतिन्यासपर्यन्तमंशानुक्रमतो व्रजेत् ॥२१॥ main
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21 षाडवं षड्जलोपेन मध्यमादिश्च मूर्छना । main
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22 १८४ दिस्तु annotation_inline
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23 पूर्वावत् तु कलातालविनियोगाः प्रकीर्तिताः ॥२२॥ main
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24 १८५ ॰काल॰ annotation_inline
parent ligne 23
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25 <sup>१८६</sup>अस्यामान्ध्र्यां गान्धारो न्यास: । अंशा एवापन्यासा: । <sup>१८७</sup>प्रस्तार: - main
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26 ॰ मन्ध्र्यां table
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27 (१) table
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28 गारी री री री री री री table
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29 री गारी गारी री री री table
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30 (२) table
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31 (३) table
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32 री री गा गा री री मा मा table
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33 (8) table
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34 री गा सा धनि नीं नीं नीं नीं table
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35 (4) table
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36 नीं रीं नीं रीं धनि धनि पा पा table
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37 (६) table
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38 मा पा मा रिग गा गा गा गा table
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39 (७) table
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40 री री गा सम मा मा पा पा table
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41 (८) table
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42 मा पा मा रिग गा गा गा गा table
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43 (9) table
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44 धा नी गा गा गा गा गा गा table
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45 (१०) table
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46 पा पा मा रिग गा गा गा गा table
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47 The same of the same of the same of the same of the same of the same of the same of the same of the same of the same of annotation_inline
parent ligne 25
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vol_II_p016 LEFT — 37 lignes

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1 14 page_number
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2 BRHADDESÏ page_header
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3 सोऽभिधीयते । अंशस्य विवादी ३९यो न भवति [स] प्रथमविदार्यन्ते४० editorial_bracket
parent ligne 4
via heuristic_brackets
4 यदि main
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5 प्रयुक्तो annotation_inline
parent ligne 4
via heuristic_short
6 <b>॰यन्तिर्यादि</b> annotation_inline
parent ligne 4
via heuristic_markers
7 प्रवृत्तो annotation_inline
parent ligne 4
via heuristic_height
8 यथा annotation_inline
parent ligne 4
via heuristic_height
9 भवति, तदासौ संन्यास इत्यर्थ: । main
via surya_layout
10 ¥<sup>१</sup>तदा annotation_inline
parent ligne 9
via heuristic_short
11 <sup>४२</sup> इत्युच्यते main
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12 यदा annotation_inline
parent ligne 11
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13 [अंशलक्षणान्तर्गतं विन्यासलक्षणम्] section_header
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14 [अनु॰१२३] editorial_bracket
parent ligne 13
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15 एष एव तु संन्यासस्वरः पदान्ते विन्यस्तो तदा विन्यासः । main
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16 <sup>४३</sup>०स्वरो यदा annotation_inline
parent ligne 15
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17 अतएव तदुक्तं भवति - main
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18 र्४४<br>एवांशस्य संवाद्यनुवादी वा पदिवदार्यन्ते भवतीत्युक्तम् । main
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19 भ्भ' रागश्च यस्मिन् वसति यस्माच्चैव प्रवर्तते । main
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20 अंशस्य संवादी या भवति annotation_inline
parent ligne 19
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21 नेता च तारमन्द्राणां योऽत्यर्थमुपलभ्यते ॥ main
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22 ग्रहापन्यासविन्याससंन्यासन्यासगोचर:। main
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23 अनुवृत्तश्च यश्चेह सोंऽश: स्याद् दशलक्षण:॥'४६ main
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24 स्या(दं?द्द)शलक्ष(णं?ण:) main
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25 [तुल॰ ना॰ शा॰ २८.६८,६९] editorial_bracket
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26 [३. तारलक्षणम्] section_header
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27 [अनु॰ १२४] editorial_bracket
parent ligne 26
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28 इदानीं तारलक्षणमुच्यते - main
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29 <sup>४७</sup>अंशस्वरप्रयोगादारभ्य main
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30 पञ्चस्वरपरा तारगति:। main
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31 किमुक्तं भवति ? main
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32 पञ्चमस्वरारोहणं तार इति, चतुःस्वरारोहणं तार इति [वा]। नन्दयन्त्यां यथासासानिधसा editorial_bracket
parent ligne 31
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33 <b>ल्सारो</b>॰ annotation_inline
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34 <b>ल्यमारो</b>॰ annotation_inline
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35 रिग annotation_inline
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36 इति, पञ्चमांशत्वात् षड्जस्तार: । आपञ्चमादिति योजना [गान्धार्या] अष्टम्या विदार्या editorial_bracket
parent ligne 31
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37 °ध्या page_footer
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vol_II_p025 RIGHT — 34 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 33 page_number
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2 TRANSLATION page_header
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3 Kaiśikī is (the only one) with six aniśa svaras - sa, ga, ma, pa, dha, ni. main
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4 Ṣaḍja - madhyamā is (the only one) with seven amśa svaras - sa, ri, ga, ma, main
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5 pa, dha, ni. main
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6 1 page_number
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7 Thus sixty-three amsas have been explained. main
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8 Madhyamodīcyavā and similarly gāndhārapañcamī and nandayantī, these main
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9 three are known to be with one anisa viz. pancama. main
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10 (241) annotation_inline
parent ligne 9
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11 Dhaivatī and pañcamī, these two should be known with two amśa (svaras) main
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12 each viz. dhari and ripa. Gāndhārodīcyavā is with two (amśa svaras) viz. main
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13 madhyama and şadja. annotation_inline
parent ligne 12
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14 (242) main
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15 In ārṣabhī niridha, in naiṣādī the three niriga (and) in ṣaḍjakaiśikī sagapa are main
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16 amsa (svaras); (these) three are said to be with three amsas each. main
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17 (243) annotation_inline
parent ligne 16
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18 Şadjodīcyavatī is known to be with four amśasviz. samanidha, kārmāravī is main
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19 with ripanidha, andhrī also with garinipa. main
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20 (244) annotation_inline
parent ligne 19
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21 Ṣāḍjī is with sagamapadha (as amśas), madhyamā is also with five amśas viz. main
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22 sarimapadha, gāndhārī is with sagamanipa and similarly is raktagāndhārī with main
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23 the same five amśas. Kaiśikī is the one (jāti) that is known to have six amśas main
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24 viz. sagamapanidha. annotation_inline
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25 <math>(245-246)</math> main
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26 Ṣadjamadhyā is with seven amsas and thus those amsas are sixty-three (in main
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27 total). main
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28 [7. Prescription regarding the performance of jātis] section_header
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29 Jātis are those that give rise to grāma-rāgas through their amśas.43 main
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30 (247) annotation_inline
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31 During their performance the prescription (regarding temporal main
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32 organisation) is based on yugma<sup>44</sup> (lit.even) and ayugma<sup>45</sup> (lit.odd). They main
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33 are to be performed with three 46 mārgas viz. citra, vārtika and dakṣiṇa. main
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34 (248) main
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vol_II_p064 RIGHT — 42 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 14.00 annotation_inline
parent ligne 4
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2 TRANSLATION page_header
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3 111 page_number
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4 [Anu. 193] section_header
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5 This means - Sauvīraka is related to sadjagrāma on account of being born of main
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6 ṣaḍjamadhyamājāti Ṣaḍjaisitsgraha,amśandnyāsa. Thereisthe sparsenessof gāndhāra main
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7 and niṣāda. Niṣāda is kākalī and this (rāga) is complete. Its application is prescribed in main
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8 the context of entry and the like in the behaviour of those who perform domestic main
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9 sacrifices, who practise restraint and perform penance and in sinta rasa Vira 66 and the main
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10 like are the rasas. The mürchanā beginning with sadja obtains. Arohin is the varna. main
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11 Prasumādiis the alarikāra. The kalā is formed in the dakṣiṇa („nārga), the kalā obtains main
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12 in the vitti (mārga) and the kalā prevailsin the citra (mārga). A tālalike caccatputa obtains main
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13 in the songs comprised of svara and pada. main
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14 [3. Mālavapañcama] section_header
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15 Mālavapancamashould be known to have pancamaasits anistand concluding main
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16 note and is born of pañcami and madhyamā jātis. It has, as sparse, the svaras that main
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17 are comprised of two śrutis (gāndhāra and niṣāda). main
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18 (322) main
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19 [Anu. 194] section_header
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20 This means-Mālavapañcamais related to madhyamagrāma on account of main
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21 being born of madhyamā and pañcamī jātis. Pañcama is the amśa, graha and main
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22 nyāsa. There is the sparseness of niṣāda and gāndhāra. Niṣāda is kākalī and main
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23 this (rāga) is complete in svaras. Its application is prescribed in vipralambha main
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24 śṛṅgāra (love in separation) in the entry of the kañcukin (attendant of the main
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25 female apartments). The mūrchanā beginning with pañcama obtains. main
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26 Śringāra<sup>67</sup> and hāsya are the rasas. Ārohin and the like are the varņas. main
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27 Prasannādi is the alankāra. The kalā is formed in the dakṣiṇa (mārga), the kalā main
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28 obtains in the vṛtti (mārga) and the kalā prevails in the citra (mārga). A tāla main
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29 like caccatputa obtains in the songs comprised of svara and pada. main
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30 [4. Vesarașādava] section_header
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31 Vesaraṣāḍavahas madhyamaas its amsaand nyāsa, ṣaḍjamadhyamā is the cause main
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32 and it is devoid of the svaras comprised of two śrutis each (gāndhāra, niṣāda). main
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33 (323) main
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34 [Anu. 195] section_header
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35 This means - vesaraṣāḍava is related to ṣaḍjagrāma on account of being main
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36 born of ṣaḍjamadhyamā. Madhyama is the graha, amśa and nyāsa. There is the main
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37 sparseness of gāndhāra and niṣāda. Gāndhāra and niṣāda are antara and main
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38 kākalī. It is always complete in svaras. It is used in sānta rasa. Šriigāra<sup>68</sup> and main
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39 hāsyaare the rasas. The mūrchanā beginning with madhyama obtains. Ārohin main
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40 is the varņa. Prasannādi is the alankāra. The kalā is formed in the dakṣiṇa main
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41 (mārga), the kalā obtains in the vṛtti (mārga) and the kalā prevails in the citra main
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42 (mārga). A tāla like caccatpuṭa obtains in songs comprised of svara and pada. main
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207 lignes a valider — change uniquement les roles incorrects.