Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21302). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p123 RIGHT — 34 lignes

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1 TRANSLATION page_header
via surya_layout
2 229 page_number
via heuristic_pagenum
3 [2. Kāmalekhā] section_header
via surya_layout
4 Kāmalekhā is that where there are twenty-two<sup>60</sup> (dviguņita-rudra) mātrās in the main
via surya_layout
5 first (foot) and in the foot bearing an even number (second) the same (number main
via surya_layout
6 of mātrās) obtains, in the foot of odd number (third) there are twenty (mātrās). main
via surya_layout
7 (445) main
via surya_layout
8 [3. Bāṇalekhā] section_header
via surya_layout
9 If in all the three feet, in a uniform manner there are double the number main
via surya_layout
10 of mātrās (obtaining in kāmalekhā) (and) where they are composed in main
via surya_layout
11 bāṇagaṇas,61 that is bāṇalekhā. main
via surya_layout
12 (446) main
via surya_layout
13 [4. Candralekhā] section_header
via surya_layout
14 Where there are three above forty (forty-three) mātrās in a couple of feet main
via surya_layout
15 i.e. the first two feet (and where) the number of mātrās is less by one (forty- main
via surya_layout
16 two) in the foot bearing an odd number (third foot), that is candralekhā. main
via surya_layout
17 (447) main
via surya_layout
18 Thus ends the fourfold mātrailā. section_header
via surya_layout
19 [C. The varieties of <i>Varnailā</i>] section_header
via surya_layout
20 There is no regulation of <i>tāla</i> here, none of <i>msa</i> and none of <i>rāga</i>; there is only main
via surya_layout
21 the regulation of syllables <math>^{62}</math> (in their number); hence it is called <i>varyailā</i>. main
via surya_layout
22 (448) annotation_inline
parent ligne 21
via heuristic_short
23 Madanavatī, śaśilekhā, prabhāvatī, mālatī, similarly lalitā, hemavatī, (and) main
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24 kusumavatī, these seven are the elās regulated on the basis of varņa (syllable). main
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25 (449) annotation_inline
parent ligne 24
via heuristic_short
26 Beginning with eleven syllables and ending with seventeen (syllables in main
via surya_layout
27 each foot), these seven are sung in sequence, by the gandharvas with main
via surya_layout
28 beautiful padas (textual units) (and) good sounds. main
via surya_layout
29 (450) main
via surya_layout
30 [1. Madanavatī 2. Šašilekhā 3. Prabhāvatī] section_header
via surya_layout
31 That madanavatī is composed of non-short (alaghu) gaṇas 63 i.e., has all main
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32 long (guru) syllables, śaśilekhā is with short (laghu) gaṇas, prabhāvatī is always main
via surya_layout
33 profuse with long (guni) gaṇas (and) mālatī and lalitā (will be described now). main
via surya_layout
34 (451) main
via surya_layout

vol_II_p066 LEFT — 31 lignes

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1 BRHADDEŚĪ page_header
via surya_layout
2 114 page_number
via heuristic_pagenum
3 [अनु॰ १९८] section_header
via surya_layout
4 षड्जोऽस्य ग्रहोंऽशो न्यासश्च । निषादोऽत्र काकली । धैवतर्षभहीनमौडुवितम् । main
via surya_layout
5 धैवत ऋषभहीन( ध ?)मौडवितम् annotation_inline
parent ligne 4
via heuristic_height
6 <sup>८२</sup>सम्भोगशृङ्गारेऽस्य विनियोग:। वीरादिरस:। मूर्छना षड्जादि:। वर्ण आरोही। main
via surya_layout
7 ॰ना(दि) annotation_inline
parent ligne 6
via heuristic_markers
8 प्रसन्नादिरलङ्कारः । दक्षिणे कला, वार्तिके कला, चित्रे कला। स्वरपदगीते चच्चत्पुटादिताल । main
via surya_layout
9 [७. टक्ककेशिक:] section_header
via surya_layout
10 धैवतांशस्तदन्तश्च स्वल्पद्विश्रुतिकस्वर: । main
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11 धैवतीमध्यमाजात्यो: सञ्जातष्टक्ककैशिक: ॥३२६॥ main
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12 ॰एक annotation_inline
parent ligne 11
via heuristic_markers
13 [अनु॰ १९९] section_header
via surya_layout
14 धैवतीमध्यमाजात्योर्जातत्वाट्टक्ककेशिक: षड्जग्रामसम्बन्ध:। <sup>८३</sup>ननु उभयग्रामसम्बन्धिन्यो- main
via surya_layout
15 (यस्याज? ठमय) annotation_inline
parent ligne 14
via heuristic_height
16 र्जात्योः समुत्पन्नोऽयं गगः षड्जग्रामसम्बन्ध इति कथं वक्तुं युक्तम् ? अस्य प्रयोगे चतुःश्रुतिसम्बन्धः main
via surya_layout
17 र्जा(न्यो?त्यो) annotation_inline
parent ligne 16
via heuristic_height
18 (कथं) annotation_inline
parent ligne 16
via heuristic_height
19 पञ्चम उपलभ्यते। पञ्चमधैवतौ द्विग्रामयोर्भेदकारिणौ अत: पञ्चमस्य चतु:श्रुतिकत्वात् । षङ्जग्रामसम्बन्ध main
via surya_layout
20 (पञ्चमे पैवतेन भिग्रामयोर्भेदकारिणौ ?) annotation_inline
parent ligne 19
via heuristic_height
21 एवायं राग:। ग्रहोंऽशो न्यासश्च धैवत:। निषादगान्धारौ चात्र काकल्यन्तरौ। पूर्णस्वरश्चायम्। main
via surya_layout
22 <sup>८४</sup>कश्यपमते निषादगान्धारयोर्लोपादयमौडुवित: । उद्भटनाट्ये कामग्रस्ततत्कञ्चकिप्रवेशे चास्य main
via surya_layout
23 विनियोग:। बीभत्सादिरस: । धैवतादिमूर्छना। आरोही वर्ण:। दक्षिणे कला, वार्तिके कला, चित्रे main
via surya_layout
24 मध्यमादिधैवता(?) annotation_inline
parent ligne 23
via heuristic_height
25 कला । स्वरपदगीते चच्चत्पुटादिताल: । main
via surya_layout
26 [८. मालवकैशिक:] section_header
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27 ८५कैशिकीजातिसम्भूतः षड्जांशन्याससंयुतः । main
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28 दुर्बलो धैवतेन स्याद् रागो मालवकैशिक: ॥ ३२७॥ main
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29 <sup>८६</sup>पञ्चमं केचिदिच्छन्ति चास्य वै न्यासकर्मणि । main
via surya_layout
30 हात्याद्याः + कर्मणि annotation_inline
parent ligne 29
via heuristic_height
31 गान्धारं च तथा चान्ये तद्धि लक्ष्ये न दृश्यते ॥ ३२८॥ main
via surya_layout

vol_II_p132 RIGHT — 39 lignes

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1 PĀŢHAVIMARŚA page_header
via surya_layout
2 247 page_number
via heuristic_pagenum
3 24. Reconstruction based on Datti. 56. list_item
via surya_layout
4 25. Reconstruction based on c.r. in Kalā on SR I.7. 29-34, p. 182. list_item
via surya_layout
5 cf. स त्रिपष्टिभेदभित्रोऽष्टादशजातिषु । list_item
via surya_layout
6 BhaKo p. 3. main
via surya_layout
7 26. Reading in BhaKo p. 3. list_item
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8 27. cf. कासु च जातिषु नन्दयन्त्यादिषु ग्रहांशयोर्विवादित्वेन ग्रहस्याप्रधानत्वं सम्भवति । list_item
via surya_layout
9 BhaKo p. 188. main
via surya_layout
10 28. P.t. adds here the following confused portion list_item
via surya_layout
11 तथापि प्रथमचतुर्थपष्टगीतेषु मन्द्रप्रकृतो (मन्द्रकृतो)विशेषः नियमः प्रथमे संवादित्वात् कथं भेदप्रयोगः । षङ्जोदीच्यवा- list_item
via surya_layout
12 मध्यमोदीच्यवा-रक्तगान्धारी-गान्धारी-पञ्चमीनां तु ग्रहाविवादि द्वेन ( ग्रहाविवादित्वेन) ग्रहस्तु आर्षभी धैवती निपादवत्यन् list_item
via surya_layout
13 पड्जकैशिकी पड्जमध्यमा चेति । एवं नन्दयन्त्यामिति ग्रहविधि:। list_item
via surya_layout
14 29. NŠ reads this verse as - list_item
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15 ग्रहस्तु सर्वजातीनामंशवत् परिकीर्तित:। main
via surya_layout
16 यत्प्रवृत्तं भवेदु गेयमंशो ग्रहविकल्पित:॥ main
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17 NŠ XXVIII. 67. annotation_inline
parent ligne 16
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18 ग्रहस्तु सर्वजातीनामंश एव हि कीर्तित: । main
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19 यत्प्रवृत्तं भवेद् गानं सोंऽशो ग्रहविकल्पित:॥ main
via surya_layout
20 NŠ Chau. XXVIII. 71. main
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21 The reading of our text is better than the G.O.S. ed. specially in the fourth main
via surya_layout
22 foot. main
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23 30. 'Amśa' here has been replaced with 'anga' because it does not fit list_item
via surya_layout
24 into the context. list_item
via surya_layout
25 31. Reconstruction based on BhaKo p. 3; p.t. reading 'yasminnamśe' list_item
via surya_layout
26 involves a repetition of 'amśa' in the sentence, which is redundant. list_item
via surya_layout
27 32. 'Yasrā' is the reading of MS B recorded by the ed. list_item
via surya_layout
28 33. Reading of MS B as recorded by the ed. list_item
via surya_layout
29 34. 'Mandrāinsa' does not seem to fit into the context. list_item
via surya_layout
30 'Pañcamāmśā' has been conjectured here, because accordingly the last main
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31 svara dha will be the seventh below the amśa. main
via surya_layout
32 35. MSB. reading is recorded by ed. as 'sasthāne'. Neither 'sainsthāne' nor list_item
via surya_layout
33 'sasthāne' appear to fit into the context. We have, therefore, reconstructed as list_item
via surya_layout
34 <i>'svasthāne'. 'Svasthāna'</i> is a word occurring in later texts (cf. SR III.191, 192) list_item
via surya_layout
35 for sections of 'alapa' or melodic elaboration. It could not be said definitely list_item
via surya_layout
36 whether or not this word was current in the times of our text; all the same, this list_item
via surya_layout
37 seems to be the only plausible alternative in view of the available readings. list_item
via surya_layout
38 36. This portion has been added on the basis of the following list_item
via surya_layout
39 verse of NS - list_item
via surya_layout

vol_II_p163 RIGHT — 40 lignes

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1 <b>VIMARŚA</b> page_header
via surya_layout
2 309 page_number
via heuristic_pagenum
3 85. The gandhara and that too antara becomes the dhaivata of list_item
via surya_layout
4 madhyamagrāma. Perhaps this phenomenon is being indicated here. list_item
via surya_layout
5 86,87. Adbhuta and hasya on the one hand and karuna on the other list_item
via surya_layout
6 are incompatible. list_item
via surya_layout
7 88. The freedom of the performer is being indicated here. list_item
via surya_layout
8 89,90,91. The situations mentioned under viniyoga and the rasa vīra list_item
via surya_layout
9 are perfectly compatible. list_item
via surya_layout
10 92. Yuddhavīra is one of the four varieties of vīra rasa. See note 53. list_item
via surya_layout
11 93. The indication of murchana finds place in the description of jatis list_item
via surya_layout
12 for the first time. No rule is prescribed for assigning a particular mūrchanā to list_item
via surya_layout
13 a given jāti. Here it is said that the mūrchanā of jāti is known from the list_item
via surya_layout
14 'statements of authorities', which implies that there is no prescribed rule. list_item
via surya_layout
15 94. The import seems to be that the amsa that is predominant among list_item
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16 amsas (in the case of jātis with more than one amsa) determines the mūrchanā list_item
via surya_layout
17 of a <i>jāti</i>. list_item
via surya_layout
18 95. The four components of gita have been enumerated as svara, pada, list_item
via surya_layout
19 tāla and mārga (vide citation in the name of Kasyapa in Kalā on SR II.30-32). list_item
via surya_layout
20 96. Dhruvāis a metrical text that is performed in pūrvaranga, where the list_item
via surya_layout
21 compositions in Sanskrit or in prescribed non-lexical syllables are used. The list_item
via surya_layout
22 dhruvā performed within the drama is invariably in Prākṛta and provides a list_item
via surya_layout
23 figurative and poetic commentary on the happenings in the drama. NS list_item
via surya_layout
24 XXXII gives numerous illustrations of <i>dhruvā</i> texts. list_item
via surya_layout
25 97. The ten forms of rūpaka are described in NS XVIII; they are - nāṭaka, list_item
via surya_layout
26 prakaraṇa, aṅka, vyāyoga, bhāṇa, samavakāra, vīthī, prahasana, ḍima and īhāmṛga. list_item
via surya_layout
27 98. Prastāvanā(lit.introduction) is twofold, one occurring in the end list_item
via surya_layout
28 of the Pūrvaranga and the other in the beginning of the play immediately after list_item
via surya_layout
29 nāndī i.e. one is composed by the sūtradhāra known as director and the other list_item
via surya_layout
30 by the poet called playwright to-day. list_item
via surya_layout
31 99. Mukha and pratimukha are the first two among the five sandhis or list_item
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32 junctures of drama. list_item
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33 100,101. Garbha is the third sandhi and avamarsa (another name for list_item
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34 vimarsa) is the fourth one. list_item
via surya_layout
35 Chapter IV section_header
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36 (The description of bhāṣās) section_header
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37 [ A. Bhāṣās according to Yāṣṭika ] section_header
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38 1. This whole portion on bhāṣās according to Yāṣṭika seems to form main
via surya_layout
39 part of an independent text. We have retained it in our reconstructed text main
via surya_layout
40 as it embodies very valuable material, but we have numbered its verses main
via surya_layout

vol_II_p039 LEFT — 46 lignes

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1 #1 unknown
via fallback
2 60 page_number
via heuristic_pagenum
3 BRHADDEŚĪ page_header
via surya_layout
4 गा गम पा पध मा धनि पा पा table
via surya_layout
5 (৩) table
via surya_layout
6 री गा सा सध नी नी धा धा table
via surya_layout
7 (८) table
via surya_layout
8 गा रिंग सा सनि गा रिंग सा सा table
via surya_layout
9 (9) table
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10 सा सा सा मा मिन धिन नी नी table
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11 (१०) table
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12 मां मां मां परिंग गो गो सो सो table
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13 (११) table
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14 गों सी गों सी मी पी मी पेरिने table
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15 (१२) table
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16 गा गा गा गा गा सा सा table
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17 (१३) table
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18 नी नी पो धो नी गो गो गो table
via surya_layout
19 (१४) table
via surya_layout
20 नी नी धा पा धा पा मा पा table
via surya_layout
21 (१५) table
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22 धा पा मा मा मा मा मा मा table
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23 (१६) table
via surya_layout
24 ॥ [इति] गान्धारोदीच्यवती ॥ editorial_bracket
parent ligne 26
via heuristic_brackets
25 । मा annotation_inline
parent ligne 26
via heuristic_height
26 [३.रक्तगान्धारी] section_header
via surya_layout
27 अंशा: स्यू रक्तगान्धार्या पञ्च धर्षभवर्जिता:। main
via surya_layout
28 (म ?घ)पंभ(पूजि ? वर्जि)ताः main
via surya_layout
29 रिमतिक्रम्य सगयो: कार्ये सित्रिधिमेलने ॥ ७॥ main
via surya_layout
30 री(रि) annotation_inline
parent ligne 29
via heuristic_short
31 रिलोपरिधलोपाभ्यां षाडवौडुविमष्यते । main
via surya_layout
32 बहुत्वं निधयोरंश: पञ्चमो द्वेष्टि षाडवम् ॥ ८॥ main
via surya_layout
33 द्विषन्त्यौडुवितं षड्जनिमपा: सङ्गतौ सगौ। main
via surya_layout
34 द्विप(जो ? नयौ) द्ववितं main
via surya_layout
35 पञ्चपाण्यादि षाङ्जीवद् ऋषभादिस्तु मूर्छना ॥ ९॥ main
via surya_layout
36 तृतीयप्रेक्षणगतं ध्रुवायां विनियोजनम् ॥१०॥ main
via surya_layout
37 <sup>१७१</sup>ंगतघुवायां main
via surya_layout
38 <sup>१७२</sup>अस्यां गान्धारो न्यास:, मध्यमोऽपन्यास:। <sup>१७३</sup>प्रस्तार: - main
via surya_layout
39 (तस्या ?)तस्या annotation_inline
parent ligne 38
via heuristic_short
40 (न्यास:, मध्यमोऽ) main
via surya_layout
41 पा नी सा सा गा सा पा नी main
via surya_layout
42 (१) annotation_inline
parent ligne 41
via heuristic_short
43 सां सां पा पा मा मा गा गा main
via surya_layout
44 (२) annotation_inline
parent ligne 43
via heuristic_short
45 मा पा धा पा मा पा धप मग main
via surya_layout
46 (3) unknown
via fallback
190 lignes a valider — change uniquement les roles incorrects.