Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21303). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p021 RIGHT — 40 lignes

page vol_II_p021 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 ٠. annotation_inline
parent ligne 4
via heuristic_height
2 25 page_number
via heuristic_pagenum
3 TRANSLATION page_header
via surya_layout
4 Ārṣabhī has niṣāda, ṛṣabha and dhaivata as amsas. The ṣāḍava and auḍuvita main
via surya_layout
5 (forms) come into being by the omission of sadja and (sadja) pañcama main
via surya_layout
6 respectively. annotation_inline
parent ligne 5
via heuristic_short
7 (213) main
via surya_layout
8 In dhaivatī, ṛṣabha and dhaivata have been spoken of as amśas by the gurus. main
via surya_layout
9 These two alongwith madhyama are apanyāsas and the two(ṣāḍava and main
via surya_layout
10 auduvita) are, as spoken of before, (in ārṣabhī) through the respective main
via surya_layout
11 omission of (ṣadja and ṣadja-pañcama). main
via surya_layout
12 (214) annotation_inline
parent ligne 11
via heuristic_short
13 In niṣādavatī (or naiṣādī), the svaras having two śrutis each (viz. gāndhāra, main
via surya_layout
14 niṣāda) alongwith ṛṣabha are the amśas. The rest is as in dhaivatī, the nyāsa main
via surya_layout
15 is the svara (niṣāda) from which this jāti derives its name. main
via surya_layout
16 (215) annotation_inline
parent ligne 15
via heuristic_short
17 In ṣaḍja-kaiśikī, ṣaḍja, gāndhāra and pañcama are aṁśas and they themselves main
via surya_layout
18 are the apanyāsas, adding niṣāda and omitting gāndhāra. main
via surya_layout
19 (216) annotation_inline
parent ligne 18
via heuristic_short
20 Rṣabhais of sparse usage and gāndhārais desired to be the nyāsa. And this main
via surya_layout
21 (jāti) is said by the ācāryas to be always pūrņasvarā (with complete svaras i.e. main
via surya_layout
22 there is no omission). main
via surya_layout
23 (217) annotation_inline
parent ligne 22
via heuristic_short
24 Şadjodicyavatī is (formed) with şadja, madhyama, dhaivata and niṣāda as main
via surya_layout
25 amśas, sadja and dhaivata should be known as two apanyāsas. main
via surya_layout
26 (218) annotation_inline
parent ligne 25
via heuristic_short
27 It is devoid of rṣabha and if two (svaras) have to be omitted then it is devoid main
via surya_layout
28 also of pañcama. There is the abundance of mandra gandhara and madhyama main
via surya_layout
29 is the <i>nyāsa</i>. main
via surya_layout
30 (219) annotation_inline
parent ligne 29
via heuristic_short
31 Şadja-madhyamā has all the svaras as amśa and its nyāsa is on the two svaras main
via surya_layout
32 from which it derives its name (viz. şadja and madhyama). Nişāda and main
via surya_layout
33 gāndhāra are the two svaras that bring about hīnatva (the state of being bereft main
via surya_layout
34 i.e. the omission of niṣāda brings about its ṣāḍava form and that of niṣāda, main
via surya_layout
35 gāndhāra, its audava form). main
via surya_layout
36 (220) annotation_inline
parent ligne 35
via heuristic_short
37 The sañcara (to and fro movement of svaras) is left to one's will, it has to main
via surya_layout
38 be so as not to violate the grāma.<sup>41</sup> These seven are in sadja-grāma, the main
via surya_layout
39 remaining (eleven) are the jātis of madhyama (grāma). main
via surya_layout
40 (221) main
via surya_layout

vol_II_p115 RIGHT — 27 lignes

page vol_II_p115 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 213 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [9. Dodhaka] table
via surya_layout
4 Having sung the (first) half, the latter half is comprised of a stretching of svaras. table
via surya_layout
5 (391) table
via surya_layout
6 [10. <i>Totaka</i>] table
via surya_layout
7 [11. <i>Vastu</i>] section_header
via surya_layout
8 Where there are pāṭas and tennas 16 and the rest is comprised of a main
via surya_layout
9 stretching (elaboration) of svaras, that is vastu<sup>17</sup> used in desī gītas as well as main
via surya_layout
10 in drama. annotation_inline
parent ligne 9
via heuristic_short
11 (392) main
via surya_layout
12 [12. Krauńcapada] section_header
via surya_layout
13 Krauñcapada is known to those proficient in gandharva as that which is main
via surya_layout
14 sung in pratitāla, being comprised of pada and svara. main
via surya_layout
15 (393) main
via surya_layout
16 [13. Haṁsapada] section_header
via surya_layout
17 Where there is one foot in Sainskṛta and the second (foot) is composed in main
via surya_layout
18 a regional (language) (and) which is sung with rhyme, that song is known main
via surya_layout
19 as hamsapada. annotation_inline
parent ligne 18
via heuristic_short
20 (394) main
via surya_layout
21 [14. Śukasārika] section_header
via surya_layout
22 That which is combined with <i>tāla</i> (and) <i>pada</i>, bedecked with <i>pada</i> (and) main
via surya_layout
23 pāṭa (and) comprised of question and answer, is said to be śukaśārika. 19. main
via surya_layout
24 (395) annotation_inline
parent ligne 23
via heuristic_short
25 That which is composed in the Karnāta language or is mixed (with other main
via surya_layout
26 languages) (and) is comprised of pada (text) embodying dialogue, is śukasārika. main
via surya_layout
27 (396) main
via surya_layout

vol_II_p024 LEFT — 33 lignes

page vol_II_p024 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 30 page_number
via heuristic_pagenum
3 [अनु॰ १३२] editorial_bracket
parent ligne 4
via heuristic_brackets
4 ८१ अस्मद्गुरुमते ऋषभस्तावदपन्यासो भवति । अनंशत्वात् कैश्चित् पुनः अंशवद् main
via surya_layout
5 ऋषभोऽप्यपन्यासः स्वीकृतः। main
via surya_layout
6 (वृ?म्र) annotation_inline
parent ligne 5
via heuristic_height
7 पञ्चमो बलवानस्यां स्यात्रिषादस्तथैव च ४२ main
via surya_layout
8 न स्यात् annotation_inline
parent ligne 7
via heuristic_height
9 अंशवच्च ग्रहा ज्ञेया[:] सर्वासामेव नित्यश: ॥२३८॥ editorial_bracket
parent ligne 7
via heuristic_brackets
10 ८३∞स्तासां main
via surya_layout
11 [६. जातीनां गणनिर्देश:] section_header
via surya_layout
12 सर्वासामेव जातीनां त्रिजातिस्तु गणः स्मृतः । main
via surya_layout
13 (षष्टि? जाति) annotation_inline
parent ligne 12
via heuristic_height
14 लक्षणात् स च विज्ञेयो वर्धमानस्वरो बुधै: ॥२३९॥ main
via surya_layout
15 <sup>८४</sup>ते च सप्त गणा ज्ञेया annotation_inline
parent ligne 14
via heuristic_height
16 नः गा annotation_inline
parent ligne 14
via heuristic_height
17 एकस्वरो द्विस्वरश्च त्रिस्वरश्च चतुःस्वरः। main
via surya_layout
18 पञ्चस्वरश्चतुर्धा च एकधा सप्तषट्स्वरौ<sup>८६</sup>॥२४०॥ main
via surya_layout
19 स्यादेकधा<sup>८५</sup> · main
via surya_layout
20 न्सः annotation_inline
parent ligne 19
via heuristic_height
21 [अनु॰ १३३] editorial_bracket
parent ligne 19
via heuristic_brackets
22 अस्यार्थ: -त्रिजातिको गण इति संख्यानिदर्शनम्, तत्रैकस्वरांशास्तिस्न: - main
via surya_layout
23 (गु?ग) annotation_inline
parent ligne 22
via heuristic_height
24 ः मध्यमोदीच्यवा, गान्धारपञ्चमी, नन्दयन्ती चेति । प प प । main
via surya_layout
25 द्विस्वरांशास्तिस्तः - धैवती, गान्धारोदीच्यवा, पञ्चमी चेति । धरि, सम, परि । main
via surya_layout
26 त्रिस्वरांशास्तिस्न: - आर्षभी, नैषादी, षड्जकैशिकी चेति । धनिरि, गरिनि, सगप । main
via surya_layout
27 (प:?पा:) annotation_inline
parent ligne 26
via heuristic_height
28 सास annotation_inline
parent ligne 26
via heuristic_height
29 चतुःस्वरांशास्तिस्न: -षड्जोदीच्यवत्यान्ध्री कार्मारवी चेति। समधनि, रिगपनि, ८७परिधनि main
via surya_layout
30 (त्य?त्या) annotation_inline
parent ligne 29
via heuristic_height
31 पञ्चस्वरांशाश्चतस्तः - षाड्जी, गान्धारी, रक्तगान्धारी, मध्यमा चेति । सगमपंध, सगमपनि, main
via surya_layout
32 पड् (ज? जा) main
via surya_layout
33 Sec. 15. unknown
via fallback

vol_II_p076 LEFT — 31 lignes

page vol_II_p076 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 134 page_number
via heuristic_pagenum
3 मध्यमग्रामदेहा<sup>३</sup> च तथा गान्धारपञ्चमी । main
via surya_layout
4 इत्येता: प्रकटा भाषाष्टकरागस्य षोडश<sup>४</sup>॥२०॥ main
via surya_layout
5 (田) annotation_inline
parent ligne 4
via heuristic_height
6 शुद्धा तु प्रथमा ज्ञेया ५चार्धवेसरिका तत:। main
via surya_layout
7 हर्षपूरी तृतीया तु माङ्गाली च चतुर्थिका ॥२१॥ main
via surya_layout
8 ॰पुत्री annotation_inline
parent ligne 7
via heuristic_markers
9 पञ्चमी सैन्धवी ज्ञेया आभीरी षष्टिका मता। main
via surya_layout
10 खञ्जरी गुर्जरी चैवमष्टौ मालवकैशिके ॥२२॥ main
via surya_layout
11 ६ नी annotation_inline
parent ligne 10
via heuristic_height
12 काम्बोजा प्रथमा ज्ञेया मध्यमग्रामिका मता । main
via surya_layout
13 ५सातवाहनिका चैव तदन्ते भोगवर्धनी ॥२३॥ main
via surya_layout
14 सालवाहा annotation_inline
parent ligne 13
via heuristic_height
15 чP annotation_inline
parent ligne 13
via heuristic_height
16 पञ्चमी ९मुहरी ज्ञेया षष्ठी च शकमिश्रिता । main
via surya_layout
17 प्रयोक्तव्या प्रयत्नेन सप्तमी भित्रपञ्चमी ॥२४॥ main
via surya_layout
18 एतास्तु ककुभे सप्त भाषा ज्ञेया मनोहरा:। main
via surya_layout
19 प्रथमा वेसरी ज्ञेया द्वितीया चैव मञ्जरी १० ॥२५॥ main
via surya_layout
20 ततः कार्या च छेवाटी चतुर्थी षड्जमध्यमा। main
via surya_layout
21 पञ्चमी मधुरी ज्ञेया पञ्च <sup>११</sup>हिन्दोलकोद्भवाः ॥२६॥ main
via surya_layout
22 आभीरी भाविनी चैव माङ्गाली सैन्धवी तथा। main
via surya_layout
23 गूर्जरी दाक्षिणात्या च <sup>१२</sup>आन्ध्री तानोद्भवा परा ॥२७॥ main
via surya_layout
24 अन्ध्री त्वात्रो॰ annotation_inline
parent ligne 23
via heuristic_markers
25 नवमी त्रावणी ज्ञेया १३कैशिकी दशमी स्मृता । main
via surya_layout
26 एता भाषास्तु विज्ञेया गायकै: पञ्चमोद्भवा: ॥२८॥ main
via surya_layout
27 विशुद्धा दाक्षिणात्या तु गान्धारी तदनन्तरम् । main
via surya_layout
28 श्रीकण्ठी चैव पौराली माङ्गाली सैन्धवी तथा ॥२९॥ main
via surya_layout
29 कालिङ्गी च पुलिन्दी च भित्रषड्जोद्भवा नव। main
via surya_layout
30 ॰ न्दो annotation_inline
parent ligne 29
via heuristic_markers
31 सौवीरी प्रथमा ज्ञेया द्वितीया वेगमध्यमा ॥३०॥ main
via surya_layout

vol_II_p053 LEFT — 35 lignes

page vol_II_p053 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 88 page_number
via heuristic_pagenum
2 BRHADDEŚĪ page_header
via surya_layout
3 मुख्य इति षाडवः ? तत्र नायम्। एकः । कुतः ? सम्पूर्णत्वादमुष्य रागस्य । तस्मादुत्तरपक्ष एव main
via surya_layout
4 ज्यायान्। ननु कथं षट्सु रागेषु मुख्योऽयम्? उच्यते पूर्व-[रङ्गे तु] शुद्धषाडव: प्रयोक्तव्य इति editorial_bracket
parent ligne 3
via heuristic_brackets
5 (कथनुकथन? कथं) main
via surya_layout
6 पुष annotation_inline
parent ligne 5
via heuristic_height
7 वचनात् पूर्वरङ्गे प्रचुरप्रयोगत्वादस्य शुद्धषाडवस्यादौ निर्देश:। main
via surya_layout
8 विकारिमध्यमाजाते: सम्भूत: शुद्धषाडव: । main
via surya_layout
9 न् annotation_inline
parent ligne 8
via heuristic_height
10 न्यासोऽस्य मध्यमोंऽशश्च गान्धारेण च दुर्बल: ॥ ३००॥ main
via surya_layout
11 <b>णांश</b>श annotation_inline
parent ligne 10
via heuristic_height
12 (तु? दु) annotation_inline
parent ligne 10
via heuristic_height
13 [अनु॰ १६५] section_header
via surya_layout
14 अस्यार्थः - शुद्धषाडवो मध्यमग्रामसम्बन्धः। तारमध्यमो ग्रहः। मध्यमोऽशो न्यासश्च । main
via surya_layout
15 गान्धारस्य चाल्पत्वम् । निषादगान्धारौ चात्र काकल्यन्तरौ । पूर्णस्वरश्चायम् । पूर्वरङ्गेऽस्य main
via surya_layout
16 (इन ? इने) annotation_inline
parent ligne 15
via heuristic_short
17 मध्यमो वादी । षड्जः संवादी । ऋषभपञ्चमावनुवादिनौ । विवादी नास्ति । main
via surya_layout
18 प्रयोग:। annotation_inline
parent ligne 17
via heuristic_short
19 शृङ्गारहास्यौ रसौ । मध्यमादिमूर्छना । अवरोही वर्ण: । प्रसन्नान्तोऽलङ्कार: । main
via surya_layout
20 त्रिषु मार्गेषु main
via surya_layout
21 गीयते। दक्षिणे कला, वृत्तौ कला, चित्रे कला। ३८स्वरपदगीते चच्चत्पुटादिताल: । unknown
via fallback
22 <b>ण्पदेप</b> annotation_inline
parent ligne 20
via heuristic_height
23 आक्षिप्तिका<sup>३९</sup> main
via surya_layout
24 ॰सका annotation_inline
parent ligne 23
via heuristic_markers
25 [२. शुद्धपञ्चम:] section_header
via surya_layout
26 ДO annotation_inline
parent ligne 25
via heuristic_height
27 [अनु॰ १६६] editorial_bracket
parent ligne 25
via heuristic_brackets
28 शुद्धपञ्चमः षड्जोदीच्यवतीजातेः स्मृतः। main
via surya_layout
29 र्गत: annotation_inline
parent ligne 28
via heuristic_height
30 [३. शुद्धसाधारित: ] section_header
via surya_layout
31 षड्जांशो मध्यमन्यासः स्वल्पद्विश्रुतिकस्वरः। main
via surya_layout
32 (बि?हि) unknown
via fallback
33 स्यात् षड्जमध्यमाजाते: शुद्धः साधारितस्तथा ॥ ३०१॥ main
via surya_layout
34 erte Arresto de la composição de la composição de la composição de la composição de la composição de la composição de la annotation_inline
parent ligne 33
via heuristic_height
35 . . . annotation_inline
parent ligne 33
via heuristic_height
166 lignes a valider — change uniquement les roles incorrects.