Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21305). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p070 LEFT — 27 lignes

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1 BRHADDEŚĪ page_header
via surya_layout
2 122 page_number
via heuristic_pagenum
3 [अनु॰ २०८] editorial_bracket
parent ligne 5
via heuristic_brackets
4 अस्यार्थः - रूपसाधारितः षड्जग्रामसम्बन्धः षड्जमध्यमानिषाद-[वती]-सकाशादुत्पन्नत्वात्। editorial_bracket
parent ligne 5
via heuristic_brackets
5 षङ्जोऽस्य ग्रहोंऽशश्च । मध्यमो न्यास: । पञ्चमर्षभयोरल्पत्वम् । निषादोऽत्र काकली। main
via surya_layout
6 पूर्णश्चायम्। annotation_inline
parent ligne 5
via heuristic_short
7 (पञ्चमर्पभयोरल्पत्वम्) annotation_inline
parent ligne 5
via heuristic_height
8 वीरकरुणेऽस्य प्रयोग: । वीरादिरस: । षङ्जादिमूर्छना । <sup>१०२</sup>आरोही वर्ण: । अलङ्कार: प्रसन्नमध्य: । दक्षिणे main
via surya_layout
9 कला, वार्तिक कला, चित्रे कला। स्वरपदगीते चच्चत्पुयदितालः। main
via surya_layout
10 [६. गान्धारपञ्चम:] section_header
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11 गान्धारीरक्तगान्धार्योर्जातो गान्धारपञ्चम:। main
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12 गान्धारोऽस्य भवेदंशो न्यासो गान्धार एव च ॥३३८॥ main
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13 [अनु॰ २०९] section_header
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14 अस्यार्थ: – गान्धारपञ्चमो मध्यमग्रामसम्बन्धः, गान्धारीरक्तगान्धारीसमुत्पन्नत्वात् । यद्यपि main
via surya_layout
15 १॰३दुर्गशक्तिमते धैवतीसमुत्पत्रोऽसौ, तथापि पञ्चमस्य त्रिश्रुतिकत्वादुभयग्रामजातिजातोऽपि मध्य[म]- editorial_bracket
parent ligne 14
via heuristic_brackets
16 सम्बन्ध एव । गान्धारोऽस्य ग्रहोंऽशो न्यासश्च, प्रयोक्त्रपेक्षया गान्धारो धैवतो भवेत् <sup>१०४</sup>। निषादोऽत्र काकली। main
via surya_layout
17 पूर्णश्चायम्। १०५अद्भुते विस्मये हास्ये चास्य विनियोगः। करुणो रसः। गान्धारादिमूर्छना सञ्चारी वर्णः । main
via surya_layout
18 र(स): annotation_inline
parent ligne 17
via heuristic_height
19 अद्भुते( ऽस्य विनियोग:) main
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20 प्रसन्नमध्यमोऽलङ्कारः । दक्षिणे कला, वार्तिके कला, चित्रे कला। स्वरपदगीते चच्चपुयदितालः। main
via surya_layout
21 [७. षड्जकैशिक:]<sup>१०६</sup> table
via surya_layout
22 .............. annotation_inline
parent ligne 20
via heuristic_height
23 [८. पञ्चमषाडवः] editorial_bracket
parent ligne 20
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24 धैवत्यार्षभिकाजात्योर्जात: पञ्चमषाडव:। main
via surya_layout
25 (भी?भिका) annotation_inline
parent ligne 24
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26 ऋषभांशसमायुक्तो मध्यमो न्यास एव च ॥३३९॥ main
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27 <b>(</b>श) annotation_inline
parent ligne 26
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vol_II_p059 RIGHT — 37 lignes

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1 101 page_number
via heuristic_pagenum
2 TRANSLATION page_header
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3 [Anu. 180] editorial_bracket
parent ligne 4
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4 This means-leaving the other jāti and taking up its own root i.e. bedecked main
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5 with its own jāti and kula (is formed the śuddhabhinna).54 main
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6 [4. Bhinnakaisika] section_header
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7 [Anu. 181] editorial_bracket
parent ligne 6
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8 The description of śuddha (kaiśika) applies in its totality also to bhinnakaiśika. main
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9 What is then the difference? The difference is formed by gīti. Śuddhakaiśika main
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10 is sung in the <math>\acute{s}uddh\~{a}</math> <math>g\~{i}ti</math>, whereas <math>bhinnakai\acute{s}ika</math> is sung main
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11 This is being said - annotation_inline
parent ligne 10
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12 The svasthāna<math>^{56}</math> (unit of tonal range) with which the rāga is elaborated in main
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13 śuddhakaiśika, the rāga is not elaborated with the same svasthāna in main
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14 bhinnakaisika. And its description is thus - main
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15 Bhinnakaiśika is known by the knowledgeable ones in svara to have a form main
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16 similar to that of śuddhakaiśika. It has ṣaḍja as its aṁśa, pañcama as its nyāsa main
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17 (and) is complete with the seven svaras. main
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18 (311) annotation_inline
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19 [Anu. 182] editorial_bracket
parent ligne 17
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20 This means - bhinnakaiśika is related to madhyamagrāma on account of being main
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21 born of kaiśikī and kārmāravī jātis. Şadja is the graha and amśa. Pañcama is the main
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22 nyāsa, niṣāda is kākalī here and it is complete. Although this rāga is like main
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23 śuddhakaiśika, yet there is a difference. This has abundance of mandra (low main
via surya_layout
24 notes). The svasthāna with which svara - ālāpa (tonal elaboration) is done in main
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25 śuddhakaiśika, ālāpa has to be done with the same svaras (here), leaving that main
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26 svasthāna<sup>57</sup> In śuddhakaiśika, ālāpa should be done with tāra (high) svaras and main
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27 thus it becomes distinct on account of difference in form. Its application is main
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28 prescribed in dānavīra (heroism in charity). Vīra, raudra and the like are the rasas. main
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29 The mūrchanā beginning with ṣadja obtains. Sañcārinis the varņa. Prasannādi is main
via surya_layout
30 the alankāra. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the main
via surya_layout
31 vṛtii (mārga) and the kalā prevails in the citra (mārga). A tālalike caccatpuṭa obtains main
via surya_layout
32 in the songs comprised of svara and pada. main
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33 (Śruti-bhinna) section_header
via surya_layout
34 Now he (the author) has spoken of the definition of śruti-bhinna - main
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35 Where the svara comprised of four śrutis is modified by the one comprised of two main
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36 śrutis and gāndhāra is comprised of only two śrutis, that is called śruti-bhinna. main
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37 (312) annotation_inline
parent ligne 36
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vol_II_p033 RIGHT — 32 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 1400 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 49 page_number
via heuristic_pagenum
4 citra (mārga) there is māgadhī (gīti), with the dvikala (tāla) in the vārtika main
via surya_layout
5 (mārga) there is sambhāvitā (gīti), with the catuṣkala (tāla) in the dakṣiṇa main
via surya_layout
6 (mārga) there is pṛthulā (gīti). Vīra, raudra, adbhuta are the rasas. Its main
via surya_layout
7 application (viniyoga) is (prescribed) in the singing of the naiskrāmiki<sup>65</sup> main
via surya_layout
8 (associated with exit) dhruvā in the first scene (or act). main
via surya_layout
9 [3. Dhaivati] section_header
via surya_layout
10 [Anu. 150] section_header
via surya_layout
11 In dhaivati, dhaivata and ṛṣabha are the two grahas and aṁśas. In the śuddhā main
via surya_layout
12 state, dhaivataitself is the apanyāsa and in the vikrtā state, dhaivata, ṛṣabha and main
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13 madhyama are the apanyāsas, dhaivata is the nyāsa. The ṣāḍava formation is main
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14 devoid of pañcama and the auduva formation is devoid of pañcama, șadja. main
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15 The same two svaras, viz. şadja and pañcama should be made weak and should main
via surya_layout
16 sometimes be leapt over. The tara is upto five svaras. The mandra is upto the main
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17 nyāsa<sup>66</sup> or upto the svara next to nyāsa. main
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18 [Anu. 151] section_header
via surya_layout
19 It (dhaivatī) is seven-fold. There are seven amśas. Śuddhā (is one), vikṛtās main
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20 in the complete state are two and ṣāḍava-auḍuva are two each. The mūrchanā main
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21 beginning with ṛṣabha obtains (in it). Pañcapāṇi is the tāla. Ekakala (tāla), main
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22 citra mārga and māgadhī gīti (go together). Dvikala (tāla), vārtika (mārga) and main
via surya_layout
23 sambhāvitā (gīti) (go together). Catuṣkala (tāla), dakṣiṇa (mārga) and pṛthulā main
via surya_layout
24 (gīti) (go together). The kalās are twelve in the citra (mārga), twenty-four in main
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25 the vārtika (mārga) and forty-eight in dakṣiṇa (mārga). Vīra, bībhatsa, main
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26 bhayānaka are the rasas. Its application is (prescribed) in the singing of main
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27 dhruvā in the first scene (or act). main
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28 [4. Naisādī] section_header
via surya_layout
29 [Anu. 152] section_header
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30 In niṣādavatī,67 niṣāda, ṛṣabha and gāndhāra are the grahas and aniśas. main
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31 Niṣāda, gāndhāra and ṛṣabha are apanyāsas. Niṣāda alone is nyāsa. The ṣāḍava main
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32 formation is devoid of pañcama and the auduvita formation is devoid of main
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1 37 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
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3 [ Anu. 136] editorial_bracket
parent ligne 4
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4 This means that kaiśikī, raktagāndhārī and gāndhārī, these three jātis do main
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5 not become ṣāḍava on account of (the omission of) ṛṣabha, on pañcama main
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6 being the amśa, because of the negation of the omission of the samvādī of main
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7 the amśa. Similarly, ṣāḍjī does not become ṣāḍava through (the omission main
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8 of) niṣāda, on gāndhāra being the aniśa (and) ṣadjodīcyavā should be known main
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9 as not being ṣāḍava through (the omission of) ṛṣabha, on dhaivata being the main
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10 ainsa. Now the giving up of the formation of auduvita that is obtained (due main
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11 to presription) is being prohibited (lit. its giving up is being prescribed). main
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12 In gāndhārī and raktagāndhārī, ṣaḍja, madhyama (and) pañcama alongwith main
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13 niṣāda are known as the amśas in which the formation of auduvita does not main
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14 operate. annotation_inline
parent ligne 13
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15 (254) annotation_inline
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16 [ Anu. 137 ] editorial_bracket
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17 (Contention) annotation_inline
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18 And this is incongruous because the formation of auduvita is not main
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19 obtained (through prescription). Truly has this been said. By the main
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20 statement negating the formation of auduvita, the auduvita obtained on main
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21 account of precription alone is prohibited. main
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22 In ṣadjamadhyamā jāti, gāndhāra and then niṣāda and then in kaiśikī and main
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23 dhaivatī, dhaivata and ṛṣabha respectively (are the svaras that are not main
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24 omitted for making auduva forms of the respective jātis when the above are main
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25 aniśas). annotation_inline
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26 (255) annotation_inline
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27 [ Anu. 138 ] editorial_bracket
parent ligne 24
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28 This means that in ṣadjamadhyamā, gāndhāra and then niṣāda are not main
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29 entitled to form auduvita. Dhaivatain kaiśikī and ṛṣabhain pañcamī are not main
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30 entitled to form auduvita. The prohibition applies only to the auduvita that main
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31 is obtained through prescription. And the state of being anisa is being main
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32 hypothetically considered without its being obtained (?) main
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33 Now, he (the author) draws out the svaras that do not become exceptions main
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34 in the formation of ṣāḍava and auḍuvita. main
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35 Forty-seven (svaras) are to be applied in the formation of ṣāḍava. main
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36 (256) annotation_inline
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37 [ Anu. 139] editorial_bracket
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38 This means that in the formation of ṣāḍava, forty-seven ainśas are to be main
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vol_II_p042 LEFT — 48 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
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2 66 page_number
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3 (৬) table
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4 सा पा नी मा पा पा गां गां table
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5 मां पां मां निधं नी नी सा सा table
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6 (८) table
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7 पां पां मां धंनिं पां पां पां पां table
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8 (९) table
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9 (१०) table
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10 मां पां मां रिग गा गा गा गा table
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11 (११) table
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12 गा पा मा पा नी नी नी नी table
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13 (१२) table
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14 मा पा मा परि गा गा गा गा table
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15 (१३) table
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16 गा गा गा मा मा निध नी नी table
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17 (१४) table
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18 नी नी धप मा निध निध पा पा table
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19 (१५) table
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20 रीं गां सां सां मा नी नी नी table
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21 (१६) table
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22 नी नी धा पा धा पा मा मा table
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23 ॥ [इति] मध्यमोदीच्यवा ॥ table
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24 141 page_number
via heuristic_pagenum
25 [६. कामारवी] section_header
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26 कार्मारव्यां भवन्त्यंशा निषादरिपधैवता: ॥ १६॥ main
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27 बहवोऽन्तरमार्गत्वादनंशा: परिकीर्तिता: । main
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28 गान्धारोऽत्यन्तबहुल: सर्वाशस्वरसंगति: ॥ १७॥ main
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29 सर्वाशत्वं(?)स्वसंगतैः main
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30 चच्चत्पृट: षोडशात्र कला: षड्जादिमूर्छना । main
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31 (জা) annotation_inline
parent ligne 30
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32 पञ्चमस्य प्रेक्षणस्य ध्रुवायां विनियोजनम् ॥ १८॥ main
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33 <sup>१७८</sup>अस्यां पञ्चमो न्यास:, अंशा एवापन्यासा: । <sup>१७९</sup>प्रस्तार: - main
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34 ए(व?वा) main
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35 री री री री री री री री table
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36 (१) table
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37 मां गां सां गां सा नी नी नी table
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38 (२) table
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39 (3) table
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40 नी मा नी मा पा पा गा गा table
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41 (8) table
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42 गा पा मा पा नी नी नी नी table
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43 (4) table
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44 री गासानी री गारी गा table
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45 री गारी सानिध नी पापा table
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46 <b>(</b>\(\xi\) table
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47 (৩) table
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48 मा पा मा परि गा गा गा गा table
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182 lignes a valider — change uniquement les roles incorrects.