Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21309). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p157 RIGHT — 40 lignes

page vol_II_p157 RIGHT
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1 VIMARŚA annotation_inline
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2 297 page_number
via heuristic_pagenum
3 35. Lack of regulation i.e. scope for free will in rendering is a main
via surya_layout
4 characteristic of desi, but the import of 'sruti' is not clear. It could, perhaps, main
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5 stand for 'aural appearance'. main
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6 36. See citation in the name of Nărada under Anu. 28 in chapter one list_item
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7 of our text Vol. I. 'Svarāntara' literally means a different svara; its relation list_item
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8 with the number four of svaras could thus be explained. The first three svaras list_item
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9 are repeated as the last three of a heptad. The fourth known as madhyama list_item
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10 comes in-between these two triads. Hence the fourth adds a 'different or list_item
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11 new svara'. This could be the reason for giving the name svarantara to a list_item
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12 group of four svaras. This name is relevant only for the first triad + the list_item
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13 fourth, but its secondary application could be related to any group of four list_item
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14 svaras. list_item
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15 37. Avakṛṣṭā dhruvā is described and illustrated in NS V on p.157, list_item
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16 158 of the supplement (variant reading) to the said chapter. The description list_item
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17 ' (in terms of upohana or introductory portion and metre) is given below - list_item
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18 "Five dhruvās should be performed in Pūrvaranga (preliminaries of main
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19 drama), viz. utthāpanī in the beginning, then parivarta, avakṛṣṭā, aḍḍitā and main
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20 <i>vikşiptă”</i> (p. 251). annotation_inline
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21 "The upohana in avakṛṣṭā dhruvā should be done in five kalās (time- main
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22 units) with the syllabic units dingle dingle, two units of four short syllables main
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23 each and jhantum in the end. Each foot of the dhruva is composed of sixteen main
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24 syllables, the third, sixth, ninth, eleventh, fifteenth and sixteenth being guru main
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25 (long) and the rest being laghu (short)." The illustration is as follows- main
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26 Varadam saganam tripurāntakam vṛṣabhaketum/ main
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27 Gajacarmapaṭamviṣamekṣaṇambhuvananātham/ main
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28 Bhujagābharaṇaṁjagatāṁhitaṁbhuvanayoniṁ/ main
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29 Praṇato'smi bhavantamumāpatim tvasitakantham/ main
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30 38. Antaramārga is mentioned in NŚ XXVIII (prose portion preceding main
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31 verse 74 and in verse 75). The context is the same as that in our text, viz. main
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32 alpatva-bahutva. The manipulation of sparseness and abundance of svaras main
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33 in jātis on account of which a non-amsa svara also becomes abundant in a main
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34 special context is antara-mārga. main
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35 The literal meaning of this word is 'search for the inner path'. The root main
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36 'mārg' means searching. Abhi has said that 'antara-mārgaņa 'i.e. the search main
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37 of the inner is antara-marga. What is this inner? This has to be understood main
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38 in two ways. The first is in relation to the seven jātis named after svaras, which main
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39 assume a two-fold form viz. śuddha and vikṛta. The second is in the context main
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40 of eleven samsargajā vikṛtā jātis that are formed with a mixture of the above main
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vol_II_p122 LEFT — 27 lignes

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1 BŖHADDEŚĨ page_header
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2 226 page_number
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3 [सामान्यविधानम् ] section_header
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4 त्रिपदं पादसंख्यानं मूर्छनाबिन्दुसङ्कुलम् । main
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5 स्थितं [च] गमकं कुर्यादेतदेलासु लक्षणम् ॥४३९॥ editorial_bracket
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6 य(त्)स्थितं main
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7 ततश्च वर्ण्यमानस्य नाम सम्यक् प्रवेशयेत्। main
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8 सव्यत् annotation_inline
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9 लिलता रससंयुक्ता स्वाभिधानमतः परम् ॥४४०॥ main
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10 ॥ इति गणैलाचतुष्टयम् ॥ editorial_bracket
parent ligne 9
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11 [५. सङ्करैला] section_header
via surya_layout
12 तृतीयपादवत् पादश्चतुर्थो यदि वर्धते । main
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13 एला सङ्करतामेति मतङ्गमुनिभाषिता ॥ main
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14 पञ्चमी ह्यत्र सङ्कर-नाम्नी त्वेला[प्रकीर्तिता] ॥ ४४१॥ editorial_bracket
parent ligne 13
via heuristic_brackets
15 द्वि(त)यं annotation_inline
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via heuristic_height
16 एला + + + annotation_inline
parent ligne 13
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17 [इति गणैलाः] editorial_bracket
parent ligne 13
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18 [ख. मात्रैलाप्रकाराः] section_header
via surya_layout
19 रितलेखा कामलेखा बाणलेखा तथैव च। main
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20 कथ्यते चन्द्रलेखा च ३४मात्रैलामाह वल्लभः॥ ४४२॥ main
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21 [१. रतिलेखा] section_header
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22 यस्यामङ्घ्रिद्वये मात्रा रुद्रसङ्ख्यास्तृतीयके । main
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23 रुद्रहस्तसमाश्चैव रत्याख्यगणसम्मिता: ॥४४३॥ main
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24 (:) annotation_inline
parent ligne 23
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25 भवन्तीति यतस्तज्ज्ञैर्धातुमातुसमन्विता: । main
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26 ॰सन्मातृमाभि च (?) annotation_inline
parent ligne 25
via heuristic_markers
27 कथिता गीतशास्त्रज्ञै रतिलेखेति नामतः ३५॥४४४॥ main
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vol_I_p022 LEFT — 24 lignes

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1 26 page_number
via heuristic_pagenum
2 <b>BRHADDES!</b> page_header
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3 इदानी सम्प्रवक्ष्यामि मध्यमश्रुतिमण्डलम् । main
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4 ज्ञेयस्तिस्रो ह्यतिक्रम्य मध्यमोऽयं चतुःश्रुतिः॥४८॥ main
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5 श्रुतिद्वयमतिक्रम्य तृतीया पञ्चमो भवेत्। main
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6 ०यः annotation_inline
parent ligne 5
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7 ततस्तिस्रो ह्यतिक्रम्य चतुर्थी धैवतो भवेत्॥४९॥ main
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8 ॰र्यो annotation_inline
parent ligne 7
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9 ज्ञेयस्त्वेकामतिक्रम्य निषादस्तु द्वितीयिका। main
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10 •यकः annotation_inline
parent ligne 9
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11 श्रुतित्रयमतिक्रम्य ततः षड्जश्चतुर्थिका॥५०॥ main
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12 <b>ः</b>र्थकः annotation_inline
parent ligne 11
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13 ऋषभस्तु द्वयं त्यक्त्वा तृतीया परतो भवेत् । main
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14 • यः annotation_inline
parent ligne 13
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15 श्रुतिमेकामतिक्रम्य गान्धारः स्याद् द्वितीयिका॥५१॥ main
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16 •यकः annotation_inline
parent ligne 15
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17 [ तद्यथा — ] मध्यमग्रामे श्रुतिमण्डलम्— editorial_bracket
parent ligne 15
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18 म annotation_inline
parent ligne 15
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19 ग annotation_inline
parent ligne 15
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20 रि unknown
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21 स annotation_inline
parent ligne 15
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22 नि unknown
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23 [ अनु. १४ ] editorial_bracket
parent ligne 15
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24 भरतस्तु पुनऋषभादिश्रुतिमण्डलं दर्शयति। main
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vol_I_p059 RIGHT — 34 lignes

page vol_I_p059 RIGHT
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1 101 page_number
via heuristic_pagenum
2 TRANSLATION page_header
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3 remaining svaras, udghațțita is composed of eighteen kalās (phrases). As - main
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4 sarimapa pamarisa, rigapadha dhapagari, gamadhani nidhamaga, mapanisu 66 main
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5 sanipama, padhanisa; sanipama mapanisa, nidhamaga gamadhani, dhapagari main
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6 rigamadha, pamarisa sarimapa, magarisa. Thus is (ends) udghattita. (25) main
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7 (Anu. 95) annotation_inline
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8 Aksiptaka (is formed) with the measure of kalās (time-units) starting with main
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9 one-kalā-unit 67 (and extending) upto six-kalā - unit with three svaras in the main
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10 ascending order (in each phrase). As - sarigā nu, rigamā nu, gamapā nu, main
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11 mapadhā nu, padhani nu, dhanisā 68 nu, sanidhā nu, nidhapā nu, dhapamā nu, main
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12 pamagā nu, magarī nu, garisā nu. Thus is (ends) ākṣiptaka. main
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13 (26) annotation_inline
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14 (Anu. 96) annotation_inline
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15 Leaving the immediate (svara) after the first one and going (forward) in main
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16 two svaras and on account of descent in the same order in the ekakala 69 (one main
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17 time-unit form) (and) also (the same pattern) in ekakala in descent, thus is the main
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18 sampradāna in dvikala 70 (with two-unit phrases) that is composed of twenty-two main
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19 kalās (phrases). As - sagamā marisā, rimapā pagarī, gapadhā dhamagā, madhanī main
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20 nipamā, panisā sadhapā, dhanisā; sadhapā panisā, nipamā madhani, dhamagā main
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21 gapadhā, pagarī rimapā, marisā sagamā, garisā. Thus is (ends) sampradāna.71 main
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22 Or, sagamā magasā, rimapā pamarī, gapadhā dhapagā, madhanī nidhamā, main
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23 panisā sanipā, dhanisā; sadhapā padhasā, nipamā mapanī, dhamagā gamadhā, main
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24 pagarī rigapā, marisā sarimā, garisā. Thus is (ends) sampradāna. (27) main
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25 (Anu. 97) annotation_inline
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26 Hasita is on account of 'laughter'72 (or sport) in the dvikala73 (composed of main
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27 dual units) combination. As - saga mama risa, rima papa gari, gapa dhadha main
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28 maga, madha nini pama, pani sasa dhapa, dhanisā;74 sadha papa nisa, nipa main
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29 mama dhani, dhama gaga padha, paga riri mapa, mari sasa gama, garisā. Thus main
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30 (28) annotation_inline
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31 is (ends) hasita. annotation_inline
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32 (Anu. 98) annotation_inline
parent ligne 29
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33 Like hasita, through the ascent (and descent) of three svaras, or the ascent main
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34 (and descent) of four svaras, both ways hunkāra is ekakala 75 (with one-unit main
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vol_I_p040 LEFT — 38 lignes

page vol_I_p040 LEFT
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1 62 page_number
via heuristic_pagenum
2 <b>BRHADDESI</b> page_header
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3 स X गमप ध नि main
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4 निस X गमप ध annotation_inline
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via heuristic_short
5 धनिसxगमप main
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6 प ध नि स 🗶 ग म annotation_inline
parent ligne 5
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7 म प ध नि स 🗶 ग main
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8 गमपधनिस 🗶 main
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9 . annotation_inline
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10 x गमप ध नि स main
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11 ऋषभहीनाः। annotation_inline
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12 [सरिगम 🗶 धनि editorial_bracket
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13 निसरिगम 🗶 ध main
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14 ध निसरिगम 🗶 annotation_inline
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15 X ध निस रिगम main
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16 म X ध नि स रि ग annotation_inline
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via heuristic_short
17 गम 🗶 ध निस रि main
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18 रिगम 🗶 ध नि स annotation_inline
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19 पञ्चमहीनाः। main
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20 सरिगमपध 🗶 annotation_inline
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21 <b>X</b> स रिगम प ध main
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22 ध X स रिगमप annotation_inline
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23 पध X स रिगम main
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24 म प ध 🗶 स रि ग annotation_inline
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25 गमपध X सरि main
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26 1 page_number
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27 रिगमपध 🗶 स main
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28 निषादहीनाः । इति षाडवाः। main
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29 . annotation_inline
parent ligne 28
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30 . annotation_inline
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31 [ X रिगम X ध नि ] editorial_bracket
parent ligne 28
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32 नि x रिगम x ध main
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33 ध नि X रिगम X annotation_inline
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34 [ Хधनि X रिगम editorial_bracket
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35 म X ध नि X रि ग main
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36 गम X ध नि X रि annotation_inline
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via heuristic_short
37 रिगम 🗶 ध नि 🗶 main
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38 सपहीनाः। ] editorial_bracket
parent ligne 37
via heuristic_brackets
163 lignes a valider — change uniquement les roles incorrects.