Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21310). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p164 RIGHT — 41 lignes

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1 311 page_number
via heuristic_pagenum
2 VIMARŠA page_header
via surya_layout
3 22,23. Nāga and kinnara are names of ethnic groups. Our text is the list_item
via surya_layout
4 first one to mention ethnic names in the context of music. list_item
via surya_layout
5 24. Paurāla is not a known geographical name. One approximate list_item
via surya_layout
6 name is paurava, "a country on the eastern bank of the jhelam including the list_item
via surya_layout
7 Gujrat district, the original seat of the Purus, the kingdom of Porus who list_item
via surya_layout
8 fought with Alexander " (Nando Lal De). Purālī was an ancient name of list_item
via surya_layout
9 Travancore (ibid). list_item
via surya_layout
10 25. Harşapūra is not known as a geographical name. list_item
via surya_layout
11 26. <math>\bar{A}bh\bar{i}ra</math> is both a geographical and ethnic name. It is identified as list_item
via surya_layout
12 "the south-eastern portion of Gujrat about the mouths of the Narmada" list_item
via surya_layout
13 (Nando Lal De). list_item
via surya_layout
14 27. 'Samyoga' is another expression for sancara or sangati. list_item
via surya_layout
15 28. Kāmboja is identified as Afghanistan (Nando Lal De). list_item
via surya_layout
16 29. Sātavāhana or Sātavāha is "the name of a king fabled to have been list_item
via surya_layout
17 discovered, when a child, riding a Gandharva called Sāta, who, according to list_item
via surya_layout
18 one legend, was changed into a lion" (Monier Williams). Also known as list_item
via surya_layout
19 Sālivāhana, the Śaka ruler who founded the Śaka era i.e samvat. list_item
via surya_layout
20 30. Gāndhāra and niṣāda are implied. list_item
via surya_layout
21 31. Chāyā is used while describing the resemblance of one rāga with list_item
via surya_layout
22 another at a given point. list_item
via surya_layout
23 32. Kākalī is prescribed to be always sparse in the grāma system. The list_item
via surya_layout
24 prescription here of kākalī being frequent is a notable departure. list_item
via surya_layout
25 33. Again the ethnic name kinnara appears here. See notes 22,23. list_item
via surya_layout
26 34. The basic name is hindola or hindolaka meaning a swing; its list_item
via surya_layout
27 synonym is sometimes used to meet the exigency of metre. list_item
via surya_layout
28 35. See note 26. list_item
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29 36. Gāndharva is a rigorously guarded tradition. The inclusion of list_item
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30 bhāṣā in this corpus is incongruous, unless gāndharva is taken to stand for list_item
via surya_layout
31 music in general. list_item
via surya_layout
32 37. "Mangala - called also Mangali or Mangalapura, the capital of list_item
via surya_layout
33 Udyāna, identified by Wilford with Mangora or Manglora. Cunningham list_item
via surya_layout
34 thought it could be identified with Minglaur (Mangalore) " (Nando Lal list_item
via surya_layout
35 De). list_item
via surya_layout
36 38. The word samvāda has been used here again for sancara or sangati. list_item
via surya_layout
37 39. The origin of this vibhāṣā is traced directly to pañcama rāga, where list_item
via surya_layout
38 as it should really be related to a bhāṣā of that rāga. It is treated as a bhāṣā list_item
via surya_layout
39 in SR and S Rāj. list_item
via surya_layout
40 40. Gändhärapañcama has been mentioned here under pañcama. list_item
via surya_layout
41 41. "Dākṣiṇātya is identified with Deccan; that part of India that lies list_item
via surya_layout

vol_II_p042 LEFT — 48 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
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2 66 page_number
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3 (৬) table
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4 सा पा नी मा पा पा गां गां table
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5 मां पां मां निधं नी नी सा सा table
via surya_layout
6 (८) table
via surya_layout
7 पां पां मां धंनिं पां पां पां पां table
via surya_layout
8 (९) table
via surya_layout
9 (१०) table
via surya_layout
10 मां पां मां रिग गा गा गा गा table
via surya_layout
11 (११) table
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12 गा पा मा पा नी नी नी नी table
via surya_layout
13 (१२) table
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14 मा पा मा परि गा गा गा गा table
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15 (१३) table
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16 गा गा गा मा मा निध नी नी table
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17 (१४) table
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18 नी नी धप मा निध निध पा पा table
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19 (१५) table
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20 रीं गां सां सां मा नी नी नी table
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21 (१६) table
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22 नी नी धा पा धा पा मा मा table
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23 ॥ [इति] मध्यमोदीच्यवा ॥ table
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24 141 page_number
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25 [६. कामारवी] section_header
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26 कार्मारव्यां भवन्त्यंशा निषादरिपधैवता: ॥ १६॥ main
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27 बहवोऽन्तरमार्गत्वादनंशा: परिकीर्तिता: । main
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28 गान्धारोऽत्यन्तबहुल: सर्वाशस्वरसंगति: ॥ १७॥ main
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29 सर्वाशत्वं(?)स्वसंगतैः main
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30 चच्चत्पृट: षोडशात्र कला: षड्जादिमूर्छना । main
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31 (জা) annotation_inline
parent ligne 30
via heuristic_height
32 पञ्चमस्य प्रेक्षणस्य ध्रुवायां विनियोजनम् ॥ १८॥ main
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33 <sup>१७८</sup>अस्यां पञ्चमो न्यास:, अंशा एवापन्यासा: । <sup>१७९</sup>प्रस्तार: - main
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34 ए(व?वा) main
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35 री री री री री री री री table
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36 (१) table
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37 मां गां सां गां सा नी नी नी table
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38 (२) table
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39 (3) table
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40 नी मा नी मा पा पा गा गा table
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41 (8) table
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42 गा पा मा पा नी नी नी नी table
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43 (4) table
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44 री गासानी री गारी गा table
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45 री गारी सानिध नी पापा table
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46 <b>(</b>\(\xi\) table
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47 (৩) table
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48 मा पा मा परि गा गा गा गा table
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vol_II_p004 RIGHT — 103 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 General Section annotation_inline
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2 <b>CONTENTS</b> table
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3 ix table
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4 . table
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5 83 page_number
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6 Sādhāraņīgīti table
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7 5. table
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8 85 page_number
via heuristic_pagenum
9 6. table
via surya_layout
10 Bhāṣāgīti table
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11 85 page_number
via heuristic_pagenum
12 Vibhāṣāgīti table
via surya_layout
13 7. table
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14 85 page_number
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15 The number and nomenclature of ragas table
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16 87 page_number
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17 The specific description of rāgas table
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18 87 page_number
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19 A. Out of them <i>śuddha rāgas</i> table
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20 87 page_number
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21 Suddhaşādava table
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22 1. table
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23 Śuddhapańcama table
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24 89 page_number
via heuristic_pagenum
25 2. table
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26 89 page_number
via heuristic_pagenum
27 Suddhasādhārita table
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28 3. table
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29 91 page_number
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30 Suddhakaisikamadhyama table
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31 4. table
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32 91 page_number
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33 Śuddhakaiśika table
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34 5. table
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35 93 page_number
via heuristic_pagenum
36 The assignment of grāmas to śuddha rāgas table
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37 93 page_number
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38 The application of <i>suddha rāgas</i> table
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39 95 page_number
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40 B. Bhinna rāgas table
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41 95 page_number
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42 Svara-bhinna table
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43 97 page_number
via heuristic_pagenum
44 Bhinna-şadja table
via surya_layout
45 l. table
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46 97 page_number
via heuristic_pagenum
47 Bhinna-pañcama table
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48 2. table
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49 99 page_number
via heuristic_pagenum
50 Jāti-bhinna table
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51 99 page_number
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52 3. table
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53 Bhinnakaisikamadhyama table
via surya_layout
54 99 page_number
via heuristic_pagenum
55 Suddhabhinna table
via surya_layout
56 101 page_number
via heuristic_pagenum
57 Bhinnakaisika table
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58 4. table
via surya_layout
59 101 page_number
via heuristic_pagenum
60 Śruti-bhinna table
via surya_layout
61 103 page_number
via heuristic_pagenum
62 Bhinnatāna table
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63 5. table
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64 103 page_number
via heuristic_pagenum
65 The assignment of bhinna-rāgas to grāmas table
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66 105 page_number
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67 C. Gauda rāgas table
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68 105 page_number
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69 1. Gaudapañcama table
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70 105 page_number
via heuristic_pagenum
71 Gaudakaisika table
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72 2. table
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73 107 page_number
via heuristic_pagenum
74 Gaudakaisikamadhyama table
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75 3. table
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76 107 page_number
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77 The assignment of gauda rāgas to grāmas table
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78 109 page_number
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79 D. The rāgas pertaining to rāga-gīti or vesarā-gīti table
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80 109 page_number
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81 1. Takkarāga table
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82 109 page_number
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83 Sauvīra table
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84 2. table
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85 111 page_number
via heuristic_pagenum
86 Mālavapancama table
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87 3. table
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88 111 page_number
via heuristic_pagenum
89 Vesarașādava table
via surya_layout
90 4. table
via surya_layout
91 113 page_number
via heuristic_pagenum
92 Botta-rāga table
via surya_layout
93 5. table
via surya_layout
94 113 page_number
via heuristic_pagenum
95 Hindola table
via surya_layout
96 6. table
via surya_layout
97 115 page_number
via heuristic_pagenum
98 Takkakaisika table
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99 7. table
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100 115 page_number
via heuristic_pagenum
101 Mālavakaišika unknown
via fallback
102 8. unknown
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103 . . unknown
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vol_II_p098 RIGHT — 32 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
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2 179 page_number
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3 11. Now in <i>takkakaišika</i> section_header
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4 Mālavapañcamī should be known to be combined with dhaivata as the main
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5 initial and concluding note. There is concert between șadja-ṛṣabha and main
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6 similarly between sadja-dhaivata. This is complete with beautiful svaras main
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7 (and) is a charming regional<sup>65</sup> bhāsā. main
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8 (133) annotation_inline
parent ligne 7
via heuristic_short
9 lllustration - Dhaivata dhāpādhaivata dhādhādhārimāmādhā.Pāmadhādhā main
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10 pāmāgarimādhāpādhā. Mālavā [i] editorial_bracket
parent ligne 9
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11 Bhinnavālikā should be known to have şadja as amśa (and) dhaivata as main
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12 nyāsa. The mutual profusion of dhaivata and niṣāda is seen sometimes and main
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13 not so at other times. It bears the name bhinnapañcama<sup>66</sup> (?). This bhāṣā is main
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14 commonly known as sankīrņā (mixed) and is beautiful. main
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15 <math>(134-135)</math> main
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16 Illustration-Sāsāsāgāsādhā nīsāsādhānīmadhā nidhādhādhā nidhāmādhā main
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17 nimadhāpādhādhādhā.Bhinnavālikā [ii] editorial_bracket
parent ligne 16
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18 Drāvidī is said to have gāndhāra as amśa, dhaivata as the concluding note, main
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19 there is (mutual) movement between the svaras comprised of two śrutis each main
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20 and similarly between şadja-dhaivata. This pertains to the Drāvida region, main
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21 is charming and bears a regional name. main
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22 (136) annotation_inline
parent ligne 21
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23 Illustration-[<i>Gā] Dhānimadhānidhādhādhā-nidhāmadhāpādhādhādhā</i> editorial_bracket
parent ligne 21
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24 pāmādhādhā-gāmādhādhāsāgāsānidhādhā pāmāgāmamani [dhā]. Drāvidī [iii] editorial_bracket
parent ligne 21
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25 These are the three <i>bhāṣās</i> of <i>ṭakkakaiśika</i>. main
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26 12. Now in vesarașādava section_header
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27 Bāhyaşāḍavā should be known to be combined with madyama as the initial main
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28 and concluding note. There is concert between the two svaras comprised of main
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29 two śrutis each and similarly between madhyama-ṛṣabha. This bhāṣā is sung by main
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30 people as being complete in svaras. Bāhyaṣāḍavikā<sup>67</sup> is a bhāṣā there in main
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31 vesara-șâdava (rāga). main
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32 <math>(137-138)</math> main
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vol_I_p059 RIGHT — 34 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 101 page_number
via heuristic_pagenum
2 TRANSLATION page_header
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3 remaining svaras, udghațțita is composed of eighteen kalās (phrases). As - main
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4 sarimapa pamarisa, rigapadha dhapagari, gamadhani nidhamaga, mapanisu 66 main
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5 sanipama, padhanisa; sanipama mapanisa, nidhamaga gamadhani, dhapagari main
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6 rigamadha, pamarisa sarimapa, magarisa. Thus is (ends) udghattita. (25) main
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7 (Anu. 95) annotation_inline
parent ligne 6
via heuristic_height
8 Aksiptaka (is formed) with the measure of kalās (time-units) starting with main
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9 one-kalā-unit 67 (and extending) upto six-kalā - unit with three svaras in the main
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10 ascending order (in each phrase). As - sarigā nu, rigamā nu, gamapā nu, main
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11 mapadhā nu, padhani nu, dhanisā 68 nu, sanidhā nu, nidhapā nu, dhapamā nu, main
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12 pamagā nu, magarī nu, garisā nu. Thus is (ends) ākṣiptaka. main
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13 (26) annotation_inline
parent ligne 12
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14 (Anu. 96) annotation_inline
parent ligne 12
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15 Leaving the immediate (svara) after the first one and going (forward) in main
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16 two svaras and on account of descent in the same order in the ekakala 69 (one main
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17 time-unit form) (and) also (the same pattern) in ekakala in descent, thus is the main
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18 sampradāna in dvikala 70 (with two-unit phrases) that is composed of twenty-two main
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19 kalās (phrases). As - sagamā marisā, rimapā pagarī, gapadhā dhamagā, madhanī main
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20 nipamā, panisā sadhapā, dhanisā; sadhapā panisā, nipamā madhani, dhamagā main
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21 gapadhā, pagarī rimapā, marisā sagamā, garisā. Thus is (ends) sampradāna.71 main
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22 Or, sagamā magasā, rimapā pamarī, gapadhā dhapagā, madhanī nidhamā, main
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23 panisā sanipā, dhanisā; sadhapā padhasā, nipamā mapanī, dhamagā gamadhā, main
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24 pagarī rigapā, marisā sarimā, garisā. Thus is (ends) sampradāna. (27) main
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25 (Anu. 97) annotation_inline
parent ligne 24
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26 Hasita is on account of 'laughter'72 (or sport) in the dvikala73 (composed of main
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27 dual units) combination. As - saga mama risa, rima papa gari, gapa dhadha main
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28 maga, madha nini pama, pani sasa dhapa, dhanisā;74 sadha papa nisa, nipa main
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29 mama dhani, dhama gaga padha, paga riri mapa, mari sasa gama, garisā. Thus main
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30 (28) annotation_inline
parent ligne 29
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31 is (ends) hasita. annotation_inline
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32 (Anu. 98) annotation_inline
parent ligne 29
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33 Like hasita, through the ascent (and descent) of three svaras, or the ascent main
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34 (and descent) of four svaras, both ways hunkāra is ekakala 75 (with one-unit main
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258 lignes a valider — change uniquement les roles incorrects.