Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21337). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p132 LEFT — 50 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 246 page_number
via heuristic_pagenum
2 BRHADDEŚĪ section_header
via surya_layout
3 Verse No. table
via surya_layout
4 Reading table
via surya_layout
5 Reading table
via surya_layout
6 BrD table
via surya_layout
7 Datti table
via surya_layout
8 BŗD table
via surya_layout
9 Datti table
via surya_layout
10 193 page_number
via heuristic_pagenum
11 49 page_number
via heuristic_pagenum
12 पड्जायाधैव table
via surya_layout
13 पड्जायास्त्वथ table
via surya_layout
14 194 page_number
via heuristic_pagenum
15 सधैवत्यो: table
via surya_layout
16 सधैवत्ये * table
via surya_layout
17 50 page_number
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18 *This reading is there in the Trivandrum edition of Datti which has been main
via surya_layout
19 changed by Mukund Lath to sadhaivatyoh. main
via surya_layout
20 12. Both p.t. and Datti read'tatha', but we have replaced it with list_item
via surya_layout
21 'tābhyām' because 'tathā' does not relate gāndhārī and pañcamī to gāndhāra- list_item
via surya_layout
22 pañcami as its components or progenitors. list_item
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23 13. cf. NŚ XXVIII 49-53 for verses 199-203 of our text. list_item
via surya_layout
24 14. The portion in square brackets has been added from list_item
via surya_layout
25 NŚ XXVIII.55, 56. list_item
via surya_layout
26 15. Reading in NŚ XXVIII. 57. list_item
via surya_layout
27 l 6. cf(i) श्रुतिस्वरग्रामसमूहाज्जायन्त इति जातय:, अथवा जायते रसप्रतीतिराभ्य इति जातय:,यद्वा सकलस्य list_item
via surya_layout
28 रागादेर्जन्महेतुत्वाज्जातयः, अथवा यथा नराणां ब्राह्मणत्वादयो जातयः, शुद्धा विकृताश्च, एवमेता अपीति जातयः। list_item
via surya_layout
29 C.r. in Sudhā on SR 1.7.3. p. 171. unknown
via fallback
30 ŧ annotation_inline
parent ligne 28
via heuristic_height
31 (ii) निर्हेतौ समवायात् श्रुतिस्वरग्रहादिसमूहाद्यतो जायन्ते ततो जातय इति निर्वचनम् । list_item
via surya_layout
32 Abhi Bhā on NŚ XXVIII. p. 37. list_item
via surya_layout
33 17.cf. अंशग्रहादिशतयोजनाया जायन्त इति जातय इत्यन्ये । जाते रसं प्रति आभ्य(जायते रसप्रतीतिराभ्य)इति list_item
via surya_layout
34 वा सकलस्य रागादेर्जन्महेतुर्जातिरिति टीकाकार:। list_item
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35 Abhi Bhā on NŠ XXVIII.p.38. main
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36 18. Reconstruction based on BhaKo, p. 227. list_item
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37 Reconstruction based on Sudhā on SR I. 7.3 p. 171, list_item
via surya_layout
38 cf. शुद्धाश्च विकृताश्चैवमत्रापि जातिलक्षणम् । जातिर्द्धिधा शुद्धा विकृता च । शुद्धा सप्तविधा । विकृता एकादशविधा । list_item
via surya_layout
39 BhaKo p. 227. list_item
via surya_layout
40 20. 'Viścṣa' or specified 'lakṣaṇa' relates to the description of each list_item
via surya_layout
41 <i>jāti</i>, hence this word has been replaced by us with ‘ <i>daśavidha</i> ’ (tenfold) . list_item
via surya_layout
42 ग्रहांशी तारमन्द्री च पाडवीडुविते क्रमात् । अल्पत्वं च बहुत्वं च न्यासोऽपन्यास एव च ॥ list_item
via surya_layout
43 21. cf.(i) list_item
via surya_layout
44 <b>Datti.</b> 55, unknown
via fallback
45 ग्रहांशी तारमन्द्री च न्यासोऽपन्यास एव च । list_item
via surya_layout
46 (ii) list_item
via surya_layout
47 अल्पत्वं च बहुत्वं च पाडवौडुविते तथा ॥ list_item
via surya_layout
48 NŠ XXVIII.66. main
via surya_layout
49 22. Reading of MS B as recorded by the ed. list_item
via surya_layout
50 23. Datti 56 reads *<i>evametadyathājāti *</i>. list_item
via surya_layout

vol_I_p067 LEFT — 44 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 <b>BRHADDEŚ</b>I page_header
via surya_layout
2 116 page_number
via heuristic_pagenum
3 सरिरिस [स] रिगगरिस सरिगममगरिस सरिगमपपमगरिस editorial_bracket
parent ligne 4
via heuristic_brackets
4 सरिगमपध्धपमगरिस सरिगमपधिननिधपमगरिस सरिगमपधिनस- main
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5 सनिधपमग्रिस, प्रस्तारः [ १५ ] editorial_bracket
parent ligne 4
via heuristic_brackets
6 सा annotation_inline
parent ligne 4
via heuristic_height
7 सनिनिस सनिधधनिस सनिधपपधनिस सनिधपममपधनिस main
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8 सा annotation_inline
parent ligne 7
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9 [ सनिधपमगगमपधनिस ] editorial_bracket
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10 री annotation_inline
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11 सा annotation_inline
parent ligne 7
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12 सिन्धपमगरिरिगमपधिनस सिन्धपमगरिस [ स ] रिगमपधिनस, editorial_bracket
parent ligne 7
via heuristic_brackets
13 ृप्रसादः [ १६ ] editorial_bracket
parent ligne 7
via heuristic_brackets
14 सरि रिग गम मप पध धनि निस सनि निध main
via surya_layout
15 धप पम मग गरि रिस, उद्वाहितः [ १७ ] editorial_bracket
parent ligne 14
via heuristic_brackets
16 सरिसरि रिगरिंग गमगम मपमप पधपध main
via surya_layout
17 धनिधनि निसनिस सनिसनि निधनिध main
via surya_layout
18 धपधप पमपम मगमग गरिगरि रिसरिस, main
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19 उपलोलकः [ १८ ] editorial_bracket
parent ligne 18
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20 ः सरिरिस सरिगगरिस सरिगममगरिस सरिगमपपमगरिस main
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21 सरिगमपध्धपमगरिस सरिगमपधनिनिधपमगरिस सरिगमपधनिस- main
via surya_layout
22 सनिधपमगरिस, क्रमः [१९ ] editorial_bracket
parent ligne 21
via heuristic_brackets
23 ुमाः annotation_inline
parent ligne 21
via heuristic_height
24 सग रिम ग़प मध पनि धस, निष्कूजितः [ २० ] editorial_bracket
parent ligne 21
via heuristic_brackets
25 सध annotation_inline
parent ligne 21
via heuristic_height
26 सधसध निपनिप धमधम पगपग मरिमरि main
via surya_layout
27 गसगस, ह्रादमानः [ २१ ] editorial_bracket
parent ligne 26
via heuristic_brackets
28 सारी गरि। री गामग। गामापम। मापाधप। main
via surya_layout
29 पा धा निध। धा नी सनि। रञ्जितः [ २२ ] editorial_bracket
parent ligne 28
via heuristic_brackets
30 सरिगमपधनिसा। सनिधपमगरिसा। आवर्तकः, [ २३ ] editorial_bracket
parent ligne 28
via heuristic_brackets
31 सरिगपपमगस्। रिगमधधपमरि। गमपनिनिधपगः। मपधससनिपमः। main
via surya_layout
32 सा annotation_inline
parent ligne 31
via heuristic_height
33 मा annotation_inline
parent ligne 31
via heuristic_height
34 មា annotation_inline
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35 गा annotation_inline
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36 [ सनिपममपधस ] निधपगगमपनि। धपमरिरिगमध। editorial_bracket
parent ligne 31
via heuristic_brackets
37 धा annotation_inline
parent ligne 31
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38 मप annotation_inline
parent ligne 31
via heuristic_height
39 (vide) annotation_inline
parent ligne 31
via heuristic_height
40 티 annotation_inline
parent ligne 31
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41 गा annotation_inline
parent ligne 31
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42 पमगससरिगप, परिवर्तकः [ २४ ] editorial_bracket
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via heuristic_brackets
43 <sup>—</sup>सा <sup>-</sup> annotation_inline
parent ligne 31
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44 पा annotation_inline
parent ligne 31
via heuristic_height

vol_II_p082 RIGHT — 26 lignes

page vol_II_p082 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 147 page_number
via heuristic_pagenum
3 of takkarāga is well-known as kolāhalī, being sung by the knowledgeable ones main
via surya_layout
4 in music. annotation_inline
parent ligne 3
via heuristic_short
5 <math>(56-57)</math> main
via surya_layout
6 Illustration - Sāmāsāmā. Māmāgādhāmāgārisāsā. Dhāsāgāgārisāsā. main
via surya_layout
7 Mādhasāsā-rirīrigāgāmāmāgārī gādhāmārīsāsā. Dhārīsāsāmādharīmādharīrī main
via surya_layout
8 dhādhāgarīgāsāsāsāmāgārīsāsā gārīmāgārīsā dhādhāmāgārīsā. Kolāhalī [xiv] editorial_bracket
parent ligne 7
via heuristic_brackets
9 The bhāṣā madhyamagrāmadehā<sup>21</sup> (madhyamagrāmikā) is known to be main
via surya_layout
10 always complete, has madhyama as amśa and sadja as the concluding note, main
via surya_layout
11 bears the concert between <i>ṣaḍja</i> and <i>madhyama</i>. This <i>bhāṣā</i> is always <i>saṅkīrṇā</i> main
via surya_layout
12 (mixed) and is placed in takkarāga. main
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13 (58) annotation_inline
parent ligne 12
via heuristic_short
14 Illustration - Mādhānī, Gādhānī, Sānīdhā, Māmāmādhānīmādhā main
via surya_layout
15 nīsāsāmādhānī. Mā. Dhānīnī. Dhāpāgārīgāsāsā. Gāsāsā. Nīnīsānī. Dhādhā. main
via surya_layout
16 Nidhāmāmāmādhānīdhāmāmā dhanīmādhānīsāsā. Madhyamadehā (xv) main
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17 Gāndhārapahācamī should be known to have dhaivata as amśa, sadja as the main
via surya_layout
18 concluding note, is embellished with the svara gandhara, has the combination main
via surya_layout
19 between ṣaḍja-madhyama, is complete and saṅkīrṇā (mixed), being sung by main
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20 the <i>Nāgas</i><sup>22</sup> and <i>Kinnaras</i>.<sup>23</sup> main
via surya_layout
21 (59) annotation_inline
parent ligne 20
via heuristic_short
22 Illustration - Dhadhāpāpādhāmāmā. Dhāpāmāmā dhāpāmāgārī. Gāgā. main
via surya_layout
23 Dhāpamāgāsā. Sāmāsānīdhādhā. Mādhānīsāsā. Sāgāgasāgāgadharidhā main
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24 māmādhārīgāgāmādhāpāmāgāsā nidhānisāsāpāsā. Gāndhārapancami [xvi] editorial_bracket
parent ligne 23
via heuristic_brackets
25 These are the sixteen (bhāṣās) of ṭakkarāga spoken of by Yāṣṭika. main
via surya_layout
26 (60) page_footer
via surya_layout

vol_II_p051 RIGHT — 29 lignes

page vol_II_p051 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 <b>g</b>., annotation_inline
parent ligne 4
via heuristic_height
2 85 page_number
via heuristic_pagenum
3 TRANSLATION page_header
via surya_layout
4 with minute<sup>26</sup> kākus.<sup>27</sup> Thus sādhāraņī should be known to be the abode of main
via surya_layout
5 all gitis. annotation_inline
parent ligne 4
via heuristic_short
6 <math>(284 - 285)</math> main
via surya_layout
7 [6. Bhāṣā gīti] section_header
via surya_layout
8 This bhāṣā gīti is described by the experts in gīti as consisting of prayogas main
via surya_layout
9 (melodic phrases?) that are rendered by the body (voice), are smooth, main
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10 colourful with kākus, well composed, shaken, soft, brilliant, combined with main
via surya_layout
11 mālavīkāku<sup>28</sup> attractive, and graceful. It is performed in the manner that main
via surya_layout
12 delights the people. main
via surya_layout
13 <math>(286 - 287)</math> main
via surya_layout
14 [7. Vibhāṣā gīti] section_header
via surya_layout
15 Vibhāṣā gīti should be composed with gamakas<sup>29</sup> that are attractive, main
via surya_layout
16 numerous, brilliant, shaken, pertaining to the chest region, even, high and main
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17 very high, smooth, in which madhyama shines forth in between, that are main
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18 delightful to the ear and are attractive. This process of composition should main
via surya_layout
19 be spontaneous and should take the course that delights the people. main
via surya_layout
20 (288-289) annotation_inline
parent ligne 19
via heuristic_short
21 [ Thus ends the description of gitis.] editorial_bracket
parent ligne 19
via heuristic_brackets
22 [ The number and nomenclature of ragas ] section_header
via surya_layout
23 The lakṣaṇa (description) of gītis has been spoken of; now the number of main
via surya_layout
24 rāgas is being stated. Five cokṣa (śuddha, pure rāgas) have been spoken of, the main
via surya_layout
25 bhinna ones are of the same number. Gauda (rāgas) have been said to be main
via surya_layout
26 three and rāgas (pertaining to rāga-gīti) have been said to be eight. Seven- main
via surya_layout
27 sādhāraņa (rāgas) have been spoken of and here bhāṣās are sixteen. Vibhāṣās main
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28 are only twelve and (now) know their names. main
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29 <math>(290 - 292)</math> main
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vol_II_p164 RIGHT — 41 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 311 page_number
via heuristic_pagenum
2 VIMARŠA page_header
via surya_layout
3 22,23. Nāga and kinnara are names of ethnic groups. Our text is the list_item
via surya_layout
4 first one to mention ethnic names in the context of music. list_item
via surya_layout
5 24. Paurāla is not a known geographical name. One approximate list_item
via surya_layout
6 name is paurava, "a country on the eastern bank of the jhelam including the list_item
via surya_layout
7 Gujrat district, the original seat of the Purus, the kingdom of Porus who list_item
via surya_layout
8 fought with Alexander " (Nando Lal De). Purālī was an ancient name of list_item
via surya_layout
9 Travancore (ibid). list_item
via surya_layout
10 25. Harşapūra is not known as a geographical name. list_item
via surya_layout
11 26. <math>\bar{A}bh\bar{i}ra</math> is both a geographical and ethnic name. It is identified as list_item
via surya_layout
12 "the south-eastern portion of Gujrat about the mouths of the Narmada" list_item
via surya_layout
13 (Nando Lal De). list_item
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14 27. 'Samyoga' is another expression for sancara or sangati. list_item
via surya_layout
15 28. Kāmboja is identified as Afghanistan (Nando Lal De). list_item
via surya_layout
16 29. Sātavāhana or Sātavāha is "the name of a king fabled to have been list_item
via surya_layout
17 discovered, when a child, riding a Gandharva called Sāta, who, according to list_item
via surya_layout
18 one legend, was changed into a lion" (Monier Williams). Also known as list_item
via surya_layout
19 Sālivāhana, the Śaka ruler who founded the Śaka era i.e samvat. list_item
via surya_layout
20 30. Gāndhāra and niṣāda are implied. list_item
via surya_layout
21 31. Chāyā is used while describing the resemblance of one rāga with list_item
via surya_layout
22 another at a given point. list_item
via surya_layout
23 32. Kākalī is prescribed to be always sparse in the grāma system. The list_item
via surya_layout
24 prescription here of kākalī being frequent is a notable departure. list_item
via surya_layout
25 33. Again the ethnic name kinnara appears here. See notes 22,23. list_item
via surya_layout
26 34. The basic name is hindola or hindolaka meaning a swing; its list_item
via surya_layout
27 synonym is sometimes used to meet the exigency of metre. list_item
via surya_layout
28 35. See note 26. list_item
via surya_layout
29 36. Gāndharva is a rigorously guarded tradition. The inclusion of list_item
via surya_layout
30 bhāṣā in this corpus is incongruous, unless gāndharva is taken to stand for list_item
via surya_layout
31 music in general. list_item
via surya_layout
32 37. "Mangala - called also Mangali or Mangalapura, the capital of list_item
via surya_layout
33 Udyāna, identified by Wilford with Mangora or Manglora. Cunningham list_item
via surya_layout
34 thought it could be identified with Minglaur (Mangalore) " (Nando Lal list_item
via surya_layout
35 De). list_item
via surya_layout
36 38. The word samvāda has been used here again for sancara or sangati. list_item
via surya_layout
37 39. The origin of this vibhāṣā is traced directly to pañcama rāga, where list_item
via surya_layout
38 as it should really be related to a bhāṣā of that rāga. It is treated as a bhāṣā list_item
via surya_layout
39 in SR and S Rāj. list_item
via surya_layout
40 40. Gändhärapañcama has been mentioned here under pañcama. list_item
via surya_layout
41 41. "Dākṣiṇātya is identified with Deccan; that part of India that lies list_item
via surya_layout
190 lignes a valider — change uniquement les roles incorrects.