Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21358). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p041 LEFT — 48 lignes

page vol_II_p041 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 64 page_number
via heuristic_pagenum
3 धा नी सां सा रीं रीं रीं रीं table
via surya_layout
4 (३) table
via surya_layout
5 सां सां सां री गा मा मा मा table
via surya_layout
6 (8) table
via surya_layout
7 मां धां नीं धां मां धां मां पां table
via surya_layout
8 (4) table
via surya_layout
9 गारी साधित रीरीरीरी table
via surya_layout
10 (६) table
via surya_layout
11 गां रीं सां सां पा धा मा मा table
via surya_layout
12 (v) table
via surya_layout
13 गा गा गा मा पा निधनि नी नी table
via surya_layout
14 (८) table
via surya_layout
15 गा गा नी नी गा गा गा गा table
via surya_layout
16 (९) table
via surya_layout
17 गा गा नी नी निध पा पा पा table
via surya_layout
18 (१०) table
via surya_layout
19 मां पो मो पो पो मो मो table
via surya_layout
20 (११) table
via surya_layout
21 सा मा गा निध नी नी गा गा table
via surya_layout
22 (१२) table
via surya_layout
23 ॥ [इति] कैशिकी ॥ table
via surya_layout
24 1 म ॥ annotation_inline
parent ligne 25
via heuristic_height
25 [५. मध्यमोदीच्यवा] section_header
via surya_layout
26 पञ्चमांशा सदा पूर्णा, मध्यमोदीच्यवा मता ॥१४॥ main
via surya_layout
27 ंपञ्च(मा: ? मां) annotation_inline
parent ligne 26
via heuristic_short
28 [मता] editorial_bracket
parent ligne 26
via heuristic_brackets
29 लक्ष्म शेषं विजानीयाद् गान्धारोदीच्यवागतम् । main
via surya_layout
30 (म्) annotation_inline
parent ligne 29
via heuristic_short
31 मध्यमादिर्मूर्छना स्यात् तालश्चचत्पुटो मत: ॥१५॥ main
via surya_layout
32 ॰(मंरीन ? मूर्छना) annotation_inline
parent ligne 31
via heuristic_markers
33 चतुर्थस्य प्रेक्षणस्य ध्रुवायां विनियोजनम् । main
via surya_layout
34 ্ক annotation_inline
parent ligne 33
via heuristic_height
35 <sup>१७६</sup>अस्यां मध्यमो न्यास: । षड्जधैवतावपन्यासौ । <sup>१७७</sup>प्रस्तार:- main
via surya_layout
36 अस्या annotation_inline
parent ligne 35
via heuristic_height
37 पा धनि नी नी मा मा नी पा table
via surya_layout
38 (१) table
via surya_layout
39 री री री गा सा रिग गा गा table
via surya_layout
40 (२) table
via surya_layout
41 नी नी नी नी नी नी नी table
via surya_layout
42 (3) table
via surya_layout
43 नी नी धप मा निध निध पा पा table
via surya_layout
44 (8) table
via surya_layout
45 पांपारी री री री री री table
via surya_layout
46 (4) table
via surya_layout
47 मा रिग सा सधं नीं नीं नीं नीं table
via surya_layout
48 <b>(६)</b> table
via surya_layout

vol_I_p029 RIGHT — 22 lignes

page vol_I_p029 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 41 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 The vadi-maṇḍala in madhyama-grāma is thus - ma pa dha ni sa ri ga. main
via surya_layout
4 The samvādi-mandala in madhyama-grāma is thus- main
via surya_layout
5 ma unknown
via surya_layout
6 pa unknown
via surya_layout
7 ga unknown
via surya_layout
8 Γi unknown
via surya_layout
9 dha unknown
via surya_layout
10 ni unknown
via surya_layout
11 sa unknown
via surya_layout
12 • annotation_inline
parent ligne 4
via heuristic_height
13 The anuvādi-maṇḍala in madhyama-grāma is thus - main
via surya_layout
14 ŧ annotation_inline
parent ligne 13
via heuristic_height
15 ma unknown
via surya_layout
16 pa unknown
via surya_layout
17 ga unknown
via surya_layout
18 <math>\vec{\Pi}</math> unknown
via surya_layout
19 dha unknown
via surya_layout
20 . annotation_inline
parent ligne 13
via heuristic_height
21 ni unknown
via surya_layout
22 sa unknown
via surya_layout

vol_I_p038 RIGHT — 40 lignes

page vol_I_p038 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 59 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 [ Anu . 39 ] editorial_bracket
parent ligne 4
via heuristic_brackets
4 Thus have been spoken of the fourteen complete murchanas of both the main
via surya_layout
5 grāmas. Now their names are being mentioned. main
via surya_layout
6 In (i.e. beginning with) şadja is uttaramandrā, in niṣāda is known rajanī, 27 in main
via surya_layout
7 dhaivata is known uttarā (uttarāyatā) and śudhaşadjā is in pañcama. (93) main
via surya_layout
8 Matsari (matsarikṛtā) should be known in madhyama and aśvakrāntikā in main
via surya_layout
9 gāndhāra and with ṛṣabha should be known abhirudgatā,28 the seventh one. main
via surya_layout
10 (94) annotation_inline
parent ligne 9
via heuristic_height
11 Thus are to be known the seven mūrchanās subsisting in şadja-grāma. main
via surya_layout
12 Hereafter I shall speak of the murchanas of madhyama-grama. main
via surya_layout
13 (95) annotation_inline
parent ligne 12
via heuristic_height
14 Sauvīrī is with madhyama and hariņāśvikā (hariņāśvā) is in gāndhāra and main
via surya_layout
15 (96) annotation_inline
parent ligne 14
via heuristic_height
16 kalopanatā would be the mūrchanā with ṛṣabha itself. main
via surya_layout
17 Suddhamadhyā, on the other hand, could be in şadja and in niṣāda itself (is) main
via surya_layout
18 mārgitā (mārgi). Pauravī is to be known in dhaivata and hṛṣyakā in pañcama. main
via surya_layout
19 ł annotation_inline
parent ligne 18
via heuristic_height
20 (97) main
via surya_layout
21 Thus the mürchanās of madhyamagrāma have been spoken of by me. Now I main
via surya_layout
22 shall speak of the şāḍavā (hexatonic) and auḍavā (pentatonic) mūchanas. main
via surya_layout
23 (98) annotation_inline
parent ligne 22
via heuristic_height
24 Şāḍava is to be known as having six svaras and auḍavā is to be known with main
via surya_layout
25 five svaras; and the etymology of sadavas and auduvitas is being spoken of. main
via surya_layout
26 (99) annotation_inline
parent ligne 25
via heuristic_height
27 (Anu. 40) annotation_inline
parent ligne 25
via heuristic_height
28 Those six svaras that protect (the performance) are (known as) sadava main
via surya_layout
29 svaras; their use (in performance) is (called) sādava. Falling under the tāraka main
via surya_layout
30 gaṇa,29 it (ṣāḍava) is (combined with) itac pratyaya 30 (suffix) (and thus ‘ṣāḍavitā’ main
via surya_layout
31 is formed). annotation_inline
parent ligne 30
via heuristic_height
32 (Anu. 41) annotation_inline
parent ligne 30
via heuristic_height
33 The ākāśa (space) in which the udus 31 (stars) move, that ākāśa is (known) as main
via surya_layout
34 auduva. By that (the word auduva) the number five is indicated. (<math>\bar{A}k\bar{a}\dot{s}a</math>) is the main
via surya_layout
35 fifth mahābhūta; auduvita is that in which the number (five) of that (ākāśa) main
via surya_layout
36 exists. annotation_inline
parent ligne 35
via heuristic_height
37 Ṣāḍava is that which has six svaras, its lakṣaṇa (description) is sevenfold and main
via surya_layout
38 it is to be known as being numbered forty-nine,52 by the knowledgeable ones in main
via surya_layout
39 (100) annotation_inline
parent ligne 38
via heuristic_height
40 gīta (lit. song i.e. music). main
via surya_layout

vol_I_p061 RIGHT — 29 lignes

page vol_I_p061 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 105 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 (Anu. 102) annotation_inline
parent ligne 4
via heuristic_height
4 Like hunkāra one should ascend (with) three solfa syllables without a gap main
via surya_layout
5 (and) in a combined80 (manner), thence two lower svaras (forming two phrase- main
via surya_layout
6 units each) should be made (pronounced) with shake81 and verily in main
via surya_layout
7 combination with another (next) kalā 82 (phrase-unit). Thus is gātravarņa, main
via surya_layout
8 because of the combination or formulation of ekakala 83 svaras (forming main
via surya_layout
9 temporal units of one kalā or mātrā each). As - dhanisa nini dhadha, padhani main
via surya_layout
10 dhadha papa, mapadha papa mama, gamapa mama gaga, rigama gaga riri, main
via surya_layout
11 (33) annotation_inline
parent ligne 10
via heuristic_height
12 sariga riri sasa. Thus is (ends) gatravarna. main
via surya_layout
13 [ The treatment of Alankaras according to Bharata's opinion ] section_header
via surya_layout
14 I shall now speak of the varnas 84 in which the charming alankāras are main
via surya_layout
15 'seated' (formed), according to the prescription of Bharata. main
via surya_layout
16 (121) annotation_inline
parent ligne 15
via heuristic_height
17 Prasannādi, prasannānta, prasannādyanta, similarly prasannamadhya, sama, main
via surya_layout
18 recita itself, prastāra and prasāda are based on the sthāyivarņa. These alankāras main
via surya_layout
19 (122, 123) annotation_inline
parent ligne 18
via heuristic_short
20 should be known according to their respective definition. main
via surya_layout
21 After this, please understand (the alankāras) born of the sancārin (varņa), as main
via surya_layout
22 they are again and again being described (lit. glorified). Mandratāraprasanna, main
via surya_layout
23 bindu, prenkolita, tāramandraprasanna, nivīttapravītta, kuhara, veņu, ranjita, main
via surya_layout
24 upalolaka, avartaka, paravarta. Thus are the eleven charming alankaras born of main
via surya_layout
25 <math>(124 - 126)</math> annotation_inline
parent ligne 24
via heuristic_height
26 the sancarin (varna). annotation_inline
parent ligne 24
via heuristic_height
27 Nişkūjita, kuhara, hasita, bindu itself, prenkholita, ākṣipta, vidhuta, udvāhita, main
via surya_layout
28 hrādamāna, sampradāna, sandhipracchādana, prasannādi and main
via surya_layout
29 prasannanta—(these) thirteen are (based) on the arohin (varna). (127, 128) main
via surya_layout

vol_I_p023 LEFT — 31 lignes

page vol_I_p023 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 28 page_number
via heuristic_pagenum
2 BRHADDESI page_header
via surya_layout
3 किमत्र कारणम् ? उच्यते - ग्रामद्वयेऽप्यन्तरमूर्छना-प्रतिपादनार्थम्, यद्वा main
via surya_layout
4 ग्रामद्वयेऽपि षड्जमध्यमस्वरौ ग्रामण्यौ भवतः। अन्यस्वरास्तदग्रेसरा main
via surya_layout
5 ₀मध्यपरौ annotation_inline
parent ligne 4
via heuristic_markers
6 इति॥ main
via surya_layout
7 इति तावन्भया प्रोक्ताः श्रुतयो ग्रामसंश्रिताः ॥५२॥ main
via surya_layout
8 ॥ इति श्रुतिप्रकरणम् ॥ editorial_bracket
parent ligne 7
via heuristic_brackets
9 IV [स्वर-प्रकरणम् ] section_header
via surya_layout
10 [ तत्र स्वरलक्षणम् ] section_header
via surya_layout
11 इदानी सम्प्रवक्ष्यामि स्वराणां च विनिश्चयम्। main
via surya_layout
12 तत्रादौ स्वरशब्दस्य व्युत्पत्तिरिह कथ्यते।।५३॥ main
via surya_layout
13 राजृ दीप्ताविति धातोः स्वशब्दपूर्वकस्य च। main
via surya_layout
14 •वस्प<sup>1</sup> annotation_inline
parent ligne 13
via heuristic_height
15 स्वयं यो राजते यस्मात् तस्मादेष स्वरः स्मृतः॥५४॥ main
via surya_layout
16 <del>2हि</del> annotation_inline
parent ligne 15
via heuristic_short
17 ेतस्मात् स्वर इति main
via surya_layout
18 । अनु. १५ । section_header
via surya_layout
19 ननु स्वर इति किम् ? उच्यते - रागजनको ध्वनिः स्वर इति। main
via surya_layout
20 तथा चाह कोहलः - annotation_inline
parent ligne 19
via heuristic_short
21 "आत्मेच्छया महीतलाद् वायुरुद्यविधार्यते। main
via surya_layout
22 ∘च्या₊⁴ annotation_inline
parent ligne 21
via heuristic_height
23 हि unknown
via fallback
24 ⁵नाभि₃ annotation_inline
parent ligne 21
via heuristic_height
25 नाडीभित्तौ तथाऽऽकाशे ध्वनी॰ रक्तः स्वरः स्मृतः॥" annotation_inline
parent ligne 21
via heuristic_markers
26 नि annotation_inline
parent ligne 21
via heuristic_height
27 [ अनु. १६ ] section_header
via surya_layout
28 ननु स्वर एवं स्यादेकोऽनेको वा, व्यापकोऽव्यापको main
via surya_layout
29 वा, नित्योऽनित्यो वा स्यात् । अत्रोच्यते - एकोऽनेको main
via surya_layout
30 व्यापको नित्यश्चेति। तत्र निष्कलरूपेणैकः स्वरः main
via surya_layout
31 षइजादिरूपेणानेकः स्वरः। main
via surya_layout
170 lignes a valider — change uniquement les roles incorrects.