Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21359). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p139 LEFT — 59 lignes

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1 grantening to the property of the annotation_inline
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2 262 page_number
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3 260 page_number
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4 BRHADDEŚĪ page_header
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5 शुद्धपङ् main
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6 line of verse 305 also appears in p. t. within this portion, but it has been main
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7 omitted in order to avoid unnecessary repetition. Reconstruction based on main
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8 Kalā on SR. II.2.23-26, p.25. main
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9 54. c.r. in ibid. annotation_inline
parent ligne 8
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10 55. cf.c.r. in ibid. विवादी चानुवादी च गृहीत: स्यादित्यनुपङ्ग: । शुद्धपाडवापेक्षया main
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11 भित्रपड्जभित्रपञ्चमयोः स्वरप्रयोगभेदात् स्वरभित्रम् । main
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12 C. r. in ibid. annotation_inline
parent ligne 11
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13 56. P.t. repeats ' şadjaḥ (?) '. main
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14 57. Reconstruction attempted in the closest possible approximation main
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15 to the confused reading of p.t. main
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16 भित्रपड्जो मानदैन्ये चैकान्ताजीवितस्य च । main
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17 58. cf. main
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18 मन्यन्ते र unknown
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19 C.r. in Abhi. Bhā .XXIX. 9, p. 69. main
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20 ग्राममूर्छन unknown
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21 59. cf. main
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22 प्रसन्नान्तविभूषित: । main
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23 SR 11.2.80b. annotation_inline
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24 60. cf.(i) main
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25 चतुःश्रुतिस्वरं यत्र भिनक्ति (ति)त्रिश्रुतिस्वराः (रः)। main
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26 तथाहि तैः annotation_inline
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27 अधिष्ठानं स एव स्याच्छुतिभिन्न: स मन्यते ॥ main
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28 SamSi Bhā Ka, p. 33. main
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29 एवायामार annotation_inline
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30 चतुःश्रुतिः स्वरो यत्र भिन्नो द्विश्रुतिको भवेत् । main
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31 (ii) annotation_inline
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32 <b>द्विश्रुति</b>प्यां main
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33 गान्धारो द्विश्वतिश्चैव श्रुतिभिन्न: स उच्यते ॥ main
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34 इत्याचार्यद्व unknown
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35 इति भित्रतानरागे हि पङ्जस्य श्रुतिद्वयं गृह्मति निषादः । श्रुतिपूर्वन्यायेन पङ्जोऽपि चतुःश्रुतिरित्युच्यते, गान्धारस्तु main
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36 श्रुतिभिन्नत्वम् । annotation_inline
parent ligne 35
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37 8 page_number
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38 C.r. in Kalā on SR II.2.23-26, p.26. main
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39 61. cf. (i) annotation_inline
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40 मध्यमापञ्चमीजातः पञ्चमांशग्रहोऽल्परिः॥ main
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41 8 page_number
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42 रिहीनो वा मध्यमान्तो मध्यमाल्प: सकाकली । main
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43 SR II. 2.35 c-36 b. annotation_inline
parent ligne 42
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44 विहीन ऋषभेणाधो ऋषभाल्पतया युत:। main
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45 (ii) annotation_inline
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46 मध्यमस्वरविश्राम: स्वल्पमध्यमकोऽथवा ॥ main
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47 निषाददुर्वल: प्रोक्तो भवानीपतिदैवत: ॥ main
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48 अत्र यद्गदितं तज्ज्ञैर्दुर्वलत्वं निषादिन: । main
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49 तद्धेतुजातिजं चिन्त्यं रिदीर्बस्यं पुनर्व्धै:॥ main
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50 तथाहि तैरा annotation_inline
parent ligne 49
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51 S Rāj II.2.I.280, 282 cd, 283. main
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52 62. Verse 313 in our text mentions rṣabha and niṣāda as sparse, main
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53 whereas here in the prose portion madhyama and niṣāda are so mentioned. main
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54 SR mentions ṛṣabha and madhyama and S.Rāj mentions ṛṣabha, madhyama and main
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55 1 page_number
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56 niṣāda. (See extracts in note 60). main
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57 63. cf. annotation_inline
parent ligne 56
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58 धैवतीपड्जमध्याभूः स्वल्पपञ्चमसप्तमः । main
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59 (vide) annotation_inline
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vol_I_p066 RIGHT — 49 lignes

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1 115 page_number
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2 <b>TRANSLATION</b> page_header
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3 Giti (musical rendering) without alankāra is like a night without the moon, main
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4 a river without water, a creeper without flowers (and) a woman without main
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5 (168) annotation_inline
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6 ornaments.119 main
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7 Thus have been described these thirty-three alankāras by me. Those that main
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8 have not been indicated here, they should also be understood. main
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9 (169) annotation_inline
parent ligne 8
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10 (Anu. 103) main
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11 Thus are the prastaras (notational representations) in (svaras) beginning main
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12 with şadja.120 main
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13 (1) table
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14 sarigamapadhanisa,121 prasannādi table
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15 (2) table
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16 sanidhapamagarisa, 122 prasannānta table
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17 (3) table
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18 sarigamapadhanisa 123 nidhapamagarisa, prasannādyanta table
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19 <b>(4)</b> table
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20 sanidhapamagarisa 124 sarigamapadhanisa, prasannamadhyama table
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21 <b>(5)</b> table
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22 sā rī gā mā pā dhā nī sā,125 sama table
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23 (6) table
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24 sā sā 126 sā, bindu table
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25 <b>(7)</b> table
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26 sā sā sā, 127 nivītta pravītta table
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27 (8) table
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28 sarigamapadhaninidhapamagarisa, veņu table
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29 (9) table
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30 sarigamapadhanisa.<sup>128</sup> kampita table
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31 (10) table
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32 sarigamapadhanisa,129 kuharita table
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33 (11) table
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34 sarigamapadhanisa,150 recita table
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35 sarīrisā rigagarī gamāmagā mapāpamā padhādhapā, dhanīnidhā 151 nisāsani, table
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36 (12) table
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37 prenkholita unknown
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38 mapadhanisama, main
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39 gamapadhaniga annotation_inline
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40 rigamapadhari main
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41 sarigamapasa annotation_inline
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42 (13) main
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43 tāramandraprasanna annotation_inline
parent ligne 42
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44 masanidhapama, 132 main
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45 ganidhapamaga annotation_inline
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46 ridhapamagari main
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47 sapamagarisa annotation_inline
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48 (14) main
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49 mandratāraprasanna main
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1 TRANSLATION page_header
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2 141 page_number
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3 Illustration - Sāgāgapā. Pāmapāmagāmāmā rīgasāsā sāsamāgapāpā. main
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4 Pādhanidhā. Mapāpāmapāmāmāmagāsa sīvidhānisīsī sadhānīgāvīgāmāpāganisā main
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5 nīgārīnisāsā-. Nidhāpāmāgārīgāsā . Mānīdhanīdhāsā. Chevāţī [iv] editorial_bracket
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6 Having ṣadja as its nyāsa, niṣāda as its amsa, being weak in pancama, there main
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7 being the concert of ṣadja-gāndhāra and similarly ṣadja-madhyama, this bhāṣā main
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8 should be known as hexatonic. Mālavesarī bears the name mūlā. main
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9 (44) annotation_inline
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10 Illustration - Nīdhāninī sarisāsāgāmāgādhārisamāmāsā gāsārisāsāgadharisā. main
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11 Gāmādhāmā māgādhāgā. Sāsāsā. Mālavesarī [v] editorial_bracket
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12 Gūrjarī is well- known as a deśa-bhāṣā (regional melodic variety); it is main
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13 immensely lustrous, has niṣāda as amśa , ṛṣabha and ṣaḍja as its concluding main
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14 notes, and is complete. The concert<sup>17</sup> of sadja-madhyama and similarly main
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15 pañcama-ṛṣabha should be known there. annotation_inline
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16 (45) annotation_inline
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17 Illustration - Nisāsānipāpānīdhānīnī sānīsāsā. Sārīsāriri. Sāmāgā. Riri. main
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18 Nīnīnī. Pāpāpā. Nidhāni. Nigāsā. Gūrjarī [vi] editorial_bracket
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19 This bhāṣā, saurāṣṭrī bearing the name deśī (regional) has niṣāda as its main
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20 amsa, sadja as its concluding note, is always complete and is sung by people. main
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21 (46) annotation_inline
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22 Illustration - Ninidhāninisāsā nirigāsāsā sāgāgāsā dhaninini dhāmāmānini main
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23 ninidhāsāsā gāsāsāgāsāsadhāni dhānidhāmāmāmārigāsāsā gāsanīsāsāsā. main
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24 Saurāstrī [vii] editorial_bracket
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1 105 page_number
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2 TRANSLATION page_header
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3 (Anu. 102) annotation_inline
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4 Like hunkāra one should ascend (with) three solfa syllables without a gap main
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5 (and) in a combined80 (manner), thence two lower svaras (forming two phrase- main
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6 units each) should be made (pronounced) with shake81 and verily in main
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7 combination with another (next) kalā 82 (phrase-unit). Thus is gātravarņa, main
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8 because of the combination or formulation of ekakala 83 svaras (forming main
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9 temporal units of one kalā or mātrā each). As - dhanisa nini dhadha, padhani main
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10 dhadha papa, mapadha papa mama, gamapa mama gaga, rigama gaga riri, main
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11 (33) annotation_inline
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12 sariga riri sasa. Thus is (ends) gatravarna. main
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13 [ The treatment of Alankaras according to Bharata's opinion ] section_header
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14 I shall now speak of the varnas 84 in which the charming alankāras are main
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15 'seated' (formed), according to the prescription of Bharata. main
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16 (121) annotation_inline
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17 Prasannādi, prasannānta, prasannādyanta, similarly prasannamadhya, sama, main
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18 recita itself, prastāra and prasāda are based on the sthāyivarņa. These alankāras main
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19 (122, 123) annotation_inline
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20 should be known according to their respective definition. main
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21 After this, please understand (the alankāras) born of the sancārin (varņa), as main
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22 they are again and again being described (lit. glorified). Mandratāraprasanna, main
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23 bindu, prenkolita, tāramandraprasanna, nivīttapravītta, kuhara, veņu, ranjita, main
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24 upalolaka, avartaka, paravarta. Thus are the eleven charming alankaras born of main
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25 <math>(124 - 126)</math> annotation_inline
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26 the sancarin (varna). annotation_inline
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27 Nişkūjita, kuhara, hasita, bindu itself, prenkholita, ākṣipta, vidhuta, udvāhita, main
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28 hrādamāna, sampradāna, sandhipracchādana, prasannādi and main
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29 prasannanta—(these) thirteen are (based) on the arohin (varna). (127, 128) main
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vol_II_p106 LEFT — 33 lignes

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1 (vide) annotation_inline
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2 BRHADDEŚĪ page_header
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3 194 page_number
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4 .....मालवी । [३]<sup>२४</sup> editorial_bracket
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5 .....गुर्जरी । [४]<sup>२५</sup> editorial_bracket
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6 मध्यामांशा २६धैवतान्ता षाडवा ऋषभोज्झिता । main
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7 ऋषभान्विता annotation_inline
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8 गीयते यज्ञकाले या सा ख्याता बाह्यषाडवा ॥ २४॥ main
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9 उदाहरणम् - माधा । मानिनि पामापाधाधा । माधामागा गागागामा ममनिधा मापापानिधा- main
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10 धाधा । बाह्यषाडवा । [५] editorial_bracket
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11 निषादांशा धैवतान्ता षाडवा स्याद्रिवर्जिता<sup>२७</sup>। main
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12 षद्द्जवर्जिता annotation_inline
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13 कौसली देशसम्भूता प्रतीहारेषु गीयते ॥ २५॥ main
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14 कौसलदेश॰ annotation_inline
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15 उदाहरणम् – निनिधा । पामामा । मागमा । सासासासासा । मागमानिधाधा । कौसली । [६] editorial_bracket
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16 गान्धारांशा मध्यमान्ता गान्धारी मध्यमाश्रिता<sup>२८</sup>। main
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17 (श?शा) annotation_inline
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18 एकान्तवासिभिर्गीता मूलभाषा तु षड्जगा ॥ २६॥ main
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19 उदाहरणम् - गामापानीसासा । निधाधामा मामागामाधा । निसारी । सापामामा । धानीसारी । main
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20 गारीसानी । धामामा । गान्धारी । [७] editorial_bracket
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21 २९धैवताद्यन्तसंयुक्ता रिहीना षाडवस्वरा । main
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22 ॰ पह्जर्पभहीना annotation_inline
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23 स्वरविवितका एषा गीयते दृढमानसै: ॥ २७॥ main
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24 + + बलितगा annotation_inline
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25 उदाहरणम् - धाधामापा । गागामाधा निसानिधाधा पापागामा धासनिधानिसासागामा पापा- main
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26 धाधा । मधापामामा गधगामधानिसासा। निसानिगागा मासानीधा धापमामागाधा । सामाधा- main
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27 नी ससाधापामाधाधा । स्वरवलिता । [८] editorial_bracket
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28 धैवताद्यन्तललिता पञ्चमर्षभवर्जिता । main
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29 षह्जपश्चम ॰ annotation_inline
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30 ३॰पञ्चस्वरा तु गीयेत प्रकृष्टा सा मता क्रमात् ॥ २८॥ annotation_inline
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31 - Paragraphy (Fig. 25) Apply (Head Co. 19) Apply (The Section 25) (25) annotation_inline
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32 All the second second second second second second second second second second second second second second second second annotation_inline
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33 والمراجع والمراكب والمراكب والمراجع والمراجع والمراجع والمراجع والمناكب annotation_inline
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194 lignes a valider — change uniquement les roles incorrects.