Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21369). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p045 RIGHT — 35 lignes

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1 73 page_number
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2 TRANSLATION page_header
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3 Trailokyamohana, vīra, kandarpabalašātana, šankhacūda, gajacchāya, raudra and main
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4 (114) annotation_inline
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5 vișnuvikrama. annotation_inline
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6 Thus end the names of audava tanas devoid of dhaivata and rabha in madhyama- main
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7 grāma. annotation_inline
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8 Bhairava, kāmada and avabhṛtha, aṣṭakapālaka, sviṣṭakṛt, vaṣaṭkāra and the main
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9 (115) annotation_inline
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10 seventh is known as mokşada. annotation_inline
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11 [ Thus end the names of auduvita tanas devoid of ni and ga in madhyama- editorial_bracket
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12 grāma.] editorial_bracket
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13 Thus end the fourteen names of auduvita tānas in madhyamagrāma. main
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14 [Thus end the thirty-five names of auduvita tanas seated in the two gramas.] editorial_bracket
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15 (Anu. 46) annotation_inline
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16 The auduvita (tānas) of both the grāmas are thirty-five. The sādava and main
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17 auduva (tānas) of both the grāmas taken together are eithty-four tānas. main
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18 (Anu. 47) annotation_inline
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19 Now in order to explain sādhāraņakṛtā mūrchanās he (the author) has said - main
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20 sādhāraņa svaras are gāndhāra and niṣāda. Sādhāraņā mūrchanās are those that main
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21 begin with them40 (gāndhāra and niṣāda in their sādhāraņa states as antara and main
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22 kākalī) and they are included in the same (mūrchanās of gāndhāra and niṣāda). main
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23 How? The sādhāraṇatā (commonness) of mūrchanās with tānas is implied in or main
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24 already expressed through 'sādhāraṇa' (the term forming part of the name of main
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25 the fourth type of murchanā viz. sadharaņakṛtā). main
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26 (116) annotation_inline
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27 And thus I have spoken of the fourfold mūrchanās. main
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28 [The performance of tanas] section_header
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29 (Anu. 48) annotation_inline
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30 How should the performance of these tanas be made, if this be asked, it is main
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31 being answered. The performance 41 of tana is twofold viz. with pravesa (lit. main
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32 entering) and nigraha (lit. restraint). main
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33 Pravesa is the viprakarşa (augmentation) of şadja that is lower and has to be main
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34 omitted i.e. it (şadja) is made to attain (the position of) rşabha. Thus is the main
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35 pravesa through viprakarşa. With mārdava (lit. softening) it is thus: the same main
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vol_I_p068 LEFT — 34 lignes

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1 BRHADDESI page_header
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2 118 page_number
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3 सरिमपपमरिस । रिगपधधपगरि । गमधनिनिधमग । main
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4 मपनिससनिपम। सनिपममपनिस। निधमगगमधनि। main
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5 धपगरिरिगपध। पमरिससरिमप। उद्घट्टितः [ २५ ] editorial_bracket
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6 सिरिग्। रिग्म। गमप्। मप्ध। पधनि। धनिस। सनिध। निधप। धपम। main
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7 पमग्। मगरि। गरिस। आक्षिप्तकः [ २६ ] editorial_bracket
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8 सगमा मरिसा। रिमपा पगरी। गपधा धमगा। main
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9 मधनी निपमा। पनिसा सधपा। धनिसा। सधपा पनिसा। main
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10 निपमा मधनी। धमगा गपधा। पगरी रिमपा। main
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11 मरिसा सगमा। गरिसा। सम्प्रदानमः [ २७ ] editorial_bracket
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12 。नम् annotation_inline
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13 सगम मरिस। रिमप पगरि-- - - - - - - unknown
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14 VII [ पदगीतिप्रकरणम् ] section_header
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15 अलङ्कारा मया प्रोक्ता यथावन्मुनिसत्तम main
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16 1अथ गीतिं प्रवक्ष्यामि छन्दोऽक्षर- [ समन्विताम् ] ॥१७०॥ editorial_bracket
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17 प्रथमा मागधी जेया द्वितीया चार्धमागधी । main
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18 सम्भाविता तृतीया च चतुर्थी पृथुला स्मृता ॥१७१॥ main
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19 थित्रिर्निवृत्ता च या गीतिः सा गीतिर्मागधी स्मृता । main
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20 अर्धकालनिवृत्ता च विज्ञेया त्वर्धमागधी ॥१७२॥ main
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21 सम्भाविता च विज्ञेया गुर्वक्षरसमन्विता । main
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22 पृथुलास्या च विज्ञेया लघ्वक्षरसमन्विता ॥१७३॥ main
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23 [ अनु₀ १०४ ] editorial_bracket
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24 दक्षिणे मार्गे पृथुला गीति [:], वार्तिक मार्गे सम्भाविता, चित्रे मार्गे editorial_bracket
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25 र्मा. annotation_inline
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26 <b>,</b>† annotation_inline
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27 र्गा annotation_inline
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28 मागधी । अष्टौ ३ मात्रा [ दक्षिणमार्गे, चतस्रो मात्रा editorial_bracket
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29 .धिः annotation_inline
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30 वार्तिकमार्गे, द्वे मात्रे चित्रमार्गे ] कलाप्रयोगक्रमेण । editorial_bracket
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31 ⁴ताल. annotation_inline
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32 चित्रे चैककले ताले विज्ञेया गीतिर्मागधी । main
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33 वार्तिक द्विकले ज्ञेया गीतिः सम्भाविता बुधैः ॥१७४॥ unknown
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34 .ला annotation_inline
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vol_II_p035 RIGHT — 37 lignes

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1 53 page_number
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2 TRANSLATION page_header
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3 rṣabha-pañcama. There is abundance of gāndhāra although the state of amśa main
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4 does not obtain in it. There is the sparseness of pañcama in the ṣāḍava state, main
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5 in the auduvita state there is the sparseness of none; there is abundance of main
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6 all. Madhyama is the nyāsa. Ŗṣabha, dhaivata are the two apanyāsas. There main
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7 is mutual reaching out among the amsas. main
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8 [Anu. 157] section_header
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9 This is eleven-fold. There are eleven amsas, four in the complete state, main
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10 three in the sādava state, because of the exclusion of the form in which main
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11 dhaivata is the amśa, four in the auduvita state. There is no śuddha (amśa). main
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12 The mūrchanā<sup>69</sup> beginning with gāndhāra obtains. Paūcapāņi is the tāla. main
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13 With ekakala (tāla) and citra (mārga) there is māgadhī (gīti). With dvikala (tāla) main
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14 in the vārtika (mārga) there is sambhāvitā (gītī). With catuṣkala (tāla) in the main
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15 dakşina (mārga) there is pṛthulā (gīti). Śṛṅgāra and hāsya are the two rasas. Its main
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16 application (viniyoga) is prescribed in the singing of dhruvā (s) in the second main
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17 scene (or act). main
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18 [7.Şadjamadhyamā] section_header
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19 [Anu. 158] section_header
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20 All the seven svaras are grahas and anisas of şadjamadhyamā. The tāra main
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21 extends upto five svaras. The mandra is upto the nyāsa or upto the svara next main
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22 to it. In the ṣāḍava state it is devoid of niṣāda. In the auḍuvita state it is devoid main
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23 of niṣāda-gāndhāra. There is free movement (sancāra) without violating the main
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24 grāma. In the complete state, there is the sparseness of niṣāda and gāndhāra. main
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25 Ṣadja and madhyama are the two nyāsas. Seven svaras are apanyāsas. main
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26 [Anu. 159] section_header
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27 It is seventeen-fold. There are seventeen amsas – out of them seven obtain main
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28 in the <i>pūrņa</i> state, five in the <i>ṣāḍava</i> state and five in the <i>auḍava</i> state. There main
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29 is no śuddha state. The murchanā<sup>70</sup> beginning with madhyama obtains. main
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30 Pañcapāṇiis the tāla. With ekakala (tāla) in the citra (mārga), there is māgadhī main
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31 (gīti). With dvikala (tāla) in the vārtika (mārga) there is sambhāvitā (gīti). main
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32 With catușkala (tāla) in the dakșiņa (mārga) there is pṛthulā (gīti). It is relevant main
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33 in all the rasas. Its application (viniyoga) is (prescribed) in the singing of main
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34 dhruvā (s) in the second scene (prekṣaṇaka).71 main
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35 Thus end these seven jātis pertaining to sadjagrāma. main
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36 [Anu. 160] section_header
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37 Now the jātis pertaining to madhyamagrāma are being said - main
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vol_I_p019 RIGHT — 33 lignes

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1 21 page_number
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2 TRANSLATION page_header
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3 The distinction of svara and śruti (exists) because they are prasādhya (lit. main
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4 accomplished, here perceived) by different buddhis (apprehensions, main
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5 perceptions). And also on account of the distinction of aśraya (seat or main
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6 substratum, here śruti) and āśrayin (that which is seated, here svara) the main
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7 identification (of the two) does not stand. main
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8 (36) annotation_inline
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9 The state of svaras being reflections, that has been spoken of, does not stand main
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10 reason (because) if the state of svaras being reflection (is accepted), then main
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11 perception having the nature of delusion becomes applicable. main
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12 (37) annotation_inline
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13 The relationship of cause and effect between śruti and svara is not possible; main
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14 there is no pramana (means of valid knowledge or evidence) of the existence of main
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15 (38) annotation_inline
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16 śrulis. annotation_inline
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17 (Objection) If by arthāpatti 55 (negative inference) or by the pramāņa main
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18 presuming vyāpti-grahaņa, (the comprehension of concomitance, i.e. anumāna,56 main
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19 inference) svara is proved to be the bheda (modification or result) of the gagana- main
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20 gunas<sup>57</sup> (qualities of space or ether i.e. sounds) that are the progenitors of svara main
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21 (then the kārya-kāraņa relationship between the two would be established). (39) main
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22 (Answer) It is true. annotation_inline
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23 Although the kārya-kāraņa difference (between svara and śruti) is evident, main
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24 (40) annotation_inline
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25 yet the kāraņatva (causality) of śrutis is impossible. main
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26 (This is so) because (here) the cause (śruti) is available (perceptible) (even) main
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27 when the kāryas (svaras) are present, (but) when the jar and the like are main
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28 existent, the lump of clay is not available (perceptible). main
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29 (41) annotation_inline
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30 Pariņāma 58 (transformation) (and, or) abhivyakti (manifestation) is main
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31 understood to be the justified proposition by the wise; thus the alternatives main
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32 (42) annotation_inline
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33 starting with tādātmya have been spoken of by me. main
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vol_II_p084 RIGHT — 34 lignes

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1 151 page_number
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2 TRANSLATION page_header
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3 Māmāgari. Sādhāsāsā. main
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4 Sāriririgāgārī. annotation_inline
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5 dhāsāsāgāgadhari. annotation_inline
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6 Sāsāsadhāmamagāsasasāsa. Sāsādhādhāpāpāsa pāpañcamadhādhāpañca[ma] editorial_bracket
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7 sāpādhādhādhādhāpā. Pamāgāsā. Sāsāgārīgārī gādhāsāsā. Ardhavesarī [ii] editorial_bracket
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8 Combined with şadja as the initial and concluding note, has concert of main
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9 madhyama and ṛṣabha, is laden with the svaras comprised of two śrutis each, main
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10 is commingled with kākalī and antara and is sādhāraņakṛtā, i.e., uses sādhāraņa main
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11 svaras (viz. kākalī and antara), this harṣapurikā bears the name deśī<sup>25</sup> main
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12 (regional). annotation_inline
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13 (65) annotation_inline
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14 Illustration - Sânīdhānīsāsāmāpā. Māgādhāmā. Gāsāsāgā. Gadhānī. main
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15 Sāsādhāsā. Nidhāpāpāgagāmagāmasāsānidhāsāsā. Pāmāgādhāmāgāsāsā. main
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16 Pāmāpāpāsarisāsāsāmāgā. Gapāpānidhā. Sarinīpāmāgāgānidhāsāsāsarīsarī. main
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17 Sāsāridhāpāpā. Māgārisāsāsārīsāsāsamā. Gamāgamāgamāgapāpāmāgārisarīsāsā. main
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18 Sāpāmāgārisāgaga. Sarimāgārīsānīsasā. Harşapūrī [iii] editorial_bracket
parent ligne 17
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19 Māṅgālī has madhyama as aṁśa, ṣaḍja as the concluding note, is brilliant main
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20 with madhyama, has concert between madhyama and ṛṣabha, is complete and main
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21 delightful to the people. This bhāṣā should be known as māṅgālī by the main
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22 knowledgeable ones in music. main
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23 (66) annotation_inline
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24 Illustration - Māgāmā gāsāmāpamā. Gamapāpāsasanisāsānīpāpāpāma. main
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25 Gamamagagamāmā. Sagama. Pāpānisānisāsā sanīsāsāsanīpāpā.... pāmā. main
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26 Papāmamā. Pamagāpamagā. Māmāmaga. Sāsāgamāpāpāsanirīrī. Māgārī. main
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27 Sanisasā. Māṅgālī [iv] editorial_bracket
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28 Saindhavī should be embellished with ṣaḍja as the initial and concluding main
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29 note, is replete with sadja and madhyama and similarly there is (mutual main
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30 movement between) niṣāda and ṛṣabha. They have known it as bearing the main
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31 name of deśa (region), being born of the Sindhu region. main
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32 (67) annotation_inline
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33 Illustration - Sārī. Māmā. Mādhāpāpāpāgā. Pāmāgārī. Pāmāgārī. Sanī. main
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34 Sādhāsārīmarīmā. Mārnādhāpāpā. Pādhamāpādhāpā māgārīsanīsāsī. Svindhavī [v] editorial_bracket
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173 lignes a valider — change uniquement les roles incorrects.