Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21385). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p034 RIGHT — 35 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	51	page_number via heuristic_pagenum
3	pañcama and șadja. In the complete state there is the sparseness of șadja,	main via surya_layout
4	madhyama, pañcama and dhaivata. In the ṣāḍava state, there is the sparseness	main via surya_layout
5	of şadja, madhyama and dhaivata. In the auduvita form there is the sparseness	main via surya_layout
6	of madhyama and dhaivata. The tāra extends upto five svaras. The mandra is	main via surya_layout
7	upto the nyāsa or upto the svara next to it.	main via surya_layout
8	[Anu. 153]	section_header via surya_layout
9	The mūrchanā beginning with gāndhāra obtains. Caccatpuṭa is the tāla.	main via surya_layout
10	There are thirty-two kalās in the dakṣiṇa (mārga), sixteen in vārtika (mārga),	main via surya_layout
11	eight in citra (mārga). It is ten-fold. There are ten amśas. Šuddhā (is one).	main via surya_layout
12	There are three vikṛtās in the complete state, three in the ṣāḍava state and	main via surya_layout
13	three in the auduva state. Karuna is the rasa. Its application (viniyoga) 68 is	main via surya_layout
14	prescribed in the singing of dhruvās in the first scene (or act).	main via surya_layout
15	[5. Şadjakaisiki]	section_header via surya_layout
16	[Anu. 154]	section_header via surya_layout
17	Ṣaḍja, gāndhāra and pañcama are the grahas and amsas of ṣaḍjakaisikī. The	main via surya_layout
18	tāra extends upto five svaras. The mandra is upto the nyāsa or upto the svara	main via surya_layout
19	next to it. It is always complete. There is the sparseness of dhaivata, niṣāda	main via surya_layout
20	and madhyama. Rṣabha is even more sparse, there is abundance of the	main via surya_layout
21	remaining ones. Gāndhāra is the nyāsa. And şadja, niṣāda, pañcama are	main via surya_layout
22	apanyāsas.	main via surya_layout
23	[Anu. 155]	section_header via surya_layout
24	It has no śuddhā state, there are three amśas in the complete state.	main via surya_layout
25	Caccatpuța is the tāla. În ekakala (tāla), in the citra (mārga), there is māgadhī	main via surya_layout
26	gīti. In dvikala (tāla), in the vārtika (mārga), there is sambhāvitā (gīti). In	main via surya_layout
27	catușkala (tāla), in the dakșiņa (mārga), there is pṛthulā (gīti) and the rasa is	main via surya_layout
28	karuṇa. Its application (viniyoga) is (prescribed) in the first song associated	main via surya_layout
29	with entry in the second scene (or act).	main via surya_layout
30	[6. Şadjodicyava]	section_header via surya_layout
31	[Apu. 156]	section_header via surya_layout
32	Şadja, madhyama, dhaivata and nişāda are the grahas and amsas of şadjodīcyavā.	main via surya_layout
33	The tara extends up to five svaras. The mandra is upto the nyasa or the svara	main via surya_layout
34	next to it. The şādava formation is devoid of rṣabha, the auduvita formation	main via surya_layout
35	is devoid of ṛṣabha-pañcama. In the complete state there is the sparseness of	main via surya_layout

vol_II_p090 RIGHT — 38 lignes

L#	Texte OCR	Role auto
1	163	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	Māngālī has pancama as its concluding note and is said to have dhaivata	main via surya_layout
4	as amśa. There is concert between şadja-dhaivata and similarly madhyama-	main via surya_layout
5	ṛṣabha; it is held to be always complete and should be known to be born of	main via surya_layout
6	٠	page_number via heuristic_pagenum
7	deśa<sup>37</sup> (region). This bhāṣā is said to be born of pañcama (rāga) by the	main via surya_layout
8	knowledgeable ones in music.	main via surya_layout
9	<math>(92-93)</math>	main via surya_layout
10	Illustration-[Dhādhā] Sāsīsīsadhāsīriridhāsīriri[mari] dhāsādhāsīsīrimāri	editorial_bracket parent ligne 9 via heuristic_brackets
11	mämämadhamadhapāpādhāmapāpamāsānidhasī ririmāgarisāsūrimārimamam	main via surya_layout
12	adhamapapāpāpāmāpāpamasīsīnidhasīsīririgārimārisī dhāsīsadhamāsīsīsīsīma.	main via surya_layout
13	Pamāmāpāpā. Mārigālī [iii]	editorial_bracket parent ligne 12 via heuristic_brackets
14	Having pañcama as amsa and the same as the concluding note, being	main via surya_layout
15	complete and brilliant with pañcama, saindhavī has been known to be a	main via surya_layout
16	vibhāṣā born in the Sindhu region. Concert38 between ṣaḍja and pañcama	main via surya_layout
17	is seen again and again.	main via surya_layout
18	(94)	annotation_inline parent ligne 17 via heuristic_short
19	Illustration-Pāpādhasīrigāgāgarimāri. Sasānidhādhāsanidhādhāmasarigāgāgari	main via surya_layout
20	sādhādhamāpādhāpādhasīsīrigāripapxīrigāgārirīsīdhāvsīdhāpxīmāpxīpxīdhāpxī	main via surya_layout
21	māmāmāpā dhādhāsīrīrisīdhāpā māpāpā. Saindhavī [iv]	editorial_bracket parent ligne 20 via heuristic_brackets
22	Gūrjarī has gāndhāra as ani śa, pañcama as the concluding note and is with	main via surya_layout
23	sparse madhyama. It has concert between sadja and madhyama, (and) is	main via surya_layout
24	always complete. This vibhāṣā born of pañcama<sup>39</sup> (rāga) is said to be	main via surya_layout
25	complete.	annotation_inline parent ligne 24 via heuristic_short
26	(95)	main via surya_layout
27	Illustration-Gขากฉับฉบับละสำนักเสียลีpāpādādhānidhānāmāmādhāgārīnīswigarim-	main via surya_layout
28	ādhāmāpādhapadhanid hādhādhadhaparīrīsārimāgārimāmāmādhānīdharipa-	main via surya_layout
29	dhānīdhāpā pānīdhāmāmadhamadhamagārirīmāmārīsāsāgārīmāmāpādhā-	main via surya_layout
30	nismismidhāmapāpā. Gūrjari [v]	editorial_bracket parent ligne 29 via heuristic_brackets
31	Combined with pañcama as the initial and concluding note, dākṣiṇātyā is	main via surya_layout
32	beautiful. This is complete and is said to be born in gandharapancama. 40 It	main via surya_layout
33	should always be known as a vibhāṣā born of pañcama bearing a regional	main via surya_layout
34	name.41	annotation_inline parent ligne 33 via heuristic_short
35	(96)	main via surya_layout
36	Illustration - Pāpānīrī. Nirigārigarimāmaririniniri. Dhāpāpāpapā niririgari-	main via surya_layout
37	garimagaririri. Dhanidhadhanidhādhanidhāpā pāniririgārigādhāmāgāvirisāniri	main via surya_layout
38	gāmāgārīnidhāpāpā. Dākṣiṇātyā [vi]	editorial_bracket parent ligne 37 via heuristic_brackets

vol_II_p087 LEFT — 32 lignes

L#	Texte OCR	Role auto
1	BRHADDESĨ	page_header via surya_layout
2	156	page_number via heuristic_pagenum
3	पञ्चमांशा तेन बहुला धान्ता मधुकरी शुभा।	main via surya_layout
4	परस्परं तु संवादो गान्धारपञ्चमस्य हि ॥ ७६॥	main via surya_layout
5	धैवतस्य निषादस्य संयोगो दृश्यते यत:।	main via surya_layout
6	एषा पूर्णा च सङ्कीर्णा भाषा ककुभसम्भवा<sup>६२</sup> ॥ ७७॥	main via surya_layout
7	उदाहरणम् -[पापा] निनिनिनिपधपा धनिसासनिसनि सपधानिधाधपा धरिसासागरिमगरिस-	editorial_bracket parent ligne 6 via heuristic_brackets
8	सम । गरिसानिनिधपापासागा । पापामाधा । माधाधामा । नीसासाधाधा । मधुकरी ।[५]	editorial_bracket parent ligne 6 via heuristic_brackets
9	निषादांशा तु षड्जान्ता[निषादग्रहसंयुता] ।	editorial_bracket parent ligne 6 via heuristic_brackets
10	+++++++	annotation_inline parent ligne 6 via heuristic_height
11	[भाषा] ऋषभहीना तु विज्ञेया शकमिश्रिता ॥ ७८॥	editorial_bracket parent ligne 6 via heuristic_brackets
12	निषादपञ्चमानां तु संवाद: स्यातु धैवते ।	main via surya_layout
13	मजुवत्यंशजा[?]छाया छाया शकविमिश्रिता ॥ ७९॥	editorial_bracket parent ligne 12 via heuristic_brackets
14	उदाहरणम् - नीसानिगधमागारिरिनि निनिसाधाधानिधागमामामपासा सनिसासाधाधामनी	main via surya_layout
15	धाधामानीधापामाधानीसासासा नीसासासारिगारिसा नीसानीसानिधाधामासानीमागारीरि ।	main via surya_layout
16	शकमिश्रिता। ६३ [६]	editorial_bracket parent ligne 15 via heuristic_brackets
17	धैवतांशा धैवतान्ता विज्ञेया भिन्नपञ्चमी।	main via surya_layout
18	मध्यमांशा	annotation_inline parent ligne 17 via heuristic_height
19	निषाद: काकली भूयो धैवतेन विमिश्रित: ॥ ८०॥	main via surya_layout
20	संयोगो दृश्यते यत्र काकल्या धैवतस्य च।	main via surya_layout
21	काक(ल्योद्यै?ल्या धै) वतस्य च	annotation_inline parent ligne 20 via heuristic_height
22	पञ्चमर्षभसंवादो यत्रैव सम्प्रयोजयेत्॥	main via surya_layout
23	साधारणकृता ह्येषा पूर्णा ६४ प्राया च काकली ६५ ॥ ८१॥	main via surya_layout
24	उदाहरणम् - धनिधाधा निधापापामरिपापापपमाधाधा पासामनिसासनिरिरिसारी । धाधा ।	main via surya_layout
25	परिमापापा । पमधाधामानीधापापापरीधा पापापाधाधासनिधा । भित्रपञ्चमी । [७]	editorial_bracket parent ligne 24 via heuristic_brackets
26	एता भाषा: समुद्दिष्टा: [सप्त वै ककुभस्य च ]॥ ८२॥	editorial_bracket parent ligne 24 via heuristic_brackets
27	भा(पा)	annotation_inline parent ligne 24 via heuristic_height
28	the state of the state of the state of the state of the state of the state of the state of the state of the state of the	annotation_inline parent ligne 24 via heuristic_height
29	. . .	annotation_inline parent ligne 24 via heuristic_height
30	7.4	annotation_inline parent ligne 24 via heuristic_height
31	From the substitute of the con-	annotation_inline parent ligne 24 via heuristic_height
32	____	annotation_inline parent ligne 24 via heuristic_height

vol_II_p080 RIGHT — 31 lignes

L#	Texte OCR	Role auto
1	143	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	This saindhavī has madhyama as its amśa, ṣadja as its concluding note, is	main via surya_layout
4	Gamāgāmāsādhāsārīmāmāmāsā	main via surya_layout
5	Gārimāmāmā.	annotation_inline parent ligne 4 via heuristic_height
6	Dhānisā.	annotation_inline parent ligne 4 via heuristic_height
7	rigāmāpāpādhānipadhāpāmā gārīrīnirini dhādhādhanīsārīgāmāmāgāmāmā	main via surya_layout
8	gāmāmāmāsāsā. Saindhavī [viii]	editorial_bracket parent ligne 7 via heuristic_brackets
9	brilliant with dhaivata, complete in svaras, the (mutual) movement 18 of	main via surya_layout
10	şadja-dhaivata and gāndhāra-madhyama is seen to be dense. It is a regional	main via surya_layout
11	bhāṣā bearing the name désī; saindhavī is,born of ṭakkarāga.	main via surya_layout
12	<math>(47-48)</math>	annotation_inline parent ligne 11 via heuristic_height
13	Illustration - Māmāsīsā. Sanīnīnīnīdhādhāsurisā nīdhādhādharinidhādhā.	main via surya_layout
14	Combined with sadja as the initial and concluding note, being devoid of	main via surya_layout
15	pañcama, this bhāṣā vesarikā, should be known to be hexatonic by the	main via surya_layout
16	performers. The mutual movement of dhaivata-niṣāda and ṣadja-dhaivata is	main via surya_layout
17	seen from moment to moment.	annotation_inline parent ligne 16 via heuristic_height
18	<math>(49-50)</math>	annotation_inline parent ligne 16 via heuristic_height
19	Illustration-Sāsā. Sadhāni. Dhāsāsāsā māmāgāmā gāmāsādhā māgārīsāsāsā.	main via surya_layout
20	Vesarikā [ix]	editorial_bracket parent ligne 19 via heuristic_brackets
21	Having pañcama as amsa and şadja as the concluding note, being	main via surya_layout
22	complete and delightful to the people, this bhāṣā is said to be pañcamākhyā.	main via surya_layout
23	There is concert 19 between pañcama-ṛṣabha and similarly between ṣadja-	main via surya_layout
24	madhyama	annotation_inline parent ligne 23 via heuristic_height
25	(51)	annotation_inline parent ligne 23 via heuristic_height
26	Mustration - Pāpāpāripā. Ripāpāpāpamāpāpāmapamā sāsāsarīrīri	main via surya_layout
27	Nidhādhapāpā. Pasāmāmārirīgagarisapā pagārisāgārisāripāpāririgari.	main via surya_layout
28	Gādhāmāgāriri dhaparigasāsā. Pañcamākhyā [x]	editorial_bracket parent ligne 27 via heuristic_brackets
29	Having middle and lower registers (as its range), şadja as its concluding	main via surya_layout
30	note, gāndhāra as amśa and the seventh (niṣāda) as sparse, the bhāṣā,	main via surya_layout
31	ravicandrikā, should be known to be sankīrņā (mixed). It should be so	main via surya_layout

vol_I_p050 LEFT — 39 lignes

L#	Texte OCR	Role auto
1	BRHADDESI	page_header via surya_layout
2	82	page_number via heuristic_pagenum
3	तस्माद् यत्किञ्चिद् गीयते तन्मध्यमध्वनिविशेषैः	main via surya_layout
4	कण्ठध्वनिभिर्मन्द्रतारव्यवस्थासिद्ध्यर्थमेव।	main via surya_layout
5	चतुर्विधा मया प्रोक्ता मूर्छनाः सप्तस्वरात्मिकाः।	main via surya_layout
6	द्वादशस्वरमूर्छनाः	annotation_inline parent ligne 5 via heuristic_short
7	इदानी तु प्रवक्ष्यामि द्वादशस्वरमूर्छनाः ॥११७॥	main via surya_layout
8	90H	annotation_inline parent ligne 7 via heuristic_height
9	<sup>91</sup>ुनाम्	main via surya_layout
10	[ अनु॰ ६१ ]	section_header via surya_layout
11	तत्र मूर्छनानिर्देशः स्थानित्रतयप्राप्त्यर्थमिति वचनात्,	main via surya_layout
12	मन्द्रतारसिद्ध्यर्थमिति वचनाच्च द्वादशस्वरसम्पन्ना मूर्छना	main via surya_layout
13	द्रष्टव्याः	annotation_inline parent ligne 12 via heuristic_short
14	प्रयोगकाले। तथा चाह कोहलः --	main via surya_layout
15	"योजनीयो बुधैर्नित्यं क्रमो लक्ष्यानुसारतः।	main via surya_layout
16	संस्थाप्य मूर्छना जातिरागभाषादिसिद्धये" ।।१२	main via surya_layout
17	ुना	annotation_inline parent ligne 16 via heuristic_height
18	नान्दकश्वरणाप्युक्तम्-	main via surya_layout
19	“द्वादशस्वरसम्पन्ना ज्ञातव्या मूर्छना बुधैः।	main via surya_layout
20	जातिभाषादिसिद्ध्यर्थं तारमन्द्रादिसिद्धये।"	main via surya_layout
21	[ अनु₀ ६२ ]	section_header via surya_layout
22	यद्यप्याचार्यैः अप्तस्वरमूर्छनाः प्रतिपादिताः, स्थानत्रितयप्राप्त्यर्थं	main via surya_layout
23	ुदा	annotation_inline parent ligne 22 via heuristic_short
24	द्वादशस्वरैरेव मूर्छनाः प्रयुक्ताः। अन्यथा चोक्षषाडवे रिमा इति प्रयोगो	main via surya_layout
25	सा	annotation_inline parent ligne 24 via heuristic_height
26	न स्यात्। एवं च १५सति स रागः सिद्धो न स्यात्।	main via surya_layout
27	ग सिध्यान्त (२)	annotation_inline parent ligne 26 via heuristic_short
28	षाङ्जीजातौ रिगमधनि प्रयोगस्तारमन्द्रको न	main via surya_layout
29	पर्ज,	annotation_inline parent ligne 28 via heuristic_short
30	स्यात्। अन्येषामपि रागाणां नाशंकरः प्रयोगः स्यात्। तेन सरिगम [प]	editorial_bracket parent ligne 28 via heuristic_brackets
31	धन्याद्या मूर्छना धनि [ सरि ] गमपाद्याः। तद्यथा—	editorial_bracket parent ligne 28 via heuristic_brackets
32	नि अन्या	annotation_inline parent ligne 28 via heuristic_height
33	धनिसरिगमपधनिसरिग । उत्तरमन्द्रा	main via surya_layout
34	[ <sup>8</sup> ]	editorial_bracket parent ligne 33 via heuristic_brackets
35	निसरिगमपधनिसरिगम । रजनी	main via surya_layout
36	ि ३ ो	annotation_inline parent ligne 35 via heuristic_short
37	सरिगमपधनिसरिगमप । उत्तरायता	main via surya_layout
38	रिगमपधनिसरिगमपध । शुद्धषड्जा [ ४ ]	editorial_bracket parent ligne 37 via heuristic_brackets
39	गमपधनिसरिगमपधनि । मत्सरीकृता [ ५	editorial_bracket parent ligne 37 via heuristic_brackets

175 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p034 RIGHT — 35 lignes

vol_II_p090 RIGHT — 38 lignes

vol_II_p087 LEFT — 32 lignes

vol_II_p080 RIGHT — 31 lignes

vol_I_p050 LEFT — 39 lignes