Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21392). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

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1 TRANSLATION page_header
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2 67 page_number
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3 sā pā nī mā pā pā gā gā table
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4 <b>(7)</b> table
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5 mā pā mā nidha nī nī sā sā table
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6 (8) table
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7 pā pā mā dhani pā pā pā pā table
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8 (9) table
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9 mā pā mā riga gā gā gā gā table
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10 (10) table
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11 gā pā mā pā nī nī nī nī table
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12 (11) table
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13 mā pā mā pariga gā gā gā gā table
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14 (12) table
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15 gā gā gā mā mā nidha nī nī table
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16 (13) table
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17 nī nī dhapa mā nidha nidha pā pā table
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18 (14) table
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19 rī gā sā sā mā nidhani nī nī table
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20 (15) table
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21 nī nī dhā pā dhā pā mā mā table
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22 (16) table
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23 Thusends<i>inadhyamodīcyavā</i>. section_header
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24 [6. Kārmāravi] section_header
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25 In kārmāravī, niṣāda, ṛṣabha, pañcama and dhaivata become the ainśas. main
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26 (16) annotation_inline
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27 Many (svaras) are said to be non-amsas on account of antara-marga. main
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28 Gāndhāra is excessively abundant. There is concert among all the amśa main
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29 svaras. annotation_inline
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30 (17) main
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31 Caccatpuța (is the tāla), there are sixteen kalās. The mūrchanā beginning main
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32 with şadja obtains. The application is (prescribed) in the dhruvā of the fifth main
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33 act. annotation_inline
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34 (18) main
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35 Pañcama is the nyāsa in this (jāti). The amsás themselves are apanyāsas. main
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36 The prastāra is thus- main
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37 ri ri ri ri ri ri ri ri table
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38 (1) table
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39 mā gā sā gā sā nī nī nī table
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40 (2) table
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41 nī mā nī mā pā pā gā gā table
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42 (3) table
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43 gā pā mā pā nī nī nī nī table
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44 (4) table
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45 rī gā sā nī rī gā rī gā table
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46 (5) table
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47 rī gā rī sā nī dhani pā pā table
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48 (6) table
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49 mā pā mā pariga gā gā gā gā table
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50 <b>(7)</b> table
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1 BRHADDEŚĪ page_header
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2 126 page_number
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3 युद्धवीरेऽस्य विनियोगः। वीरादिको रसः। षड्जादिमूर्छना। आरोही वर्णः। प्रसन्नान्तोऽलङ्कारः । main
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4 ॰(र्य?रे) annotation_inline
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5 दक्षिणे कला, वार्तिके कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल: । main
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6 [साधारणरागाणां ग्रामविभागः] section_header
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7 इदानीं साधारणानां ग्रामविभाग: प्रदर्श्यते - main
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8 भम्माणपञ्चमो ज्ञेयो मध्यमग्रामसम्भव:। main
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9 गान्धारपञ्चमो नर्त: षड्जकैशिक एव च ॥ ३४२॥ main
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10 रूपसाधारितो रागः शकः ककुभ एव च। main
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11 रेवगुप्तस्तु षड्जाख्ये ज्ञेयः पञ्चमषाडवः ॥ main
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12 (뭐) annotation_inline
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13 सप्त[नव ?] साधारणाः प्रोक्ता ग्रामद्वयसमाश्रयाः ॥३४३॥ editorial_bracket
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14 (माश्र) annotation_inline
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15 [ग्रामरागाणां मूर्छना-निर्देशस्य आधार:] section_header
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16 [अनु॰२१३] editorial_bracket
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17 ननु पूर्वोक्तानां[ग्रामरागाणां]<sup>१११</sup> मूर्छनाविशेष-निर्देश: कस्माज्जायत इति [चेत्]<sup>११२</sup> editorial_bracket
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18 उच्यते । आसवचनान्पूर्छनानिर्देशो ज्ञायते । तथा चाह काश्यप: - main
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19 ११३कश्यप: annotation_inline
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20 (आसवचनाद्) annotation_inline
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21 ९१४‘‘ज्ञात्वा जात्यंशबाहुल्यं निर्देश्या मूर्छना बुधै:।” main
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22 [गीतरागयोर्भेद:] section_header
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23 [अनु॰ २१४] . editorial_bracket
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24 नन् गीतरागयो: को भेद:<sup>११५ ।</sup> उच्यते । दशलक्षणलिक्षतं गीतं रागशब्दाभिधेयम् । main
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25 <sup>११६</sup> शब्देनाभिधीयते annotation_inline
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26 ॰(यो:को) annotation_inline
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27 गीतं चतुरङ्गेपेतम् , ध्रुवायोगात् पञ्चविधम् । कुत <sup>११७</sup>एतद् विज्ञायते ? आसवचनात् । main
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28 तथा annotation_inline
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29 एव annotation_inline
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30 चाह काश्यप: - annotation_inline
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31 ११८कश्यप: main
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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 121 page_number
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3 and hāsya (rasas) and nirvahaṇa (sandhi). Vīra<sup>80</sup> and the like is the rasa. The main
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4 mūrchanā beginning with ṣaḍja obtains. Ārohin is the varņa. Prasannamadhya main
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5 is the <i>alankāra. The kalā</i> is formed in the <i>dakṣiṇa (mārga</i>), the <i>kalā</i> obtains main
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6 in the <i>vārtika (mārga</i>) and the <i>kalā</i> prevails in the <i>citra (mārga</i>). A <i>tāla</i> like main
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7 caccatputa obtains in the songs comprised of svara and pada. main
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8 [3. Kakubha] section_header
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9 Kakubha comes out of madhyamā, pañcamī and dhaivatī jātis, has pañcama main
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10 as its nyāsa and is formed with dhaivata as the amśa. main
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11 (335) main
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12 [Anu. 206] section_header
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13 Its meaning is thus – Kakubha is related to şadjagrāma. How is it related main
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14 to şadjagrāma alone in spite of being born of madhyamā, pañcamī and main
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15 dhaivatī? On account of pañcama being comprised of four śrutis and main
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16 dhaivata of three śrutis. Dhaivata is its amśa and graha. Pañcama is the nyāsa main
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17 and this (rāga) is complete in svaras. Its application is prescribed in the medium state of karuṇa (rasa). Karuṇa is its main
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18 with dhaivata obtains. Ārohin is the varņa. Prasannamadhya is the alaṅkāra. main
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19 The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the vārtika main
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20 (mārga) and the kalā prevails in the citra(mārga). A tāla like caccatupṭa main
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21 obtains in the songs comprised of svara and pada. main
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22 [4. Bhammāṇapañcama] section_header
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23 Bhammāṇapañcama comes of ṣaḍjamadhyamā jāti, has ṣaḍja as its aṅiśa, main
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24 madhyama as nyāsa and treats as sparse the svaras comprised of two śrutis each. main
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25 (336) main
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26 [Anu. 207] section_header
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27 Its meaning is thus – Bhammāṇapañcama is related to madhyamagrāma on main
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28 account of being born of sadja-madhyamā jāti. Şadja is the graha and anisa, main
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29 madhyama is the nyāsa. There is the sparseness of niṣāda and gāndhāra. Niṣāda main
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30 is kākalī here and this (rāga) is complete in svaras. Its application is prescribed main
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31 in (the situation of ) travel on a path in summer, (by those) full of fatigue and main
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32 in (the depiction of) forests. Vīra and the like is the rasa<sup>83</sup>. The mūrchanā main
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33 beginning with ṣadjaobtains. Ārohinisthe varṇa. Prasannamadhya isthe alankāra. main
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34 The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the vārtika (mārga) main
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35 and the kalāprevails in the citra (mārga). A tāla like caccatpuṭa obtains in the songs main
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36 comprised of svara and pada. main
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37 [5. Rūpasādhārita] section_header
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38 Rūpasādhārita is born of şadjamadhyamā and naiṣādī (jātis). It has ṣadja as main
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39 its <i>amśa, madhyama</i> as <i>nyāsa</i> and is with sparse <i>pañcama</i> and <i>ṛṣabha.</i> main
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40 (337) main
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1 (vide) unknown
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2 138 page_number
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3 <b>BRHADDES!</b> page_header
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4 19. This sentence has been repeated in the MSS; the ed. has put it in list_item
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5 paranthesis with a sign of interrogation. list_item
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6 20. MS A reading as recorded by the ed. list_item
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7 21. Verses 102 and 103 are both in the āryā metre, but they have been list_item
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8 treated as prose in the P.t. list_item
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9 22. P.t. gives the first two sets of hexatonic tanas in the descending order like list_item
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10 ni-dha-pa-ma-ga-ri etc. These have been changed by us into the ascending order; list_item
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11 the crosses indicating the omitted svaras have also been added by us for the sake list_item
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12 of clarity. list_item
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13 23. cf. (a) ननु कथ मूर्छनातानयोर्भेदः प्रतिपादितः, उच्यते । list_item
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14 आरोहाबरोहक्रमयुक्तः स्वरसमुदायो मूर्छनेत्युच्यते । list_item
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15 तानस्तु आरोहक्रमेण भवतीति भेदः । list_item
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16 ( Saṃ S Sā, p. 18 ) main
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17 (b) यद्यपि मूर्छना एव शुद्धास्तानाः स्युरित्युक्तौ तानेष्वारोहावरोहत्व प्रतीयते, तथापि मतङ्गमतेनारोह एव main
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18 तान इति जेयम्। तथा च मतङ्गः —ननु कथ मूर्छनातानयोर्भेद ? उच्यते। आरोहावरोहक्रमयुक्तः स्वरसमुदायो main
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19 मुर्छनेत्युच्यते, तानस्त्वारोहण भवतीति भेदः । main
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20 ( Rā Vi, p. 31 ) main
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21 24. C.r. in S R I Sudhā, p. 114. list_item
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22 25. C.r. in Bha Ko, p. 502. list_item
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23 26. C.r. ( as in no. 24 ). list_item
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24 27. C.r. in Bha Ko, p. 502 adds 'bharatasya' in the beginning of the sentence. list_item
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25 28. C.r. in S R I Sudhā, p. 114 reads - list_item
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26 ननु कथ मूर्छनातानयोर्भेदः ? वूमः । main
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27 29. Portion added from Sam S Sa, p. 18; S R I Sudha, p. 114 and Ra Vi, p. list_item
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28 31. list_item
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29 30. P.t. modified on the basis of ibid. list_item
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30 31. P.t. adds 'svarasystih?' after this, but it is totally out of context. list_item
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31 32,33,34. Our reconstruction is based on S R I, 4. 74. list_item
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32 35. Our reconstruction is based on S. Raj II, 1.1.457. The chart illustrating list_item
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33 these tānas in S. Rāj I, p. 133 reads 'balabhṛt' and 'nāgayakşa'; S R I,4.76 reads list_item
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34 balabhinnāgapakṣakaḥ. list_item
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35 36,37,38. Our reconstruction is based on S R I, 4.77. list_item
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36 39. S R I, 4.77. list_item
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37 40,41,42. Our reconstruction is based on S R I, 4.79. list_item
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38 43. ibid., verse 80. list_item
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39 44. Reconstruction based on S R I, 4.82 and S. Rāj II, 1.1.465. list_item
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40 45,46. Reconstruction based on S R I, 4. 83 and S. Rāj II, 1.1.467. list_item
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41 47. Reading in S R I, 4.84 and S. Rāj II, 1.1.468. list_item
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42 48. ibid. list_item
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43 49. Reconstruction based on ibid. list_item
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44 50. Reconstruction based on S R I, 4.85 and S. Rāj II, 1.1.469. list_item
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1 (vide) annotation_inline
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2 39 page_number
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3 TRANSLATION page_header
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4 applied without any svara forming an exception. Out of sixty-three (anisas), main
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5 nine amsas that pertain to the four jātis which are always complete, should main
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6 be subtracted. That is thus-pa-sa-ga-pa-ri-pa-dha-ni-pa. When these nine are main
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7 subtracted, fifty-four amsas remain. Out of them (again) the seven amsas of main
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8 six jātis viz. ṣadjamadhyamā, ṣadjodīcyavā, kaišikī, gāndhārī, raktagāndhārī main
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9 (and) ṣādjī, should be subtracted. When seven ainsas are subtracted, there main
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10 are forty-seven anisas. That is thus - main
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11 Madhyamodicyavā (becomes non-ṣāḍava) with pa, similarly gāndhārapañcamī main
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12 (and) kārmāravī (become non-ṣāḍava) with ri-pa-ni-dha (and ) ṣaḍjakaiśiki main
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13 (becomes so) with sa - ga - pa. annotation_inline
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14 (257) annotation_inline
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15 [ Anu. 140] editorial_bracket
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16 This means .....in the forty-seven anisas, the formation of ṣāḍava should main
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17 be carried out with the said svaras. annotation_inline
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18 Now he (the author) shows the svaras that are not exceptional <math>^{53}</math> in the main
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19 formation of auduvita - annotation_inline
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20 In the same way, those that are free from being exceptional are thirty main
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21 (amśa svaras that form) auduvita. main
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22 (258) annotation_inline
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23 [Anu. 141] editorial_bracket
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24 This means - in that way, those devoid of exception should be known to main
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25 be of thirty kinds. That is thus - out of sixty-three, nine anisas belonging to main
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26 the four jātis that are always complete (in which omission is not prescribed) main
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27 should be subtracted. After their subtraction, fifty-four amsas remain there. main
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28 There also out of fifty-four, twelve amsas of the four jātis that are always main
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29 complete and ṣāḍava, should be subtracted. After their subtraction, out of main
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30 forty-two (being the remainder), twelve anisas that do not form auduvita in main
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31 five jātis, viz. gāndhārī, raktagāndhārī, ṣaḍjamadhyamā, kaiśikī and pañcamī, main
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32 should be subtracted. After their subtraction, the formation of auduvita main
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33 takes place with thirty amśa svaras that have been spoken of. Similarly has main
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34 said Bharata- annotation_inline
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199 lignes a valider — change uniquement les roles incorrects.