Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21395). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p114 RIGHT — 27 lignes

page vol_II_p114 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 211 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [3. <i>Gadya</i>] section_header
via surya_layout
4 That in which <math>t\bar{a}la</math> comes at the end along with the name of the object of main
via surya_layout
5 description 10 (divine or human) and is sung as such, is said here to be gadya, main
via surya_layout
6 by the proficient ones in music. main
via surya_layout
7 (385) annotation_inline
parent ligne 6
via heuristic_height
8 [4. Daṇḍaka] section_header
via surya_layout
9 Combined with <math>t\bar{a}la</math>, endowed with svara, bedecked with <math>p\bar{a}ta^{11}</math> in the main
via surya_layout
10 middle (and) again combined with pada, that song is known as daṇḍaka. main
via surya_layout
11 (386) main
via surya_layout
12 [5. Varņa] section_header
via surya_layout
13 Bedecked with birudas12 (eulogistic phrases) related to plenty, main
via surya_layout
14 renunciation, well-being or prosperity and combined also with <math>t\bar{a}la</math>, is varya (composed) in the <math> main
via surya_layout
15 (387) annotation_inline
parent ligne 14
via heuristic_short
16 ******* annotation_inline
parent ligne 14
via heuristic_height
17 [6. Paddhaḍi] section_header
via surya_layout
18 Combined with svara (and) pāṭa and endowed with tāla, composed in any main
via surya_layout
19 language and combined with birudas is that paddhaḍī. main
via surya_layout
20 (388) main
via surya_layout
21 [7. Adilā] section_header
via surya_layout
22 Where there is the brilliant arrangement of svaras at the end of every foot, main
via surya_layout
23 combined with <math>t\bar{a}la</math>, that is <math>a\dot{q}il\bar{a}^{14}</math> by name. main
via surya_layout
24 (389) annotation_inline
parent ligne 23
via heuristic_height
25 [8. Catușpadi] section_header
via surya_layout
26 Where the song is endowed with meaning in every unit of text (pada) main
via surya_layout
27 (and) is combined with <math>t\bar{a}la</math>, having svara and <math>tenaka</math>, that is <math>catuspadik\bar{a}</m main
via surya_layout

vol_I_p071 LEFT — 45 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 124 page_number
via heuristic_pagenum
2 <b>BRHADDES!</b> main
via surya_layout
3 चित्रायामनागतो ग्रहः। [ वृत्तौ समग्रहः, दक्षिणायां चातीतग्रहः। editorial_bracket
parent ligne 2
via heuristic_brackets
4 .त्रे अना. main
via surya_layout
5 गीतप्रयोगस्यादौ कलाचतुष्टये वाद्यग्रहयोग उपरिपाणिरुच्यते। main
via surya_layout
6 गीतप्रयोगस्य सम- ] मभीक्ष्णं वा ] १९वाद्यग्रहयोगः [ समपाणिरुच्यते। editorial_bracket
parent ligne 5
via heuristic_brackets
7 अभिप्रवीं (?) ,प्रयोगः main
via surya_layout
8 गीतप्रयोगस्य ] पश्चात् कलाचतुष्टयेऽतीते सति वाद्यग्रहयोगः editorial_bracket
parent ligne 7
via heuristic_brackets
9 सोऽधःपाणिरुच्यते । main
via surya_layout
10 तत्र [ दक्षिणायां ] मागधी नाम गीतिर्विपरीतयोजनया दृश्यते । editorial_bracket
parent ligne 9
via heuristic_brackets
11 न् main
via surya_layout
12 तद्यथा—दक्षिणे मार्गे प्रवृत्ता गीतिर्यदा चित्रे प्रयुज्यते, तदा पृथुला main
via surya_layout
13 •पा annotation_inline
parent ligne 12
via heuristic_short
14 गीतिर्मागधीत्युच्यते। [ वृत्तौ ] वृत्तिमार्गे च [ प्रवृत्ता गीतिर्यदा] चित्रे editorial_bracket
parent ligne 12
via heuristic_brackets
15 (मना ? मा) main
via surya_layout
16 प्रयुज्यते, तदा सा सम्भाविता मागधी-शब्दवाच्या द्विःपरिवृत्त । main
via surya_layout
17 मागधी सम्भाविताः annotation_inline
parent ligne 16
via heuristic_short
18 यवा annotation_inline
parent ligne 16
via heuristic_height
19 •पा main
via surya_layout
20 शब्दाः वादाव्या (?) annotation_inline
parent ligne 19
via heuristic_short
21 क्रमेण योज्यते। यावद् दक्षिणे [ वार्तिक ] च चित्रे editorial_bracket
parent ligne 19
via heuristic_brackets
22 .मो main
via surya_layout
23 •णा annotation_inline
parent ligne 22
via heuristic_height
24 मार्गे प्रयुज्यते। आवापादिक्रमेणाष्टधा चतुर्धा [ द्विधा ] चेति । editorial_bracket
parent ligne 22
via heuristic_brackets
25 ,र्गः main
via surya_layout
26 [ अनु॰ १११ ] editorial_bracket
parent ligne 25
via heuristic_brackets
27 एवमुक्तं भवति। चित्रे च द्विमात्रा कला। [तद्भता च मागधी, ] editorial_bracket
parent ligne 25
via heuristic_brackets
28 का. annotation_inline
parent ligne 25
via heuristic_height
29 सैव मागधी गीतिः [ यदा ] सम्भावितया गीत्या प्रयुज्यते तदा editorial_bracket
parent ligne 25
via heuristic_brackets
30 चतुर्मात्रिकवृत्ति— [ मार्ग - ] शब्देनोच्यते। यदा तु [ वृत्तिमार्गगता ] editorial_bracket
parent ligne 25
via heuristic_brackets
31 चिने main
via surya_layout
32 सम्भाविता-शब्दवाच्या मागधी गीतिः द्विगुणिता अष्टमात्रा [ भवित editorial_bracket
parent ligne 31
via heuristic_brackets
33 मागधी गीतिः सम्भाविताशब्दवाच्या main
via surya_layout
34 तदा ] पृथुलाशब्दवाच्या दक्षिणमार्गे भवति। editorial_bracket
parent ligne 33
via heuristic_brackets
35 त्रिस्त्रिनिवृत्तिस्त्रिरावृत्तिर्मागधी। यथा देवमिति पदं गीत्वा प्रथमां कलां main
via surya_layout
36 नीनीत्रि, annotation_inline
parent ligne 35
via heuristic_short
37 ,मा, main
via surya_layout
38 ∙मे annotation_inline
parent ligne 37
via heuristic_short
39 निर्वाह्य विलम्बितलयेन, यदा द्वितीयां कलां मध्यमलयेन main
via surya_layout
40 •वयेन (?) unknown
via fallback
41 ,प्प, main
via surya_layout
42 .ला unknown
via fallback
43 या annotation_inline
parent ligne 41
via heuristic_height
44 देवमित्यनेन पदेन शर्वीमिति सहितेन गायति, तत्रापि च तृतीयां unknown
via fallback
45 <b>यरदेन</b> unknown
via fallback

vol_II_p103 RIGHT — 32 lignes

page vol_II_p103 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 189 page_number
via heuristic_pagenum
3 panīsani sāsāni gāgā pamamamārī māpādhāpā pāpamamapārī mapānisā rinisāsā. main
via surya_layout
4 Ravicandrā [ii] editorial_bracket
parent ligne 3
via heuristic_brackets
5 Having madhyama as amśa and ṣaḍja as the concluding note, (that which) main
via surya_layout
6 is known as complete in <i>hindola</i> (lit. swing) by the spectators (of drama), is main
via surya_layout
7 bhinnapaurālī bhāṣā, always sung with proper svaras. main
via surya_layout
8 (10) annotation_inline
parent ligne 7
via heuristic_short
9 Illustration-Māmāmadhyamāmā māmāpāmāpānisāsā gamagā nisādhādhāgāmā main
via surya_layout
10 maparisā ninisā māgari sāmāgari sānipasasā. Bhinnapaurālī [iii] editorial_bracket
parent ligne 9
via heuristic_brackets
11 Having pañcama as amśa and ṣaḍja as the concluding note, this (bhāṣā) main
via surya_layout
12 born of drāvida region is always sung in the (context of the ) search on the main
via surya_layout
13 part of one who has lost his way.8 main
via surya_layout
14 (11) annotation_inline
parent ligne 13
via heuristic_short
15 Illustration - Pāninidhāsā sāgarimā garisāsānirinipāpāni sāgari māsari sāsāsā main
via surya_layout
16 nirimadhāpāpā nininidhāsāsā. Drāviḍī [iv] editorial_bracket
parent ligne 15
via heuristic_brackets
17 Having gāndhāra as amśa and ṣadja as the concluding note, the vibhāṣā main
via surya_layout
18 pinjarī is auspicious. It is hexatonic and devoid of ni (niṣāda) and is sung by main
via surya_layout
19 Umādevī.9 annotation_inline
parent ligne 18
via heuristic_short
20 (12) main
via surya_layout
21 Illustration - <math>G</math>āgāgāri sādhāsāsī rīgāgā māgārisī. <math>D</math>hāsāpādhā pagāpādhāsu irigāpā. main
via surya_layout
22 <math>M</math>āgarisāmā risādhārisāsāri. <math>D</math>hāsārigāgā māmāgarisā ririgā ririsā rīsāpā. <math>D</math>hāsapā. main
via surya_layout
23 Sārīmāpā. Dhāpāsārigā māririsā. Pinjarī [v] editorial_bracket
parent ligne 22
via heuristic_brackets
24 Combined with <i>ṣadja</i> as <i>amśa</i> and <i>nyāsa</i>, complete, born in the mountainous main
via surya_layout
25 region, (this) auspicious bhāṣā is sung in hindolaka (rāga) in (the context of) main
via surya_layout
26 women excelling in bashfulness or men excelling in fame.<sup>10</sup> main
via surya_layout
27 (13) annotation_inline
parent ligne 26
via heuristic_short
28 Illustration - Sāsānima. Pāmāpānidhāni dhāpāmāpā. Rīsāpānini mārimāgani main
via surya_layout
29 sāninisāgā pānisāsā ninipāmāpānimā. Dhānidhāpā māmārimāmā pānisāmāgā. main
via surya_layout
30 Risāmāgāri sānīsāsāsā. Pārvatī [vi] editorial_bracket
parent ligne 29
via heuristic_brackets
31 Thus end the <i>bhāṣās</i> in <i>hindolaka</i> according to main
via surya_layout
32 the opinion of Śārdūla. main
via surya_layout

vol_I_p068 LEFT — 34 lignes

page vol_I_p068 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESI page_header
via surya_layout
2 118 page_number
via heuristic_pagenum
3 सरिमपपमरिस । रिगपधधपगरि । गमधनिनिधमग । main
via surya_layout
4 मपनिससनिपम। सनिपममपनिस। निधमगगमधनि। main
via surya_layout
5 धपगरिरिगपध। पमरिससरिमप। उद्घट्टितः [ २५ ] editorial_bracket
parent ligne 4
via heuristic_brackets
6 सिरिग्। रिग्म। गमप्। मप्ध। पधनि। धनिस। सनिध। निधप। धपम। main
via surya_layout
7 पमग्। मगरि। गरिस। आक्षिप्तकः [ २६ ] editorial_bracket
parent ligne 6
via heuristic_brackets
8 सगमा मरिसा। रिमपा पगरी। गपधा धमगा। main
via surya_layout
9 मधनी निपमा। पनिसा सधपा। धनिसा। सधपा पनिसा। main
via surya_layout
10 निपमा मधनी। धमगा गपधा। पगरी रिमपा। main
via surya_layout
11 मरिसा सगमा। गरिसा। सम्प्रदानमः [ २७ ] editorial_bracket
parent ligne 10
via heuristic_brackets
12 。नम् annotation_inline
parent ligne 10
via heuristic_height
13 सगम मरिस। रिमप पगरि-- - - - - - - unknown
via fallback
14 VII [ पदगीतिप्रकरणम् ] section_header
via surya_layout
15 अलङ्कारा मया प्रोक्ता यथावन्मुनिसत्तम main
via surya_layout
16 1अथ गीतिं प्रवक्ष्यामि छन्दोऽक्षर- [ समन्विताम् ] ॥१७०॥ editorial_bracket
parent ligne 15
via heuristic_brackets
17 प्रथमा मागधी जेया द्वितीया चार्धमागधी । main
via surya_layout
18 सम्भाविता तृतीया च चतुर्थी पृथुला स्मृता ॥१७१॥ main
via surya_layout
19 थित्रिर्निवृत्ता च या गीतिः सा गीतिर्मागधी स्मृता । main
via surya_layout
20 अर्धकालनिवृत्ता च विज्ञेया त्वर्धमागधी ॥१७२॥ main
via surya_layout
21 सम्भाविता च विज्ञेया गुर्वक्षरसमन्विता । main
via surya_layout
22 पृथुलास्या च विज्ञेया लघ्वक्षरसमन्विता ॥१७३॥ main
via surya_layout
23 [ अनु₀ १०४ ] editorial_bracket
parent ligne 22
via heuristic_brackets
24 दक्षिणे मार्गे पृथुला गीति [:], वार्तिक मार्गे सम्भाविता, चित्रे मार्गे editorial_bracket
parent ligne 22
via heuristic_brackets
25 र्मा. annotation_inline
parent ligne 22
via heuristic_height
26 <b>,</b>† annotation_inline
parent ligne 22
via heuristic_height
27 र्गा annotation_inline
parent ligne 22
via heuristic_height
28 मागधी । अष्टौ ३ मात्रा [ दक्षिणमार्गे, चतस्रो मात्रा editorial_bracket
parent ligne 22
via heuristic_brackets
29 .धिः annotation_inline
parent ligne 22
via heuristic_height
30 वार्तिकमार्गे, द्वे मात्रे चित्रमार्गे ] कलाप्रयोगक्रमेण । editorial_bracket
parent ligne 22
via heuristic_brackets
31 ⁴ताल. annotation_inline
parent ligne 22
via heuristic_height
32 चित्रे चैककले ताले विज्ञेया गीतिर्मागधी । main
via surya_layout
33 वार्तिक द्विकले ज्ञेया गीतिः सम्भाविता बुधैः ॥१७४॥ unknown
via fallback
34 .ला annotation_inline
parent ligne 32
via heuristic_height

vol_II_p011 LEFT — 30 lignes

page vol_II_p011 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 4 page_number
via heuristic_pagenum
3 आन्ध्री च नन्दयन्ती च कार्मारव्यथ कैशिकी । main
via surya_layout
4 अङ्धी annotation_inline
parent ligne 3
via heuristic_height
5 ₹क annotation_inline
parent ligne 3
via heuristic_height
6 एवमेकादश ज्ञेया मध्यमग्रामसंश्रया: ॥ १९०॥ main
via surya_layout
7 [॥ इत्येकादशमध्यमग्रामाश्रया:॥] editorial_bracket
parent ligne 6
via heuristic_brackets
8 [साधारणकृता जातय:] section_header
via surya_layout
9 साधारणकृतास्तिस्रो विज्ञेया जातयो बुधै: । main
via surya_layout
10 मध्यमा पञ्चमी चैव तथा वै षड्जमध्यमा ॥१९१॥ main
via surya_layout
11 मत्सरी annotation_inline
parent ligne 10
via heuristic_height
12 ॥ इति सङ्ख्या, उद्देशश्च॥ editorial_bracket
parent ligne 10
via heuristic_brackets
13 [२. शुद्धाः, विकृताः, संसर्गजा विकृताश्च] section_header
via surya_layout
14 [ अनु ॰ ११५] section_header
via surya_layout
15 आभ्योऽष्टादशजातिभ्य: सप्तस्वराख्याश्चोक्ता द्विधा शुद्धा विकृताश्चेति । तत्र शुद्धा main
via surya_layout
16 अन्यूनस्वराः*स्वस्वरांशग्रहन्यासापन्यासाश्च । एभ्यो लक्षणेभ्योऽन्यतमेन द्वाभ्यां बहुभिर्वा main
via surya_layout
17 ्रा स्वरस्वरग्रहान्यासाध (?)<br>लक्षणैर्विकृतिमुपगता न्यासवर्ज विकृतसंज्ञा भवन्ति । main
via surya_layout
18 <sup>५</sup>व्यायापि तुष्टा(?) main
via surya_layout
19 <sup>६०</sup>वजा annotation_inline
parent ligne 18
via heuristic_short
20 [अनु०११६] editorial_bracket
parent ligne 18
via heuristic_brackets
21 तंत्रं न्यासविधिमाह-तत्र न्यासविधौ या जातय: शुद्धा:,तासु नामकारी यो न्यास: [स] editorial_bracket
parent ligne 18
via heuristic_brackets
22 ्बलः यवाः विकारित । विकृतासु च नामकारी [न्यास:] तारो वा मन्द्रो वा भवतीत्यनियम:। editorial_bracket
parent ligne 18
via heuristic_brackets
23 <sup>७</sup>कविकारी <b>या मन्द्रो भवतीत्य</b>नियम: । annotation_inline
parent ligne 18
via heuristic_height
24 [ अनु ११७ ] section_header
via surya_layout
25 तत्र शुद्धानां जातीनां शुद्धत्वं विकृतत्वं च रूपद्वयमस्ति । एकादशानां जातीनां विकृतोद्भवत्वादु main
via surya_layout
26 विकृतत्वमेव रूपं भवति न तु शुद्धत्विमिति कुत एतत् ? ता हि परस्परसंसर्गाज्ञायन्ते । तथा main
via surya_layout
27 वृ॰ annotation_inline
parent ligne 26
via heuristic_markers
28 (ते?न्ते) annotation_inline
parent ligne 26
via heuristic_height
29 । ननु annotation_inline
parent ligne 26
via heuristic_height
30 चाह भरत: - main
via surya_layout
168 lignes a valider — change uniquement les roles incorrects.