Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21397). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p068 LEFT — 34 lignes

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1 BRHADDESI page_header
via surya_layout
2 118 page_number
via heuristic_pagenum
3 सरिमपपमरिस । रिगपधधपगरि । गमधनिनिधमग । main
via surya_layout
4 मपनिससनिपम। सनिपममपनिस। निधमगगमधनि। main
via surya_layout
5 धपगरिरिगपध। पमरिससरिमप। उद्घट्टितः [ २५ ] editorial_bracket
parent ligne 4
via heuristic_brackets
6 सिरिग्। रिग्म। गमप्। मप्ध। पधनि। धनिस। सनिध। निधप। धपम। main
via surya_layout
7 पमग्। मगरि। गरिस। आक्षिप्तकः [ २६ ] editorial_bracket
parent ligne 6
via heuristic_brackets
8 सगमा मरिसा। रिमपा पगरी। गपधा धमगा। main
via surya_layout
9 मधनी निपमा। पनिसा सधपा। धनिसा। सधपा पनिसा। main
via surya_layout
10 निपमा मधनी। धमगा गपधा। पगरी रिमपा। main
via surya_layout
11 मरिसा सगमा। गरिसा। सम्प्रदानमः [ २७ ] editorial_bracket
parent ligne 10
via heuristic_brackets
12 。नम् annotation_inline
parent ligne 10
via heuristic_height
13 सगम मरिस। रिमप पगरि-- - - - - - - unknown
via fallback
14 VII [ पदगीतिप्रकरणम् ] section_header
via surya_layout
15 अलङ्कारा मया प्रोक्ता यथावन्मुनिसत्तम main
via surya_layout
16 1अथ गीतिं प्रवक्ष्यामि छन्दोऽक्षर- [ समन्विताम् ] ॥१७०॥ editorial_bracket
parent ligne 15
via heuristic_brackets
17 प्रथमा मागधी जेया द्वितीया चार्धमागधी । main
via surya_layout
18 सम्भाविता तृतीया च चतुर्थी पृथुला स्मृता ॥१७१॥ main
via surya_layout
19 थित्रिर्निवृत्ता च या गीतिः सा गीतिर्मागधी स्मृता । main
via surya_layout
20 अर्धकालनिवृत्ता च विज्ञेया त्वर्धमागधी ॥१७२॥ main
via surya_layout
21 सम्भाविता च विज्ञेया गुर्वक्षरसमन्विता । main
via surya_layout
22 पृथुलास्या च विज्ञेया लघ्वक्षरसमन्विता ॥१७३॥ main
via surya_layout
23 [ अनु₀ १०४ ] editorial_bracket
parent ligne 22
via heuristic_brackets
24 दक्षिणे मार्गे पृथुला गीति [:], वार्तिक मार्गे सम्भाविता, चित्रे मार्गे editorial_bracket
parent ligne 22
via heuristic_brackets
25 र्मा. annotation_inline
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via heuristic_height
26 <b>,</b>† annotation_inline
parent ligne 22
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27 र्गा annotation_inline
parent ligne 22
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28 मागधी । अष्टौ ३ मात्रा [ दक्षिणमार्गे, चतस्रो मात्रा editorial_bracket
parent ligne 22
via heuristic_brackets
29 .धिः annotation_inline
parent ligne 22
via heuristic_height
30 वार्तिकमार्गे, द्वे मात्रे चित्रमार्गे ] कलाप्रयोगक्रमेण । editorial_bracket
parent ligne 22
via heuristic_brackets
31 ⁴ताल. annotation_inline
parent ligne 22
via heuristic_height
32 चित्रे चैककले ताले विज्ञेया गीतिर्मागधी । main
via surya_layout
33 वार्तिक द्विकले ज्ञेया गीतिः सम्भाविता बुधैः ॥१७४॥ unknown
via fallback
34 .ला annotation_inline
parent ligne 32
via heuristic_height

vol_I_p045 RIGHT — 35 lignes

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1 73 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 Trailokyamohana, vīra, kandarpabalašātana, šankhacūda, gajacchāya, raudra and main
via surya_layout
4 (114) annotation_inline
parent ligne 3
via heuristic_height
5 vișnuvikrama. annotation_inline
parent ligne 3
via heuristic_height
6 Thus end the names of audava tanas devoid of dhaivata and rabha in madhyama- main
via surya_layout
7 grāma. annotation_inline
parent ligne 6
via heuristic_height
8 Bhairava, kāmada and avabhṛtha, aṣṭakapālaka, sviṣṭakṛt, vaṣaṭkāra and the main
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9 (115) annotation_inline
parent ligne 8
via heuristic_height
10 seventh is known as mokşada. annotation_inline
parent ligne 8
via heuristic_height
11 [ Thus end the names of auduvita tanas devoid of ni and ga in madhyama- editorial_bracket
parent ligne 8
via heuristic_brackets
12 grāma.] editorial_bracket
parent ligne 8
via heuristic_brackets
13 Thus end the fourteen names of auduvita tānas in madhyamagrāma. main
via surya_layout
14 [Thus end the thirty-five names of auduvita tanas seated in the two gramas.] editorial_bracket
parent ligne 13
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15 (Anu. 46) annotation_inline
parent ligne 13
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16 The auduvita (tānas) of both the grāmas are thirty-five. The sādava and main
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17 auduva (tānas) of both the grāmas taken together are eithty-four tānas. main
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18 (Anu. 47) annotation_inline
parent ligne 17
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19 Now in order to explain sādhāraņakṛtā mūrchanās he (the author) has said - main
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20 sādhāraņa svaras are gāndhāra and niṣāda. Sādhāraņā mūrchanās are those that main
via surya_layout
21 begin with them40 (gāndhāra and niṣāda in their sādhāraņa states as antara and main
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22 kākalī) and they are included in the same (mūrchanās of gāndhāra and niṣāda). main
via surya_layout
23 How? The sādhāraṇatā (commonness) of mūrchanās with tānas is implied in or main
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24 already expressed through 'sādhāraṇa' (the term forming part of the name of main
via surya_layout
25 the fourth type of murchanā viz. sadharaņakṛtā). main
via surya_layout
26 (116) annotation_inline
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via heuristic_height
27 And thus I have spoken of the fourfold mūrchanās. main
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28 [The performance of tanas] section_header
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29 (Anu. 48) annotation_inline
parent ligne 28
via heuristic_height
30 How should the performance of these tanas be made, if this be asked, it is main
via surya_layout
31 being answered. The performance 41 of tana is twofold viz. with pravesa (lit. main
via surya_layout
32 entering) and nigraha (lit. restraint). main
via surya_layout
33 Pravesa is the viprakarşa (augmentation) of şadja that is lower and has to be main
via surya_layout
34 omitted i.e. it (şadja) is made to attain (the position of) rşabha. Thus is the main
via surya_layout
35 pravesa through viprakarşa. With mārdava (lit. softening) it is thus: the same main
via surya_layout

vol_I_p039 LEFT — 34 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESI page_header
via surya_layout
2 60 page_number
via heuristic_pagenum
3 पञ्चस्वरमौडुवितं पञ्चधा लक्षणं स्मृतम्। main
via surya_layout
4 पञ्चित्रशच्च संख्यं हि आचार्यैर्यदुदाहृतम्।।१०१।। main
via surya_layout
5 [ अनु. ४२ ] editorial_bracket
parent ligne 4
via heuristic_brackets
6 षड्जर्षभपञ्चमनिषादैः षड्जग्रामिकाः षाडवाः। षड्जर्षभगान्धारैर्हीना मध्यमग्रामे main
via surya_layout
7 षाडवाः। main
via surya_layout
8 [ अनु. ४३ ] section_header
via surya_layout
9 संवादिलोपादौडुवितत्विमिति वचनात् संवादिस्वराभ्यामौडुवितत्वं main
via surya_layout
10 प्राप्तमिति प्रायिकम्। कदाचिदनुवादिस्वराभ्यामौडुवितत्वं प्राप्तमिति प्रायिकम्। १९ main
via surya_layout
11 कदाचिदनुवादिस्वराभ्यामौड्वितं भवत्येव। यथा पञ्चमर्षभयोः षड्जग्रामे, main
via surya_layout
12 मध्यमग्रामे धैवतर्षभयोरिति। main
via surya_layout
13 पञ्चमषड्जविहीना द्विश्रुतिकाभ्यां तथा विहीनाम्च। main
via surya_layout
14 <del>्षि</del> 20 annotation_inline
parent ligne 13
via heuristic_height
15 ुनो annotation_inline
parent ligne 13
via heuristic_height
16 पञ्चमर्षभविहीनाश्चौडुविता भवन्ति षड्जग्रामे21।।१०२।। main
via surya_layout
17 तो annotation_inline
parent ligne 16
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18 ुन annotation_inline
parent ligne 16
via heuristic_height
19 धैवतर्षभविहीना द्विश्रुतिकाभ्यां विहीना [ स् ] ता ज्ञेयाः। editorial_bracket
parent ligne 16
via heuristic_brackets
20 ्ने annotation_inline
parent ligne 16
via heuristic_height
21 ₀नो annotation_inline
parent ligne 16
via heuristic_markers
22 पञ्चस्वरकास्ताना भवन्ति खलु मध्यमग्रामे ॥१०३॥ main
via surya_layout
23 <b>, मस्वरकर्ता स्थाना ( ? )</b> main
via surya_layout
24 [अनु. ४४] section_header
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25 इदानीमेतदेव प्रस्तारेण दर्शयति। तद् यथा- main
via surya_layout
26 [षड्जग्रामे] section_header
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27 X रिगमपध नि<sup>22</sup> main
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28 नि x रिगमपध annotation_inline
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via heuristic_short
29 धनि x रिगमप main
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30 पधनि X रिगम annotation_inline
parent ligne 29
via heuristic_short
31 म प ध नि 🗶 रि ग main
via surya_layout
32 गमपधनि 🗙 रि annotation_inline
parent ligne 31
via heuristic_short
33 ्रिगमपधनि 🗴 main
via surya_layout
34 षड्जहानाः। main
via surya_layout

vol_II_p079 RIGHT — 24 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 141 page_number
via heuristic_pagenum
3 Illustration - Sāgāgapā. Pāmapāmagāmāmā rīgasāsā sāsamāgapāpā. main
via surya_layout
4 Pādhanidhā. Mapāpāmapāmāmāmagāsa sīvidhānisīsī sadhānīgāvīgāmāpāganisā main
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5 nīgārīnisāsā-. Nidhāpāmāgārīgāsā . Mānīdhanīdhāsā. Chevāţī [iv] editorial_bracket
parent ligne 4
via heuristic_brackets
6 Having ṣadja as its nyāsa, niṣāda as its amsa, being weak in pancama, there main
via surya_layout
7 being the concert of ṣadja-gāndhāra and similarly ṣadja-madhyama, this bhāṣā main
via surya_layout
8 should be known as hexatonic. Mālavesarī bears the name mūlā. main
via surya_layout
9 (44) annotation_inline
parent ligne 8
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10 Illustration - Nīdhāninī sarisāsāgāmāgādhārisamāmāsā gāsārisāsāgadharisā. main
via surya_layout
11 Gāmādhāmā māgādhāgā. Sāsāsā. Mālavesarī [v] editorial_bracket
parent ligne 10
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12 Gūrjarī is well- known as a deśa-bhāṣā (regional melodic variety); it is main
via surya_layout
13 immensely lustrous, has niṣāda as amśa , ṛṣabha and ṣaḍja as its concluding main
via surya_layout
14 notes, and is complete. The concert<sup>17</sup> of sadja-madhyama and similarly main
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15 pañcama-ṛṣabha should be known there. annotation_inline
parent ligne 14
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16 (45) annotation_inline
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17 Illustration - Nisāsānipāpānīdhānīnī sānīsāsā. Sārīsāriri. Sāmāgā. Riri. main
via surya_layout
18 Nīnīnī. Pāpāpā. Nidhāni. Nigāsā. Gūrjarī [vi] editorial_bracket
parent ligne 17
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19 This bhāṣā, saurāṣṭrī bearing the name deśī (regional) has niṣāda as its main
via surya_layout
20 amsa, sadja as its concluding note, is always complete and is sung by people. main
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21 (46) annotation_inline
parent ligne 20
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22 Illustration - Ninidhāninisāsā nirigāsāsā sāgāgāsā dhaninini dhāmāmānini main
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23 ninidhāsāsā gāsāsāgāsāsadhāni dhānidhāmāmāmārigāsāsā gāsanīsāsāsā. main
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24 Saurāstrī [vii] editorial_bracket
parent ligne 23
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vol_II_p015 LEFT — 42 lignes

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1 12 page_number
via heuristic_pagenum
2 BRHADDEŚĪ page_header
via surya_layout
3 [२. अंशलक्षणम्] section_header
via surya_layout
4 [अनु॰ १२०] section_header
via surya_layout
5 अथांश: कथ्यते - ३०अङ्गविभागात् स दशविधो बोद्धव्य: । यस्मिन् ३१ क्रियमाणे main
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6 अ(थवांश ख ? थांश:क) annotation_inline
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7 अंशविभाग: main
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8 न्त्रंशे annotation_inline
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9 गगाभिव्यक्तिर्भवति सोंऽश: [प्रथम:]। यस्माचा[ऽऽ] रभ्य गीतं प्रवर्तते ग्रहविकल्पित: सोंऽशो editorial_bracket
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10 (পি?) main
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11 ३२यस्माद्वाः annotation_inline
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12 गीत: main
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13 न ग्रहस्स्वरित: (स्वं?स्वां) शो। main
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14 द्वितीय: [1] तारमन्द्राभिव्यक्तिहेतु: सोंऽशस्तृतीय: । पञ्चमस्वरारोहणं तार:, कदाचित् editorial_bracket
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15 द्वितीया main
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16 <b>॰रगारो</b>॰ annotation_inline
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17 षष्ठस्वरारोहणमपि तार:, यथा गान्धार्या: षड्जस्तार:, निध निध सा इति । यथा main
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18 णं पि annotation_inline
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19 तथा annotation_inline
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20 तारिनयामक [:] तथा मन्द्रनियामकस्वरोऽप्यंश[:] editorial_bracket
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21 सप्तस्वरावरोहणा[तु]। editorial_bracket
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22 ३३प्यांश<sup>></sup> main
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23 यथा ३४पञ्चमांशाया: षाङ्ज्या: स्वस्थाने सासासाधा इति । यश्च बहुप्रयोगतर: सोऽप्यंश: [चतुर्थ:] editorial_bracket
parent ligne 22
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24 मन्द्रांशाया: annotation_inline
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25 <sup>३५</sup>संस्थाने main
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26 पड्जा annotation_inline
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27 यो रागस्य विषयत्वेनावस्थित: स्वर: सोऽप्यंश: [पञ्चम:] <sup>३६</sup> [यश्च ग्रहापन्यास-विन्यास-संन्यास- editorial_bracket
parent ligne 25
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28 न्यासगोचरः, सोऽप्यंशः षष्ठः, सप्तमः, अष्टमः, नवमः, दशमश्च ।] editorial_bracket
parent ligne 25
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29 [अंशलक्षणान्तर्गतम् अपन्यासलक्षणम्] section_header
via surya_layout
30 [अनु॰ १२१] section_header
via surya_layout
31 यत्र गीतमिति समाप्तमिति सम्भाव्यते, सोऽपन्यासः, सर्वविदारी-मध्यमो भवति । सा main
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32 च विदारी द्विविधा - गीतविदारी पदविदारी चेति । ननु विदारीशब्देन किमुच्यते ? पादानां विदारणं main
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33 ॰णा annotation_inline
parent ligne 32
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34 खण्डनमिति यावत् । ३८गीतपेशी, गीतखण्डमिति यावत् । main
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35 गीतकेशी annotation_inline
parent ligne 34
via heuristic_height
36 [अंशलक्षणान्तर्गतं संन्यासलक्षणम्] section_header
via surya_layout
37 [अनु॰१२२] section_header
via surya_layout
38 इदानीं संन्यासोऽभिधीयते - तत्र प्रथम-विदारीमध्ये न्यासस्वरः प्रयुक्तः संन्यासः main
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39 स न्यासोः annotation_inline
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40 राष्ट्र annotation_inline
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41 ॰क्ताः annotation_inline
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42 The state of the same of annotation_inline
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169 lignes a valider — change uniquement les roles incorrects.