Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21403). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p132 RIGHT — 39 lignes

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1 PĀŢHAVIMARŚA page_header
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2 247 page_number
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3 24. Reconstruction based on Datti. 56. list_item
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4 25. Reconstruction based on c.r. in Kalā on SR I.7. 29-34, p. 182. list_item
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5 cf. स त्रिपष्टिभेदभित्रोऽष्टादशजातिषु । list_item
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6 BhaKo p. 3. main
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7 26. Reading in BhaKo p. 3. list_item
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8 27. cf. कासु च जातिषु नन्दयन्त्यादिषु ग्रहांशयोर्विवादित्वेन ग्रहस्याप्रधानत्वं सम्भवति । list_item
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9 BhaKo p. 188. main
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10 28. P.t. adds here the following confused portion list_item
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11 तथापि प्रथमचतुर्थपष्टगीतेषु मन्द्रप्रकृतो (मन्द्रकृतो)विशेषः नियमः प्रथमे संवादित्वात् कथं भेदप्रयोगः । षङ्जोदीच्यवा- list_item
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12 मध्यमोदीच्यवा-रक्तगान्धारी-गान्धारी-पञ्चमीनां तु ग्रहाविवादि द्वेन ( ग्रहाविवादित्वेन) ग्रहस्तु आर्षभी धैवती निपादवत्यन् list_item
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13 पड्जकैशिकी पड्जमध्यमा चेति । एवं नन्दयन्त्यामिति ग्रहविधि:। list_item
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14 29. NŠ reads this verse as - list_item
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15 ग्रहस्तु सर्वजातीनामंशवत् परिकीर्तित:। main
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16 यत्प्रवृत्तं भवेदु गेयमंशो ग्रहविकल्पित:॥ main
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17 NŠ XXVIII. 67. annotation_inline
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18 ग्रहस्तु सर्वजातीनामंश एव हि कीर्तित: । main
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19 यत्प्रवृत्तं भवेद् गानं सोंऽशो ग्रहविकल्पित:॥ main
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20 NŠ Chau. XXVIII. 71. main
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21 The reading of our text is better than the G.O.S. ed. specially in the fourth main
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22 foot. main
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23 30. 'Amśa' here has been replaced with 'anga' because it does not fit list_item
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24 into the context. list_item
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25 31. Reconstruction based on BhaKo p. 3; p.t. reading 'yasminnamśe' list_item
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26 involves a repetition of 'amśa' in the sentence, which is redundant. list_item
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27 32. 'Yasrā' is the reading of MS B recorded by the ed. list_item
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28 33. Reading of MS B as recorded by the ed. list_item
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29 34. 'Mandrāinsa' does not seem to fit into the context. list_item
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30 'Pañcamāmśā' has been conjectured here, because accordingly the last main
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31 svara dha will be the seventh below the amśa. main
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32 35. MSB. reading is recorded by ed. as 'sasthāne'. Neither 'sainsthāne' nor list_item
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33 'sasthāne' appear to fit into the context. We have, therefore, reconstructed as list_item
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34 <i>'svasthāne'. 'Svasthāna'</i> is a word occurring in later texts (cf. SR III.191, 192) list_item
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35 for sections of 'alapa' or melodic elaboration. It could not be said definitely list_item
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36 whether or not this word was current in the times of our text; all the same, this list_item
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37 seems to be the only plausible alternative in view of the available readings. list_item
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38 36. This portion has been added on the basis of the following list_item
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39 verse of NS - list_item
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vol_I_p033 RIGHT — 41 lignes

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1 49 page_number
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2 TRANSLATION page_header
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3 Pañcama is kṛṣṇa (black), dhaivata is yellow-coloured, this niṣāda is multi- main
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4 coloured, (thus) should be known the colours of svaras. main
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5 (74) annotation_inline
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6 (iii) Devatās. main
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7 The daivata 83 (presiding deity) of şadja is Brahmā, ṛṣabha is with the daivata main
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8 vahni (fire), gandhara has Bharati as its deva, madhyama is with Hara as daivata. main
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9 (75) annotation_inline
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10 Pañcama is with Satayajña (Indra is its daivata), dhaivata is with Gaṇa-nāyaka main
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11 (as its daivata), niṣāda, on the other hand, has Bhānu (Sun) as its deva; thus are main
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12 (76) annotation_inline
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13 the devatā84 of svaras. annotation_inline
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14 (iv) Singers (seers). annotation_inline
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15 The svara şadja is sung ('seen')85 by Agni (fire), ṛṣabha is revealed by main
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16 Brahmā, gāndhāra is sung by Soma (moon), madhyama svara (is revealed) by main
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17 Vișnu. annotation_inline
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18 (77) main
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19 On the other hand, the svara pancama is sung by the mahatman (great- main
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20 souled) Nārada, the svaras dhaivata and niṣāda are 'sung' by Tumburu. main
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21 (78) annotation_inline
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22 (v) Rasas annotation_inline
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23 The two svaras madhyama and pañcama should be 'made'86 (used) in the two main
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24 (rasas) hāsya and śṛṅgāra, the two (svaras) şadja and ṛṣabha should be known in main
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25 (79) annotation_inline
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26 vira, raudra and adbhuta rasas. main
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27 Gāndhāra and niṣāda should be 'done' in karuņa rasa. Dhaivata should also main
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28 (80) annotation_inline
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29 be 'done' (used) in bibhatsa and bhayānaka. main
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30 (vi) Sthānas annotation_inline
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31 Ṣadja arises from the throat, 67 rṣabha is known (to arise) from the cerebrum, main
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32 gāndhāra from the nose, madhyama svara from the chest. main
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33 (81) annotation_inline
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34 Pañcama svara is arisen from the throat, O glorious onel dhaivata, on the main
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35 other hand, is born of the palate-region (tālu-deśa). Niṣāda, on the other hand, main
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36 should be known to be born of all the joints (sandhis). main
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37 (82) annotation_inline
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38 Thus one should know the svaras born in the ocean of gita (melody, music), main
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39 arisen out of the mouth of Mahadeva and placed in the 'path' of desi.68 main
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40 (83) annotation_inline
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41 [ Thus ends the section on svara ] editorial_bracket
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vol_II_p100 LEFT — 29 lignes

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1 4 page_number
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2 BARRION POR annotation_inline
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3 182 page_number
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4 BŖHADDEŚI page_header
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5 [१५. अथ पञ्चमपाडवे] section_header
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6 ऋषभांशा मध्यमान्ता शकभाषा प्रकीर्तिता । main
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7 मध्यमांशा annotation_inline
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8 सुसम्पूर्णस्वरा होषा बहुगान्धारपञ्चमा ॥ १४२॥ main
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9 धैवतर्षभबाहुल्यं दृश्यते च मुहुर्मुहु:। main
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10 शकरागे तु सम्भूता [?] भाषा पञ्चमषाडवे<sup>१३४</sup>॥ १४३॥ editorial_bracket
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11 ॰प्पृ annotation_inline
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12 उदाहरणम् - रिरिसानिनि । पानिरिरिरि [००० म] [शकभाषा] editorial_bracket
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13 [॥ इति पञ्चमषाडवे ॥] section_header
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14 इत्येताः प्रकटा लोके भाषा बहुमताः स्मृताः। main
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15 यथा यथा प्रयुञ्जीत तथा सा तु विवर्तिता ॥ १४४॥ main
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16 तस्य annotation_inline
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17 तथा सर्वप्रयत्नेन गातव्या लक्षणान्विता । main
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18 गीयते annotation_inline
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19 श्रोतव्या गायकैर्नित्यं परिहासार्थ-कौशले ॥ १४५॥ main
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20 <b>॰कौशिलि</b> annotation_inline
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21 यत्किञ्चिदाहवे[दृष्टं] समस्तं दर्शयेच्च सा । editorial_bracket
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22 ॰दाह्यये + + annotation_inline
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23 नाशयेत्•तत् main
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24 सर्वत्र ग्रामरागेषु भाषाणामुपलभ्यते ॥ १४६॥ main
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25 सर्वन्त्रामरागेषु annotation_inline
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26 [इति] सर्वागमसंहितायां याष्टिकप्रमुखभाषालक्षणाध्याय: चतुर्थ:॥ editorial_bracket
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27 ॰भाषा(ध्या॰) annotation_inline
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28 [ख. शार्दूलमते भाषालक्षणम्] र section_header
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29 अतः परं प्रवक्ष्यामि शार्दूलमते भाषालक्षणम् - main
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vol_I_p049 LEFT — 33 lignes

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1 80 page_number
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2 <b>BRHADDEŚ</b>I page_header
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3 व्युत्क्रमाः पञ्च।गरिस गसरि रिगस [ रिसग ] सगरि इति व्युत्क्रमेण editorial_bracket
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4 रिगस गसरि annotation_inline
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5 क्टतानाः पञ्च। तदेवं गान्धारस्य षट् तानाः। main
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6 ुञ्चम (?) annotation_inline
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7 एवं मध्यमस्य सरिगमेत्येकः क्रमः। मगरिसेत्येवमादयस्त्रयो- main
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8 ्रयो- - annotation_inline
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9 विंशतिरुत्क्रमाः। तद्यथा—ब्ध्मगरिस, मगसरि, मरिगस, मरिसग, मसगरि, main
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10 मसरिग इति मध्यमपूर्वाः षट् तानाः व्युत्क्रमकृताः। एवं गान्धारर्षभषङ्जानां main
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11 प्रत्येकं षट् ताना भवन्ति मिलित्वा चतुर्विशतिर्भवन्ति। main
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12 एवं पञ्चमस्य सरिगमपेत्येक एव क्रमः। पमगरिसेत्या- main
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13 दिव्युत्क्रमकूटतानानां शतमेकोनविंशतिर्भवन्ति। तद्यथा— सरिगमप, पमगरिस। main
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14 पमगरिसानां प्रत्येकं चतुर्विंशतिर्भवन्ति, मिलित्वा विंशत्यधिकं शतं main
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15 भवति। एवं धैवतस्य सरिगमपधेत्येकः क्रमः। धपमगरिसेति व्युत्क्रमः। main
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16 धपमगरिसानां प्रत्येकं विंशत्यधिकं [ शतं ] भवति, editorial_bracket
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17 मिलित्वा annotation_inline
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18 सप्तशतानि विंशत्यधिकानि भवन्ति। एवं निषादस्यापि सरिगमपधनीत्येकः main
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19 क्रमः। निधपमगरिसेति व्युत्क्रमः। निधपमगरिसानां प्रत्येकं सप्तशतानि main
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20 विंशत्यधिकानि भवन्ति, मिलित्वा पञ्चसहस्राणि चत्वारिशच्च भवन्ति। main
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21 . अनु₀ ५९ ो editorial_bracket
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22 तदेवमेतेषां स्वराणां तानविधानं षट्षष्टितन्त्र्यां शततन्त्र्यां चोपलभ्यते। main
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23 ुन् annotation_inline
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24 ुना annotation_inline
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25 तयोः स्वमानानि मध्यमादीनि । main
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26 ुभावा ऋ (२म) ना annotation_inline
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27 ( तत्र ) कूटतानभेदप्रदर्शनमिह न कृतमितप्रसङ्गनिवृत्त्यर्थम् । एतेनैव main
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28 क्रमेण बुद्धिमद्भिः स्वयमेव लक्षणीयमिति। main
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29 [ अनु<sub>0</sub> ६० ] editorial_bracket
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30 87 तदेषां तानानां प्रयोजनं 88 [ स्थान- ] प्राप्त्यर्थमुक्तम् 89स्थानानि editorial_bracket
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31 त्रीण्युक्तानि काकुविधौ, व्यस्तानि षट्षष्टिं विद्या [न्] मन्द्रादिसिद्धये। editorial_bracket
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32 ुरुविधो annotation_inline
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33 स्यू annotation_inline
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vol_II_p091 RIGHT — 29 lignes

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1 TRANSLATION page_header
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2 165 page_number
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3 Having ṛṣabha as amśa, pancama as the concluding note, it should be main
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4 known to be weak in sadja. It should always be performed with the kākalī main
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5 form of niṣāda. This vibhāṣā is known to be sādhāraṇakṛtā by the main
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6 knowledgeable ones in music. Āndhālī is well-known among the main
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7 people<sup>42</sup> and is the favourite of <i>Kinnaras</i>.<sup>43</sup> main
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8 <math>(97-98)</math> main
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9 Illustration - Rīmāpāpādhādhādhādhāpā dhādhāsāpāpāpādhāninipā main
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10 päsäpädhäpäpäpämarimaridhädhäpadhapasidhädhäpäpädhadhapadhapädhäpä main
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11 pāmāririsādhāpāpā pāmapadhamamāriridhādhapapāpa, Māmādhapapāpamama- main
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12 ririmapāpādha pāpāpadhapadhasīsīrigaridhapāpāpā, Andhālī [vii] editorial_bracket
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13 Having sparse <i>ṛṣabha</i>, <i>madhyama</i> as <i>aṁśa</i> , combined with <i>pañcama</i> as main
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14 nyāsa, there being concert between madhyama-dhaivata, abundance of main
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15 pañcama, being complete, this bhāṣā tānodbhavā comes of pañcama rāga. main
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16 (99) annotation_inline
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17 Illustration-Māmāmagāsāririnisāgari.Sāninigāgāgasānīpāpā pāsānisāsāsāni main
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18 saninidhadhaninisāgarisāsāsāninisādhānipāpā dhānīnīgāga sāsāsāsāgā main
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19 sānīdhāmāpā pā. Tānodbhavā [viii] editorial_bracket
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20 Trāvaņī has pañcama as nyāsa, is weak in pañcama and ṛṣabha, there is main
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21 (mutual) movement between the svaras comprised of two śrutis each in their main
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22 original form. There is the abundance of şadja-madhyama and pañcama- main
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23 rṣabha(as an alternative to their sparseness). This trāvaṇī is born of deśa44 main
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24 (region) and is sādhāraņakṛtā. main
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25 <math>(100-101)</math> main
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26 Illustration - Sāsāsāpāpāpā dhādhādhādhānīnīnīsā sānidhānidhādhārisāsā main
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27 nīdhānidhāsāmamarimārimāgāgārisāsanipāpāpā nidhānisāsanisanimadha main
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28 dhasanidhāmāgāmādhānīsāsādhānīsāmadhāmāgāmādhānīsāsa, Sasasanisā- main
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29 sānigāsanidhāmāmāmādhārisāsā sadhānīdhāpā. Trāvaņī [ix] editorial_bracket
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171 lignes a valider — change uniquement les roles incorrects.