Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21404). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

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1 PÄŢĦĄVIMARŚĄ page_header
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2 275 page_number
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3 as the graha, amśa and nyāsa. main
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4 101. Ibid.corroborates this as - 'ripavarjitā' (182 d). list_item
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5 102. P.t. adds (सैन्धवी ?) which is redundant. list_item
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6 103. Kalā (appendix) on SR II, p.140 treats it as a <i>bhāṣā</i> and also as list_item
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7 vibhāṣā on p. 141. S Rāj II.2.1.1076 gives an antarabhāṣā named kaliṅgajā list_item
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8 bearing almost the same description as Kālindī. list_item
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9 या भित्रपड्जे कालिङ्गी याष्ट्रिकेन पुरोदिता । main
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10 104. cf. annotation_inline
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11 सैव भाषाङ्गममला परिणाममुपेयुपी ॥ main
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12 S Rāj II.2.106. main
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13 105. Reconstruction based on Kalā (appendix) on SR II, p. 140, list_item
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14 reading 'sāntā dhāmśā'. list_item
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15 106. Reconstruction based on ibid-reading - ‘sadhyoḥ samayoryuktā’. list_item
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16 107. The prose sentence of p.t. has been reconstructed by us as two feet list_item
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17 of the metre anustup in view of similar concluding statements in this chapter list_item
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18 of our text. list_item
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19 108. Reconstruction based on S Raj II.2.11.662f reading list_item
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20 'ṣadjapañcamabhūyasī'. SR II.2.122 d reads 'bahulamadhyamā'. BhaKo p. 743 list_item
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21 cites Bhattamādhava, reading 'alpamadhyamā'. list_item
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22 सौवीरे याष्ट्रिकेनोक्ता सौवीरी यात्र भाषिका । main
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23 109. cf. annotation_inline
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24 सैव भाषाङ्गमित्युक्ता भाषामर्मविदां वरै: ॥ main
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25 S Rāj II.2.3.121. main
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26 110. Kalā (appendix ) on SR II, p. 132 reads-‘sagrahāntā, madhyamāinsā,’ list_item
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27 describing şadjaas the graha and concluding note (nyāsa) and madhyama as the list_item
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28 amśa, thus corroborating our text. list_item
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29 111. cf. ibid which reads 'sa-pa-sangatā' describing a 'sangati' (concert) list_item
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30 between 'sa-pa'. S Rāj. II.2.1.661 c reads-'sangatyāmapayoryuktā', describing list_item
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31 a 'sangati' (concert) between ma-pa. list_item
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32 112. The text seems to break here. The lost portion could thus be seen list_item
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33 in other texts so far as the description (lakṣaṇa) is concerned; the illustrative list_item
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34 notation is not found in them. list_item
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35 रिमयो: समयोर्युक्तगमका सकलस्वरा । list_item
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36 (i) list_item
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37 Kalā (appendix) on SR II, p. 132. main
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38 पड्जधैवतसंवादा गान्धारपंभसङ्गता । main
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39 (ii) annotation_inline
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40 S. Rāj II. 2.1.657 cf. main
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41 निषादांशग्रहा पद्जन्यासाल्पर्पभनिस्वना । main
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42 113. cf. annotation_inline
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43 बहमध्यमगान्यारा सौवीरकसमुद्भवा ॥ main
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44 भाषा गान्धारिका नाम पूर्णा स्यात् करुणे रसे ॥ main
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45 Ibid. 659. annotation_inline
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46 114. Rṣabha is totally absent in this illustration and hence the same main
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1 251 page_number
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2 PĂŢHAVIMARŚA page_header
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3 88. ८ि. जात्यंशगतानि यानि दशकरूपाणि ताञ्चशणान्युकानि तत्सङ्कीर्णतया यन् मिश्रम् । गेयं ग्रामरागादिलक्षणम् । तद्यदि main
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4 कस्योपि जात्यंशकस्य सम्बन्ध्यंशोऽन्यस्य न्यासोऽन्यदीयोऽपन्यास इत्यादि बहुतरवैचित्र्यम् । तदेवम्भूतं यन्मिश्रगेयं तदस्या main
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5 जातेरर्थितमिति यत्रियम्यते मतङ्गनन्दिकश्यपयाष्टिकादिभिस्तद्धिकेन रूपबाहुल्येन । तथा(विहि)तं पानकमिदमिति न तु main
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6 क्रममिश्रितम्। annotation_inline
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7 Abhi Bhā on NŚ XXVIII. 141, p. 63. main
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8 89. cf. इति त्रिपष्टिरंशा: स्युस्तेपामेकैकशोंऽशता । main
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9 C.r. in Sudhā on SR I. 7.59-63. main
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10 Verses 251-256 of our text tally with Datti 90b-95. main
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11 90. P.t. adds here a confused reading after 'madhye' - list_item
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12 ये अनंशास्तेषामनंशानां list_item
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13 91. The order of ṛṣabha-dhaivata has been changed by us to dhaivata- list_item
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14 rṣabha in order to correct the respective order of kaiśikī and pañcamī. list_item
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15 92. C.r. in Sudhā on SR I.7.24-28, p.180. list_item
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16 P.t. reads the following after kriyamaņe in the first line of Anu. 139, which main
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17 is redundant- annotation_inline
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18 सप्तधिकश्चैवं चत्वारिशच्च पाडवे अस्यार्थविधौ क्रियमाणे । main
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19 93. C. r. in Sudhā on SR 1.7.24-28, p.180, reads - list_item
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20 सप्तचत्वारिंशदंशा भवन्ति । कथम् ? चतसृणां etc. list_item
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21 94. C. r. in ibid. list_item
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22 95.cf. c.r. in ibid - list_item
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23 पड्जमध्यमा पाड्जी पड्जोदोच्यवा कैशिकी रक्तगान्धारीत्यासां सप्तांशा अपवादभूता: पातनीया: । main
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24 P.t. adds the following portion after verse 257, which is out of place and has, main
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25 therefore, been omitted by us- main
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26 सगमपर्धः स्मृता +++++++ । main
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27 नन्दयन्ती भवेत् पागा गान्धारोदीच्यवासमा ॥ main
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28 96. C.r. in Sudhā on SR I. 7.24-28, p.180. list_item
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29 97. Reading in NS Chau. XXVIII. 93. list_item
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30 98. Reading in NS XXVIII. 58. list_item
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31 99. Ibid. list_item
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32 100. Reading in NS Chau. XXVIII.63. list_item
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33 101. P.t. reads - 'tadvaddhaivatahīnatā'. Reconstruction based on NŠ list_item
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34 XXVIII. 59. list_item
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35 102. Reading in NS Chau. XXVIII. 63. list_item
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36 103. Reading in NS XXVIII. 59 and NS Chau. XXVIII. 64. Recon- list_item
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37 struction of 'pañcamaḥ'as 'pañcamam 'based on NŚ Chau. XXVIII. 64. list_item
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38 104, 105.Reading in NS XXVIII. 60. list_item
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39 106, 107. Reading in NS Chau. XXVIII .64. list_item
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40 108. Reading in NŚ XXVIII. 61. list_item
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41 109. Added on the basis of NS XXVIII. 61. list_item
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1 : -- 10gd annotation_inline
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2 BRHADDEŚĪ page_header
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3 138 page_number
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4 परस्परं तु गमनं दृश्यतेऽत्र पुन: पुन: । main
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5 स्यादियं षाडवा ज्ञेया मूलाख्या त्रवणा<sup>२१</sup> भवेत् ॥३९॥ main
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6 धानिसामा annotation_inline
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7 उदाहरणम् – मासासासा सानिधानिधानी 📉 धागासासा । main
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8 गागागामा annotation_inline
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9 सानिधासासासा गामाधानीधाधामारी गारीरीमरिगासासानिधासासा । main
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10 नीधगासासा annotation_inline
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11 निधनिमामानिधासासा निधासगमागासा नीधनीसा। त्रवणा । [१] editorial_bracket
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12 त्रिपणा annotation_inline
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13 षड्जा[-]ता मध्यमांशा या गान्धारबहुला सदा । editorial_bracket
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14 पञ्चमेन विहीना तु <sup>२२</sup>बहुलौ धैवतर्षभौ ॥ main
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15 मुहरी पड्जधैवत: annotation_inline
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16 सङ्कीर्णेयं सदा ज्ञेया षाडवा त्रवणोद्भवा ॥४०॥ main
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17 उदाहरणम् -मानीनीनीसास[1] । सारीरी रीगागागमामा मामारी । गरिनिनिधा धाधामामगारि editorial_bracket
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18 गा । सामागारी । सनिनिगागा निनिधासरिगारीमा । गामामानी नीससा । त्रवणोद्भवा । [२] editorial_bracket
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19 त्रपणो॰ annotation_inline
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20 वेरञ्जिका तु विज्ञेया २३गान्धारांशाल्पपञ्चमा । main
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21 (ये?वे) annotation_inline
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22 षड्जन्यासा तु कर्तव्या, २४षड्जधैवतयोस्तथा ॥४१॥ main
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23 गमनं सम्प्रयुज्य तु गान्धारर्षभयोस्तथा । main
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24 तु(?)गान्धारर्ष(भ) annotation_inline
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25 एवं भाषा तु विज्ञेया षाडवा तु निगद्यते ॥४२॥ main
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26 उदाहरणम् -गानिगागा धरिमामागा मामागारीगाससासा निगारीनिनिधाधाधनिगारीमागारि - main
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27 सनीधनी । सासागमामाधासा सगनिगानिगानिग धरीगरीरिगारिरीग मममधमममधरीगसासासा main
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28 ৽বি৽ annotation_inline
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29 सनीगारीगा निनिधामाधानिधासनीगा रीममरिसा निधानिसासा । वेरञ्जिका । [३] editorial_bracket
parent ligne 27
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30 षड्जाद्यन्तसमायुक्ता सम्पूर्णा मध्यमोज्वला । main
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31 षड्जमध्यमसंवादो द्विश्रुतीनां परस्परम् ॥ main
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32 मूलभाषा तु विज्ञेया छेवाटी गेयवेदिभि: २५॥४३॥ main
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33 मृक्र annotation_inline
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34 छोहारी annotation_inline
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1 TRANSLATION page_header
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2 147 page_number
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3 of takkarāga is well-known as kolāhalī, being sung by the knowledgeable ones main
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4 in music. annotation_inline
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5 <math>(56-57)</math> main
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6 Illustration - Sāmāsāmā. Māmāgādhāmāgārisāsā. Dhāsāgāgārisāsā. main
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7 Mādhasāsā-rirīrigāgāmāmāgārī gādhāmārīsāsā. Dhārīsāsāmādharīmādharīrī main
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8 dhādhāgarīgāsāsāsāmāgārīsāsā gārīmāgārīsā dhādhāmāgārīsā. Kolāhalī [xiv] editorial_bracket
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9 The bhāṣā madhyamagrāmadehā<sup>21</sup> (madhyamagrāmikā) is known to be main
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10 always complete, has madhyama as amśa and sadja as the concluding note, main
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11 bears the concert between <i>ṣaḍja</i> and <i>madhyama</i>. This <i>bhāṣā</i> is always <i>saṅkīrṇā</i> main
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12 (mixed) and is placed in takkarāga. main
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13 (58) annotation_inline
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14 Illustration - Mādhānī, Gādhānī, Sānīdhā, Māmāmādhānīmādhā main
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15 nīsāsāmādhānī. Mā. Dhānīnī. Dhāpāgārīgāsāsā. Gāsāsā. Nīnīsānī. Dhādhā. main
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16 Nidhāmāmāmādhānīdhāmāmā dhanīmādhānīsāsā. Madhyamadehā (xv) main
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17 Gāndhārapahācamī should be known to have dhaivata as amśa, sadja as the main
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18 concluding note, is embellished with the svara gandhara, has the combination main
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19 between ṣaḍja-madhyama, is complete and saṅkīrṇā (mixed), being sung by main
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20 the <i>Nāgas</i><sup>22</sup> and <i>Kinnaras</i>.<sup>23</sup> main
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21 (59) annotation_inline
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22 Illustration - Dhadhāpāpādhāmāmā. Dhāpāmāmā dhāpāmāgārī. Gāgā. main
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23 Dhāpamāgāsā. Sāmāsānīdhādhā. Mādhānīsāsā. Sāgāgasāgāgadharidhā main
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24 māmādhārīgāgāmādhāpāmāgāsā nidhānisāsāpāsā. Gāndhārapancami [xvi] editorial_bracket
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25 These are the sixteen (bhāṣās) of ṭakkarāga spoken of by Yāṣṭika. main
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26 (60) page_footer
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1 59 page_number
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2 <b>TRANSLATION</b> page_header
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3 [ Anu . 39 ] editorial_bracket
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4 Thus have been spoken of the fourteen complete murchanas of both the main
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5 grāmas. Now their names are being mentioned. main
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6 In (i.e. beginning with) şadja is uttaramandrā, in niṣāda is known rajanī, 27 in main
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7 dhaivata is known uttarā (uttarāyatā) and śudhaşadjā is in pañcama. (93) main
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8 Matsari (matsarikṛtā) should be known in madhyama and aśvakrāntikā in main
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9 gāndhāra and with ṛṣabha should be known abhirudgatā,28 the seventh one. main
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10 (94) annotation_inline
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11 Thus are to be known the seven mūrchanās subsisting in şadja-grāma. main
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12 Hereafter I shall speak of the murchanas of madhyama-grama. main
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13 (95) annotation_inline
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14 Sauvīrī is with madhyama and hariņāśvikā (hariņāśvā) is in gāndhāra and main
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15 (96) annotation_inline
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16 kalopanatā would be the mūrchanā with ṛṣabha itself. main
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17 Suddhamadhyā, on the other hand, could be in şadja and in niṣāda itself (is) main
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18 mārgitā (mārgi). Pauravī is to be known in dhaivata and hṛṣyakā in pañcama. main
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19 ł annotation_inline
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20 (97) main
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21 Thus the mürchanās of madhyamagrāma have been spoken of by me. Now I main
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22 shall speak of the şāḍavā (hexatonic) and auḍavā (pentatonic) mūchanas. main
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23 (98) annotation_inline
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24 Şāḍava is to be known as having six svaras and auḍavā is to be known with main
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25 five svaras; and the etymology of sadavas and auduvitas is being spoken of. main
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26 (99) annotation_inline
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27 (Anu. 40) annotation_inline
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28 Those six svaras that protect (the performance) are (known as) sadava main
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29 svaras; their use (in performance) is (called) sādava. Falling under the tāraka main
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30 gaṇa,29 it (ṣāḍava) is (combined with) itac pratyaya 30 (suffix) (and thus ‘ṣāḍavitā’ main
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31 is formed). annotation_inline
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32 (Anu. 41) annotation_inline
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33 The ākāśa (space) in which the udus 31 (stars) move, that ākāśa is (known) as main
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34 auduva. By that (the word auduva) the number five is indicated. (<math>\bar{A}k\bar{a}\dot{s}a</math>) is the main
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35 fifth mahābhūta; auduvita is that in which the number (five) of that (ākāśa) main
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36 exists. annotation_inline
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37 Ṣāḍava is that which has six svaras, its lakṣaṇa (description) is sevenfold and main
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38 it is to be known as being numbered forty-nine,52 by the knowledgeable ones in main
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39 (100) annotation_inline
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40 gīta (lit. song i.e. music). main
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187 lignes a valider — change uniquement les roles incorrects.