Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21410). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p148 LEFT — 42 lignes

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1 <b>Ç≛</b> 20040 - 15 unknown
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2 278 page_number
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3 BRHADDEŚĪ page_header
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4 which is said to be omitted, is profusely used therein: main
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5 पासागममाधाधा पामाससानिसानि सानिमगमामापाधामपामारीसानि धापामहमामाधानीरिरिरिसागारि ऋपभारिरिपका । main
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6 133. P.t. omits the description of gāndhārī. Other texts describe it list_item
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7 as follows- list_item
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8 गान्धारपञ्चमे भाषा गान्धारी सगभूषिता । list_item
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9 (i) list_item
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10 धाद्यना सर्वलोकस्य हद्या स्त्रीणां विशेषत:॥ list_item
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11 Kalā (appendix) on SR II, p.139 main
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12 (ii) annotation_inline
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13 गान्धारपञ्चमे रागे गान्धारी भाषिकैकिका । main
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14 धैवतांशग्रहन्यासा पङ्जमध्यमभूयसी ॥ main
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15 गान्धारबहुला वाऽपि षड्जग्रामनिवासिनी ॥ main
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16 S Rāj II.2.1.1006. annotation_inline
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17 134. Kalli has described a bhāṣā named śakā, pertaining to revagupta; main
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18 that description is different from the one of our text. main
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19 सन्यासा रेवगुप्तस्य भाषा मांशा शकाह्या । main
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20 गपाभ्यां बहुला पूर्णा रिधाभ्यामपि भूयसी ॥ main
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21 Kalā (appendix) on SR II. p.142. main
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22 S Rāj II.2.1.1100 describes śakabhāṣā as pertaining to pañcamaṣāḍava, falling main
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23 in line with our text, as follows - main
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24 ऋषभांशा मध्यमान्ता सम्पूर्णा गपभूयसी । main
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25 रिधयो: सङ्गता प्रोक्ता रागे पञ्चमषाडवे ॥ main
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26 शकभाषाद्वया ....। annotation_inline
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27 Kalli describes a bhāṣā named potā under revagupta; the same seems to find main
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28 place in S Rāj under the name revaguptā; the two descriptions are very main
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29 similar. annotation_inline
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30 पोता - main
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31 ्रऋषभांशग्रहन्यासा धहीना निसभूयसी । main
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32 पोता प्रोक्ता मतङ्गेन भाषा पञ्चमषाङ्ये ॥ main
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33 Kalā (appendix) on SR II. p. 142. main
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34 रेवगुप्ता –   ऋषभांशग्रहन्यासा निभूयिष्ठा धदुर्बला । main
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35 रेवगुप्ता स्मृता भाषा रागे पञ्चमषाडवे ॥ main
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36 S Rāj 11.2.1.1102. annotation_inline
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37 It may be noted that potā has been enumerated under pañcamaṣāḍava main
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38 in S Rāj II.2.1.100 cd, but it has not been described in that text. main
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39 [B. Bhāṣālakṣaṇa according to Śārdula] section_header
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40 1. We are treating the matter falling under this heading as forming main
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41 part of the chapter entitled bhāṣālakṣaṇa, but the verses have been numbered main
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42 ٠ page_number
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vol_II_p054 RIGHT — 34 lignes

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1 91 page_number
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2 TRANSLATION page_header
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3 [Anu. 167] section_header
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4 This means – śuddhasādhārita rāga is related to ṣaḍjagrāma on account of main
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5 being born of şadjamadhyamā jāti. Tāra (high) şadja is the graha and amśa main
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6 and madhyama is the nyāsa. There is the sparseness of niṣāda and gāndhāra. main
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7 It is complete (with all the svaras). Its application is prescribed in the garbha- main
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8 sandhi. 39 Vīra, raudra and the like (perhaps adbhuta also) are the rasas. The main
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9 mūrchanā beginning with ṣaḍja obtains. Avarohin (descending) is the varṇa main
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10 and prasannānta the alarikāra. The kalā is formed in the dakṣiṇa (mārga), the main
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11 kalā obtains in the vṛtti (mārga), the kalā prevails in the citra (mārga). In the main
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12 song comprised of svaras and padas a tāla like caccatpuṭa obtains. main
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13 [4. Śuddhakaiśikamadhyama] section_header
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14 Suddhakaisikamadhyama is born of kaisikī and şadjamadhyamā. Şadja is its main
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15 amśa, madhyama the nyāsa and ṛṣabha – pañcama are omitted. main
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16 (302) annotation_inline
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17 [Anu. 168] section_header
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18 This means—the <i>rāga śuddhakaiśikamadhyama</i> is related to <i>ṣaḍjagrāma</i> on main
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19 account of being born of kaiśikī and şadjamadhyamā jātis. (Contention) Kaiśikī main
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20 ŧ annotation_inline
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21 is related to madhyamagrāma and ṣadjamadhyamā to ṣadjagrāma, hence this main
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22 (<math>r\bar{a}ga</math>) is related to both the <math>gr\bar{a}mas^{40}</math>. This is the implication. On account main
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23 of being devoid of ṛṣabha-pañcama, this is related only to ṣaḍjagrāma. In main
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24 madhyamagrāma, the omission of ṛṣabha-pañcama does not take place; this is main
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25 the implication. Tāra (high) ṣaḍja is its graha and aniśa. Madhyama is the main
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26 nyāsa. There is the weakness of niṣāda and gāndhāra. The omission of main
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27 pañcama and ṛṣabha obtains. Niṣāda is kākalī here. It is pentatonic. It is used main
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28 in the <i>nirvahaṇa (sandhi</i>).<sup>41</sup> The <i>mūrchanā</i> beginning with <i>ṣaḍja</i> obtains. main
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29 Raudra, vīra and the like is the rasa. Prasannānta is the alankāra. main
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30 .................. annotation_inline
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31 [5. Šuddhakaisika] section_header
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32 Kaišika has ṣaḍja as its amśa and pañcama as its nyāsa, is born of kaišikī jāti main
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33 and kārmāravī jāti and is with complete svaras. main
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34 (303) annotation_inline
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1 175 page_number
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2 TRANSLATION page_header
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3 Illustration-.....Sādhāritā [iii] editorial_bracket
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4 Gāndhārī has niṣāda as amśa, ṣadja as the concluding note, (and) is main
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5 complete in svaras. This is a bhāṣā in sauvīraka (rāga) and is always sung in main
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6 karuna (rasa).<sup>57</sup> main
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7 (123) annotation_inline
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8 Illustration - Ninigāgāpāmāmānisāmāgānī dhāsāsāsā. Gāndhārī [iv] editorial_bracket
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9 Thus end the <i>bhāṣās</i> of <i>sauvīraka</i>. main
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10 [8. After this are being described the bhāṣās in bhinna-paācama] section_header
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11 Śuddhabhinnakā has dhaivata as amśa and the same as the concluding note, main
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12 is complete, there is concert between dhaivata-ṛṣabha and similarly between main
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13 șadja-madhyama. This śuddhabhinnā is said to be born of bhinnapañcama. It main
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14 is always sung by the Kinnaras<sup>58</sup> in view of its being delightful to the people. main
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15 (124-125) annotation_inline
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16 Illustration - Dhānidhānisasadhā nīdhānisāgāsanigānidhā main
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17 pāpāninimapāmāpāpamādhā dhāpādhāpādhādhā. Śuddhabhinnā [i] editorial_bracket
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18 Having madhyama as amśa, dhaivata as the concluding note, weak in ṛṣabha, main
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19 this bhāṣā is hexatonic with profuse dhaivata and madhyama. There is concert main
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20 between şadja-dhaivata and the svaras comprised of two śrutis each alongwith main
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21 dhaivata. It is well-known as varāṭī and is verily sung by the vidyādharas. 59 main
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22 <math>(126-127)</math> annotation_inline
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23 Illustration - Mādhāsadhānidhā pānimāmāgāsāsāgāmāgā sādhānīdhā. main
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24 Dhādhā dhādhāsādhānī pāpāmāgāsāsāgāmā [dhādhā]. Varāṭī [ii] editorial_bracket
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25 Lower (mandra) ṛṣabha should be used and so also dhaivata again and main
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26 again. (The gamaka) sphurita60 should be used there as fast, medium and main
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27 One should bring about movement in high and low and similarly main
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28 slow.<sup>61</sup> annotation_inline
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29 ascentand descent. Eshould be known as a vibhāṣā born of bhinnapañcama. main
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30 <math>(128-129)</math> main
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vol_II_p027 LEFT — 35 lignes

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1 BRHADDEŚĪ page_header
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2 36 page_number
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3 [अनु॰ १३६] editorial_bracket
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4 [ अस्यार्थ: - कैशिकीरक्तगान्धारीगान्धार्य इत्येतास्तिस्रो जातय: editorial_bracket
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5 पञ्चमेंऽशे main
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6 ऋषभेणाषाडवा अंशसंवादिनो लोपाभावात् । एवमेव निषादेन षाङ्जी गान्धारेंऽशे अषाडवा] editorial_bracket
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7 निश annotation_inline
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8 ऋषभेण षड्जोदीच्यवा धैवतेंऽशे अषाडवा विज्ञेया । इदानीमौडुवितं प्राप्तमपोह्यते । main
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9 ॰पोद्यते annotation_inline
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10 ..... शे annotation_inline
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11 गान्धारीरक्तगान्धार्योः षड्जमध्यमपञ्चमाः । main
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12 सनिषादा: स्मृता अंशा अनौडुवितभागिन: ॥२५४॥ main
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13 [अनु॰ १३७] editorial_bracket
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14 एतच्चासंगतम्, औडुवितप्राप्तेरभावात् । सत्यमुक्तम्, औडुवितनिषेधवचनाद्धि विधेश्च main
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15 ॰िन annotation_inline
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16 •धा annotation_inline
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17 प्राप्तमेवौडुवितत्वं निषिध्यते । main
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18 षड्जमध्यमजातौ तु गान्धारोऽथ निषादवान् । main
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19 कैशिक्यामथ पञ्चम्यां क्रमाच्च ९१धैवतर्षभौ ॥२५५॥ main
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20 क्रमादृषभधैवती annotation_inline
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21 [अनु॰ १३८] editorial_bracket
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22 [अस्यार्थ: - षड्जमध्यमायां] गान्धारोऽथ निषादवा [न्] नौडुवितभागी, editorial_bracket
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23 कैशिक्यां धैवत: पञ्चम्यामृषभश्चानौडुवितभागी स्यात् । तत्र प्राप्तमेवौडुवितत्वं निषिध्यते, main
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24 •मेवानौडुवितत्वं annotation_inline
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25 पञ्चम्यां धैवतश्चरु main
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26 कैशिक्यामृपभ: annotation_inline
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27 अंशता चाप्राप्तेव कल्प्यते । इदानीं ये अ[न] पवादिभूताः स्वराः षाडवौडुवितविधौ editorial_bracket
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28 ল্ফী annotation_inline
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29 तानुदस्यति - main
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30 योज्या: सप्ताधिकाश्चैव चत्वारिंशच्च षाडवे ॥२५६॥ main
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31 ९२०स्ते च annotation_inline
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32 [अनु॰१३९] editorial_bracket
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33 अस्यार्थ: - षाडवे विधौ क्रियमाणे <sup>९३</sup>सप्ताधिकाश्चत्वारिशदंशका main
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34 अपवादस्वरराहता annotation_inline
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35 <b>न्यविधी</b> annotation_inline
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1 श्रीमतङ्गमुनिप्रणीता<br>बृहद्देशी<br>BRHADDEŚĪ main
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2 <b>OF</b> annotation_inline
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3 ŚRĪ MATANGA MUNI main
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4 (Volume I) main
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145 lignes a valider — change uniquement les roles incorrects.