Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21432). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p110 LEFT — 25 lignes

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1 BRHADDEŚĪ page_header
via surya_layout
2 202 page_number
via heuristic_pagenum
3 [२. माङ्गाली] section_header
via surya_layout
4 गान्धारग्रहन्यासा च षड्जांशा तारवर्जिता । main
via surya_layout
5 समन्द्रा सस्वरा[?]चैव परिहीना सदा भवेत् ॥ ३५४॥ editorial_bracket
parent ligne 4
via heuristic_brackets
6 सिका annotation_inline
parent ligne 4
via heuristic_height
7 षड्जांशा धग्रहन्यासा धमन्द्रा तारतत्परा । main
via surya_layout
8 समस्वरा च सम्पूर्णा माङ्गाली गीयते जनै:८॥ ३५५॥ main
via surya_layout
9 (पी?गी)॰ annotation_inline
parent ligne 8
via heuristic_markers
10 [३. भम्माणिका] section_header
via surya_layout
11 पञ्चमांशग्रहन्यासा गमन्द्रा षड्जतारका । main
via surya_layout
12 रिहीना च धगस्वल्पा ज्ञेया भम्माणिका बुधै: १॥ ३५६॥ main
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13 [४. पुलिन्दिका] section_header
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14 षड्जांशा धैवतन्यासा गपहीना पुलिन्दिका । main
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15 +ग्रहन्यासा annotation_inline
parent ligne 14
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16 षड्जधैवतसंवादो धैवतर्षभयोस्तथा १०॥ ३५७॥ main
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17 ॰संघादा annotation_inline
parent ligne 16
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18 [५. गान्धारसिन्धुः ] section_header
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19 १९गान्धारसिन्धुः .....॥ ३५८॥ main
via surya_layout
20 [६. कार्णाटी] section_header
via surya_layout
21 १२षड्जन्यासग्रहा धांशा गतारा मन्द्रमध्यमा । main
via surya_layout
22 समस्वरा च सम्पूर्णा कर्णाटी नामतो भवेत्रवा ३५९॥ main
via surya_layout
23 नामत(द्भ?भ)वेत् annotation_inline
parent ligne 22
via heuristic_short
24 ॥ इति मतङ्गमुनिविरचितबृहद्देश्यां देशीरागाध्यायो नाम पञ्चमः समाप्तः ॥ editorial_bracket
parent ligne 22
via heuristic_brackets
25 भाषालक्ष(णो?णा) main
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vol_II_p164 RIGHT — 41 lignes

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1 311 page_number
via heuristic_pagenum
2 VIMARŠA page_header
via surya_layout
3 22,23. Nāga and kinnara are names of ethnic groups. Our text is the list_item
via surya_layout
4 first one to mention ethnic names in the context of music. list_item
via surya_layout
5 24. Paurāla is not a known geographical name. One approximate list_item
via surya_layout
6 name is paurava, "a country on the eastern bank of the jhelam including the list_item
via surya_layout
7 Gujrat district, the original seat of the Purus, the kingdom of Porus who list_item
via surya_layout
8 fought with Alexander " (Nando Lal De). Purālī was an ancient name of list_item
via surya_layout
9 Travancore (ibid). list_item
via surya_layout
10 25. Harşapūra is not known as a geographical name. list_item
via surya_layout
11 26. <math>\bar{A}bh\bar{i}ra</math> is both a geographical and ethnic name. It is identified as list_item
via surya_layout
12 "the south-eastern portion of Gujrat about the mouths of the Narmada" list_item
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13 (Nando Lal De). list_item
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14 27. 'Samyoga' is another expression for sancara or sangati. list_item
via surya_layout
15 28. Kāmboja is identified as Afghanistan (Nando Lal De). list_item
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16 29. Sātavāhana or Sātavāha is "the name of a king fabled to have been list_item
via surya_layout
17 discovered, when a child, riding a Gandharva called Sāta, who, according to list_item
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18 one legend, was changed into a lion" (Monier Williams). Also known as list_item
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19 Sālivāhana, the Śaka ruler who founded the Śaka era i.e samvat. list_item
via surya_layout
20 30. Gāndhāra and niṣāda are implied. list_item
via surya_layout
21 31. Chāyā is used while describing the resemblance of one rāga with list_item
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22 another at a given point. list_item
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23 32. Kākalī is prescribed to be always sparse in the grāma system. The list_item
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24 prescription here of kākalī being frequent is a notable departure. list_item
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25 33. Again the ethnic name kinnara appears here. See notes 22,23. list_item
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26 34. The basic name is hindola or hindolaka meaning a swing; its list_item
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27 synonym is sometimes used to meet the exigency of metre. list_item
via surya_layout
28 35. See note 26. list_item
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29 36. Gāndharva is a rigorously guarded tradition. The inclusion of list_item
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30 bhāṣā in this corpus is incongruous, unless gāndharva is taken to stand for list_item
via surya_layout
31 music in general. list_item
via surya_layout
32 37. "Mangala - called also Mangali or Mangalapura, the capital of list_item
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33 Udyāna, identified by Wilford with Mangora or Manglora. Cunningham list_item
via surya_layout
34 thought it could be identified with Minglaur (Mangalore) " (Nando Lal list_item
via surya_layout
35 De). list_item
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36 38. The word samvāda has been used here again for sancara or sangati. list_item
via surya_layout
37 39. The origin of this vibhāṣā is traced directly to pañcama rāga, where list_item
via surya_layout
38 as it should really be related to a bhāṣā of that rāga. It is treated as a bhāṣā list_item
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39 in SR and S Rāj. list_item
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40 40. Gändhärapañcama has been mentioned here under pañcama. list_item
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41 41. "Dākṣiṇātya is identified with Deccan; that part of India that lies list_item
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vol_II_p042 RIGHT — 50 lignes

page vol_II_p042 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
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2 67 page_number
via heuristic_pagenum
3 sā pā nī mā pā pā gā gā table
via surya_layout
4 <b>(7)</b> table
via surya_layout
5 mā pā mā nidha nī nī sā sā table
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6 (8) table
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7 pā pā mā dhani pā pā pā pā table
via surya_layout
8 (9) table
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9 mā pā mā riga gā gā gā gā table
via surya_layout
10 (10) table
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11 gā pā mā pā nī nī nī nī table
via surya_layout
12 (11) table
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13 mā pā mā pariga gā gā gā gā table
via surya_layout
14 (12) table
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15 gā gā gā mā mā nidha nī nī table
via surya_layout
16 (13) table
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17 nī nī dhapa mā nidha nidha pā pā table
via surya_layout
18 (14) table
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19 rī gā sā sā mā nidhani nī nī table
via surya_layout
20 (15) table
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21 nī nī dhā pā dhā pā mā mā table
via surya_layout
22 (16) table
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23 Thusends<i>inadhyamodīcyavā</i>. section_header
via surya_layout
24 [6. Kārmāravi] section_header
via surya_layout
25 In kārmāravī, niṣāda, ṛṣabha, pañcama and dhaivata become the ainśas. main
via surya_layout
26 (16) annotation_inline
parent ligne 25
via heuristic_short
27 Many (svaras) are said to be non-amsas on account of antara-marga. main
via surya_layout
28 Gāndhāra is excessively abundant. There is concert among all the amśa main
via surya_layout
29 svaras. annotation_inline
parent ligne 28
via heuristic_height
30 (17) main
via surya_layout
31 Caccatpuța (is the tāla), there are sixteen kalās. The mūrchanā beginning main
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32 with şadja obtains. The application is (prescribed) in the dhruvā of the fifth main
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33 act. annotation_inline
parent ligne 32
via heuristic_short
34 (18) main
via surya_layout
35 Pañcama is the nyāsa in this (jāti). The amsás themselves are apanyāsas. main
via surya_layout
36 The prastāra is thus- main
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37 ri ri ri ri ri ri ri ri table
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38 (1) table
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39 mā gā sā gā sā nī nī nī table
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40 (2) table
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41 nī mā nī mā pā pā gā gā table
via surya_layout
42 (3) table
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43 gā pā mā pā nī nī nī nī table
via surya_layout
44 (4) table
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45 rī gā sā nī rī gā rī gā table
via surya_layout
46 (5) table
via surya_layout
47 rī gā rī sā nī dhani pā pā table
via surya_layout
48 (6) table
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49 mā pā mā pariga gā gā gā gā table
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50 <b>(7)</b> table
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vol_II_p085 RIGHT — 33 lignes

page vol_II_p085 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 153 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 Being combined with sadja as the initial and concluding note, being main
via surya_layout
4 complete and born of deśa (region), having concert between ṛṣabha and main
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5 șadja, the svaras comprised of two śrutis each being of sparse nature, this main
via surya_layout
6 ābhīrī<sup>26</sup> is sung by the people as sādhāraņakṛtā, i.e., it uses antara and kākalī. main
via surya_layout
7 (68) annotation_inline
parent ligne 6
via heuristic_height
8 Illustration - Sāsārīrī, Sāsārīrī, Sāsārīsārī, Sāsānīsārīrī, main
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9 Sārīsārīsāsānīsarīrīgārīgārī. Sanisāsā. Gārīrī. Gāmāgarī. Gapāpagārī. Sanisāsā. main
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10 Sanīsāsā dhārīgagamāsā. Pamāgārī. Sanīsāsā. Dhanīdhānī. Sādhanisā. main
via surya_layout
11 Ririgāmā. Gāmāriri. Gāpāmāpā, Māgārīrī. Sāsārisārī. Sāsānīsārī. Rīrīsāsā main
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12 sānirīrigāri. Rigāriri. Sani. Sāsāgārīri. Gāmagārī. Sāni. Gārīrī. Māgāgārī. main
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13 Gāpāgārī. Sanīsāsāsanī. Sāsā. Rigagamāsā. Pamāgārī. Sanisasā. Sadhanisāsā. main
via surya_layout
14 Sanidhānidhādhanisārīrī. Gāmāgamārirī. Gāpāmāpā. Mapamā. Magārirī. main
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15 Mapāgāri. Sanisāsā. Ābhīrī [vi] editorial_bracket
parent ligne 14
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16 Khañjanî has pañcama as amśa, ṣaḍja as the concluding note, is devoid of main
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17 dhaivata, there is concert between ṣaḍja and niṣāda and similarly between main
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18 madhyama-ṛṣabha. It should be known as hexatonic and saṅkīrṇā (mixed), main
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19 giving delight to all people. main
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20 (69) annotation_inline
parent ligne 19
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21 Illustration - Pānīmarīsari. Sāsāsarīri. Sani. Rirī. Sanisani. Ri. Pāpāpāni. main
via surya_layout
22 Sarisani. Sagasasā. Sanirīsanīrīrī. Māgārigamā. Nīpāpānīsanīpāpāmaga. Pāpā. main
via surya_layout
23 Ni. Nimanisarisagasāsā. Khanjanī [vii] editorial_bracket
parent ligne 22
via heuristic_brackets
24 Having niṣāda as amśa, ṣadja as the concluding note, gurjarī is born of deśa main
via surya_layout
25 (region). There is the combination<sup>27</sup> of niṣāda-ṛṣabha and similarly of main
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26 madhyama-ṛṣabha. This bhāṣā should be known by the knowledgeable ones main
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27 in music as being complete. main
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28 (70) annotation_inline
parent ligne 27
via heuristic_short
29 Illustration - Nidhānīnī. Rigānidhā. Nisāsādhāni. Dhāga. Ri. Sāgarī. main
via surya_layout
30 Sānīdhānī. Gadhāsārī. Gārīmāgārī. Sanidhādhānidhāsarigārī. Sanīsāsā. main
via surya_layout
31 Nidhāsānīgarī. Magari. Magari. Pāpāgārī.aāmā. Ridhānidhānidhāsari. main
via surya_layout
32 Garisānīsāsānīdhāsarīri. Nidhā sāsā. Dhanīsāgā. Gārīri. Magarīmagari. main
via surya_layout
33 Māpāgari. Magarisanī. Dhādhānidhāsarigari. Sanisāsā. Gurjarī [viii] editorial_bracket
parent ligne 32
via heuristic_brackets

vol_II_p067 LEFT — 30 lignes

page vol_II_p067 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 116 page_number
via heuristic_pagenum
3 [अनु॰ २००] editorial_bracket
parent ligne 4
via heuristic_brackets
4 अस्यार्थ: -मालवकैशिको मध्यमग्रामसम्बन्ध: कैशिकीजातेर्जातत्वात् । षड्जो ग्रहोंऽशो main
via surya_layout
5 न्यासश्च । धैवतस्यात्राल्पत्वम् । प्रयोगे निषादोऽत्र काकली । पूर्णस्वरश्चायम् । <sup>८७</sup>विप्रलम्भे शृङ्गारे main
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6 प्रयोगो annotation_inline
parent ligne 5
via heuristic_height
7 काकलि: annotation_inline
parent ligne 5
via heuristic_height
8 चास्य विनियोगः। वीरादिको रसः। षड्जादिमूर्छना । आरोही वर्णः । अलङ्कारः प्रसन्नमध्यमः । main
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9 दक्षिणे कला, वार्तिके कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल: । main
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10 [वेसराणां ग्रामविभाग:] section_header
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11 इदानीं वेसराणां ग्रामविशेषो दर्श्यते - main
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12 दुश्यते annotation_inline
parent ligne 11
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13 टक्करागश्च सौवीरस्तथा वै टक्ककेशिक:। main
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14 बोट्टरागश्च षड्जाख्ये भवेद् वेसरषाडव: ॥ ३२९॥ main
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15 हिन्दोलकस्तु विज्ञेयो मध्यमग्रामसम्भव:। main
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16 मालवपञ्चमश्चैव मालवकैशिकस्तथा ॥ ३३०॥ main
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17 इति वेसरकाः प्रोक्ताः सर्वे निश्चितलक्षणाः। main
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18 स्वराणां दृश्यते वेगस्तेन वेगस्वरा: स्मृता: ॥३३१॥ main
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19 [ङ. साधारणरागा:] section_header
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20 शुद्धा भित्राश्च गौडाश्च तथा वेगस्वरा: परे । main
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21 <sup>८८</sup>कथिता: साम्प्रतं <sup>८९</sup>वक्ष्ये सप्त साधारणांस्तत: ॥३३२॥ main
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22 कथिता यत्र तान् main
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23 [अनु॰ २०१] section_header
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24 ननु साधारणानां कथं साधारणत्वम् ? उच्यते । पूर्वोक्तानां सर्वेषां रागाणां या गीतयस्ताभिर्जायमान- main
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25 (র্জী/র্জা) annotation_inline
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26 ॰मां annotation_inline
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27 त्वात् तेषां साधारणत्वम् ,एतत् साधारणगीत्या गीयमानत्वात् । तथा चाह कश्यप: - main
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28 (র্জী?র্জা) annotation_inline
parent ligne 27
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29 ‘‘सप्त साधारणा: प्रोक्ता: <sup>९०</sup>सर्वगीतिसमाश्रया: ।’’ main
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30 पञ्च annotation_inline
parent ligne 29
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179 lignes a valider — change uniquement les roles incorrects.