Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21446). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

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1 69 page_number
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2 TRANSLATION page_header
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3 mūrchanā and tāna has been expounded in the recaptulatory verse (samgraha- main
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4 śloka).37 How is that (the difference)? The group of svaras that is arranged in main
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5 the ascending and descending order is spoken of as murchana, whereas tana is main
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6 with the ascending order, this is the distinction.58 main
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7 [The Yajña-names of Tānas] section_header
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8 Now the yajña-names 59 of tanas are being spoken of— main
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9 Agnistoma, atyagnistoma, vājapeya, then sodasī, puņdarīka, ašvamedha and main
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10 (104) annotation_inline
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11 rājasūya is the seventh one. main
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12 Thus are the names of sadava tanas devoid of sadja. main
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13 Svişţakrt, bahusauvarņa, gosava, mahāvrata, viśvajit, brahmayajña as well as main
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14 (105) annotation_inline
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15 ртājāpatya. annotation_inline
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16 Thus end the names of şāḍava tānas devoid of ṛṣabha. main
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17 Aśvakrānta, rathakrānta as well as viṣṇukrānta, sūryakrānta, gajakrānta, balibhit main
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18 (106) annotation_inline
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19 (and) nāgayajāa. annotation_inline
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20 Thus end the names of şādava tānas devoid of pañcama. main
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21 Cāturmāsya and then the one named samsthā, śastra and ukthaka, sautrāmaņi, main
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22 <math display="block">(107)</math> annotation_inline
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23 citra and the seventh one is udbhidyaga. main
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24 Thus end the names of şādava tānas devoid of niṣāda. main
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25 ١ page_number
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26 Thus end the names of twenty-eight şādava tānas in şadjagrāma. main
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27 Sāvitrī, ardhasāvitrī and sarvatobhadra, [ the ayana (place, path, movement) editorial_bracket
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28 of adityas, the ayana of cows ] the ayana of snakes is the sixth one and the ayana editorial_bracket
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29 (108) main
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30 of kaunapas (demons) is the seventh one. main
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1 BRHADDEŚĪ page_header
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2 6 page_number
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3 ‘‘शुद्धा विकृताश्चैव हि समवायाज्जातयस्तु जायन्ते । main
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4 <sup>८</sup>पुनरेवाशुद्धकृता भवन्त्यथैकादश परास्तु ॥’’ main
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5 [ना॰ शा॰ २८.४६] editorial_bracket
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6 <sup>९</sup>तासां यास्तु निर्वृत्ता: स्वरेष्वथांशेषु <sup>१</sup>°हानिषु च । annotation_inline
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7 जातिषु annotation_inline
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8 • व • annotation_inline
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9 जातीस्ता वक्ष्याम: सङ्क्षेपेण क्रमेण चैवात्र ॥ १९२ ॥ main
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10 <sup>११</sup>षड्जाया मध्यमायाश्च संसर्गात् षड्जमध्यमा । main
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11 षड्जायाश्चैव गान्धार्या जायते षड्जकैशिकी॥ १९३ ॥ main
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12 तयोरेव सधैवत्यो: षड्जोदीच्यवती भवेत्। main
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13 आसां समध्यमानां तु गान्धारोदीच्यवा भवेत् ॥ १९४ ॥ main
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14 गान्धार्या मध्यमायाश्च पञ्चम्याश्चेव सङ्करात् । unknown
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15 (मी?म्या) annotation_inline
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16 सधैवतीनामासां तु मध्यमोदीच्यवा भवेत् ॥ १९५ ॥ main
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17 आसां स्याद् रक्तगान्धारी नैषादी चेच्चतुर्थिका । main
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18 आर्षभ्यास्तु भवेदान्ध्री गान्धार्याश्चैव सङ्करात् ॥ १९६ ॥ main
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19 •द्यन्धी annotation_inline
parent ligne 18
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20 अनयोस्त् सपञ्चम्योर्नन्दयन्ती प्रजायते । main
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21 सनिषादास्त्वगान्धार्याः कुर्युः कार्मारवीमिमाः ॥ १९७ ॥ main
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22 ग्माम् annotation_inline
parent ligne 21
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23 गान्धारी पञ्चमी चैव ताभ्यां गान्धारपञ्चमी । main
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24 १२तथा annotation_inline
parent ligne 23
via heuristic_short
25 आर्षभी-धैवती-वर्ज्याः कैशिकीमिति सङ्कराः ॥ १९८॥ main
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26 इदानीं विभागमाहु: - section_header
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27 <sup>१३</sup>चतस्रो जातयो नित्यं ज्ञेया: सप्तस्वरा बुधै:। main
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28 चतस्र: षट्स्वराश्चान्या दश पञ्चस्वरा: स्मृता: ॥ १९९ ॥ main
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29 न्द्या annotation_inline
parent ligne 28
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30 एतदेव स्फुटं भवति - main
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31 मध्यमोदीच्यवा चैव तथा वै षड्जकैशिकी । main
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32 कार्मारवी च सम्पूर्णा तथा गान्धारपञ्चमी ॥ २०० ॥ main
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1 TRANSLATION page_header
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2 221 page_number
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3 [33. Dvipadī] section_header
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4 That which is (performed) with karaṇa tāla and composed in the dvipadī main
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5 metre, that is said to be dvipadī by those adept in vastu.<sup>29</sup> main
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6 (414) main
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7 [34. Vartanī] section_header
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8 Where graha and nyāsa are used only according to ańiśa, where the name main
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9 of the object of (glorified) description (divine or human) and that of the main
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10 singer (composer) is put in (and) that which is sung with svaras in a tāla main
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11 other than kankāla, pratitāla, druta (fast) maņțha, (and) kudukkaka, is held main
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12 to be vartani. annotation_inline
parent ligne 11
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13 (415-416) main
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14 [35. <i>Elā</i>] section_header
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15 Where the first two feet are 'coloured' (embellished) with anuprāsa main
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16 (alliteration), there is anuprāsa 30 in the third or fourth foot or there is no main
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17 anuprāsa in these two (feet) and the fifth (foot) is with anuprāsa, where four main
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18 gītis find place in each foot, (and) after having sung one-half of its foot, main
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19 anuprāsa is arranged; where there is the description of renunciation, well- main
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20 being or prosperity, beauty, valour, steadfastness etc., that is called <i>clā</i> by the main
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21 experts in music. annotation_inline
parent ligne 20
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22 <math>(417-419)</math> main
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23 It is always to be sung within the <i>gīta-vastus</i>, in combination with <i>tālas</i> like main
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24 maṇṭha, dvitīya, kaṅkāla and similarly elā should be combined with pratitāla main
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25 by the wise. That (clā) is marked with the name of the object of description main
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26 and the singer (composer). main
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27 <math>(420-421)</math> main
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vol_I_p091 LEFT — 43 lignes

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1 BRHADDEŚI page_header
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2 164 page_number
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3 52. Abhivyañjakatā means the process of manifestation of something that is list_item
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4 already in existence. In Grammar Philosophy śabda is eternal and its subtle and list_item
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5 imperceptible element called sphota (lit. 'bursting' or flash on the mind) is list_item
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6 vyangya (object of vyanjanā). Matanga seems to be influenced by this line of list_item
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7 thought which later culminated in the dhvani theory in literature. list_item
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8 53. The visista dharma (specific quality or nature) i.e. the differentia of a list_item
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9 thing is svalakṣaṇa. This is understood at two levels, one is the specific nature of list_item
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10 a thing i.e. it is related to the <i>vyakti</i> or particular or individual, the other is the list_item
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11 dharma or nature that is common to many i.e. the generic nature or jāti. The list_item
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12 first one is according to the Bauddha system and the second one is according to list_item
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13 all those systems that accept jāti, e.g. Mīmāṃsā. Bauddha logic has given list_item
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14 elaborate treatment and discussion of svalakşana in the context of pratyakşa list_item
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15 (perception ). It does not seem probable that Matanga was influenced by this list_item
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16 system, because non-existence of a common quality or attribute or nature of a list_item
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17 thing accepted in majority of the schools of Bauddha logic could not perhaps be list_item
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18 congenial to the explanation of the perception of sruti and svara which would list_item
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19 require a 'continuity' of their common features. list_item
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20 54. Nabhaḥpuṣpa i.e. a flower grown in the sky is a classic example of an list_item
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21 absurdity or impossibility just like vandhyāputra, the son of a sterile woman. list_item
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22 55. Arthāpatti is one of the pramāņas i.e. means of valid knowledge list_item
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23 propounded specially by the mimāmsā system and accepted by Advaita Vedānta. list_item
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24 Nyāya includes it under anumāna. It has been defined as - list_item
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25 अर्थापतिरपि दृष्टः श्रुतो वाऽर्थः अन्यथा नोपपद्यते इत्यर्थकल्पना । main
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26 ( Śabarabhāṣya on Mīm Sū I, 1.5 ) main
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27 When a seen or heard thing is not proved right in another way, then the main
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28 imagination of something is known as arthāpatti. main
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29 For example, if Devadatta is alive and is not at home, it is imagined that he main
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30 is outside, or, the classic example is that if Devadatta is fat, but does not eat main
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31 during the day, then it is imagined that he eats at night, because his fatness that main
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32 is seen could not be explained or proved through non-consumption of food. main
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33 Hence arthāpatti is translated as negative inference. main
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34 56. All the systems of Indian philosophy except the Carvaka system, accept main
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35 anumāna as a pramāņa. The Nyāya system has given its elaborate treatment. It main
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36 has to be preceded by perception ( pratyaksa ). One who has not seen the main
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37 concomitance of smoke and fire, could not infer fire on the basis of the main
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38 perception of smoke. The classic example of anumana is — main
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39 पर्वतोऽयं विश्वमान् धूमवत्त्वात् । main
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40 This hill is fiery because of there being smoke. This inference presumes or main
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41 is preceded by vyāpti-graha (apprehension of universal concomitance) which is main
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42 thus expressed - main
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43 यत्र यत्र धूमस्तत्र तत्र बह्निः । unknown
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1 programme. annotation_inline
parent ligne 4
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2 BRHADDEŠĪ page_header
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3 164 page_number
via heuristic_pagenum
4 ऋषभांशा पञ्चमान्ता विज्ञेया षड्जदुर्बला । main
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5 প্লা annotation_inline
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6 निषादकाकलीरूपा कर्तव्या सा तु नित्यशः॥ ९७॥ main
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7 साधारणकृता ह्येषा विभाषा गीतवेदिभि:। main
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8 ८७अन्थाली विश्रुता लोके कित्रराणां च वल्लभा ॥ ९८॥ main
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9 अमाली annotation_inline
parent ligne 8
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10 उदाहरणम् - रीमापापाधाधाधाधापा धाधासापापापा धानिनिपा। पासापाधापापापा मरिमरि- main
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11 धाधापधपसाधाधापापा धधपधपापाधापा। पामारिरिसाधापापापा मपधममारिरिधाधपपाप। main
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12 मामाधपपापममरिरिमपापा धपापापधपधसासारिगरिधपापापा । अन्धाली। [७] editorial_bracket
parent ligne 11
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13 अल्पर्षभा मध्यमांशा पञ्चमन्याससंयुता । main
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14 मध्यमांशाल्पऋपभा annotation_inline
parent ligne 13
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15 मध्यधैवतसंवादो बाहुल्यं पञ्चमस्य तु ॥ main
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16 ॰वादस्तुल्यं स्यात् annotation_inline
parent ligne 15
via heuristic_markers
17 मध्यमः annotation_inline
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18 ८८ सम्पूर्णा पञ्चमाच्चेयं भाषा तानोद्भवा भवेत् ॥ ९९॥ main
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19 सम्पूर्णपाड(वा) चेयं annotation_inline
parent ligne 18
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20 उदाहरणम् - मामामगासारिरिनिसागरि । सानिनिगागागसानिपापा पासानिसासासानिसानि - main
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21 निधधनिनिसा। गरिसासासानिनिसाधानिपापा धानिनिगगसासासासासागासानीधामापापा । main
via surya_layout
22 तानोद्भवा। [८] editorial_bracket
parent ligne 21
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23 त्रावणी पञ्चमन्यासा पञ्चमर्षभदुर्बला । main
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24 त्रापणी annotation_inline
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25 द्विश्रुतीनां स्वरूपेण गमनं तत्प्रयोक्तृभि: ॥ १००॥ main
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26 तु annotation_inline
parent ligne 25
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27 षड्जमध्यमबाहुल्यं पञ्चमर्षभयोस्तथा । main
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28 साधारणकृता होषा त्रावणी देशसम्भवा ८९॥१०१॥ main
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29 उदाहरणम् -सासासापापापा धाधाधाधानीनीनीसासानिधानिधाधारिसासा नीधानीधासाममरि main
via surya_layout
30 मारिमागागारिसा सनिपापापा निधानिसासनिसनिमधधसनिधामागामाधानीसासाधानीसामधा - main
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31 मागामाधानीसास। सससनिसासानिगासनिधामामाधारीसासा सधानीधापा । त्रावणी । [९] editorial_bracket
parent ligne 30
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32 त्रापणी annotation_inline
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164 lignes a valider — change uniquement les roles incorrects.