Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21447). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p016 LEFT — 28 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 14 page_number
via heuristic_pagenum
2 BRHADDEŚI page_header
via surya_layout
3 [ अनु. ७ ] section_header
via surya_layout
4 ननु श्रुतेः कि मानम्? उच्यते, पञ्चम [ अस्तावद् ग्रामद्वयस्थो लोके editorial_bracket
parent ligne 3
via heuristic_brackets
5 प्रसिद्धः । त- ] स्य श्रुत्युत्कर्षापकर्षाभ्यां मार्दवादायतत्वाद्वा यदन्तरं editorial_bracket
parent ligne 3
via heuristic_brackets
6 तत्प्रमाणाः श्रुतिरिति । main
via surya_layout
7 ुणं ३८ ूरो ३६ annotation_inline
parent ligne 6
via heuristic_short
8 [ अनु. ८ ] editorial_bracket
parent ligne 6
via heuristic_brackets
9 इदानीं द्वाविंशतिप्रकारताया निदर्शनं यथा- main
via surya_layout
10 <sup>39</sup>ुत् annotation_inline
parent ligne 9
via heuristic_height
11 द्वे वीणे40 तुल्यप्रमाण—तन्त्र्युप—41वादनदण्डमूर्च्छनासमे कृत्वा main
via surya_layout
12 वेणी annotation_inline
parent ligne 11
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13 पा annotation_inline
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14 ०पो annotation_inline
parent ligne 11
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15 षड्जग्रामाश्रिते कार्ये। तयोरन्यतरस्यां मध्यमग्रामिकीं श्रुतिं कृत्वा main
via surya_layout
16 पञ्चमस्यापकर्षात् तामेव श्रुतिं पञ्चमवशात् षड्जग्रामिकीं कुर्यात् । main
via surya_layout
17 <sup>4 2</sup> पञ्चमस्य   श्रुत्युत्कर्यवशात् main
via surya_layout
18 एक 🛂 - श्रुत्यपकृष्टा भवति, परं विशेषलाभो नास्ति, उच्चनीचमात्रप्रतीतेः। unknown
via fallback
19 एव annotation_inline
parent ligne 17
via heuristic_height
20 पुनरपि तद्वदेवापकर्षेद्भ यथा गान्धारनिषादौ कर्तारौ पुनरन्यतरस्यां main
via surya_layout
21 व्ययित् annotation_inline
parent ligne 20
via heuristic_height
22 स्थिरवीणायां धैवतर्षभौ कर्मतामापन्नौ प्रवेक्ष्यतः, अब्द्विश्रुत्यभ्यधिकत्वात् । main
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23 <sub>॰</sub>स<sub>॰</sub>45 annotation_inline
parent ligne 22
via heuristic_markers
24 पुनरपि तद्वदेवापकृष्टायां चलवीणायां धैवतर्षभौ इतरस्यां main
via surya_layout
25 पञ्चमषड्जौ प्रवेक्ष्यतः त्रिश्रुत्यभ्यधिकत्वात्। पुनरपि तद्वदेवापकृष्टायां main
via surya_layout
26 पञ्चममध्यमषड्जा इतरस्यां मध्यमगान्धारनिषादान् प्रविशन्ति चतुः- main
via surya_layout
27 इति अस्या annotation_inline
parent ligne 26
via heuristic_height
28 श्रुत्यभ्यधिकत्वात्।। main
via surya_layout

vol_II_p105 RIGHT — 31 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 <b>TRANSLATION</b> page_header
via surya_layout
2 193 page_number
via heuristic_pagenum
3 Illustration - Māmapāmā pāpānidhādhā nipāpānipamā risānidhāpāmā. main
via surya_layout
4 Sāmādhāni dhāpāpāsāpānigārisā ninīsānisānidhāmā mānidhāpāpā. Āndhrī main
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5 [v] editorial_bracket
parent ligne 4
via heuristic_brackets
6 Gāndhārī has gāndhāra as amśa (and) pancama as the concluding note, is main
via surya_layout
7 complete; (this) vibhāṣā is sung in mālavapañcama in (the context of) main
via surya_layout
8 ascending the top of a mountain. 16 annotation_inline
parent ligne 7
via heuristic_height
9 (19) annotation_inline
parent ligne 7
via heuristic_height
10 Illustration-Gāgāninidhā dhādhāniririgā pamāgari risanīsāsā. Dhādhāsādhāni. main
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11 Sāgāsānidhāpāpā. Gāndhārī [vi] editorial_bracket
parent ligne 10
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12 Thus end the bhāṣās in mālavapañcama according to main
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13 the opinion of Sārdūla. annotation_inline
parent ligne 12
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14 [4. Now in bhinnaṣaḍja] section_header
via surya_layout
15 Trāvaņī and şadjabhāṣā, mālavī, similarly gūrjarī, bāhyaṣāḍavā, kausalī, main
via surya_layout
16 gāndhārī, svaravallitā, lalitā, niṣādavatī, tumburu, gāndhāralalitā, kaliṅgā and main
via surya_layout
17 śuddhā and madhyamā, similarly pārvatī (these are the bhāṣās in bhinnaṣaḍja). main
via surya_layout
18 <math>(20-21)</math> annotation_inline
parent ligne 17
via heuristic_height
19 Trāvaṇī bears a regional name, 17 has dhaivata as the concluding note and main
via surya_layout
20 is with sparse <i>şadja</i>. main
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21 (22) annotation_inline
parent ligne 20
via heuristic_height
22 Illustration - Riridhādhādhanī nīdhādhā. Madhāniridhā dhāninisānini main
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23 dhādhānidhāmādhā. Niridhādhāmadhādhāmiririnigāmāgādhāmarīsānidhāmidhā main
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24 nidhāmāmadhā niniridhādhā. Trāvaņī [i] editorial_bracket
parent ligne 23
via heuristic_brackets
25 Combined with dhaivata as the initial and concluding note, having sparse main
via surya_layout
26 sa (ṣadja), ṣadja bhāṣā is a mūlabhāṣā that is hexatonic and is sung in the main
via surya_layout
27 worship of deities.<sup>18</sup> annotation_inline
parent ligne 26
via heuristic_height
28 (23) annotation_inline
parent ligne 26
via heuristic_height
29 Illustration - Dhānidhādhā. Sānidhādhā. Samānidhā. Māgāgāmā. Nidhādhā. main
via surya_layout
30 Gāmāgāmā. Gamādhādhā. Garisānidhā. Pamāmā. Pāmādhānī. Dhādhā. main
via surya_layout
31 Ṣaḍjabhāṣā [ii] editorial_bracket
parent ligne 30
via heuristic_brackets

vol_II_p056 LEFT — 33 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BŖHADDEŚĪ page_header
via surya_layout
2 94 page_number
via heuristic_pagenum
3 संहारे कैशिक: प्रोक्त: पूर्वरङ्गे तु षाडव: । main
via surya_layout
4 चित्रस्याष्टादशाङ्गस्य त्वन्ते कैशिकमध्यमः॥ main
via surya_layout
5 शुद्धानां विनियोगोऽयं ब्रह्मणा समुदाहतः ।'"५० main
via surya_layout
6 [NŚ as quoted in Kalā on SR. II p.32] editorial_bracket
parent ligne 5
via heuristic_brackets
7 [ख. भिन्नरागाः] section_header
via surya_layout
8 इदानीं भिन्नानां लक्षणमाह - main
via surya_layout
9 श्रुतिभिन्नो जातिभिन्नः शुद्धभिन्नः ५१स्वरस्तथा । main
via surya_layout
10 स्वरै॰ annotation_inline
parent ligne 9
via heuristic_markers
11 चतुर्धिर्भिद्यते यस्मात् तस्माद् भित्रक उच्यते ॥३०४॥ main
via surya_layout
12 [अनुः १७२] editorial_bracket
parent ligne 11
via heuristic_brackets
13 ५२ननु भित्रशब्देन किमभिधीयते ? किं विदारितोऽर्थः, एतदस्मादयं व्यतिरिक्त इत्यर्थो वा main
via surya_layout
14 भित्रशब्दस्य। एतत्र वाच्यम्। भित्रोऽत्र विकृत उच्यते। विकृतत्वं च पूर्वोक्तश्रुतिभित्रेत्यादिलक्षणात्। main
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15 ५३[स्वरभिन्न:] section_header
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16 [अनु॰ १७३] editorial_bracket
parent ligne 15
via heuristic_brackets
17 इदानीं भिन्नानां प्रागुक्तलक्षणप्रकटनार्थं तत्रादौ स्वरभिन्नस्य लक्षणमुच्यते - main
via surya_layout
18 यदा वादी गृहीत: स्यात् संवादी च विमोक्ष्यते । main
via surya_layout
19 विवादी वानुवादी वा स्वरिभन्न: स उच्यते ॥ ३०५॥ main
via surya_layout
20 ५४चानुवादी च annotation_inline
parent ligne 19
via heuristic_height
21 [अन्॰ १७४] editorial_bracket
parent ligne 19
via heuristic_brackets
22 अस्यार्थ:-मध्यमग्रामाश्रितस्य शुद्धषाडवस्य योऽसौ मध्यमो ग्रहांश: तत्स्थाने धैवतो main
via surya_layout
23 धैवतोऽपि annotation_inline
parent ligne 22
via heuristic_height
24 योऽसा annotation_inline
parent ligne 22
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25 ५५विवादित्वेन वा[ऽ]नुवादित्वेन वा गृहीतो भवति। मध्यमस्वरस्य संवादी त्यज्यते न्यस्यते editorial_bracket
parent ligne 22
via heuristic_brackets
26 नानुवादित्वेन annotation_inline
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27 विवादित्वे (न?) annotation_inline
parent ligne 22
via heuristic_height
28 वा तदासौ स्वरिभन्न उच्यते । भिन्नषड्जेऽत्र वदनाद् वादी धैवतः, पुनर्बहुप्रयोगो भवति [तस्य]। editorial_bracket
parent ligne 22
via heuristic_brackets
29 व्यह्ज: अत्र annotation_inline
parent ligne 22
via heuristic_height
30 ननु पश्चसु रागेषु मध्ये भित्रषड्जस्य लक्षणमुच्यते इत्यादावेवाभिधानं कृत:? main
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31 सत्यमुक्तम् annotation_inline
parent ligne 30
via heuristic_height
32 मुख्यत्वादस्य । मुख्यत्वं च यथा शुद्धगीतिषु शुद्धषाडवस्य एवं भिन्नगीतिषु भिन्नषड्जस्येति main
via surya_layout
33 तद्भेद[त्व]ादस्येति । editorial_bracket
parent ligne 32
via heuristic_brackets

vol_II_p120 RIGHT — 36 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 223 page_number
via heuristic_pagenum
3 In the opinion of some, it (elā) is combined with the (name of the) object main
via surya_layout
4 of description (alone). Elā should be made full of charming qualities of main
via surya_layout
5 song, embodying the gaņas (textual units)<sup>31</sup> of metre (and) endowed with main
via surya_layout
6 alankāra and rasa, by the wise. main
via surya_layout
7 (422) annotation_inline
parent ligne 6
via heuristic_short
8 [The types of <i>Elā</i>] editorial_bracket
parent ligne 6
via heuristic_brackets
9 [A. Out of them the varieties of Gaṇailā] editorial_bracket
parent ligne 6
via heuristic_brackets
10 First, nādāvatī has been said, then is known hamsāvatī, nandāvatī is the main
via surya_layout
11 third and bhadrāvatī is known as the fourth. main
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12 (423) annotation_inline
parent ligne 11
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13 Derived out of Rgveda and the like, 'coloured' with variegated sounds, main
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14 thus has elā been said to be fourfold by the wise, in accordance with the main
via surya_layout
15 'path'<math>^{32}</math> (order) of ganas. main
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16 (424) main
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17 [1. Nādāvatī] section_header
via surya_layout
18 The elā (named) nādāvatī is charming, bedecked with varņa (and) main
via surya_layout
19 alankāra, is sung with manthatāla (and) is full of nāda 33 in every foot. There main
via surya_layout
20 takkarāga becomes delightful to all. main
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21 (425) annotation_inline
parent ligne 20
via heuristic_short
22 (Its) colour should be known to be white and śṛṅgāra has been said to be main
via surya_layout
23 the rasa; kaišikī vṛtti<sup>34</sup> has been spoken of (and) pañcālī rīti<sup>35</sup> is accepted. main
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24 (426) annotation_inline
parent ligne 23
via heuristic_short
25 Bhāratī is its devatā (presiding deity) and the lineage of brāhmaņas prevails. main
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26 Where five candraganas 36 combined with one svargana 37 are there, that cla main
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27 is known to be nādāvatī, by the foregoing learned ones. main
via surya_layout
28 (427) main
via surya_layout
29 [2. Hamsāvatī] section_header
via surya_layout
30 Making movement like a swan, with nāda and pada, it is known as main
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31 hamsāvatī, because it proceeds smoothly. Dvitīyaka is the tāla there and (it) main
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32 is sung in <i>hindola (rāga</i>). main
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33 (428) annotation_inline
parent ligne 32
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34 Red colour has been said to prevail. Caṇḍikā is the devatā (presiding main
via surya_layout
35 deity), ārabhaţī is the vṛtti<sup>38</sup> (and) lāṭīyā rīti<sup>39</sup> is accepted. main
via surya_layout
36 (429) main
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vol_II_p051 LEFT — 27 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 84 page_number
via heuristic_pagenum
2 BRHADDEŚĪ page_header
via surya_layout
3 प्रयोगैर्मसृणै: सूक्ष्मकाकुभिश्च३३ सुयोजितै: । main
via surya_layout
4 ॰क्ष्मै: annotation_inline
parent ligne 3
via heuristic_markers
5 ॰िमेत्रै: annotation_inline
parent ligne 3
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6 <sup>३४</sup>एवं साधारणी ज्ञेया सर्वगीतिसमाश्रया ॥२८५॥ main
via surya_layout
7 [६. भाषा गीति:] section_header
via surya_layout
8 प्रयोगैर्गात्रजै: शृक्ष्णै: काकुरक्तै: सुयोजितै: । main
via surya_layout
9 कम्पितैः कोमलैर्दीप्तैर्मालवीकाकुनान्वितैः ॥२८६॥ main
via surya_layout
10 लितै: सुकुमारैश्च प्रयोगैश्च सुसंयुतै:। main
via surya_layout
11 (सीं ? सं) annotation_inline
parent ligne 10
via heuristic_height
12 भाषा गीति: समाख्याता एषा गीतिविचक्षणै: ॥ main
via surya_layout
13 यथा वै रज्यते लोकस्तथा वै सम्प्रयुज्यते ॥२८७॥ main
via surya_layout
14 [७. विभाषा गीति:] section_header
via surya_layout
15 लिलतैर्बहुभिर्दीतै: कम्पितैरौरसै: समै:। main
via surya_layout
16 (र ? रौ) annotation_inline
parent ligne 15
via heuristic_height
17 तारातितारैर्मसृणैर्मध्ये मध्यमदीपितै: ॥२८८॥ main
via surya_layout
18 गमकै: श्रोत्रसुखदैर्ललितैस्तु यदुच्छया। main
via surya_layout
19 विभाषागीतिस्तु संयोज्या यथा लोकोऽनुरज्यते ॥२८९॥ main
via surya_layout
20 [॥ इति गीतिलक्षणम् ॥] editorial_bracket
parent ligne 19
via heuristic_brackets
21 [रागसङ्ख्या, उद्देशश्च] section_header
via surya_layout
22 गीतीनां लक्षणं प्रोक्तं रागसङ्ख्योच्यतेऽधुना । main
via surya_layout
23 गीतानां annotation_inline
parent ligne 22
via heuristic_height
24 पञ्च चोक्षा: समाख्यातास्तत्प्रमाणाश्च भित्रका: ॥२९०॥ main
via surya_layout
25 गौडास्त्रयस्तु कथिता रागाश्चाष्टौ प्रकीर्तिता: । main
via surya_layout
26 सप्त साधारणा: प्रोक्ता भाषाश्चैवात्र षोडश ॥२९१॥ main
via surya_layout
27 द्वादशैव विभाषा: स्युर्नामानि च निबोधत ॥२९२॥ main
via surya_layout
155 lignes a valider — change uniquement les roles incorrects.