Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21455). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p016 LEFT — 28 lignes

page vol_I_p016 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 14 page_number
via heuristic_pagenum
2 BRHADDEŚI page_header
via surya_layout
3 [ अनु. ७ ] section_header
via surya_layout
4 ननु श्रुतेः कि मानम्? उच्यते, पञ्चम [ अस्तावद् ग्रामद्वयस्थो लोके editorial_bracket
parent ligne 3
via heuristic_brackets
5 प्रसिद्धः । त- ] स्य श्रुत्युत्कर्षापकर्षाभ्यां मार्दवादायतत्वाद्वा यदन्तरं editorial_bracket
parent ligne 3
via heuristic_brackets
6 तत्प्रमाणाः श्रुतिरिति । main
via surya_layout
7 ुणं ३८ ूरो ३६ annotation_inline
parent ligne 6
via heuristic_short
8 [ अनु. ८ ] editorial_bracket
parent ligne 6
via heuristic_brackets
9 इदानीं द्वाविंशतिप्रकारताया निदर्शनं यथा- main
via surya_layout
10 <sup>39</sup>ुत् annotation_inline
parent ligne 9
via heuristic_height
11 द्वे वीणे40 तुल्यप्रमाण—तन्त्र्युप—41वादनदण्डमूर्च्छनासमे कृत्वा main
via surya_layout
12 वेणी annotation_inline
parent ligne 11
via heuristic_height
13 पा annotation_inline
parent ligne 11
via heuristic_height
14 ०पो annotation_inline
parent ligne 11
via heuristic_height
15 षड्जग्रामाश्रिते कार्ये। तयोरन्यतरस्यां मध्यमग्रामिकीं श्रुतिं कृत्वा main
via surya_layout
16 पञ्चमस्यापकर्षात् तामेव श्रुतिं पञ्चमवशात् षड्जग्रामिकीं कुर्यात् । main
via surya_layout
17 <sup>4 2</sup> पञ्चमस्य   श्रुत्युत्कर्यवशात् main
via surya_layout
18 एक 🛂 - श्रुत्यपकृष्टा भवति, परं विशेषलाभो नास्ति, उच्चनीचमात्रप्रतीतेः। unknown
via fallback
19 एव annotation_inline
parent ligne 17
via heuristic_height
20 पुनरपि तद्वदेवापकर्षेद्भ यथा गान्धारनिषादौ कर्तारौ पुनरन्यतरस्यां main
via surya_layout
21 व्ययित् annotation_inline
parent ligne 20
via heuristic_height
22 स्थिरवीणायां धैवतर्षभौ कर्मतामापन्नौ प्रवेक्ष्यतः, अब्द्विश्रुत्यभ्यधिकत्वात् । main
via surya_layout
23 <sub>॰</sub>स<sub>॰</sub>45 annotation_inline
parent ligne 22
via heuristic_markers
24 पुनरपि तद्वदेवापकृष्टायां चलवीणायां धैवतर्षभौ इतरस्यां main
via surya_layout
25 पञ्चमषड्जौ प्रवेक्ष्यतः त्रिश्रुत्यभ्यधिकत्वात्। पुनरपि तद्वदेवापकृष्टायां main
via surya_layout
26 पञ्चममध्यमषड्जा इतरस्यां मध्यमगान्धारनिषादान् प्रविशन्ति चतुः- main
via surya_layout
27 इति अस्या annotation_inline
parent ligne 26
via heuristic_height
28 श्रुत्यभ्यधिकत्वात्।। main
via surya_layout

vol_II_p118 RIGHT — 31 lignes

page vol_II_p118 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 219 page_number
via heuristic_pagenum
3 [26. Kalahaṁsa] section_header
via surya_layout
4 Where, having sung one foot first, then svaras are sung, that is kalahamsa, main
via surya_layout
5 combined with tālas like jhampā. main
via surya_layout
6 (407) main
via surya_layout
7 [27. <i>Ghața</i>] section_header
via surya_layout
8 Where one-half is full of tenaka, that is ghata, like dvipadī. main
via surya_layout
9 (408) main
via surya_layout
10 [28. Cakravāla] section_header
via surya_layout
11 That which is sung with repetition, taking the last pada (textual-cum- main
via surya_layout
12 melodic unit of the preceding sub-section), being bedecked with the state main
via surya_layout
13 of yamaka, is said to be cakravāla.25 main
via surya_layout
14 (409) main
via surya_layout
15 [29. Tripadī or Şaţpadī] section_header
via surya_layout
16 Performed with any of the tālas and (rendered) exclusively with birudas, main
via surya_layout
17 that which is sung in a two-fold way....? main
via surya_layout
18 (410) main
via surya_layout
19 [30. Bandhakarana] section_header
via surya_layout
20 That which is sung by the gandharvas <math>^{26}</math> in karana tāla, with svaras coupled with main
via surya_layout
21 the akṣaras (syllables) of muraja (drum-variety), isagain, known as bandhakarana?7 main
via surya_layout
22 (411) unknown
via fallback
23 [31. Pāṭakaraṇa] section_header
via surya_layout
24 ٠ page_number
via heuristic_pagenum
25 The karaṇa (prabandha) named pāṭa is composed of pāṭas (syllables) of the main
via surya_layout
26 hands<sup>28</sup> (on a drum) main
via surya_layout
27 (412) main
via surya_layout
28 [32. <i>Kaivāţa</i>] section_header
via surya_layout
29 That which is sung properly with <i>pāṭas</i> alone, should be known by the main
via surya_layout
30 gandharvas as kaivāṭa, combined with tāla. main
via surya_layout
31 (413) main
via surya_layout

vol_I_p024 LEFT — 28 lignes

page vol_I_p024 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 <b>BRHADDEŚ</b>I page_header
via surya_layout
2 30 page_number
via heuristic_pagenum
3 तथा चाह कोहलः — main
via surya_layout
4 <b>"जातिभाषादिसंयोगादनन्तः कीर्तितः स्वरः।</b> main
via surya_layout
5 <b>॰पदैर्युक्तस्त्वलमिति कृतौ योज्यो रसेष्वपि</b>"।। इति। annotation_inline
parent ligne 4
via heuristic_markers
6 。स्ता。 annotation_inline
parent ligne 4
via heuristic_height
7 ना annotation_inline
parent ligne 4
via heuristic_height
8 नित्योऽविनाशी। व्यापकः सर्वगतः। main
via surya_layout
9 तथा चाह कोहलः — annotation_inline
parent ligne 8
via heuristic_short
10 "ऊर्ध्वनाडीप्रयत्नेन सर्वीभत्तिनिघट्टनात्। main
via surya_layout
11 मुर्छितो ध्वनिरामुर्ध्नः स्वरोऽसौ व्यापकः परः"।। main
via surya_layout
12 [ अनु. १७ ] editorial_bracket
parent ligne 11
via heuristic_brackets
13 ननु षड्जादीनां कथं स्वरत्वम् ? व्यञ्जनत्वात्। यदि व्यञ्जनानां main
via surya_layout
14 स्वरत्वमभिधीयते, तदानीं कादीनामेवास्तु स्वरत्वम्। main
via surya_layout
15 अत्रोच्यते — असाधारणत्वात् षड्जादीनामेव स्वरत्वं न कादीनामिति। main
via surya_layout
16 ननु षड्जादीनामसाधारणत्वं कथम् ? आप्तोपदेशात् षड्जादीनामसाधारणत्वम्। main
via surya_layout
17 तथा चाह कोहले महेश्वरः- main
via surya_layout
18 ｡लः annotation_inline
parent ligne 17
via heuristic_height
19 "षड्जं वदति मयूर ऋषभं चातको वदेत्। main
via surya_layout
20 अजा वदित गान्धारं क्रौञ्चो वदित मध्यमम्।। main
via surya_layout
21 ्नित annotation_inline
parent ligne 20
via heuristic_height
22 पुष्पसाधारणे काले कोकिलः पञ्चमं वदेत्। main
via surya_layout
23 प्रावृद्काले तु सम्प्राप्ते धैवतं दर्दुरो वदेत्।। main
via surya_layout
24 सर्वदा च तथा देवि। निषादं वदते गजः॥" main
via surya_layout
25 यद्वा ऊर्ध्वध्वनिगामित्वेन षड्जादीनामेवासाधारणत्वमिति, अथवा main
via surya_layout
26 ₄व annotation_inline
parent ligne 25
via heuristic_height
27 षड्जादयः स्वरा न भवन्ति, आकारादय एव स्वराः। षड्जादयस्तु main
via surya_layout
28 तेषामाकारादीनामुच्चारणार्थमिति। main
via surya_layout

vol_II_p121 RIGHT — 32 lignes

page vol_II_p121 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 225 page_number
via heuristic_pagenum
3 The lineage of kṣatriyas is there and the rasa has been said to be raudra. main
via surya_layout
4 Where there are five analoganas <math>^{40}</math> and the sixth is a vāyugana, <math>^{41}</math> lo! that elä main
via surya_layout
5 is known to be <i>hamsāvatī</i>, by the experts in music. main
via surya_layout
6 (430) main
via surya_layout
7 [3. Nandāvatī] section_header
via surya_layout
8 Combined with small gamakas in mālavakaišika rāga, the nandāvatī elā is main
via surya_layout
9 sung in <i>pratitāla</i>. main
via surya_layout
10 (431) annotation_inline
parent ligne 9
via heuristic_short
11 Indrāņī is the devatā (presiding deity), sāttvatī is the vṛtti<sup>42</sup> spoken of here, main
via surya_layout
12 gaudi is the <math>riti^{43}</math> spoken of (and) yellow is the colour accepted by the wise. main
via surya_layout
13 (432) annotation_inline
parent ligne 12
via heuristic_short
14 Vīra is the rasa that is said to be, (this clā) is born of the lineage of vaisyas. main
via surya_layout
15 Everything (else) beginning with rāga should be done as in nādāvatī. main
via surya_layout
16 (433) annotation_inline
parent ligne 15
via heuristic_short
17 Where there are five <math>ambara</math>-gaņas, <math>^{44}</math> combined with <math>m\bar{a}rta\eta daga\eta as^{45}< main
via surya_layout
18 should be known as nādāvatī elā by the experts in music. main
via surya_layout
19 (434) main
via surya_layout
20 [4. Bhadrāvatī] section_header
via surya_layout
21 Structured with padas one by one, brimming with mūrchanā 46 sounds, main
via surya_layout
22 combined with kańkāla tāla, it is sung in kakubha (rāga). main
via surya_layout
23 (435) annotation_inline
parent ligne 22
via heuristic_short
24 Bhadrāvatī elā is born of the śūdra caste and should be known to be of black main
via surya_layout
25 colour, being bedecked with vaidarbhī rīti.47 main
via surya_layout
26 (436) annotation_inline
parent ligne 25
via heuristic_short
27 Combined with bhāratī vṛtti 48 and embellished with bībhatsa rasa, it is said main
via surya_layout
28 to be endowed with vārāhī devatā,49 by those adept in music. main
via surya_layout
29 (437) annotation_inline
parent ligne 28
via heuristic_short
30 Where there are five <math>bh\bar{u}mi</math>-gaņas<sup>50</sup> and similarly the sixth is <math>jalagaņa_i^{51}</math> main
via surya_layout
31 that is known by the best among munis to be famous as bhadrāvatī. main
via surya_layout
32 (438) main
via surya_layout

vol_I_p061 RIGHT — 29 lignes

page vol_I_p061 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 105 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 (Anu. 102) annotation_inline
parent ligne 4
via heuristic_height
4 Like hunkāra one should ascend (with) three solfa syllables without a gap main
via surya_layout
5 (and) in a combined80 (manner), thence two lower svaras (forming two phrase- main
via surya_layout
6 units each) should be made (pronounced) with shake81 and verily in main
via surya_layout
7 combination with another (next) kalā 82 (phrase-unit). Thus is gātravarņa, main
via surya_layout
8 because of the combination or formulation of ekakala 83 svaras (forming main
via surya_layout
9 temporal units of one kalā or mātrā each). As - dhanisa nini dhadha, padhani main
via surya_layout
10 dhadha papa, mapadha papa mama, gamapa mama gaga, rigama gaga riri, main
via surya_layout
11 (33) annotation_inline
parent ligne 10
via heuristic_height
12 sariga riri sasa. Thus is (ends) gatravarna. main
via surya_layout
13 [ The treatment of Alankaras according to Bharata's opinion ] section_header
via surya_layout
14 I shall now speak of the varnas 84 in which the charming alankāras are main
via surya_layout
15 'seated' (formed), according to the prescription of Bharata. main
via surya_layout
16 (121) annotation_inline
parent ligne 15
via heuristic_height
17 Prasannādi, prasannānta, prasannādyanta, similarly prasannamadhya, sama, main
via surya_layout
18 recita itself, prastāra and prasāda are based on the sthāyivarņa. These alankāras main
via surya_layout
19 (122, 123) annotation_inline
parent ligne 18
via heuristic_short
20 should be known according to their respective definition. main
via surya_layout
21 After this, please understand (the alankāras) born of the sancārin (varņa), as main
via surya_layout
22 they are again and again being described (lit. glorified). Mandratāraprasanna, main
via surya_layout
23 bindu, prenkolita, tāramandraprasanna, nivīttapravītta, kuhara, veņu, ranjita, main
via surya_layout
24 upalolaka, avartaka, paravarta. Thus are the eleven charming alankaras born of main
via surya_layout
25 <math>(124 - 126)</math> annotation_inline
parent ligne 24
via heuristic_height
26 the sancarin (varna). annotation_inline
parent ligne 24
via heuristic_height
27 Nişkūjita, kuhara, hasita, bindu itself, prenkholita, ākṣipta, vidhuta, udvāhita, main
via surya_layout
28 hrādamāna, sampradāna, sandhipracchādana, prasannādi and main
via surya_layout
29 prasannanta—(these) thirteen are (based) on the arohin (varna). (127, 128) main
via surya_layout
148 lignes a valider — change uniquement les roles incorrects.