Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21497). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p019 RIGHT — 33 lignes

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1 21 page_number
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2 TRANSLATION page_header
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3 The distinction of svara and śruti (exists) because they are prasādhya (lit. main
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4 accomplished, here perceived) by different buddhis (apprehensions, main
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5 perceptions). And also on account of the distinction of aśraya (seat or main
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6 substratum, here śruti) and āśrayin (that which is seated, here svara) the main
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7 identification (of the two) does not stand. main
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8 (36) annotation_inline
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9 The state of svaras being reflections, that has been spoken of, does not stand main
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10 reason (because) if the state of svaras being reflection (is accepted), then main
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11 perception having the nature of delusion becomes applicable. main
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12 (37) annotation_inline
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13 The relationship of cause and effect between śruti and svara is not possible; main
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14 there is no pramana (means of valid knowledge or evidence) of the existence of main
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15 (38) annotation_inline
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16 śrulis. annotation_inline
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17 (Objection) If by arthāpatti 55 (negative inference) or by the pramāņa main
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18 presuming vyāpti-grahaņa, (the comprehension of concomitance, i.e. anumāna,56 main
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19 inference) svara is proved to be the bheda (modification or result) of the gagana- main
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20 gunas<sup>57</sup> (qualities of space or ether i.e. sounds) that are the progenitors of svara main
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21 (then the kārya-kāraņa relationship between the two would be established). (39) main
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22 (Answer) It is true. annotation_inline
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23 Although the kārya-kāraņa difference (between svara and śruti) is evident, main
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24 (40) annotation_inline
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25 yet the kāraņatva (causality) of śrutis is impossible. main
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26 (This is so) because (here) the cause (śruti) is available (perceptible) (even) main
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27 when the kāryas (svaras) are present, (but) when the jar and the like are main
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28 existent, the lump of clay is not available (perceptible). main
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29 (41) annotation_inline
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30 Pariņāma 58 (transformation) (and, or) abhivyakti (manifestation) is main
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31 understood to be the justified proposition by the wise; thus the alternatives main
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32 (42) annotation_inline
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33 starting with tādātmya have been spoken of by me. main
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vol_II_p059 LEFT — 34 lignes

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1 BŖHADDEŚĪ page_header
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2 100 page_number
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3 [अनु॰ १८०] editorial_bracket
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4 अस्यार्थः - अन्यां जातिं परिहरन् स्वजातिकुलभूषितं स्वमूलं तु संगृह्णिति । main
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5 [४. भिन्नकैशिकः] section_header
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6 [अनुः १८१] editorial_bracket
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7 शुद्धस्य लक्षणं समग्रं भिन्नकैशिकस्यापि विद्यते । तर्हि को भेदः । गीतिकृतो भेदः main
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8 (कटी?गी) annotation_inline
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9 शुद्धकैशिको हि शुद्धगीत्या गीयते, भिन्नकैशिकस्तु भिन्नगीत्या गीयते। एतदुक्तं भवति - येन main
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10 स्वस्थानेन रागीयते शुद्धकैशिके न तेन स्वस्थानेन भित्रकैशिके रागीयत इति। लक्षणं चास्य यथा- main
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11 <b>(?)</b> annotation_inline
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12 (स्थं ?)संस्थानेन main
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13 •केन annotation_inline
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14 <b>ण्य</b>ने annotation_inline
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15 संस्थानेन annotation_inline
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16 शुद्धकैशिकवदूप[:] स्वरज्ञैर्धित्रकैशिक:। editorial_bracket
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17 षड्जांशः पञ्चमन्यासः सम्पूर्णः सप्तभिः स्वरैः ॥३११॥ main
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18 [अन्॰ १८२] editorial_bracket
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19 अस्यार्थ: - भित्रकैशिको मध्यमग्रामसम्बन्ध: कैशिकीकार्मारवीजात्युत्पत्रत्वात् । main
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20 ग्रहोंऽशश्च षड्जः । पञ्चमो न्यासः । निषादोऽत्र काकली । पूर्णश्चायम् । शुद्धैकेशिकवदयं यद्यपि रागः main
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21 उदयं(?) annotation_inline
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22 तथापि भेदोऽस्ति । मन्द्रबहुलोऽयम् । येन स्वस्थानेन शुद्धकैशिके स्वरालापः क्रियते, तत्स्वस्थानं main
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23 संस्थाने(न) annotation_inline
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24 विहाय तैरेव स्वरैरालाप: कर्तव्य:। शुद्धकैशिके हि तारस्वरैरालाप: कर्तव्य इति रूपान्यत्वेनायं main
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25 विभिन्नकैशिके annotation_inline
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26 (य) annotation_inline
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27 भिद्यते । दानवीरे चास्य विनियोगः । वीररौद्रादिको रसः । षड्जादिमूर्छना । वर्णः सञ्चारी । main
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28 प्रसन्नादिरलङ्कार:। दक्षिणे कला, वार्तिके कला,चित्रे कला। स्वरपदगीते चच्चत्पुटादिताल:। main
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29 [श्रुतिभिन्नः] section_header
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30 साम्प्रतं श्रुतिभिन्नस्य लक्षणमाह - main
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31 भिन्नतानस्य annotation_inline
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32 ६०चतु:श्रुतिस्वरो यत्र भिन्नो द्विश्रुतिकेन तु । main
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33 गान्धारो द्विश्रुतिश्चैव श्रुतिभिन्न: स उच्यते ॥ ३१२॥ main
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34 (आधा ? गान्या)रो annotation_inline
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vol_I_p055 RIGHT — 36 lignes

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1 93 page_number
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2 <b>TRANSLATION</b> page_header
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3 (Anu. 75) annotation_inline
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4 Where, having 'stayed' (stopped) for a long time at one svara in the form of main
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5 șadja and the like, having touched the octave36 (tara) of that like fire and main
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6 having stayed there for one (short) time-unit<sup>37</sup> (kalā), suddenly the 'low' (svara) main
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7 is reached, that is bindu. As - sā sa - sā. Thus is (ends) bindu. main
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8 <b>(6)</b> annotation_inline
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9 (Anu. 76) annotation_inline
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10 Having touched (a svara) for the interval of one kalā (time-unit), on main
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11 account of the pronunciation of (svaras) in the reverse order of bindu, (the main
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12 alankāra) named nivīttapravītta (comes into being). As - sā sā sā. thus ends main
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13 <b>(7)</b> annotation_inline
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14 nivṛttapravṛtta. annotation_inline
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15 (Anu. 77) annotation_inline
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16 Veņu is with seven kalās 40 (phrases) in the order of ascent and descent, like main
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17 ākrīḍita 11 (playful way?). sarigamapadhani nidhapamagarisa. Thus is (ends) veņu. main
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18 (8) annotation_inline
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19 (Anu 78) annotation_inline
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20 On account of the shake of (svara having) three srutis in the lower heptad, main
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21 kampita (is formed), that is composed of three kalās (time-units). As - main
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22 <b>(9)</b> annotation_inline
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23 sarigamapadhanisa,42 thus is (ends) kampita. main
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24 (Anu. 79) annotation_inline
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25 On account of the shake of (svara having) three śrutis 43 in the middle main
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26 heptad kuharita (is formed), that is composed of three kalās. As - main
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27 (10) annotation_inline
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28 sarigamapadhanisa.44 Thus is (ends) kuharita. main
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29 (Anu. 80) annotation_inline
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30 On account of the shake of (svara having) three śrutis in the higher main
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31 heptad, recita (is formed), that is composed of three kalās. As - main
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32 (11) annotation_inline
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33 sarigamapadhanisa 45 Thus is (ends) recita. main
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34 (Anu. 81) annotation_inline
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35 Prenkholita is with fourteen kalās 16 (phrases) on account of 'going' (ascent) main
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36 and 'coming' (descent) of (groups of) two or more svaras, in equal temporal main
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1 241 page_number
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2 TRANSLATION page_header
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3 [43. Varņasvara] section_header
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4 That which is composed with pāṭas of the hand and is again combined with main
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5 tenakas, is combined with svaras, padas, pāṭas and tenakas (and) is sung in main
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6 combination with tāla, that is known as varņasvara. main
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7 (486) annotation_inline
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8 [44. Muktāvalī] section_header
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9 (That which) is sung with charming padas having anuprāsa (and where main
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10 there) is the name of the object of description, that is known as muktāvalī. main
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11 (487) annotation_inline
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12 [45. Pratāpavardhana] section_header
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13 Well combined with pāṭas generating enthusiasm and also with svaras, main
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14 tenakas (and) where singing is accomplished with the birudas of the object of main
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15 description, that is said to be the prabandha pratāpavardhana. main
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16 (488) annotation_inline
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17 Thus eight above forty 92 (48) beautiful prabandhas are clearly to be seen. main
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18 (489) annotation_inline
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19 [The blemishes of gita] section_header
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20 One should avoid (the song) that is defective by the standard of the people main
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21 (loka),93 defective by śāstraic94 (critical) standard, repetitive, defective in main
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22 metre and vulgar or indecent, embodying deviation from proper order, main
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23 devoid of meaning, 95 having dubious text and meaning, indulging in main
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24 violation of (kalās 96 and) split.97 main
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25 (490) annotation_inline
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vol_II_p106 LEFT — 33 lignes

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1 (vide) annotation_inline
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2 BRHADDEŚĪ page_header
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3 194 page_number
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4 .....मालवी । [३]<sup>२४</sup> editorial_bracket
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5 .....गुर्जरी । [४]<sup>२५</sup> editorial_bracket
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6 मध्यामांशा २६धैवतान्ता षाडवा ऋषभोज्झिता । main
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7 ऋषभान्विता annotation_inline
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8 गीयते यज्ञकाले या सा ख्याता बाह्यषाडवा ॥ २४॥ main
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9 उदाहरणम् - माधा । मानिनि पामापाधाधा । माधामागा गागागामा ममनिधा मापापानिधा- main
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10 धाधा । बाह्यषाडवा । [५] editorial_bracket
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11 निषादांशा धैवतान्ता षाडवा स्याद्रिवर्जिता<sup>२७</sup>। main
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12 षद्द्जवर्जिता annotation_inline
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13 कौसली देशसम्भूता प्रतीहारेषु गीयते ॥ २५॥ main
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14 कौसलदेश॰ annotation_inline
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15 उदाहरणम् – निनिधा । पामामा । मागमा । सासासासासा । मागमानिधाधा । कौसली । [६] editorial_bracket
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16 गान्धारांशा मध्यमान्ता गान्धारी मध्यमाश्रिता<sup>२८</sup>। main
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17 (श?शा) annotation_inline
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18 एकान्तवासिभिर्गीता मूलभाषा तु षड्जगा ॥ २६॥ main
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19 उदाहरणम् - गामापानीसासा । निधाधामा मामागामाधा । निसारी । सापामामा । धानीसारी । main
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20 गारीसानी । धामामा । गान्धारी । [७] editorial_bracket
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21 २९धैवताद्यन्तसंयुक्ता रिहीना षाडवस्वरा । main
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22 ॰ पह्जर्पभहीना annotation_inline
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23 स्वरविवितका एषा गीयते दृढमानसै: ॥ २७॥ main
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24 + + बलितगा annotation_inline
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25 उदाहरणम् - धाधामापा । गागामाधा निसानिधाधा पापागामा धासनिधानिसासागामा पापा- main
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26 धाधा । मधापामामा गधगामधानिसासा। निसानिगागा मासानीधा धापमामागाधा । सामाधा- main
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27 नी ससाधापामाधाधा । स्वरवलिता । [८] editorial_bracket
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28 धैवताद्यन्तललिता पञ्चमर्षभवर्जिता । main
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29 षह्जपश्चम ॰ annotation_inline
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30 ३॰पञ्चस्वरा तु गीयेत प्रकृष्टा सा मता क्रमात् ॥ २८॥ annotation_inline
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31 - Paragraphy (Fig. 25) Apply (Head Co. 19) Apply (The Section 25) (25) annotation_inline
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32 All the second second second second second second second second second second second second second second second second annotation_inline
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33 والمراجع والمراكب والمراكب والمراجع والمراجع والمراجع والمراجع والمناكب annotation_inline
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161 lignes a valider — change uniquement les roles incorrects.