Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21502). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p025 LEFT — 31 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 32 page_number
via heuristic_pagenum
3 सगमपनि, सरिमपध । षट्स्वरांशा कैशिकी - सगमपधनि । सप्तस्वरांशा षड्जमध्यमा - main
via surya_layout
4 मग annotation_inline
parent ligne 3
via heuristic_height
5 सरिगमपंध annotation_inline
parent ligne 3
via heuristic_height
6 पहज annotation_inline
parent ligne 3
via heuristic_height
7 सरिगमपधनि । एवं त्रिषष्टिरंशा व्याख्याता: । main
via surya_layout
8 मध्यमोदीच्यवा चैव तथा गान्धारपञ्चमी । main
via surya_layout
9 नन्दयन्ती च तिस्रस्ताः पश्चमैकांशतः स्मृताः ॥२४१॥ main
via surya_layout
10 धैवती पञ्चमी चैव ज्ञेये धरिरिपांशके । main
via surya_layout
11 ॰दिवां॰ annotation_inline
parent ligne 10
via heuristic_markers
12 गान्धारोदीच्यवा द्वाभ्यां मध्यम: षड्ज इत्यपि ॥२४२॥ main
via surya_layout
13 (न्म)र्यभ annotation_inline
parent ligne 12
via heuristic_height
14 आर्षभ्यां निरिधा अंशा नैषाद्यां निरिगास्त्रय:। main
via surya_layout
15 (तिरि? निरि) annotation_inline
parent ligne 14
via heuristic_height
16 सगपाः षड्जकैशिक्यां तिस्रस्त्र्यंशाः प्रकीर्तिताः ॥२४३॥ main
via surya_layout
17 (ला:?पा:) annotation_inline
parent ligne 16
via heuristic_height
18 चतुरंशा समनिधै: षड्जोदीच्यवती स्मृता । main
via surya_layout
19 कार्मारवी रिपनिधैरान्ध्री गरिनिपैरपि ॥२४४॥ main
via surya_layout
20 (국 ?) annotation_inline
parent ligne 19
via heuristic_height
21 सगमपधै: षाड्जी स्यात् पञ्चभिश्चापि मध्यमा । main
via surya_layout
22 सरिमपधैरंशै:, स्याद् गान्धारी सगमनिपै: ॥२४५॥ main
via surya_layout
23 तद्वत् स्याद् रक्तगान्धारी पूर्वेरंशैश्च पञ्चभिः। main
via surya_layout
24 कैशिक्येका षडंशा स्यात् सगमपनिधैः स्मृता ॥२४६॥ main
via surya_layout
25 षड्जमध्या तु सप्तांशा त्रिषष्टिरिति तेंऽशका: । main
via surya_layout
26 न्मध्यमा annotation_inline
parent ligne 25
via heuristic_height
27 [७. जातीनां प्रयोगविधिः] section_header
via surya_layout
28 ८८अंशकैर्ग्रामरागांस्तु जनयन्तीति जातय: ॥२४७॥ main
via surya_layout
29 (ग्रा?र्ग्रा) annotation_inline
parent ligne 28
via heuristic_height
30 आसां प्रयोगकाले तु युग्मायुग्माश्रयो विधि:। main
via surya_layout
31 मार्गेस्त्रिभि: प्रयोक्तव्याश्चित्रवार्तिकदक्षिणै: ॥२४८॥ main
via surya_layout

vol_II_p056 RIGHT — 39 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 95 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 prescribed; ṣāḍava is in pūrvaranga, but in the citra (pūrvaranga?)comprised of main
via surya_layout
4 eighteen aigas (components), kaišikamadhyama (is performed) in the end. main
via surya_layout
5 This is the application of śuddha rāgas prescribed by Brahmā." main
via surya_layout
6 [NS as quoted in Kalā on SR II.2.30-32] editorial_bracket
parent ligne 5
via heuristic_brackets
7 [B. Bhinna rāgas] section_header
via surya_layout
8 Now he (the author) has spoken of the description of bhinna rāgas. main
via surya_layout
9 Bhinna (modified) 45 on account of śruti, bhinna on account of jāti, bhinna main
via surya_layout
10 on account of śuddha (rāga) similarly having (bhinna) svara, it (this category main
via surya_layout
11 of rāgas) is called bhinnaka because it is modified in respect of (the above) main
via surya_layout
12 four. annotation_inline
parent ligne 11
via heuristic_height
13 (304) annotation_inline
parent ligne 11
via heuristic_height
14 [Anu. 172] editorial_bracket
parent ligne 11
via heuristic_brackets
15 (Contention) Whatisstated by the word 'bhinna?' Does the word bhinnamean main
via surya_layout
16 that which is split or does it mean 'this is distinct from that'? This should not be main
via surya_layout
17 said. 'Bhinna' here is said to be vikṛta (modified). The state of being vikṛta is main
via surya_layout
18 according to the prescription given before in terms of śruti-bhinna and the like. main
via surya_layout
19 [Svarabhinna] section_header
via surya_layout
20 [Anu. 173] editorial_bracket
parent ligne 19
via heuristic_brackets
21 Now for the sake of elucidating the aforesaid description of bhinna (rāgas), main
via surya_layout
22 the definition of svarabhinna (out of the four) is being spoken of in the main
via surya_layout
23 beginning - annotation_inline
parent ligne 22
via heuristic_height
24 When the <math>v\bar{a}din^{46}</math> is upheld (as the initial note) and the <math>sainv\bar{a}din</math> or <math>anu main
via surya_layout
25 or vivādin is released (as the finale), that is called svara-bhinna. main
via surya_layout
26 (305) annotation_inline
parent ligne 25
via heuristic_height
27 [Anu. 174] editorial_bracket
parent ligne 25
via heuristic_brackets
28 This means – the madhyama that is the graha and amsa of suddha-sādava main
via surya_layout
29 (rāga) that belongs to madhyamagrāma, is replaced with dhaivata that is taken main
via surya_layout
30 up as being vivādin or anuvādin. When the samvādin of the svara madhyama main
via surya_layout
31 is treated as a point of release (tyāga) or placement (nyāsa), then it is called main
via surya_layout
32 svara-bhinna. In bhinna-ṣaḍja, dhaivata is vādin on account of 'speaking out' main
via surya_layout
33 (vadana) and it is again of abundant usage. main
via surya_layout
34 (Contention) Out of the five (bhinna) rāgas, why is bhinna -ṣaḍja being main
via surya_layout
35 described in the beginning itself? Truly has it been said, on account of its main
via surya_layout
36 prominence. Its prominence is thus-just as in the (rāgas of) śuddhagīti, there is main
via surya_layout
37 the prominence of śuddha ṣāḍava, similar is the case of bhinna ṣaḍjain the (rāgas main
via surya_layout
38 of) bhinna gīti, on account of this (bhinna-ṣadja) being a variety of that (śuddha main
via surya_layout
39 sādava).<sup>47</sup> main
via surya_layout

vol_II_p127 RIGHT — 30 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 237 page_number
via heuristic_pagenum
3 [5. Drāvidailā] section_header
via surya_layout
4 The <i>elā</i> born in the <i>draviḍa</i> region is adorned with <i>bhāva</i>, <i>abhinaya</i> and <i>tāla</i>, main
via surya_layout
5 coloured with variegated sounds, devoid <math>^{85}</math> of prāsa and established in rasa. main
via surya_layout
6 (472) annotation_inline
parent ligne 5
via heuristic_short
7 Thus end the five <i>clās</i> bearing regional names. main
via surya_layout
8 [The number of <i>Elās</i>] section_header
via surya_layout
9 Ganailā has been said to be fourfold, the fifth is of the nature of sankara main
via surya_layout
10 (mixture); mātrailā has been spoken of with four varieties, by the experts in main
via surya_layout
11 music. annotation_inline
parent ligne 10
via heuristic_short
12 (473) main
via surya_layout
13 Varņailā has been described as having fourteen varieties, deśailās have main
via surya_layout
14 been said to be five-fold according to the distinction of region. main
via surya_layout
15 (474) annotation_inline
parent ligne 14
via heuristic_short
16 Altogether these are known to be twenty-eight in number by the experts main
via surya_layout
17 in the science of music, they are combined with their respective characteristics. main
via surya_layout
18 (475) annotation_inline
parent ligne 17
via heuristic_short
19 [Thus end the varieties of <i>elā</i>] editorial_bracket
parent ligne 17
via heuristic_brackets
20 [36. Jhombada] section_header
via surya_layout
21 Where half of the (first) foot is sung in repetition and then the second half main
via surya_layout
22 of the same is sung and there is alliteration between the two, similarly is sung main
via surya_layout
23 its second foot, in the same way the third foot and where the foot that is the main
via surya_layout
24 fourth one is sung at the end of each of all the feet, that is called <i>jhombada</i> main
via surya_layout
25 by the experts in music. main
via surya_layout
26 <math>(476-478)</math> main
via surya_layout
27 The tāla named kankāla never obtains in jhombadaka. All other tālas main
via surya_layout
28 related to desi obtain here. There are varieties of jhombada, adorned with main
via surya_layout
29 tenaka. annotation_inline
parent ligne 28
via heuristic_short
30 (479) main
via surya_layout

vol_I_p064 LEFT — 45 lignes

page vol_I_p064 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚI page_header
via surya_layout
2 110 page_number
via heuristic_pagenum
3 समनन्तरौ स्वरौ द्वौ विचरत्युद्वाहितो द्विकल एव । main
via surya_layout
4 आरोहत्येककलां पुनरेककलां प्रसादयति। ।१४८॥ main
via surya_layout
5 50otto annotation_inline
parent ligne 4
via heuristic_short
6 ++++ annotation_inline
parent ligne 4
via heuristic_height
7 उद्वाहित एव स्यादुपलोलकसंज्ञको द्विरभ्यस्तः । main
via surya_layout
8 एकं द्वौ त्रीन् गच्छन् स्वरान् क्रमेण [ स ] क्रमो ज्ञेयः ॥१४९॥ editorial_bracket
parent ligne 7
via heuristic_brackets
9 51सह् annotation_inline
parent ligne 7
via heuristic_height
10 (डो १डे) त्रीणि main
via surya_layout
11 ۰₹۵ annotation_inline
parent ligne 10
via heuristic_height
12 एकान्तरमारुह्य प्रत्येकान्तरं स्वरं यस्तु । main
via surya_layout
13 ्र भी (?) annotation_inline
parent ligne 12
via heuristic_short
14 निष्कृजितसंज्ञकोऽसौ ज्ञेयः सूरिभिरलङ्कारः ॥१५०॥ main
via surya_layout
15 क्रमयोगेनानेन तु सञ्चार्येकान्तरस्वरो द्विकलः । main
via surya_layout
16 <i>दे</i> (३)। annotation_inline
parent ligne 15
via heuristic_short
17 ्नासी ज्ञेयः main
via surya_layout
18 द्वचवरः षट्पर एवं ह्यारोही हादमानः स्यात् ॥१५१॥ main
via surya_layout
19 ď annotation_inline
parent ligne 18
via heuristic_height
20 त्रिकलत्वपरषड्जमेवमारोहि (?) main
via surya_layout
21 अथ रिक्षतस्तु समनन्तरस्वरे द्वे कले पुनः स्थित्वा । main
via surya_layout
22 अर्धकलामारोही पुनरेव तथावरोही स्यात्52 ॥१५२॥ main
via surya_layout
23 ।हि oतत् oचापको हि annotation_inline
parent ligne 22
via heuristic_short
24 <b>.</b>4. main
via surya_layout
25 आवर्तकश्चतुर्षु स्वरेषु समनन्तरेषु सम्भवति । main
via surya_layout
26 आरोहणावरोहणविधिना चैकान्तरेष्विप वा ॥१५३॥ main
via surya_layout
27 ज्ञेयो निरन्तरकृतस्त्वष्टकलः सान्तरस्तथा कार्यः । main
via surya_layout
28 ,रुध्वंष्ट. unknown
via fallback
29 तज्ज्ञैः कलाश्चतसस्त्वावृत्त्या [ ऽऽ ] वर्तको भवति ॥१५४॥ editorial_bracket
parent ligne 27
via heuristic_brackets
30 प्राज्ञेः main
via surya_layout
31 अधिरुह्य च स्वरांस्त्रीन् स्वरान्तरं लङ्घयति च निवृत्तौ । main
via surya_layout
32 53से annotation_inline
parent ligne 31
via heuristic_height
33 पुनरपि च परावृत्त्या परीवर्तकोऽष्टकलो ज्ञेयः ॥१५५॥ main
via surya_layout
34 •र्तेषु 54कलो annotation_inline
parent ligne 33
via heuristic_short
35 यस्य स्वरावतीतौ तथा परं ह्यन्तरस्वरो भवति । main
via surya_layout
36 <b>.</b>पतितौ annotation_inline
parent ligne 35
via heuristic_short
37 परस्त्व, annotation_inline
parent ligne 35
via heuristic_height
38 य: annotation_inline
parent ligne 35
via heuristic_height
39 एककलश्च तथा भवेत् तदुद्घट्टितो नित्यम् ॥१५६॥ main
via surya_layout
40 •द्वाहितो <sup>55</sup>,त्या main
via surya_layout
41 भव annotation_inline
parent ligne 40
via heuristic_height
42 आक्षिप्तकस्त्रिस्वरजः कर्तव्यः षड्विधः कलामानः । main
via surya_layout
43 <b>०रारज प्रथगेककलात्रयकृतश्च (?)</b> main
via surya_layout
44 मा. annotation_inline
parent ligne 43
via heuristic_height
45 एककलस्त्वधरः स्यात् षट्कलिको वापरो ज्ञेयः ॥१५७॥ main
via surya_layout

vol_II_p061 LEFT — 32 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 . 4 unknown
via fallback
2 2 a - annotation_inline
parent ligne 5
via heuristic_height
3 104 page_number
via heuristic_pagenum
4 BRHADDEŚĪ page_header
via surya_layout
5 [ग. गौडरागाः] section_header
via surya_layout
6 [अनु॰ १८६] editorial_bracket
parent ligne 5
via heuristic_brackets
7 नन् गौडाः कथम् ? उच्यते, गौडगीतिसम्बन्धत्वात् । main
via surya_layout
8 किं लक्षणम् ? उच्यते । तद्यथा - main
via surya_layout
9 ओहाटी मन्द्रजोपात्ता प्रयोगे ध्वनिकम्पितै:। * main
via surya_layout
10 ओहाडी मन्त्रजा(?)+तु प्रयोगै (दूं?र्हू)तकम्पितै:। main
via surya_layout
11 अविश्रामेण त्रिस्थाने गौडी गीतिरुदाहृता ॥३१५॥ main
via surya_layout
12 गौह॰ annotation_inline
parent ligne 11
via heuristic_markers
13 [१.गौडपञ्चम:] section_header
via surya_layout
14 गौडपञ्चमस्य लक्षणम् - main
via surya_layout
15 गौडपञ्चमनिष्पत्तौ धैवतीषड्जमध्यमे । main
via surya_layout
16 धैवतांशो मध्यमान्तो रहित: पञ्चमेन तु ६३॥३१६॥ main
via surya_layout
17 (वि? र)हित: annotation_inline
parent ligne 16
via heuristic_height
18 [अन्॰ १८७] editorial_bracket
parent ligne 16
via heuristic_brackets
19 अस्यार्थ: -गौडपञ्चम: षड्जग्रामसम्बन्ध:,धैवतीषड्जमध्यमाजात्यो: समुत्पन्नत्वात्। main
via surya_layout
20 धैवतोंऽशो ग्रहश्च। मध्यमो न्यासः। निषादगान्धारौ काकल्यन्तरौ । पञ्चमरहितोऽयं षट्स्वरः । main
via surya_layout
21 प्र(ह)स annotation_inline
parent ligne 20
via heuristic_height
22 उद्भटनाट्ये विप्रलम्भशृङ्गारे चास्य विनियोग:।बीभत्सभयानकरसौ।धैवतादिमूर्छना।आरोही main
via surya_layout
23 (क)रसो रसः annotation_inline
parent ligne 22
via heuristic_height
24 प्रसन्नमध्योऽलङ्कार: । दक्षिणे कला, वार्तिके कला, चित्रे कला । स्वरपदगीते main
via surya_layout
25 वर्णः। annotation_inline
parent ligne 24
via heuristic_short
26 चच्चत्पुटादिताल:। main
via surya_layout
27 चचत्पुटताल: annotation_inline
parent ligne 26
via heuristic_height
28 [२.गौडकैशिक:] section_header
via surya_layout
29 उत्पन्नः कैशिकीषड्जमध्यमाजातितो मतः। main
via surya_layout
30 षड्जांशः पञ्चमन्यासः सम्प्रोक्तो गौडकैशिकः ॥३१७॥ main
via surya_layout
31 (स:) annotation_inline
parent ligne 30
via heuristic_height
32 (vide) annotation_inline
parent ligne 30
via heuristic_height
177 lignes a valider — change uniquement les roles incorrects.