Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21503). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p119 RIGHT — 27 lignes

page vol_II_p119 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 221 page_number
via heuristic_pagenum
3 [33. Dvipadī] section_header
via surya_layout
4 That which is (performed) with karaṇa tāla and composed in the dvipadī main
via surya_layout
5 metre, that is said to be dvipadī by those adept in vastu.<sup>29</sup> main
via surya_layout
6 (414) main
via surya_layout
7 [34. Vartanī] section_header
via surya_layout
8 Where graha and nyāsa are used only according to ańiśa, where the name main
via surya_layout
9 of the object of (glorified) description (divine or human) and that of the main
via surya_layout
10 singer (composer) is put in (and) that which is sung with svaras in a tāla main
via surya_layout
11 other than kankāla, pratitāla, druta (fast) maņțha, (and) kudukkaka, is held main
via surya_layout
12 to be vartani. annotation_inline
parent ligne 11
via heuristic_short
13 (415-416) main
via surya_layout
14 [35. <i>Elā</i>] section_header
via surya_layout
15 Where the first two feet are 'coloured' (embellished) with anuprāsa main
via surya_layout
16 (alliteration), there is anuprāsa 30 in the third or fourth foot or there is no main
via surya_layout
17 anuprāsa in these two (feet) and the fifth (foot) is with anuprāsa, where four main
via surya_layout
18 gītis find place in each foot, (and) after having sung one-half of its foot, main
via surya_layout
19 anuprāsa is arranged; where there is the description of renunciation, well- main
via surya_layout
20 being or prosperity, beauty, valour, steadfastness etc., that is called <i>clā</i> by the main
via surya_layout
21 experts in music. annotation_inline
parent ligne 20
via heuristic_short
22 <math>(417-419)</math> main
via surya_layout
23 It is always to be sung within the <i>gīta-vastus</i>, in combination with <i>tālas</i> like main
via surya_layout
24 maṇṭha, dvitīya, kaṅkāla and similarly elā should be combined with pratitāla main
via surya_layout
25 by the wise. That (clā) is marked with the name of the object of description main
via surya_layout
26 and the singer (composer). main
via surya_layout
27 <math>(420-421)</math> main
via surya_layout

vol_II_p073 RIGHT — 19 lignes

page vol_II_p073 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 129 page_number
via heuristic_pagenum
3 "Sometimes the aniśa, sometimes the nyāsa, sometimes ṣāḍava and auḍuvita main
via surya_layout
4 (becomes obvious). The wise should arrange (the melody) after knowing main
via surya_layout
5 the sparseness and abundance combined with graha and apanyasa and main
via surya_layout
6 similarly low and high (mandra-tāra). The grāma-rāgas should be used in main
via surya_layout
7 daśarūpaka 97 according to the prescribed rules. The gāna that is five-fold as main
via surya_layout
8 praveśa (entry), ākṣepa (sudden change in emotive state), niṣkrāma (exit), main
via surya_layout
9 prāsādika (pacifying) and āntara (filler of gaps) should be performed in main
via surya_layout
10 these rāgas." annotation_inline
parent ligne 9
via heuristic_height
11 [The application of gītis] section_header
via surya_layout
12 In pūrvaraiga, the śuddhā should be there, the bhinnā is based on main
via surya_layout
13 prastāvanā, 98 the vesarā should be 'done ' in the two mukhas (mukha and main
via surya_layout
14 pratimukha sandhi),99 gauḍi is prescribed in the garbha (sandhi) and main
via surya_layout
15 similarly sādhārita should be there in avamarsa sandhi<sup>101</sup> and nirvahana main
via surya_layout
16 (sandhi). annotation_inline
parent ligne 15
via heuristic_height
17 (344) annotation_inline
parent ligne 15
via heuristic_height
18 Thus ends the third chapter entitled "Raga-laksana" in annotation_inline
parent ligne 15
via heuristic_height
19 Bṛhaddeśi composed by Matanga Muni. main
via surya_layout

vol_II_p126 LEFT — 24 lignes

page vol_II_p126 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 234 page_number
via heuristic_pagenum
2 BRHADDEŚĪ page_header
via surya_layout
3 [७. मोहिनी] section_header
via surya_layout
4 पञ्चपादसमायुक्ता मूर्छनागमकान्विता । main
via surya_layout
5 मोहिनी नाम सा ज्ञेया वर्णेला सप्तमी शुभा ॥ ४६६॥ main
via surya_layout
6 [॥ इति प्रकारान्तरेण वर्णेलासप्तकम् ४४॥] editorial_bracket
parent ligne 5
via heuristic_brackets
7 [ङ. देशैलाप्रकारा:] section_header
via surya_layout
8 लाटकर्णाटगौडान्ध्रद्रविडानां स्वभाषया । main
via surya_layout
9 पृथक् पृथग् भवन्त्येताः मार्गयुक्ता मनोहराः ॥ ४६७॥ main
via surya_layout
10 [१. लाटैला] section_header
via surya_layout
11 <sup>४५</sup>अन्त्यप्राससमायुक्ता मध्यादिप्रासवर्जिता । main
via surya_layout
12 अत: annotation_inline
parent ligne 11
via heuristic_height
13 रसैर्भावैश्च संयुक्ता लाटैला परिकीर्तिता ॥४६८॥ main
via surya_layout
14 [२. कणटैला] section_header
via surya_layout
15 प्रासैर्मनोहरैर्दिव्यैरादिमध्यान्तगोचरै:। main
via surya_layout
16 एला कर्णाटिका प्रोक्ता ललितध्वनिसंयुता ॥ ४६९॥ main
via surya_layout
17 [३. गौडेला] section_header
via surya_layout
18 सर्वत्र प्राससहिता गमकैश्च विवर्जिता । main
via surya_layout
19 नादबिन्द्रसोपेता एला सा गौडदेशजार्ध ॥४७०॥ main
via surya_layout
20 नदा० annotation_inline
parent ligne 19
via heuristic_height
21 [४. आन्ध्रैला] section_header
via surya_layout
22 अनेकगमकाकीर्णामनेकध्वनिमिश्रिताम् । main
via surya_layout
23 अनेकरागसङ्कीर्णामेलामान्ध्रीं विदुर्बुधाः ॥४७१॥ main
via surya_layout
24 (मन्द्रीं? मान्ध्रीं) annotation_inline
parent ligne 23
via heuristic_height

vol_II_p056 RIGHT — 39 lignes

page vol_II_p056 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 95 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 prescribed; ṣāḍava is in pūrvaranga, but in the citra (pūrvaranga?)comprised of main
via surya_layout
4 eighteen aigas (components), kaišikamadhyama (is performed) in the end. main
via surya_layout
5 This is the application of śuddha rāgas prescribed by Brahmā." main
via surya_layout
6 [NS as quoted in Kalā on SR II.2.30-32] editorial_bracket
parent ligne 5
via heuristic_brackets
7 [B. Bhinna rāgas] section_header
via surya_layout
8 Now he (the author) has spoken of the description of bhinna rāgas. main
via surya_layout
9 Bhinna (modified) 45 on account of śruti, bhinna on account of jāti, bhinna main
via surya_layout
10 on account of śuddha (rāga) similarly having (bhinna) svara, it (this category main
via surya_layout
11 of rāgas) is called bhinnaka because it is modified in respect of (the above) main
via surya_layout
12 four. annotation_inline
parent ligne 11
via heuristic_height
13 (304) annotation_inline
parent ligne 11
via heuristic_height
14 [Anu. 172] editorial_bracket
parent ligne 11
via heuristic_brackets
15 (Contention) Whatisstated by the word 'bhinna?' Does the word bhinnamean main
via surya_layout
16 that which is split or does it mean 'this is distinct from that'? This should not be main
via surya_layout
17 said. 'Bhinna' here is said to be vikṛta (modified). The state of being vikṛta is main
via surya_layout
18 according to the prescription given before in terms of śruti-bhinna and the like. main
via surya_layout
19 [Svarabhinna] section_header
via surya_layout
20 [Anu. 173] editorial_bracket
parent ligne 19
via heuristic_brackets
21 Now for the sake of elucidating the aforesaid description of bhinna (rāgas), main
via surya_layout
22 the definition of svarabhinna (out of the four) is being spoken of in the main
via surya_layout
23 beginning - annotation_inline
parent ligne 22
via heuristic_height
24 When the <math>v\bar{a}din^{46}</math> is upheld (as the initial note) and the <math>sainv\bar{a}din</math> or <math>anu main
via surya_layout
25 or vivādin is released (as the finale), that is called svara-bhinna. main
via surya_layout
26 (305) annotation_inline
parent ligne 25
via heuristic_height
27 [Anu. 174] editorial_bracket
parent ligne 25
via heuristic_brackets
28 This means – the madhyama that is the graha and amsa of suddha-sādava main
via surya_layout
29 (rāga) that belongs to madhyamagrāma, is replaced with dhaivata that is taken main
via surya_layout
30 up as being vivādin or anuvādin. When the samvādin of the svara madhyama main
via surya_layout
31 is treated as a point of release (tyāga) or placement (nyāsa), then it is called main
via surya_layout
32 svara-bhinna. In bhinna-ṣaḍja, dhaivata is vādin on account of 'speaking out' main
via surya_layout
33 (vadana) and it is again of abundant usage. main
via surya_layout
34 (Contention) Out of the five (bhinna) rāgas, why is bhinna -ṣaḍja being main
via surya_layout
35 described in the beginning itself? Truly has it been said, on account of its main
via surya_layout
36 prominence. Its prominence is thus-just as in the (rāgas of) śuddhagīti, there is main
via surya_layout
37 the prominence of śuddha ṣāḍava, similar is the case of bhinna ṣaḍjain the (rāgas main
via surya_layout
38 of) bhinna gīti, on account of this (bhinna-ṣadja) being a variety of that (śuddha main
via surya_layout
39 sādava).<sup>47</sup> main
via surya_layout

vol_II_p022 LEFT — 36 lignes

page vol_II_p022 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 26 page_number
via heuristic_pagenum
3 गान्धार्या द्वावनंशौ च हेयावृषभधैवतौ । main
via surya_layout
4 <sup>६८</sup>षु (गेआ?हेपा) main
via surya_layout
5 क्रमात्रित्यं त्वपन्यासौ विज्ञेयौ षड्जपञ्चमौ ॥२२२॥ main
via surya_layout
6 ६९ल्यमफ annotation_inline
parent ligne 5
via heuristic_short
7 धैवतादृषभं गच्छेदेवं भ स्यात् सर्वमेव तत् । main
via surya_layout
8 तुष्ध unknown
via fallback
9 (व?वं) main
via surya_layout
10 प्रायशो रक्तगान्धार्यामपन्यासस्तु मध्यम: ॥२२३॥ main
via surya_layout
11 ७२०यां अ annotation_inline
parent ligne 10
via heuristic_short
12 (मा/प:) main
via surya_layout
13 बहुप्रयोग: कर्तव्यो धैवतोऽथ निषादवान् । main
via surya_layout
14 षड्जगान्धारसञ्चार: कार्यश्चास्यां प्रयोक्तभि: ॥२२४॥ main
via surya_layout
15 (जं?ज) annotation_inline
parent ligne 14
via heuristic_short
16 (₹?₹:) main
via surya_layout
17 श्स्याः annotation_inline
parent ligne 16
via heuristic_height
18 गान्धारोदीच्यवा प्राय: षड्जोदीच्यवतीसमा । main
via surya_layout
19 (य?य:) annotation_inline
parent ligne 18
via heuristic_short
20 षड्जश्च मध्यमश्चांशौ न चौडुवितमिष्यते ॥२२५॥ main
via surya_layout
21 0130 page_number
via heuristic_pagenum
22 पञ्चांशा मध्यमायास्तु ज्ञेया द्विश्रुतिवर्जिता:। main
via surya_layout
23 क्रमात् ताभ्यां च हीनत्वं बहुलौ षड्जमध्यमौ ॥२२६॥ main
via surya_layout
24 (मी) annotation_inline
parent ligne 23
via heuristic_short
25 गान्धारोदीच्यवावतु मध्यमोदीच्यवा भवेत्। main
via surya_layout
26 (तुल्या मध्यमोदीच्यवा) main
via surya_layout
27 साप्तस्वर्यं तु नित्यं स्यादस्यामंशस्तु पञ्चम: ॥२२७॥ main
via surya_layout
28 पञ्चम्यां गुरुभि: प्रोक्तावंशावृषभपञ्चमौ । main
via surya_layout
29 •धेवती<sup>७३</sup> annotation_inline
parent ligne 28
via heuristic_short
30 <sup>७४</sup>सनिषादावपन्यासौ मध्यमर्षभसंगति: ॥२२८॥ main
via surya_layout
31 समध्यमाः annotation_inline
parent ligne 30
via heuristic_height
32 षड्जमध्यमगान्धारा अल्पाश्च परिकोर्तिता: । main
via surya_layout
33 <b>ल्लु<sup>७५</sup>,</b> main
via surya_layout
34 स्यात्रिषादाच्च गान्धारो मध्यमावच्च हीनता ॥२२९॥ main
via surya_layout
35 अल्पस्य परिकोर्तिता annotation_inline
parent ligne 34
via heuristic_short
36 स्यात्रिपादाच्य + + + मध्यमा चच्च होनता(?) । main
via surya_layout
145 lignes a valider — change uniquement les roles incorrects.