Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21507). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p089 LEFT — 30 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
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2 160 page_number
via heuristic_pagenum
3 यापापाधापासासापाधापमगामामा page_header
via surya_layout
4 उदाहरणम् - सापापाधामामा पागामगापधाधापागमा main
via surya_layout
5 गामसासासागागामागामामा । षड्ज[मध्यमा]।[४] editorial_bracket
parent ligne 4
via heuristic_brackets
6 मध्यमांशा तु षड्जान्ता <sup>७२</sup>दुर्बला पञ्चमेन तु । main
via surya_layout
7 ७३धैवतनिषादबाहुल्यं षड्जधैवतयोस्तथा ॥ main
via surya_layout
8 भाषेयं षाडवा ज्ञेया प्रेङ्खके मधुरी भवेत् ॥ ८८॥ main
via surya_layout
9 प्रेक्षके मधुकरी annotation_inline
parent ligne 8
via heuristic_height
10 मापानिसासारिरोगमगारीसासा main
via surya_layout
11 उदाहरणम् – मापापाधाधामाधनिनिपासनिधसासा मापाधनिसनिसासा main
via surya_layout
12 निधापापापाधनिधा सासा रिरोममागरिसासा। मधुरी। [५] editorial_bracket
parent ligne 11
via heuristic_brackets
13 मधु(क)री annotation_inline
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14 ॥ इति हिन्दोलके भाषा[:] समाप्ता[:] ॥ editorial_bracket
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15 [५.अथ पञ्चमे] ७४ editorial_bracket
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16 पञ्चमांशा तदन्ता च निषादबहुला सदा। main
via surya_layout
17 परस्परं तु दृश्येत अषड्जधैवतसङ्गतिः ॥ ८९॥ main
via surya_layout
18 <sup>७६</sup>पूर्णा पञ्चमजा ह्येषा त्वाभीरी देशसम्भवा । main
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19 आभौरी annotation_inline
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20 पूर्ण annotation_inline
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21 एषा भाषा तु विज्ञेया प्रथमा पञ्चमोद्भवा ॥ ९०॥ main
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22 उदाहरणम् -पाधामाधनिधापापापा पधनिधामामाधानिसासा सनिधनिसधानिसानिधासा धरि- main
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23 मामाधानिनिधापापा पममधनिसासा सनिनिसासासिनगरिमममागा रिसससधिनपा धामामास - main
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24 रिमाधारिमपापा । आभीरी। [१] editorial_bracket
parent ligne 23
via heuristic_brackets
25 भाविनी पञ्चमन्यासा गान्धारांशाल्पधैवता । main
via surya_layout
26 मध्यपञ्चमयोर्यत्र गमनं दृश्यते घनम् ॥ main
via surya_layout
27 मध्यम् annotation_inline
parent ligne 26
via heuristic_height
28 भाषा तु भाविनी ज्ञेया पूर्णा गान्धर्ववेदिभिः ७०॥ ९१॥ main
via surya_layout
29 उदाहरणम् -गामापागमपानिधा[पा]। गमपामागागारीरीगानीधापापापाप। मामागामापापा editorial_bracket
parent ligne 28
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30 मापापामाधारीसगगमापा मागारीरीपापा । भाविनी ।[२] editorial_bracket
parent ligne 28
via heuristic_brackets

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1 BRHADDEŚĪ page_header
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2 6 page_number
via heuristic_pagenum
3 ‘‘शुद्धा विकृताश्चैव हि समवायाज्जातयस्तु जायन्ते । main
via surya_layout
4 <sup>८</sup>पुनरेवाशुद्धकृता भवन्त्यथैकादश परास्तु ॥’’ main
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5 [ना॰ शा॰ २८.४६] editorial_bracket
parent ligne 4
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6 <sup>९</sup>तासां यास्तु निर्वृत्ता: स्वरेष्वथांशेषु <sup>१</sup>°हानिषु च । annotation_inline
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via heuristic_markers
7 जातिषु annotation_inline
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8 • व • annotation_inline
parent ligne 4
via heuristic_height
9 जातीस्ता वक्ष्याम: सङ्क्षेपेण क्रमेण चैवात्र ॥ १९२ ॥ main
via surya_layout
10 <sup>११</sup>षड्जाया मध्यमायाश्च संसर्गात् षड्जमध्यमा । main
via surya_layout
11 षड्जायाश्चैव गान्धार्या जायते षड्जकैशिकी॥ १९३ ॥ main
via surya_layout
12 तयोरेव सधैवत्यो: षड्जोदीच्यवती भवेत्। main
via surya_layout
13 आसां समध्यमानां तु गान्धारोदीच्यवा भवेत् ॥ १९४ ॥ main
via surya_layout
14 गान्धार्या मध्यमायाश्च पञ्चम्याश्चेव सङ्करात् । unknown
via fallback
15 (मी?म्या) annotation_inline
parent ligne 13
via heuristic_height
16 सधैवतीनामासां तु मध्यमोदीच्यवा भवेत् ॥ १९५ ॥ main
via surya_layout
17 आसां स्याद् रक्तगान्धारी नैषादी चेच्चतुर्थिका । main
via surya_layout
18 आर्षभ्यास्तु भवेदान्ध्री गान्धार्याश्चैव सङ्करात् ॥ १९६ ॥ main
via surya_layout
19 •द्यन्धी annotation_inline
parent ligne 18
via heuristic_height
20 अनयोस्त् सपञ्चम्योर्नन्दयन्ती प्रजायते । main
via surya_layout
21 सनिषादास्त्वगान्धार्याः कुर्युः कार्मारवीमिमाः ॥ १९७ ॥ main
via surya_layout
22 ग्माम् annotation_inline
parent ligne 21
via heuristic_height
23 गान्धारी पञ्चमी चैव ताभ्यां गान्धारपञ्चमी । main
via surya_layout
24 १२तथा annotation_inline
parent ligne 23
via heuristic_short
25 आर्षभी-धैवती-वर्ज्याः कैशिकीमिति सङ्कराः ॥ १९८॥ main
via surya_layout
26 इदानीं विभागमाहु: - section_header
via surya_layout
27 <sup>१३</sup>चतस्रो जातयो नित्यं ज्ञेया: सप्तस्वरा बुधै:। main
via surya_layout
28 चतस्र: षट्स्वराश्चान्या दश पञ्चस्वरा: स्मृता: ॥ १९९ ॥ main
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29 न्द्या annotation_inline
parent ligne 28
via heuristic_height
30 एतदेव स्फुटं भवति - main
via surya_layout
31 मध्यमोदीच्यवा चैव तथा वै षड्जकैशिकी । main
via surya_layout
32 कार्मारवी च सम्पूर्णा तथा गान्धारपञ्चमी ॥ २०० ॥ main
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vol_II_p067 RIGHT — 34 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 117 page_number
via heuristic_pagenum
2 TRANSLATION page_header
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3 [Anu. 200] editorial_bracket
parent ligne 4
via heuristic_brackets
4 This means - Mālavakaišika is related to madhyamagrāma on account of main
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5 being born of kaiśikī jāti. Ṣadja is the graha, aniśa and nyāsa. There is the main
via surya_layout
6 sparseness of dhaivata here. In usage, niṣāda is kākalī here and this (rāga) is main
via surya_layout
7 complete in svaras. Its application is prescribed in vipralambha-śṛṅgāra (love in separation). Vīra<sup>74</sup> and the main
via surya_layout
8 with sadja obtains. Ārohin is the varņa. Prasannamadhyama is the alankāra. main
via surya_layout
9 The kalāis formed in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) main
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10 and the kalā prevails in the citra (mārga). A tāla like caccatpuṭa obtains in main
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11 songs comprised of svara and pada. main
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12 [The assignment of gramas to vesararagas] section_header
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13 Now the particular grāma of each one of the vesara (rāgas) is being shown - main
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14 Ţakkarāga, similarly sauvīra, ṭakkakaišika, boṭṭarāga and vesara-ṣāḍava are in the main
via surya_layout
15 one (grāma) called sadja. annotation_inline
parent ligne 14
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16 (329) annotation_inline
parent ligne 14
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17 Hindolaka, mālavapancama and mālavakaišika should be known to be born main
via surya_layout
18 of madhyamagrāma. annotation_inline
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19 (330) annotation_inline
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20 Thus have all the vesara(rāgas) been spoken of with their definitive main
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21 descriptions. They are known as vega-svaras 75 because the speed of svaras is main
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22 seen in them. annotation_inline
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23 (331) annotation_inline
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24 [ E. Sādhāraņa rāgas] section_header
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25 The śuddha, bhinna, gauḍa and similarly vegasvara (rāgas) have been spoken main
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26 of. Now I will speak of the seven sādhāraņa ones. main
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27 (332) annotation_inline
parent ligne 26
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28 [Anu. 201] editorial_bracket
parent ligne 26
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29 (Contention) Howdoes the sidhāraṇatva (commonness) of sādhāraṇa (rāgas) main
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30 come about? It is being answered. On account of being born of the gitis main
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31 pertaining to all the ragas that have been spoken of heretofore, there is their main
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32 sādhāraņatva (commonness); this comes about on account of their being sung in main
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33 the sādhāraṇa-giti. Similarly has said Kasyapa- main
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34 "Seven sādhāraņa (rāgas) have been said to be based in all the gitis." main
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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚÏ page_header
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2 112 page_number
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3 [५. बोट्टरागः] section_header
via surya_layout
4 स्यात् षड्जमध्यमाजाते: पञ्चम्याश्च विनिर्गत: । main
via surya_layout
5 बोट्टरागश्च विज्ञेय: पञ्चमांशोऽन्तमध्यम: ॥३२४॥ main
via surya_layout
6 पञ्चमोंऽशो( ऽन्त)मध्यमः annotation_inline
parent ligne 5
via heuristic_height
7 [अनुः १९६] section_header
via surya_layout
8 [अस्यार्थ:-]बोट्टराग: षड्जग्रामसम्बन्ध:<sup>७७</sup>षड्जमध्यमापञ्चमीजात्योर्जातत्वात्। editorial_bracket
parent ligne 7
via heuristic_brackets
9 यद्यप्युभयग्रामसम्भूतजातिद्वयसमुत्पन्नः,तथापि पञ्चमस्य<sup>७८</sup>चतुंःश्रुतिकत्वात् षड्जग्रामसम्बन्धः। main
via surya_layout
10 पञ्चमो ग्रहोंऽशश्च । मध्यमो न्यास: । निषादगान्धारयोरल्पत्वम्<sup>७९</sup>। निषादोऽत्र काकली । main
via surya_layout
11 पूर्णस्वरश्चायम्। उत्सवे चास्य विनियोगः। शान्तादिको रसः। पञ्चमादिमूर्छना । आरोही वर्णः । main
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12 प्रसन्नान्तोऽलङ्कारः। दक्षिणे कला, वार्तिक कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादितालः । main
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13 [६. हिन्दोल:] section_header
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14 षड्जांशन्याससंयुक्तो धैवतर्षभवर्जित:। main
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15 धैवत्यार्षभिकात्यक्तो हिन्दोल: प्रेक्षणे भवेत् ॥ ३२५॥ main
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16 र्व्य(भी?भिका)॰ annotation_inline
parent ligne 15
via heuristic_markers
17 [अनु॰ १९७] section_header
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18 [अस्यार्थ: -] हिन्दोलको मध्यमग्रामसम्बन्ध: । <sup>८</sup>°[ननु] धैवत्यार्षभीरहितोभय- editorial_bracket
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19 रहित:।उभय annotation_inline
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20 ग्रामसम्बन्ध्यशेषस्वराख्यजातिसमुत्पत्रत्वादुभयग्रामिकत्वमेव युक्तम् ,कथं मध्यमग्रामाश्रित इति? main
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21 ग्रामसम्बन्धः annotation_inline
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22 धैवतर्षभहीनत्वान्मध्यमग्रामसम्बन्ध एव, ८१भरतकोहलादिभिराचार्यै: main
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23 षड्जग्रामे annotation_inline
parent ligne 22
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24 ॰भी(ही)क annotation_inline
parent ligne 22
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25 धैवतर्षभलोपस्यानिष्टत्वात् । केचित् षड्जग्रामाश्रित एवायमिति मन्यन्ते चतुः-श्रुतिकस्य main
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26 पञ्चमस्यात्रोपलम्भात् । धैवतस्य चानाशित्वं तानविषयमेव द्रष्टव्यं न सर्वत्रेति । एतच्चायुक्तम् । एवं main
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27 हि सित ग्राममूर्छनाभेदो न स्यादिति । main
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28 (छ) annotation_inline
parent ligne 27
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L#Texte OCRRole autoCorriger si incorrect
1 105 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 (Anu. 102) annotation_inline
parent ligne 4
via heuristic_height
4 Like hunkāra one should ascend (with) three solfa syllables without a gap main
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5 (and) in a combined80 (manner), thence two lower svaras (forming two phrase- main
via surya_layout
6 units each) should be made (pronounced) with shake81 and verily in main
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7 combination with another (next) kalā 82 (phrase-unit). Thus is gātravarņa, main
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8 because of the combination or formulation of ekakala 83 svaras (forming main
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9 temporal units of one kalā or mātrā each). As - dhanisa nini dhadha, padhani main
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10 dhadha papa, mapadha papa mama, gamapa mama gaga, rigama gaga riri, main
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11 (33) annotation_inline
parent ligne 10
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12 sariga riri sasa. Thus is (ends) gatravarna. main
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13 [ The treatment of Alankaras according to Bharata's opinion ] section_header
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14 I shall now speak of the varnas 84 in which the charming alankāras are main
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15 'seated' (formed), according to the prescription of Bharata. main
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16 (121) annotation_inline
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17 Prasannādi, prasannānta, prasannādyanta, similarly prasannamadhya, sama, main
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18 recita itself, prastāra and prasāda are based on the sthāyivarņa. These alankāras main
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19 (122, 123) annotation_inline
parent ligne 18
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20 should be known according to their respective definition. main
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21 After this, please understand (the alankāras) born of the sancārin (varņa), as main
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22 they are again and again being described (lit. glorified). Mandratāraprasanna, main
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23 bindu, prenkolita, tāramandraprasanna, nivīttapravītta, kuhara, veņu, ranjita, main
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24 upalolaka, avartaka, paravarta. Thus are the eleven charming alankaras born of main
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25 <math>(124 - 126)</math> annotation_inline
parent ligne 24
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26 the sancarin (varna). annotation_inline
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27 Nişkūjita, kuhara, hasita, bindu itself, prenkholita, ākṣipta, vidhuta, udvāhita, main
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28 hrādamāna, sampradāna, sandhipracchādana, prasannādi and main
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29 prasannanta—(these) thirteen are (based) on the arohin (varna). (127, 128) main
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153 lignes a valider — change uniquement les roles incorrects.