Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

vol_II_p100 RIGHT — 22 lignes

L#	Texte OCR	Role auto
1	183	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	15. Now the bhāṣās in pañcamaṣāḍava	section_header via surya_layout
4	Having ṛṣabha as amśa, madhyama as the concluding note, this śakabhāṣā is	main via surya_layout
5	said to be complete (and) having abundant gändhära-pañcama. The profusion	main via surya_layout
6	of dhaivata-ṛṣabha is seen again and again. (This) bhāṣā (subsists) in	main via surya_layout
7	pancamaṣāḍava, being born of śakarāga. 71	main via surya_layout
8	(142-143)	annotation_inline parent ligne 7 via heuristic_height
9	Illustration - Ririsānini. Pānīririri [ . . . ma ]. Šakabhāṣā.	editorial_bracket parent ligne 7 via heuristic_brackets
10	[Thus in pañcamaṣāḍava]	section_header via surya_layout
11	Thus are the bhāṣās manifested in (this)world, that are known to be	main via surya_layout
12	accepted by many. That <math>(bh\bar{a}s\bar{a})</math> is so modified as it is performed by one.<sup>72</sup>	main via surya_layout
13	(144)	annotation_inline parent ligne 12 via heuristic_height
14	Similarly, (a bhāṣā) should be sung in accordance with its lakṣaṇas, with all	main via surya_layout
15	effort. It should always be listened to by the singers in the context of wit and	main via surya_layout
16	humour and whatever is seen in fighting or sacrifice (yajña), all that is shown	main via surya_layout
17	by that (bhāṣā). Bhāṣās are obtained everywhere in grāmarāgas.	main via surya_layout
18	<math>(145-146)</math>	annotation_inline parent ligne 17 via heuristic_height
19	Thus ends in sarvāgamasamhita the fourth chapter dealing with bhāṣā-	main via surya_layout
20	lakṣaṇa where Yāṣṭika is the leader.	main via surya_layout
21	[ B. Bhāṣās according to Śārdūla]	section_header via surya_layout
22	After this I shall speak of the description of bhāṣā according to Śārdūla.	main via surya_layout

vol_II_p011 RIGHT — 38 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	5	page_number via heuristic_pagenum
3	and andhri and nandayanti and karmaravi and then kaisiki, thus should be	main via surya_layout
4	known the eleven (jātis) based on madhyamagrāma.	main via surya_layout
5	<math>(189 - 190)</math>	main via surya_layout
6	[Thus end the eleven jātis based on madhyamagrāma]	editorial_bracket parent ligne 5 via heuristic_brackets
7	[ sādhāraņakṛtā jātis ]	section_header via surya_layout
8	Three jatis should be known by the wise to be sadharanakṛtā (those in	main via surya_layout
9	which the use of sādhāraṇa svaras is prescribed) viz., madhyamā, pañcamī and	main via surya_layout
10	similarly <i>şadjamadhyamā</i>.	main via surya_layout
11	(191)	annotation_inline parent ligne 10 via heuristic_short
12	Thus ends the number and nomenclature of jātis.	main via surya_layout
13	[2. The śuddhā, vikṛtā and samsargajā vikṛtā jātis]	section_header via surya_layout
14	[Anu. 115]	section_header via surya_layout
15	Out of these eighteen jātis the seven bearing the names of (seven) svaras	main via surya_layout
16	are spoken of as being twofold - suddhās and vikṛtās. The suddhās are devoid	main via surya_layout
17	of the omission of notes and have their anisa, graha, nyāsa and apanyāsa on	main via surya_layout
18	their own svara, i.e. the svara from which each of them derives its respective	main via surya_layout
19	name. They assume the name vikṛtā on account of the alteration obtaining	main via surya_layout
20	in them through an alteration in respect of one, two or many lakṣaṇas	main via surya_layout
21	(characteristics) out of the above lakṣaṇas(characteristics of their śuddha	main via surya_layout
22	1002 472 7	unknown via fallback
23	form), excepting nyāsa4 (which is not altered).	main via surya_layout
24	[Anu. 116]	section_header via surya_layout
25	Out of these (lakṣaṇas) he (the author) spoke (speaks) about the	main via surya_layout
26	日本が一次の後の日の行人の行うのできるというますが、まるは、大利の大利の人の自己となりから	unknown via fallback
27	prescription of nyāsa. There in the prescription of nyāsa, the nyāsa which is	main via surya_layout
28	the svara from which the respective jāti derives its name, is, as a rule, low	main via surya_layout
29	(mandra) in the jātis that are śuddhā (unaltered). In the vikṛtā (jātis) the	main via surya_layout
30	nyāsa on the note from which the respective jāti derives its name, is either	main via surya_layout
31	tāra (high) or mandra (low); thus there is no rule.	main via surya_layout
32	[Anu. 117]	section_header via surya_layout
33	Thus the śuddhā jātis have a twofold<sup>5</sup> form, viz., the original (unaltered)	main via surya_layout
34	and the altered state. The eleven jātis have only an altered state because they	main via surya_layout
35	are born of the vikṛtā varieties (of śuddhā jātis); they do not have an	main via surya_layout
36	unaltered state. Why is that so? They are born of mutual blending.	main via surya_layout
37	Similarly has said Bharata -	main via surya_layout
38	ر<br>د د د د د د د د د د د د د د د د د د د	unknown via fallback

vol_I_p038 RIGHT — 40 lignes

L#	Texte OCR	Role auto
1	59	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	[ Anu . 39 ]	editorial_bracket parent ligne 4 via heuristic_brackets
4	Thus have been spoken of the fourteen complete murchanas of both the	main via surya_layout
5	grāmas. Now their names are being mentioned.	main via surya_layout
6	In (i.e. beginning with) şadja is uttaramandrā, in niṣāda is known rajanī, 27 in	main via surya_layout
7	dhaivata is known uttarā (uttarāyatā) and śudhaşadjā is in pañcama. (93)	main via surya_layout
8	Matsari (matsarikṛtā) should be known in madhyama and aśvakrāntikā in	main via surya_layout
9	gāndhāra and with ṛṣabha should be known abhirudgatā,28 the seventh one.	main via surya_layout
10	(94)	annotation_inline parent ligne 9 via heuristic_height
11	Thus are to be known the seven mūrchanās subsisting in şadja-grāma.	main via surya_layout
12	Hereafter I shall speak of the murchanas of madhyama-grama.	main via surya_layout
13	(95)	annotation_inline parent ligne 12 via heuristic_height
14	Sauvīrī is with madhyama and hariņāśvikā (hariņāśvā) is in gāndhāra and	main via surya_layout
15	(96)	annotation_inline parent ligne 14 via heuristic_height
16	kalopanatā would be the mūrchanā with ṛṣabha itself.	main via surya_layout
17	Suddhamadhyā, on the other hand, could be in şadja and in niṣāda itself (is)	main via surya_layout
18	mārgitā (mārgi). Pauravī is to be known in dhaivata and hṛṣyakā in pañcama.	main via surya_layout
19	ł	annotation_inline parent ligne 18 via heuristic_height
20	(97)	main via surya_layout
21	Thus the mürchanās of madhyamagrāma have been spoken of by me. Now I	main via surya_layout
22	shall speak of the şāḍavā (hexatonic) and auḍavā (pentatonic) mūchanas.	main via surya_layout
23	(98)	annotation_inline parent ligne 22 via heuristic_height
24	Şāḍava is to be known as having six svaras and auḍavā is to be known with	main via surya_layout
25	five svaras; and the etymology of sadavas and auduvitas is being spoken of.	main via surya_layout
26	(99)	annotation_inline parent ligne 25 via heuristic_height
27	(Anu. 40)	annotation_inline parent ligne 25 via heuristic_height
28	Those six svaras that protect (the performance) are (known as) sadava	main via surya_layout
29	svaras; their use (in performance) is (called) sādava. Falling under the tāraka	main via surya_layout
30	gaṇa,29 it (ṣāḍava) is (combined with) itac pratyaya 30 (suffix) (and thus ‘ṣāḍavitā’	main via surya_layout
31	is formed).	annotation_inline parent ligne 30 via heuristic_height
32	(Anu. 41)	annotation_inline parent ligne 30 via heuristic_height
33	The ākāśa (space) in which the udus 31 (stars) move, that ākāśa is (known) as	main via surya_layout
34	auduva. By that (the word auduva) the number five is indicated. (<math>\bar{A}k\bar{a}\dot{s}a</math>) is the	main via surya_layout
35	fifth mahābhūta; auduvita is that in which the number (five) of that (ākāśa)	main via surya_layout
36	exists.	annotation_inline parent ligne 35 via heuristic_height
37	Ṣāḍava is that which has six svaras, its lakṣaṇa (description) is sevenfold and	main via surya_layout
38	it is to be known as being numbered forty-nine,52 by the knowledgeable ones in	main via surya_layout
39	(100)	annotation_inline parent ligne 38 via heuristic_height
40	gīta (lit. song i.e. music).	main via surya_layout

vol_II_p053 LEFT — 35 lignes

L#	Texte OCR	Role auto
1	88	page_number via heuristic_pagenum
2	BRHADDEŚĪ	page_header via surya_layout
3	मुख्य इति षाडवः ? तत्र नायम्। एकः । कुतः ? सम्पूर्णत्वादमुष्य रागस्य । तस्मादुत्तरपक्ष एव	main via surya_layout
4	ज्यायान्। ननु कथं षट्सु रागेषु मुख्योऽयम्? उच्यते पूर्व-[रङ्गे तु] शुद्धषाडव: प्रयोक्तव्य इति	editorial_bracket parent ligne 3 via heuristic_brackets
5	(कथनुकथन? कथं)	main via surya_layout
6	पुष	annotation_inline parent ligne 5 via heuristic_height
7	वचनात् पूर्वरङ्गे प्रचुरप्रयोगत्वादस्य शुद्धषाडवस्यादौ निर्देश:।	main via surya_layout
8	विकारिमध्यमाजाते: सम्भूत: शुद्धषाडव: ।	main via surya_layout
9	न्	annotation_inline parent ligne 8 via heuristic_height
10	न्यासोऽस्य मध्यमोंऽशश्च गान्धारेण च दुर्बल: ॥ ३००॥	main via surya_layout
11	<b>णांश</b>श	annotation_inline parent ligne 10 via heuristic_height
12	(तु? दु)	annotation_inline parent ligne 10 via heuristic_height
13	[अनु॰ १६५]	section_header via surya_layout
14	अस्यार्थः - शुद्धषाडवो मध्यमग्रामसम्बन्धः। तारमध्यमो ग्रहः। मध्यमोऽशो न्यासश्च ।	main via surya_layout
15	गान्धारस्य चाल्पत्वम् । निषादगान्धारौ चात्र काकल्यन्तरौ । पूर्णस्वरश्चायम् । पूर्वरङ्गेऽस्य	main via surya_layout
16	(इन ? इने)	annotation_inline parent ligne 15 via heuristic_short
17	मध्यमो वादी । षड्जः संवादी । ऋषभपञ्चमावनुवादिनौ । विवादी नास्ति ।	main via surya_layout
18	प्रयोग:।	annotation_inline parent ligne 17 via heuristic_short
19	शृङ्गारहास्यौ रसौ । मध्यमादिमूर्छना । अवरोही वर्ण: । प्रसन्नान्तोऽलङ्कार: ।	main via surya_layout
20	त्रिषु मार्गेषु	main via surya_layout
21	गीयते। दक्षिणे कला, वृत्तौ कला, चित्रे कला। ३८स्वरपदगीते चच्चत्पुटादिताल: ।	unknown via fallback
22	<b>ण्पदेप</b>	annotation_inline parent ligne 20 via heuristic_height
23	आक्षिप्तिका<sup>३९</sup>	main via surya_layout
24	॰सका	annotation_inline parent ligne 23 via heuristic_markers
25	[२. शुद्धपञ्चम:]	section_header via surya_layout
26	ДO	annotation_inline parent ligne 25 via heuristic_height
27	[अनु॰ १६६]	editorial_bracket parent ligne 25 via heuristic_brackets
28	शुद्धपञ्चमः षड्जोदीच्यवतीजातेः स्मृतः।	main via surya_layout
29	र्गत:	annotation_inline parent ligne 28 via heuristic_height
30	[३. शुद्धसाधारित: ]	section_header via surya_layout
31	षड्जांशो मध्यमन्यासः स्वल्पद्विश्रुतिकस्वरः।	main via surya_layout
32	(बि?हि)	unknown via fallback
33	स्यात् षड्जमध्यमाजाते: शुद्धः साधारितस्तथा ॥ ३०१॥	main via surya_layout
34	erte Arresto de la composição de la composição de la composição de la composição de la composição de la composição de la	annotation_inline parent ligne 33 via heuristic_height
35	. . .	annotation_inline parent ligne 33 via heuristic_height

vol_II_p099 LEFT — 26 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚĪ	page_header via surya_layout
2	180	page_number via heuristic_pagenum
3	१३०सुसम्पूर्णस्वरा ह्येषा भाषा वै गीयते जनै:।	main via surya_layout
4	बाह्यषाडविका तत्र भाषा वेसरषाडवे ॥ १३८॥	main via surya_layout
5	उदाहरणम् -मामासारिसारिगारिसासासारिमा पाधैवतधापासामागापामध्यम। गागागारिगाग-	main via surya_layout
6	सासा	annotation_inline parent ligne 5 via heuristic_height
7	गधरिमा गानिसानिसाधपामामा । बाह्यषाडवा । [१]	editorial_bracket parent ligne 5 via heuristic_brackets
8	<i>•</i>पाइवम्	annotation_inline parent ligne 5 via heuristic_height
9	षड्जांशा मध्यमन्यासा गान्धारमन्द्रभूषिता ।	main via surya_layout
10	गान्धा(रं?रे)	annotation_inline parent ligne 9 via heuristic_height
11	कर्तव्या षाडवा ह्येपा <sup>१३१</sup>नादाख्या रागषाडवे ॥ १३९॥	main via surya_layout
12	पञ्चमेन विहीना तु षाडवा सम्प्रकीर्तिता ।	main via surya_layout
13	सङ्कीर्णेयं सदा ख्याता लोकानां रिञ्जका मता ॥ १४०॥	main via surya_layout
14	लोकिनी रिज्जकामिका	annotation_inline parent ligne 13 via heuristic_height
15	उदाहरणम् - सासानिमामा सारिमामाधामामा रिगारिरिनिगासानिधामामा । नादाख्या। [२]	editorial_bracket parent ligne 13 via heuristic_brackets
16	[एते] वेसरषाडवे।	editorial_bracket parent ligne 13 via heuristic_brackets
17	भावेसर ॰	annotation_inline parent ligne 13 via heuristic_markers
18	[१३. अथ भिन्नताने]	section_header via surya_layout
19	पञ्चमांशा तदन्ता च भिन्नताने प्रकीर्तिता ।	table via surya_layout
20	ऋषभेण विहीना तु कर्तव्या गीतकोविदै: ॥	table via surya_layout
21	साधारणा(उदा?)	table via surya_layout
22	साधारणकृता होषा भाषा <sup>१३२</sup>तानोद्भवा मता ॥ १४१॥	table via surya_layout
23	.....[तानोद्भवा]	table via surya_layout
24	[एषा भिन्नताने]	table via surya_layout
25	[१४. अथ गान्धारपञ्चमे]	table via surya_layout
26	.....<sup>१३३</sup>[गान्धारी]	table via surya_layout

Legende des roles

vol_II_p100 RIGHT — 22 lignes

vol_II_p011 RIGHT — 38 lignes

vol_I_p038 RIGHT — 40 lignes

vol_II_p053 LEFT — 35 lignes

vol_II_p099 LEFT — 26 lignes