Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21531). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p010 LEFT — 33 lignes

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1 (朝:) page_header
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2 श्रीमतङ्गमुनिप्रणीता section_header
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3 बृहद्देशी section_header
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4 प्रथमोऽध्यायः table
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5 [देशी-प्रकरणम्] table
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6 .............. table
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7 --------------------------------------- table
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8 - 11 table
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9 [ तत्र ध्वनेर्देशीत्वम् ] table
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10 [ मतङ्ग उवाच ] table
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11 नानाविधेषु देशेषु जन्तूनां सुखदो भवेत् table
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12 - 1 table
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13 ततः प्रभृति लोकानां नरेन्द्राणां यदृच्छया ॥१॥ table
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14 देशे देशे प्रवृत्तोऽसौ ध्वनिर्देशीति संज्ञितः । table
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15 [ ग्रन्थकृत्वचनम् ] table
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16 मतङ्गस्य वचः श्रुत्वा नारदो मुनिरब्रवीत् ॥२॥ table
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17 [ नारद उवाच ] table
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18 ननु ध्वनेस्तु देशीत्वं कथं जातं महामुने । table
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19 अमूर्तत्वाच्च तस्येति सत्यं मे वक्तुमर्हसि ॥३॥ table
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20 2 तेषां हि इति table
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21 मतङ्ग उवाच table
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22 यथादेशानुभूतत्वाद् ध्वनेः स्थानानुगत्वतः ॥४॥ table
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23 <sup>3</sup> ₀नुभूतदेशाञ्च table
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24 ³<sub>०</sub>गादपि table
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25 --------------------------------------- table
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26 11 page_number
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27 ------- table
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28 ततो बिन्दुस्ततो नादस्ततो मात्रास्त्वनुक्रमात् ॥५॥ table
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29 वर्णास्तु मातृकोद्भूता मातृका द्विविधा मताः । table
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30 स्वर-व्यञ्जनरूपेण जगज्ज्योतिरिहोच्यते ॥६॥ table
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31 इ्वर्यते देशभाषायां कादिक्षान्तं यथाविधि । table
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32 ५ यामादि, table
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33 तेन स्वराः समाख्याता अन्ये षड्जादयः स्वराः ॥७॥ table
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1 63 page_number
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2 TRANSLATION page_header
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3 mā mā mā mā mā mā mā mā table
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4 (4) table
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5 dhā nī pā mapa dhā nī pā pā table
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6 (5) table
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7 (6) table
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8 mā pā mā dhani pā pā pā pā table
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9 (7) table
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10 rî gā mā pā pā pā mā pā table
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11 (8) table
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12 rī gā mā pā pā pā mā pā table
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13 (9) table
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14 pā pā pā pā pā pā pā pā table
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15 (10) table
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16 rī gā sā sā rī gā gā gā table
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17 (11) table
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18 gã gã pã dhama dhã nidha pã pã table
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19 (12) table
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20 mā pā mā pariga gā gā gā gā table
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21 Thus ends raktagāndhārī. section_header
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22 [4. Kaiśikī] section_header
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23 In kaiśikī, the svaras other than ṛṣabha are aṁśas. When ni and dha are the main
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24 amsas, then pancama alone is the nyāsa; otherwise the svaras with two śrutis main
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25 (gāndhāra-niṣāda) are known to be nyāsas. Others, on the other hand, know main
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26 niṣāda, gāndhāra and pañcama as nyāsas when niṣāda and dhaivata are amsas. main
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27 (11) annotation_inline
parent ligne 26
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28 The hexatonic and pentatonic forms are known to come into being with main
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29 the omission of <i>rṣabha</i> and <i>rṣabha-dhaivata</i>. <i>Rṣabha</i> is sparse, there is the main
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30 abundance of niṣāda and pañcama. The amsas have mutual concert. main
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31 (12) annotation_inline
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32 Pañcama and dhaivata are averse to the hexatonic and pentatonic forms main
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33 respectively. (The tāla) pañcapāṇi and the like are as in ṣāḍjī. The mūrchanā main
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34 beginning with gāndhāra obtains. main
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35 (13) annotation_inline
parent ligne 34
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36 The application is (prescribed) in the dhruvā pertaining to the fifth act. main
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37 Gāndhāra, pancama and niṣāda are nyāsas in this (jāti). Six svaras excepting main
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38 rṣabha or seven svaras are apanyāsas. The prastāra is thus - main
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39 (1) table
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40 pā dhani pā dhani gā gā gā gā table
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41 pā pā mā nidha nidha pā pā pā table
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42 (2) table
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vol_I_p033 RIGHT — 41 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 49 page_number
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2 TRANSLATION page_header
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3 Pañcama is kṛṣṇa (black), dhaivata is yellow-coloured, this niṣāda is multi- main
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4 coloured, (thus) should be known the colours of svaras. main
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5 (74) annotation_inline
parent ligne 4
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6 (iii) Devatās. main
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7 The daivata 83 (presiding deity) of şadja is Brahmā, ṛṣabha is with the daivata main
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8 vahni (fire), gandhara has Bharati as its deva, madhyama is with Hara as daivata. main
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9 (75) annotation_inline
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10 Pañcama is with Satayajña (Indra is its daivata), dhaivata is with Gaṇa-nāyaka main
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11 (as its daivata), niṣāda, on the other hand, has Bhānu (Sun) as its deva; thus are main
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12 (76) annotation_inline
parent ligne 11
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13 the devatā84 of svaras. annotation_inline
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14 (iv) Singers (seers). annotation_inline
parent ligne 11
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15 The svara şadja is sung ('seen')85 by Agni (fire), ṛṣabha is revealed by main
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16 Brahmā, gāndhāra is sung by Soma (moon), madhyama svara (is revealed) by main
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17 Vișnu. annotation_inline
parent ligne 16
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18 (77) main
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19 On the other hand, the svara pancama is sung by the mahatman (great- main
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20 souled) Nārada, the svaras dhaivata and niṣāda are 'sung' by Tumburu. main
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21 (78) annotation_inline
parent ligne 20
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22 (v) Rasas annotation_inline
parent ligne 20
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23 The two svaras madhyama and pañcama should be 'made'86 (used) in the two main
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24 (rasas) hāsya and śṛṅgāra, the two (svaras) şadja and ṛṣabha should be known in main
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25 (79) annotation_inline
parent ligne 24
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26 vira, raudra and adbhuta rasas. main
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27 Gāndhāra and niṣāda should be 'done' in karuņa rasa. Dhaivata should also main
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28 (80) annotation_inline
parent ligne 27
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29 be 'done' (used) in bibhatsa and bhayānaka. main
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30 (vi) Sthānas annotation_inline
parent ligne 29
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31 Ṣadja arises from the throat, 67 rṣabha is known (to arise) from the cerebrum, main
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32 gāndhāra from the nose, madhyama svara from the chest. main
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33 (81) annotation_inline
parent ligne 32
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34 Pañcama svara is arisen from the throat, O glorious onel dhaivata, on the main
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35 other hand, is born of the palate-region (tālu-deśa). Niṣāda, on the other hand, main
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36 should be known to be born of all the joints (sandhis). main
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37 (82) annotation_inline
parent ligne 36
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38 Thus one should know the svaras born in the ocean of gita (melody, music), main
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39 arisen out of the mouth of Mahadeva and placed in the 'path' of desi.68 main
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40 (83) annotation_inline
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41 [ Thus ends the section on svara ] editorial_bracket
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vol_II_p097 LEFT — 33 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 (vide) annotation_inline
parent ligne 4
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2 176 page_number
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3 BRHADDEŚĪ page_header
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4 उदाहरणम् - धाधानिधासासानिधा धानिधाधाधापामागारिरिरिगामपापाधा main
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5 पगारिरिधमाधापा- annotation_inline
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6 पाधा पामरिगामानी annotation_inline
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7 धापाधाधा धामपाधापानिरिगरिसारिधा रिधारिधारिपाधाधाधाधानि। सासा- main
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8 প্ৰাণ annotation_inline
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9 रिगागामसामपमाधाधा धापाधासानिधैवतधाधा । धैवतभूषिता । [३] editorial_bracket
parent ligne 7
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10 विशाला पञ्चमांशा तु धैवतान्ता मनोहरा। main
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11 सुसम्पूर्णस्वरा होषा ११८ सञ्चार: सधयोर्हि च ॥ main
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12 शो धैवतस्तत: annotation_inline
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13 एषा भाषा तु विज्ञेया किन्नरैर्गीयते सदा ॥ १३०॥ main
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14 उदाहरणम् – पाधासासाधानी गासानिधाधा। पाधाधा। निसासानीधा पामागानिनिनिरिगामामा– main
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15 नीधानिसारिगारिसासानिधा रिगास निसानिधानि नीधापधधधपापामागारिरिधा- main
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16 गाममधा annotation_inline
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17 रिरिममध्यमगमापापापा निधधधधपामाधा निसासासारिरिरिमममपमपापाधा नीसानीधापाधा- main
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18 धा पानिनिनिसासामधापाधानिधा । विशाला । [४] editorial_bracket
parent ligne 17
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19 एता याष्ट्रिकप्रोक्ता भित्रपञ्चमभाषा:। main
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20 भित्रप(ञ्च)मभाषा(:) annotation_inline
parent ligne 19
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21 [९ अथ बोट्टरागे ] section_header
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22 पोट्ट annotation_inline
parent ligne 21
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23 पञ्चमांशा मध्यमान्ता सम्पूर्णा मध्यमोज्ज्वला । main
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24 <sup>११९</sup>धैवतनिषादसञ्चारो दृश्यते <sup>१२०</sup>बहुल: सदा ॥ १३१॥ main
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25 ॰निपाद: annotation_inline
parent ligne 24
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26 एषा बङ्गालभाषा तु बोट्टरागे प्रगीयते । main
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27 (तु) annotation_inline
parent ligne 26
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28 सर्वेषां मङ्गलानां च नायकैर्गीयते सदा ॥ main
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29 मङ्गल्या च प्रशस्ता च तेनासौ मङ्गला स्मृता ॥ १३२ ॥ unknown
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30 उदाहरणम् - पाधापाधामा धापामा गारिरिरिगमपा धासागासानिधापापामा । मङ्गला । [१] editorial_bracket
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31 माङ्गाली annotation_inline
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32 [१०. अथ मालवपञ्चमे] section_header
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33 ······<sup>१२१</sup>[ भाविनी ] table
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vol_II_p160 RIGHT — 42 lignes

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1 VIMARŚA page_header
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2 303 page_number
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3 lustre, splendour (Monier Williams). Maitrī Upaniṣad VI. 7 says "bha is so main
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4 called as it illuminates these worlds." It has been used in neuter gender main
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5 because it qualifies 'jyotis'. There is a sāman known as 'bhakāra' wherein all main
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6 the consonants are replaced with bh, keeping the vowels intact. That the main
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7 consonant 'bh' should have been selected for this purpose bears testimony main
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8 to the special importance of this consonant as it stands for light. main
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9 2. 'Hamsa' occurs in several Upanișads; the most relevant occurrence list_item
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10 is in Kathopanişad II.5.2, where hamsa is mentioned as one of the synonyms list_item
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11 of 'ātman'. list_item
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12 3. 'Bharata' here stands for ātman and not the sage Bharata. list_item
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13 4. Bhāratī is another name of Saraswatī and occurs in Rgveda (VIII. list_item
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14 6.9). list_item
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15 The verse containing the above four words is placed in the very main
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16 beginning of the chapter on raga. If it is taken to embody mangalacarana, its main
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17 relevance to rāga is not obvious (See Vol. III). main
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18 5. Here 'Bharata' stands for the sage who is the author of Nāṭyaśāstra. list_item
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19 6,7. 'Dhvani' basically means sound; a 'type of sound' or 'special list_item
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20 sound 'could mean 'a melodic form 'which is called 'dhun' in Hindi. list_item
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21 8,9. The general lakṣaṇa pertains to a category like jāti or rāga and list_item
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22 special lakṣaṇa pertains to the 'individuals' within a category. list_item
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23 10. A rūdha word is that where the etymological meaning is not list_item
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24 relevant; only the conventional meaning operates. list_item
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25 11. Aśvakarņa literally means 'the ear of a horse', but it is used for list_item
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26 a fracture of the bones that resembles the ear of a horse. list_item
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27 12. Yaugika means combinational. Mandapa is a compound list_item
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28 meaning one who drinks 'manda' or the scum of boiled rice or any grain, list_item
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29 stands for an open hall or pavilion. Really speaking, the list_item
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30 but it list_item
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31 combinational meaning does not operate here. list_item
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32 13. Yogarūdha is a type of word where both combination and list_item
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33 convention operate. The classic example is that of pankaja, which means list_item
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34 'that which is born in mud', but is restricted to lotus, although many other list_item
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35 things are born of 'mud'. list_item
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36 14. 'Sūkṣma' literally means small or subtle; here we have interpreted list_item
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37 it as being short in time, because 'small' in a temporal context would list_item
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38 naturally mean 'short in time'. list_item
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39 15. 'Kampa' has been translated here as shake according to English list_item
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40 idiom, although literally it could also be rendered as 'tremor'. list_item
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41 16. ' Pāṇi' means 'hand', but here 'hand' could not be relevant to the list_item
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42 context, not even the figurative usage of 'hand' in tāla as a synonym of list_item
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191 lignes a valider — change uniquement les roles incorrects.